The Modern Lovers | ||||
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Released | August 1976 | |||
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Label | Beserkley | |||
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The Modern Lovers chronology | ||||
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The Modern Lovers is the debut studio album by American rock band the Modern Lovers. It was released on Beserkley Records in August 1976,though the original tracks had been recorded in 1971 and 1972. Six of the original tracks were produced by John Cale.
The album has been featured three times on Rolling Stone magazine's list of the 500 greatest albums of all time,and was included in Robert Dimery's book 1001 Albums You Must Hear Before You Die .
The Modern Lovers were formed in 1970 by teenage singer,songwriter,and guitarist Jonathan Richman. In early 1971,the band's membership was settled as Richman,Jerry Harrison (keyboards),Ernie Brooks (bass) and David Robinson (drums),with Richman's friend and original band member John Felice joining them occasionally as his school commitments allowed. By the autumn of 1971,through their live performances in Boston and New York,they had begun to attract the attention of several record company A&R men,including Stuart Love at Warner Brothers,and Allan Mason and Matthew Kaufman at A&M. The band made their first recordings for Warner Brothers at the Intermedia Studios in Boston in late 1971;these included the version of "Hospital" which was later to feature on the album. [4]
In April 1972,the Modern Lovers travelled to Los Angeles where they held two demo sessions;the first was produced for Warner Brothers by John Cale,formerly of the Velvet Underground,while the second was produced by Allan Mason and Robert Appère for A&M. Both sets of sessions yielded tracks which,although originally recorded as demos,eventually found their way onto the album. The Cale sessions produced "Roadrunner","Astral Plane","Old World","Pablo Picasso","She Cracked" and "Someone I Care About". The A&M sessions yielded "Girl Friend","Modern World" and "Dignified and Old" (which,although not included on the original LP,was included on later CD reissues). [4]
However,the band were initially undecided over which record company to sign for,returned to Boston,and also did some recordings organised by Kim Fowley and produced by Stuart "Dinky" Dawson. [5] Eventually,in early 1973,they signed with Warner Brothers and agreed that John Cale should produce their debut album. In the meantime,they undertook a short residency at a hotel in Bermuda. Returning to California in the summer to work with Cale,it became apparent both that there were personality clashes between some of the band members,and that Richman now wanted to take a different approach to his songs - much more mellow and easy-paced rather than the earlier aggressive hard rock. The sessions with Cale were terminated before any new recordings were completed. Warner Brothers then engaged Kim Fowley to work with the band,but by this time Richman refused to perform some of his most popular earlier songs live. The band were also affected by the death during the sessions of their friend Gram Parsons:on the day before Parsons' death,he and Richman had played miniature golf and discussed recording together. [6] The sessions with Fowley were aborted,although two tracks,"I'm Straight" and the original recording of "Government Center",and possibly others,were later issued on CD versions of The Modern Lovers. Warner Brothers withdrew support from the band,and,early in 1974,the original Modern Lovers split up. [4]
In late 1974,Richman signed as a solo artist with Matthew "King" Kaufman's new label,"Home of the Hits",soon to be renamed Beserkley Records,and recorded four tracks with backing by the bands Earth Quake and The Rubinoos,including new versions of both "Roadrunner" and "Government Center". These tracks were first issued as singles,and then on an album Beserkley Chartbusters Vol.1 in 1975. In 1976,with a new line-up of the Modern Lovers,Richman began recording what he went on to regard as his debut album, Jonathan Richman and the Modern Lovers . [4]
However,in the meantime,Kaufman also put together the album The Modern Lovers from remixed versions of the tracks recorded four or more years earlier for Warner Brothers and A&M,and released it in August 1976. "Hospital" was credited as being "donated by Jerry Harrison" because he possessed the original 1971 session tapes. [7]
The 1986 Beserkley reissue of the album added "I'm Straight" from the 1973 Fowley sessions. The 1989 compact disc reissue on Rhino Records added "Government Center",also from the Fowley sessions,and "Dignified and Old" from the 1972 A&M demo recordings. Kaufman was credited as producer of "I'm Straight" and "Government Center" which were originally issued on Warners' Troublemakers compilation in 1980. [7]
Further bonus tracks were added on a 2003 remastered reissue on Sanctuary Records:"I Wanna Sleep in Your Arms" and "Dance With Me" (recorded at the 1973 and 1972 demos with Fowley,respectively);and alternative versions of "Roadrunner","Someone I Care About" and "Modern World" (the first two being from the 1971 Intermedia sessions in Boston,and the last one from the 1972 Fowley demos). This 17-track version of the album was released in the USA for the first time on Castle Records in 2007.
Review scores | |
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Source | Rating |
AllMusic | [8] |
Blender | [9] |
Christgau's Record Guide | A [10] |
Encyclopedia of Popular Music | [11] |
Pitchfork | 9.2/10 [12] |
PopMatters | 10/10 [13] |
Q | [14] |
The Rolling Stone Album Guide | [15] |
Select | 5/5 [16] |
Spin Alternative Record Guide | 10/10 [17] |
The Modern Lovers was immediately given an enthusiastic critical reception,with critic Ira Robbins of Trouser Press hailing it as "one of the truly great art rock albums of all time". [3] Robert Christgau of The Village Voice felt that Jonathan Richman was deserving of his "critics' darling" status and stated that "by cutting through the vaguely protesty ambience of so-called rock culture he opens the way for a worldliness that is specific,realistic,and genuinely critical." [18]
In a retrospective write-up for AllMusic,Stephen Thomas Erlewine states that "the combination of musical simplicity,driving rock &roll,and gawky emotional confessions makes The Modern Lovers one of the most startling proto-punk records—it strips rock &roll to its core and establishes the rock tradition of the geeky,awkward social outcast venting his frustrations." [8]
The Modern Lovers influenced numerous aspiring punk rock musicians on both sides of the Atlantic,including the Sex Pistols,whose early cover of "Roadrunner" was placed on The Great Rock 'n' Roll Swindle . In the UK,the versions of "Roadrunner" produced by Cale and Kaufman were released as two sides of a single,which became a chart hit in 1977. [19]
In 2003,the album was ranked number 381 on Rolling Stone magazine's list of the 500 greatest albums of all time, [20] 382 in 2012, [21] and 288 in 2020. [22]
In 2006,the album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die . [23]
All songs written by Jonathan Richman,except where noted.
*Previously released on Troublemakers (1980)
**Previously released on The Original Modern Lovers (1981)
The Modern Lovers
Technical
Jonathan Michael Richman is an American singer, songwriter and guitarist. In 1970, he founded the Modern Lovers, an influential proto-punk band. Since the mid-1970s, Richman has worked either solo or with low-key acoustic and electric backing. He is known for his wide-eyed, unaffected, and childlike outlook, and music that, while rooted in rock and roll, is influenced by music from around the world.
The Modern Lovers were an American rock band formed in Natick, Massachusetts in 1970 by Jonathan Richman. The original band existed from 1970 to 1974 but their recordings were not released until 1976 or later. It featured Richman and bassist Ernie Brooks with drummer David Robinson and keyboardist Jerry Harrison. The sound of the band owed a great deal to the influence of the Velvet Underground and the Stooges, and is now sometimes classified as "proto-punk". It pointed the way towards much of the punk rock, new wave, alternative and indie rock music of later decades. Their only album, the eponymous The Modern Lovers, contained idiosyncratic songs about dating awkwardness, growing up in Massachusetts, love of life, and the USA.
Talking Heads: 77 is the debut studio album by the American rock band Talking Heads. It was released in September 1977 through Sire Records. The recording took place in April 1977 at New York's Sundragon Studios. The single "Psycho Killer" reached number 92 on the Billboard Hot 100.
Kim Vincent Fowley was an American record producer, songwriter and musician who was behind a string of novelty and cult pop rock singles in the 1960s, and managed the Runaways in the 1970s. He has been described as "one of the most colorful characters in the annals of rock & roll", as well as "a shadowy cult figure well outside the margins of the mainstream".
"Sister Ray" is a song by the Velvet Underground that closes side two of their 1968 album White Light/White Heat. The lyrics are by Lou Reed, with music composed by John Cale, Sterling Morrison, Maureen Tucker and Reed.
Beserkley Records was an American independent record label based in Berkeley, California, from 1973 to 1984. Beserkley is usually regarded as a power pop and rock and roll label. During the 1970s, the label released albums by Earth Quake, Greg Kihn, Jonathan Richman, and The Modern Lovers, the Rubinoos, and the Tyla Gang. Several other artists appeared on singles, or on compilation albums. From 1980 to its dissolution in 1984, Beserkley was a one-artist label, the artist being Greg Kihn.
"Pablo Picasso" is a song written by Jonathan Richman for the proto punk group the Modern Lovers. The song was recorded in 1972 at Whitney Studios in Los Angeles, and produced by John Cale, but was not released until 1976, on the Modern Lovers' self-titled debut album. The recording featured Richman, Ernie Brooks, Jerry Harrison (bass) and David Robinson (drums), with Cale playing the repetitive hammered piano part.
Helen of Troy is the sixth solo studio album by the Welsh rock musician John Cale, released in November 1975. It was the last of his three studio albums for Island Records.
"Roadrunner" is a song written by Jonathan Richman and recorded in various versions by Richman and his band, in most cases credited as the Modern Lovers. Richman has described it as an ode to Massachusetts Route 128.
The Rubinoos are an American power pop band that formed in 1970 in Berkeley, California. They are perhaps best known for their singles "I Think We're Alone Now", "I Wanna Be Your Boyfriend" (1979), and for the theme song to the 1984 film Revenge of the Nerds. Although "I Think We're Alone Now" has been their highest charting hit, reaching No.45 in 1977, the group has a significant enduring cult following among fans of the power pop genre.
Matthew "King" Kaufman is an American record producer who was the owner of leading independent label Beserkley Records in Berkeley, California from the mid-1970s through the mid-1980s, successfully producing records by Jonathan Richman, Greg Kihn and others.
Earth Quake is an American power pop band, formed in the San Francisco area in 1966, who released several albums in the 1970s, mostly on Beserkley Records, a company which they were involved in setting up.
Sean Tyla was an English rock guitarist, keyboardist, vocalist and songwriter, sometimes known as the "Godfather of Boogie". Best known for his work with Ducks Deluxe and Tyla Gang, he also played with Help Yourself, Joan Jett, and Deke Leonard, and appeared solo.
Kenneth Benjamin Laguna is an American songwriter, record producer, and musician, best known for his work with Joan Jett.
Jonathan Richman and the Modern Lovers is the first album by American rock band Jonathan Richman and the Modern Lovers, released by Beserkley Records in July 1976.
Rock 'n' Roll with the Modern Lovers is the second album by American rock band Jonathan Richman and the Modern Lovers, released by Beserkley Records in 1977.
The Original Modern Lovers is an album of songs recorded by American rock band the Modern Lovers. The sessions were produced by Kim Fowley in 1973 and first released in 1981 by Fowley's short-lived Mohawk Records label, a subsidiary of Bomp! Records.
Allan Mason is an American record producer and A&R executive.
Back in Your Life is the third album by American rock band Jonathan Richman and the Modern Lovers, released in February 1979 by Beserkley Records. Despite being credited to Richman and his backing band, the album only features the backing band on half of the album.
Modern Lovers 88 is a studio album by American singer-songwriter Jonathan Richman and the Modern Lovers. Recorded and released in late 1987, it became Richman's final recording alongside a backing band credited as the Modern Lovers. After a period of frequent switches from one record company to another, he released Modern Lovers 88 through Rounder Records, where he remained until the mid-1990s.