"The Next Time I Fall" | ||||
---|---|---|---|---|
Single by Peter Cetera and Amy Grant | ||||
from the album Solitude/Solitaire | ||||
B-side | "Holy Moly" | |||
Released | September 1986 [1] | |||
Recorded | 1986 | |||
Genre | Pop | |||
Length | 3:47 (remix) 3:46 (album version) 4:30 (extended version) | |||
Label | Warner Bros. | |||
Songwriter(s) | ||||
Producer(s) | Michael Omartian | |||
Peter Cetera singles chronology | ||||
| ||||
Amy Grant singles chronology | ||||
| ||||
Music video | ||||
"The Next Time I Fall" on YouTube |
"The Next Time I Fall" is a song written by Bobby Caldwell and Paul Gordon and recorded by a duet of Peter Cetera and Amy Grant for Cetera's 1986 album Solitude/Solitaire . It reached number one on Billboard magazine's Hot 100 [2] and Adult Contemporary chart [3] and was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocals. [4] In February 2020,it was listed on a Billboard pop music list of top 25 love song duets. [5]
Upon its release as a single,Cash Box said the Cetera/Grant team achieved "... sparkling results. Grant’s harmonies perfectly compliment Cetera’s trademark ballad stylings in this strong duet." [6]
Songwriter Paul Gordon recalled working on the project with Bobby Caldwell. "Bobby had just moved into a new apartment,and all he had was a drum machine and a chair. We spent a couple of inspired days knocking out that song. It was a lot of fun working with Bobby." [7] The feeling was mutual for Caldwell:"Yes,writing with Paul was a great experience. Sometimes these collaborations click and sometimes not,but this was a smooth and painless venture." [7]
Gordon explained that Caldwell did the vocals on the demo and that they wrote the song for Cetera to sing. [7] "And even when he was no longer in Chicago we decided to stick with him." [7] Caldwell confirmed,"We did indeed write the song for Chicago and their lead vocalist Peter Cetera. We had his voice in mind,but Paul and I were unaware that he was leaving Chicago at that time,and when we heard the news our hopes were dashed. However,a short time later,I got a call at home from Cetera himself who stumbled upon our demo cassette tape of the song in producer/arranger David Foster's office. He loved the tune and wanted to record it as a duet. It was simply meant to be—the song landed with the singer we wanted." [8] Gordon also felt the project had a happy ending. "It was an accidental duet,meaning it was never intended to be a duet—but the producers found ways to make it a duet,which ended up working out pretty well." [7]
Now,it was a matter of Cetera deciding who would be his singing partner. "'I was looking for somebody who wasn't that logical a choice,' he explained. 'Actually,I was going to use an "unknown" singer until someone at my record company suggested Amy Grant,'" [9] who had thus far only been known for Contemporary Christian music. "I thought she was a great choice because she was looking to make a pop crossover,and I like what she stands for. She was real excited about the idea,too." [9] However,Grant still had reservations. Caldwell noted,"Cetera really wanted her to record the duet with him,but she was so devoutly religious that she wanted to vet the songwriters before she would commit to recording the song. I had to go to A&M Records to meet with her. Obviously,I was on my very best behavior that day [he laughs]. I'm sure Paul had to go through the same process." [10]
After the song was recorded,a music video was filmed at the Park Plaza Hotel in downtown Los Angeles,California,under the direction of Dominic Sena. [11] The clip consists of shots of Cetera and Grant's lip-syncing that are interwoven with footage of the movements of a large group of dancers. [10] The video made it up to at least No. 7 on the Cash Box list of top 40 music videos. [12]
"The Next Time I Fall" debuted on the Hot 100 in the issue of Billboard dated September 20,1986,and remained on the chart for 21 weeks,one of which was spent at number one. [2] Its first appearance on the magazine's Adult Contemporary chart followed in the September 27 issue and resulted in two weeks in the top spot during a run that lasted 22 weeks. [3]
|
|
Caldwell recorded the song for his 1988 album Heart of Mine.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio.
"Yes, I'm Ready" is a song by Barbara Mason from her album Yes, I'm Ready (1965). It has been covered by numerous artists, and was a hit single for Teri DeSario and K.C. when they recorded a duet version in 1980.
"I'll Never Fall in Love Again" is a popular song by composer Burt Bacharach and lyricist Hal David that was written for the 1968 musical Promises, Promises. Several recordings of the song were released in 1969; the most popular versions were by Dionne Warwick, who took it to number 6 on Billboard magazine's Hot 100 and spent three weeks topping the magazine's list of the most popular Easy Listening songs, and Bobbie Gentry, who topped the UK chart with her recording and also peaked at number 1 in Australia and Ireland, number 3 in South Africa and number 5 in Norway.
"I Don't Want to Talk About It" is a song written by American guitarist Danny Whitten. It was first recorded by American rock band Crazy Horse and issued as the final track on side one of their 1971 eponymous album. It was Whitten's signature tune, but gained more fame via its numerous cover versions, especially that by Rod Stewart. Cash Box magazine has described it as "a magnificent ballad outing."
"Glory of Love" is a 1986 song performed by Peter Cetera, which he wrote and composed with his then-wife Diane Nini and David Foster. The song was recorded by Cetera shortly after he left the band Chicago to pursue a solo career. Featured in the film The Karate Kid Part II (1986), it was Cetera's first hit single after he left the band, reaching number one on the Billboard Hot 100, and it was included on his album Solitude/Solitaire (1986), which Michael Omartian produced.
"I Won't Last a Day Without You" is a song by The Carpenters with lyrics written by Paul Williams and music composed by Roger Nichols. The writing duo had previously contributed "We've Only Just Begun" and "Rainy Days and Mondays" to the Carpenters.
"Just You 'n' Me" is a song written by James Pankow for the group Chicago and recorded for their fifth studio album Chicago VI (1973). The lead vocals are sung by bassist Peter Cetera.
"(I've Been) Searchin' So Long" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VII (1974). The first single released from that album, it reached number 9 on the U.S. Billboard Hot 100. It also hit number 8 on the Adult Contemporary chart. In Canada, the song peaked at number 5.
"Baby, What a Big Surprise" is a ballad written by Chicago's then bassist/singer Peter Cetera, which appeared on their album Chicago XI (1977), with Cetera singing lead vocals. The first single released from the album reached number 4 on the US Billboard Hot 100 chart.
"No Tell Lover" is a song written by Lee Loughnane, Danny Seraphine, and Peter Cetera for the group Chicago and recorded for their album Hot Streets (1978), with Cetera and Donnie Dacus singing lead vocals. The second single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart and No. 5 on the adult contemporary chart.
"Love Me Tomorrow" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their album Chicago 16 (1982), with Cetera singing lead vocals. The second single released from the album, it reached No. 22 on the U.S. Billboard Hot 100 chart and No. 8 on the adult contemporary chart. Songwriter Cetera, a member of the American Society of Composers, Authors and Publishers (ASCAP), won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.
"To Know Him Is to Love Him" is a song written by Phil Spector, inspired by the words on his father's gravestone, "To Know Him Was to Love Him". It was first recorded by the only vocal group of which he was a member, The Teddy Bears. The single spent three weeks at No. 1 on the Billboard Hot 100 chart in 1958, while reaching No. 2 on the UK's New Musical Express chart. Peter & Gordon and Bobby Vinton later each experienced chart success with the song, in 1965 and 1968, respectively.
"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the Billboard Easy Listening chart and number 86 on the Billboard Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their Made in America album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album It Takes Believers and in 1986 by the country music group Alabama.
"Make No Mistake, He's Mine" is a song written by Kim Carnes, recorded as a duet with Barbra Streisand in 1984. The duet was subsequently recorded as "Make No Mistake, She's Mine" by Ronnie Milsap and Kenny Rogers in 1987. Both versions of the song charted.
"What You Won't Do for Love" is a song by American singer-songwriter Bobby Caldwell. It was released in September 1978 as the lead single from his eponymous debut album (1978). It was written by Caldwell and Alfons Kettner, and produced by Ann Holloway. The song has been covered and sampled numerous times, including by Tupac Shakur in the posthumous 1998 hit "Do for Love".
"With You I'm Born Again" is a 1979 duet written by Carol Connors and David Shire that originated on the soundtrack of the 1979 motion picture Fast Break. It was performed by Motown recording artists Billy Preston and Syreeta Wright and became an international hit for the duo, reaching number four on the Billboard Hot 100 and number two on the UK singles chart.
"Watching Scotty Grow" is a song written by country music singer-songwriter Mac Davis and recorded by Bobby Goldsboro in 1970 on his album, We Gotta Start Lovin. Davis recorded his version on his 1971 album, I Believe in Music.
"Never Ending Song of Love" is a song written by Delaney Bramlett, and, according to some sources, by his wife Bonnie Bramlett. It was originally recorded with their band, Delaney & Bonnie & Friends, in 1971 on the album Motel Shot. Released as a single by Atco Records the same year, "Never Ending Song of Love" became Delaney & Bonnie's greatest hit on the pop charts, reaching a peak of No. 13 on the Billboard Hot 100 and No. 8 on Easy Listening. It reached No. 16 in Australia.