Old English literature refers to poetry and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work Cædmon's Hymn is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the Ecclesiastical History of the English People. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English corpus of literature.
Julian of Norwich, also known as Juliana of Norwich, the Lady Julian, Dame Julian or Mother Julian, was an English anchoress of the Middle Ages. Her writings, now known as Revelations of Divine Love, are the earliest surviving English language works by a woman, although it is possible that some anonymous works may have had female authors. They are also the only surviving English language works by an anchoress.
Asser was a Welsh monk from St David's, Dyfed, who became Bishop of Sherborne in the 890s. About 885 he was asked by Alfred the Great to leave St David's and join the circle of learned men whom Alfred was recruiting for his court. After spending a year at Caerwent because of illness, Asser accepted.
Layamon or Laghamon – spelled Laȝamon or Laȝamonn in his time, occasionally written Lawman – was an English poet of the late 12th/early 13th century and author of the Brut, a notable work that was the first to present the legends of Arthur and the Knights of the Round Table in English poetry.
Pearl is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and from the dream vision genre, the poem is written in a North-West Midlands variety of Middle English and is highly—though not consistently—alliterative; there is, among other stylistic features, a complex system of stanza-linking.
The Junius manuscript is one of the four major codices of Old English literature. Written in the 10th century, it contains poetry dealing with Biblical subjects in Old English, the vernacular language of Anglo-Saxon England. Modern editors have determined that the manuscript is made of four poems, to which they have given the titles Genesis, Exodus, Daniel, and Christ and Satan. The identity of their author is unknown. For a long time, scholars believed them to be the work of Cædmon, accordingly calling the book the Cædmon manuscript. This theory has been discarded due to the significant differences between the poems.
The Cursor Mundi is an early 14th-century religious poem written in Northumbrian Middle English that presents an extensive retelling of the history of Christianity from the creation to the doomsday. The poem is long, composed of almost 30,000 lines, but shows considerable artistic skill. In spite of the immense mass of material with which it deals, it is well proportioned, and the narrative is lucid and easy.
Ancrene Wisse is an anonymous monastic rule for female anchoresses written in the early 13th century.
The Heliand is an epic alliterative verse poem in Old Saxon, written in the first half of the 9th century. The title means healer in Old Saxon, and the poem is a Biblical paraphrase that recounts the life of Jesus in the alliterative verse style of a Germanic epic. Heliand is the largest known work of written Old Saxon.
Thomas Hoccleve or Occleve (1368/69–1426) was a key figure in 15th-century Middle English literature, significant for promoting Chaucer as "the father of English literature", and as a poet in his own right. His poetry, especially his longest work, the didactic work Regement of Princes, was extremely popular in the fifteenth century, but went largely ignored until the late twentieth century, when it was re-examined by scholars, particularly John Burrow. Today he is most well known for his Series, which includes the earliest autobiographical description of mental illness in English, and for his extensive scribal activity. Three holographs of his poetry have survived, and he also copied literary manuscripts by other writers. As a clerk of the Office of the Privy Seal, he wrote hundreds of documents in French and Latin.
Thomas Chestre was the author of a 14th-century Middle English romance Sir Launfal, a verse romance of 1045 lines based ultimately on Marie de France's Breton lay Lanval. He was possibly also the author of the 2200-line Libeaus Desconus, a story of Sir Gawain's son Gingalain based upon similar traditions to those that inspired Renaut de Beaujeu's late-12th-century or early-13th-century Old French romance Le Bel Inconnu, and also possibly of a Middle English retelling of the mid-13th-century Old French romance Octavian. Geoffrey Chaucer parodied Libeaus Desconus, among other Middle English romances, in his Canterbury Tale of Sir Thopas.
Sir Launfal is a 1045-line Middle English romance or Breton lay written by Thomas Chestre dating from the late 14th century. It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.
Layamon's Brut, also known as The Chronicle of Britain, is a Middle English alliterative verse poem compiled and recast by the English priest Layamon. Layamon's Brut is 16,096 lines long and narrates a fictionalized version of the history of Britain up to the Early Middle Ages. It is the first work of history written in English since the Anglo-Saxon Chronicle. Named for Britain's mythical founder, Brutus of Troy, the poem is largely based on the Anglo-Norman French Roman de Brut by Wace, which is in turn a version of Geoffrey of Monmouth's Latin Historia Regum Britanniae. Layamon's poem, however, is longer than both and includes an enlarged section on the life and exploits of King Arthur. It is written in the alliterative verse style commonly used in Middle English poetry by rhyming chroniclers, the two halves of the alliterative lines being often linked by rhyme as well as by alliteration.
Byrhtferth was a priest and monk who lived at Ramsey Abbey in Huntingdonshire in England. He had a deep impact on the intellectual life of later Anglo-Saxon England and wrote many computistic, hagiographic, and historical works. He was a leading man of science and best known as the author of many different works. His Manual (Enchiridion), a scientific textbook, is Byrhtferth's best known work.
Revelations of Divine Love is a medieval book of Christian mystical devotions. Containing 87 chapters, the work was written between the 14th and 15th centuries by Julian of Norwich, about whom almost nothing is known. It is the earliest surviving example of a book in the English language known to have been written by a woman. It is also the earliest surviving work written by an English anchorite or anchoress.
Medieval debate poetry was a genre of poems popular in England and France during the late medieval period. The same type of debate poems broadly existed in the ancient and medieval Near Eastern literatures.
The title Quadripartitus refers to an extensive legal collection compiled during the reign of Henry I, king of England (1100–1135). The work consists of Anglo-Saxon legal materials in Latin translation as well as a number of Latin texts of legal interest that were produced after the Conquest. It ranks as the largest surviving medieval collection of pre-Conquest law and is the second to have been produced during Henry I's reign, after that contained in Cambridge, Corpus Christi College MS 383. First compiled for the use of Henry I's jurists and administrators, the Quadripartitus enjoyed immense interest for a considerable time afterwards and was consulted by legal scholars, including Henry de Bracton in the thirteenth century and John Fortescue in the fifteenth.
The Floure and the Leafe is an anonymous Middle English allegorical poem in 595 lines of rhyme royal, written around 1470. During the 17th, 18th, and most of the 19th century it was mistakenly believed to be the work of Geoffrey Chaucer, and was generally considered to be one of his finest poems. The name of the author is not known but the poem presents itself as the work of a woman, and some critics are inclined to take this at face value. The poet was certainly well-read, there being a number of echoes of earlier writers in the poem, including Geoffrey Chaucer, John Lydgate, John Gower, Andreas Capellanus, Guillaume de Lorris, Guillaume de Machaut, Jean Froissart, Eustache Deschamps, Christine de Pizan, and the authors of the "Lai du Trot" and the Kingis Quair.
The Kentish Royal Legend is a diverse group of Medieval texts which describe a wide circle of members of the royal family of Kent from the 7th to 8th centuries AD. Key elements include the descendants of Æthelberht of Kent over the next four generations; the establishment of various monasteries, most notably Minster-in-Thanet; and the lives of a number of Anglo-Saxon saints and the subsequent travels of their relics. Although it is described as a legend, and contains a number of implausible episodes, it is placed in a well attested historical context.
Chardri was an Anglo-Norman poet, probably from western England. His pen name is probably an anagram of Richard.
