Jonestown was the site of the 1978 mass suicide-and-murder of the Peoples Temple cult in northwestern Guyana.
Civilization Phaze III is the sixty-third album by Frank Zappa, released posthumously as a double album on October 31, 1994. It was the first studio album of new material from Zappa since 1986's Jazz from Hell. The album marks the third part of a conceptual continuity that started with We're Only in It for the Money (1968), with the second part being a re-edited version of Zappa's 1967 album Lumpy Gravy. Zappa described the album as a "two-act opera", but in lieu of traditional recitatives and arias, it alternates brief spoken word passages with musical numbers created on a Synclavier using a combination of sampled and synthesized sounds. Much of the sampled material in the second half of the album was originally recorded by Ensemble Modern and other musicians to Zappa's specifications.
Straight Records, self-identified simply as Straight, was a record label formed in 1969 to distribute productions and discoveries of Frank Zappa and his business partner/manager Herb Cohen. Straight was formed at the same time as a companion label, Bizarre Records. Straight and Bizarre were manufactured and distributed in the U.S. by the Warner Bros. Records family of labels, which also included Reprise Records. Straight recordings were distributed in the U.K. by CBS Records.
Quaudiophiliac is a compilation album featuring music by Frank Zappa, released in DVD-Audio format by Barking Pumpkin Records in 2004. It compiles recordings he made while experimenting with quadraphonic, or four-channel, sound in the 1970s. Zappa prepared quadraphonic mixes of a number of his 1970s albums, with both Over-Nite Sensation (1973) and Apostrophe (') (1974) being released in discrete quadraphonic on Zappa's DiscReet Records label.
Shut Up 'n Play Yer Guitar is a series of three albums - Shut Up 'n Play Yer Guitar, Shut Up 'n Play Yer Guitar Some More, and Return of the Son of Shut Up 'n Play Yer Guitar - released by Frank Zappa in 1981. The albums consist solely of electric guitar instrumentals and improvised solos (mostly) played live by Zappa and featuring a wide variety of backing musicians.
Jazz from Hell is an instrumental album whose selections were all composed and recorded by American musician Frank Zappa. It was released in November 1986, by Barking Pumpkin Records on vinyl and cassette, and in 1987 by Rykodisc on CD.
The Yellow Shark is an album of orchestral music by American musician Frank Zappa. Released in November 1993, it was the last album Zappa released in his lifetime, almost exactly a month before he died of the cancer from which he had suffered for several years. It features live recordings from the Ensemble Modern's 1992 performances of Zappa's compositions. In the album's notes, Zappa describes The Yellow Shark as one of the most fulfilling projects of his career, and as the best representation of his orchestral works.
Thing-Fish is an album by American musician Frank Zappa, originally released as a triple album box set on Barking Pumpkin Records in 1984. It was billed as a cast recording for a proposed musical of the same name, which was ultimately not produced by Zappa, but later performed partially in 2003, ten years after his death.
Broadway the Hard Way is a live album by American musician Frank Zappa recorded at various performances along his 1988 world tour. It was first released as a 9-track vinyl album through Zappa's label Barking Pumpkin Records in October 1988, and subsequently as a 17-track CD through Rykodisc in 1989.
Sleep Dirt is an album by Frank Zappa, released in January 1979 on his own DiscReet Records label, distributed by Warner Bros. Records. It reached No. 175 on the Billboard 200 album chart in the United States.
The Man from Utopia is an album by American musician Frank Zappa, released in March 1983 by Barking Pumpkin Records. The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of "The Man from Utopia Meets Mary Lou".
Does Humor Belong in Music? is a live album by Frank Zappa.
Studio Tan is an album by American musician Frank Zappa, released in September 1978 on his own DiscReet Records label, distribued by Warner Bros Records. It reached No. 147 on the Billboard 200 albums chart in the United States.
London Symphony Orchestra is a pair of albums by Frank Zappa, featuring his original symphonic compositions conducted by Kent Nagano. They were recorded at the same sessions in January 1983, and originally released as London Symphony Orchestra, Vol. I in 1983, London Symphony Orchestra, Vol. II, in 1987, and later combined and reissued on a Rykodisc CD as London Symphony Orchestra Vol. I & II in 1995.
Frank Zappa Meets the Mothers of Prevention is a 1985 album by American musician Frank Zappa. The album was originally released in two slightly different versions in the US and Europe.
The Abnuceals Emuukha Electric Symphony Orchestra was a group of Hollywood session musicians organized by Frank Zappa in 1967 to record music for his first solo album Lumpy Gravy. Some of these musicians are thought to have worked together in various combinations under the leadership of Ken Shroyer as far back as 1959. However, it was Zappa who gave them the name several years later. Lumpy Gravy peaked at 159 on the Billboard 200 in 1968.
Francesco Zappa is a 1984 album by Frank Zappa. It features synthesized arrangements of chamber music by the Italian composer Francesco Zappa, who composed between 1763 and 1788.
Lawrence Michael "Larry" Beauregard was a Canadian flautist. He is best known for his work as first flute in the Ensemble InterContemporain, and for his work at IRCAM in the early 1980s, especially his collaboration with Barry Vercoe on the Synthetic Performer project.
Ahead of Their Time is a live album by The Mothers of Invention. It was recorded at the Royal Festival Hall, London, England, on October 25, 1968, and released in 1993 on CD by Barking Pumpkin. It was reissued on Rykodisc in 1995.
Feeding the Monkies at Ma Maison is an album by Frank Zappa, which was released posthumously in 2011 by The Zappa Family Trust on Zappa Records.
