| "The Politics of Dancing" | ||||
|---|---|---|---|---|
 UK 7-inch vinyl | ||||
| Single by Re-Flex | ||||
| from the album The Politics of Dancing | ||||
| B-side |
| |||
| Released | February 1983 | |||
| Studio | Utopia (London, England) | |||
| Length |
| |||
| Label | ||||
| Songwriter(s) | Paul Fishman | |||
| Producer(s) | John Punter | |||
| Re-Flex singles chronology | ||||
| ||||
"The Politics of Dancing" is the debut single by the English new wave band Re-Flex, released in 1983. It is the title track to their debut studio album. The song was written by keyboardist, backing vocalist, and band co-founder Paul Fishman.
Keyboardist Paul Fishman would record song ideas on a pocket tape recorder while walking or traveling near his home in Hampstead, London, and then sequence them on his Oberheim DSX back at his flat. He would work on the songs and present three or four at a time to his bandmates to jam out to at their next session. He said this song was probably inspired by a train or something he had read, and he took an almost complete demo of it with nearly finished lyrics to the session. [1]
On the lyrics, Fishman said, "The sentiment of the song is really about the power of when people come together and express themselves through dancing and letting go. During the '80s, it was in its very early days but in the latter part of the decade the rave scene was pretty much the message in a nut shell. No, I don't think people generally understand messages but some get it so that's alright." [1]
UK, European, and Australian 7-inch single [2] [3] [4]
US, Canadian, and Japanese 7-inch single [5] [6]
UK, European, and Australian 12-inch single [7] [8] [9]
| US 12-inch single [10]
Canadian 12-inch single [11]
|
| Chart (1983–1984) | Peak position |
|---|---|
| Australia (Kent Music Report) [12] | 12 |
| Canada Top Singles ( RPM ) [13] | 13 |
| Europe (European Top 100 Singles) [14] | 19 |
| Ireland (IRMA) [15] | 28 |
| Netherlands (Single Top 100) [16] | 43 |
| New Zealand (Recorded Music NZ) [17] | 12 |
| South Africa (Springbok Radio) [18] | 19 |
| Switzerland (Schweizer Hitparade) [19] | 28 |
| UK Singles (OCC) [20] | 28 |
| US Billboard Hot 100 [21] | 24 |
| US Dance/Disco Top 80 ( Billboard ) [22] | 8 |
| US Rock Top Tracks ( Billboard ) [23] | 19 |
| US Cash Box Top 100 [24] | 23 |
| West Germany (Official German Charts) [25] | 25 |
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. It also became a top-20 hit in Ireland, New Zealand, and the United Kingdom.
"This House" is a song by American singer–songwriter Tracie Spencer. This song was the second single released from Spencer's second album, Make the Difference (1990). Issued via the Capitol Records label, the single was released on November 7, 1990.
"Violence of Summer (Love's Taking Over)" is a song by English new wave band Duran Duran, the first single from their sixth studio album, Liberty (1990). Having finished the 1980s with the Decade singles compilation, Duran Duran found the 1990s a new challenge, in which commercial success would initially elude them. The lukewarm public response to "Violence of Summer" would shadow the band for the next few years until 1993's "Ordinary World" returned them to chart success. The single reached number two in Italy but fared poorly in other countries, reaching number 20 in the United Kingdom and number 64 in the United States.
"Rooms on Fire" is a song by American singer and songwriter Stevie Nicks from her fourth solo studio album The Other Side of the Mirror (1989). Written by Nicks and Rick Nowels, and produced by Rupert Hine, the song was released on April 24, 1989, by the Modern label, as the lead single from The Other Side of the Mirror. The 12-inch single was released in a limited-edition poster sleeve in certain territories.
"I Didn't Want to Need You" is a song by American rock band Heart. It was composed by veteran songwriter Diane Warren and released as the second single from the band's 10th studio album, Brigade (1990). "I Didn't Want to Need You" peaked at number 23 on the US Billboard Hot 100 and number 14 on the Canadian RPM 100 Hit Tracks chart. It also reached the top 40 in Ireland and Sweden and number 47 on the UK Singles Chart.
"Stranded" is a song by American rock band Heart. It was released as the third single from the band's 10th studio album, Brigade (1990). It is a mid-tempo song that features Nancy Wilson on lead vocals. The song was released in the United States in September 1990 and in the United Kingdom two months later.
"God" is a song by American singer-songwriter and musician Tori Amos, released as the fourth single from her second studio album, Under the Pink (1994). It was released as the album's lead single in North America on February 3, 1994, as the second single on May 2 in Australia, and as the fourth single on October 3 in the UK. The song reached number 44 on the UK Singles Chart as well as number one on the US Billboard Modern Rock Tracks chart. It became Amos' first single to chart on the Billboard Hot 100, peaking at number 72.
"Domino Dancing" is a song by English synth-pop duo Pet Shop Boys, released in September 1988 by Parlophone as the lead single from their third studio album, Introspective (1988). The song reached number seven on the UK Singles Chart and topped the charts in Finland and Spain. Its music video was directed by Eric Watson and filmed in Puerto Rico.
"The Sensual World" is a song by English singer-songwriter Kate Bush. It was the title track and first single from her album of the same name, released in September 1989. The single entered and peaked at No. 12 on the UK Single Chart. It was later re-recorded using only words taken from Molly Bloom's soliloquy from James Joyce's 1922 novel Ulysses, as Bush had originally intended whilst recording The Sensual World album. This version, re-titled "Flower of the Mountain", appears on the 2011 album Director's Cut.
"Don't Wanna Fall in Love" is a song by Canadian singer-songwriter Jane Child. Released in January 1990 as the second single from her self-titled debut album, the single went to number two for three consecutive weeks on the Billboard Hot 100 from April 14 to April 28, 1990. In addition, a new jack swing remix of the song was produced by Teddy Riley and reached number six on the Billboard Hot Black Singles chart and number eleven on the Billboard Dance Club Play chart.
"Rush Hour" is a song by American musician Jane Wiedlin, taken from her second album, Fur (1988). It was backed by the album track "End of Love". The UK 12-inch single of "Rush Hour" includes an extended remix by Rusty Garner and an instrumental version.
"How Can You Expect to Be Taken Seriously?" is a song by English synth-pop duo Pet Shop Boys from their fourth studio album, Behaviour (1990). It was released in the United Kingdom on 11 March 1991 as a double A-side with "Where the Streets Have No Name ", serving as the third single from Behaviour. For the single, Brothers in Rhythm remixed the track. The track was subsequently released as a solo single in the United States and France; it peaked at number 93 on the US Billboard Hot 100. As "Being Boring" and "It's Alright" were not released in the US, tracks from these releases were used on a number of US releases. The accompanying music video received heavy rotation on MTV Europe.
"Yesterday, When I Was Mad" is a song by English synth-pop duo Pet Shop Boys, released as the fifth and final single from their fifth studio album, Very (1993), on 29 August 1994 by Parlophone. The single peaked at number 13 on the UK Singles Chart and number four on the US Billboard Hot Dance Club Play chart. The song was remixed by Jam & Spoon for its single release, among other things removing a compression effect applied to Neil Tennant's voice during the verses. Its music video was directed by Howard Greenhalgh. One of the B-sides is a cover of the Noël Coward song "If Love Were All".
"Stay" is a song written by Bob Khozouri and Mark Stevens, originally recorded by American singer Glenn Jones and released in 1990. It reached number six on the US Billboard Hot Black Singles chart. The song became a worldwide hit for British girl group Eternal in 1993 and 1994.
"No Tengo Dinero" is the debut single of Danish musical group Los Umbrellos, considered to be their signature song. It was released by FLEX Records on 14 May 1997. Based on the theme of 1960 film Never on Sunday by Greek composer Manos Hadjidakis, the lyrics were written by Jay and Richie Balmorian and group member Al Agami. It was produced by Kenneth Bager, Michael Pfundheller and Jan Elhøj, with additional production handled by Cutfather & Joe.
"Where the Streets Have No Name (I Can't Take My Eyes Off You)" is a song by English synth-pop duo Pet Shop Boys. The song is a medley of U2's "Where the Streets Have No Name" and "Can't Take My Eyes Off You", a 1967 song by Frankie Valli, though in an arrangement informed by the 1982 disco version of the song by the Boys Town Gang rather than the original. The song accompanied "How Can You Expect to Be Taken Seriously?", the third single from their fourth studio album, Behaviour (1990), as a double A-side in the United Kingdom (both singles were released separately in the United States). Released in March 1991, the song became the duo's 15th consecutive top-20 entry in the UK, peaking at number four on the UK Singles Chart.
"Let's Dance" is a 1987 single by British singer-songwriter Chris Rea. The song first appeared in an early form as a B-side to the "It's All Gone" single in 1986 and was re-recorded for his 1987 album, Dancing with Strangers, serving as its lead single. "Let's Dance" peaked at No. 12 on the UK Singles Chart and No. 81 on the US Billboard Hot 100. In New Zealand, it reached No. 2 for three non-consecutive weeks, and it also peaked within the top 10 in Australia, Ireland, and South Africa.
"Sometimes It's a Bitch" is a song by American singer Stevie Nicks, written by Billy Falcon and Jon Bon Jovi, who also produced the track alongside Danny Kortchmar. It was the first single released from Nicks' compilation album Timespace: The Best of Stevie Nicks (1991). The single peaked at number 56 on the US Billboard Hot 100 and reached the top 20 in Australia and Canada. A music video for the song was filmed, featuring clips of Nicks from 1981 to 1991.
"Nightmare" is an instrumental composition written, produced, and performed by Italian dance musician Brainbug, released as his debut single. The track was first issued as a single on 25 November 1996 and was re-released in the United Kingdom on 21 April 1997. Following this re-release, the song became a chart hit, reaching number 11 in the United Kingdom, number 14 in Australia, and number 15 in Ireland.
"Remember the Nights" is a song by American new wave band The Motels, which was released in 1983 as the second single from their fourth studio album Little Robbers. The song was written by Martha Davis and Scott Thurston, and produced by Val Garay. "Remember the Nights" peaked at number 36 on the US Billboard Hot 100.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
