The Power of the True Love Knot is an album by Shirley Collins.
The theme of this collection of songs is "the idea of true love as a power outside society's control", as Shirley writes on the liner notes. If the first track sounds slightly like "Eleanor Rigby", this is because Bram Taylor plays cello on both of them. Two other guests are Mike Heron and Robin Williamson from The Incredible String Band. The relationship bore fruit on Shirley's next album. Anthems in Eden (1969) contains "God Dog", a song written by Robin Williamson.
The title of this album comes from the song "Lady Margaret and Sweet William". On this song, Shirley accompanies herself on 5-string dulcimer, adapted to have a banjo neck, an instrument she only ever used on this album. Three of the songs on this collection had previously been recorded on False True Lovers (1960) – "Just as the Tide Was Flowing", "Richie Story" and "The Unquiet Grave". Dolly Collins puts her stamp on "Richie Story" in her pipe organ accompaniment, a stately march as the couple in the song progress through the street to church to marry.
In 1964, Shirley had recorded Folk Roots, New Routes, which introduced eastern rhythms to English folk song. On this album, there is a vaguely Indian flavour to "Seven Yellow Gipsies" with Robin Williamson's complicated clapping, and his chanter playing on the song "The Maydens Came".
The Incredible String Band were a British psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Edinburgh in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music.
Shirley Elizabeth Collins MBE is an English folk singer who was a significant contributor to the English Folk Revival of the 1960s and 1970s. She often performed and recorded with her sister Dolly, whose accompaniment on piano and portative organ created unique settings for Shirley's plain, austere singing style.
The 5000 Spirits or the Layers of the Onion is the second album by the Scottish psychedelic folk group the Incredible String Band (ISB). It was released in July 1967 on Elektra Records. The album was recorded following the reformation of the band as a duo consisting of Robin Williamson and Mike Heron. Notably, the album was a change in musical direction for the two as they transitioned from their more conventional folk music structures into complex psychedelic compositions influenced by British folk and Indian music.
The Hangman's Beautiful Daughter is the third album by the Scottish psychedelic folk group, the Incredible String Band (ISB), and was released in March 1968 on Elektra Records. It saw the band continuing its development of the elements of psychedelic folk and enlarging on past themes, a process they had begun on their previous album, The 5000 Spirits or the Layers of the Onion. Instrumentally, it was the ISB's most complex and experimental album to date, featuring a wide array of exotic instruments. In addition, the album captured the band utilising multi-tracks and overdubbing.
No Roses is an album by Shirley Collins and the Albion Country Band. It was recorded at Sound Techniques, and Air Studios in London, in the summer of 1971. It was produced by Sandy Roberton and Ashley Hutchings. It was released in October 1971 on the Pegasus label.
Anthems in Eden is a 1969 album by Shirley and Dolly Collins, with the Early Music Consort of London, directed by David Munrow. The album originally consisted of a 28-minute set of folk songs plus seven other individual pieces performed by the same group. The musical arrangements for these eight pieces included early music instruments, such as viols, recorders, sackbuts and crumhorns. In 1976, six new songs were recorded with a different assortment of accompanists, to replace the original seven individual songs. This 1976 album consisting of the 28-minute set plus the six new songs was released by Harvest Records under the title Amaranth. Subsequent releases have combined all fourteen pieces under the original title, Anthems in Eden.
U is a double album, the seventh studio album overall, by the British psychedelic folk group the Incredible String Band (ISB) and was released on Elektra Records in October 1970. The majority of the material featured on the album was taken from the mixed-media production of the same name, which saw the band backed by the dancing troupe the Stone Monkey. The concept of U derived from the ISB's fascination and subsequent conversion to Scientology in 1969.
Be Glad for the Song Has No Ending is the eighth album by the Scottish psychedelic folk group, the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK or US. It would be the first album from the band on the Island label, and the last to feature Joe Boyd as the producer.
Wee Tam and the Big Huge is the fourth album by the Scottish psychedelic folk group, the Incredible String Band, released in Europe as both a double LP and separate single LPs in November 1968 by Elektra Records. In the US, however, the two discs were released separately as Wee Tam and The Big Huge.
Changing Horses is the fifth album by the Scottish psychedelic folk group, the Incredible String Band (ISB), and was released in November 1969 on Elektra Records. The album saw the group continuing their use of unique instruments while integrating a standard musical structure. In addition, the album is seen as a transitional period in which the ISB shifted in musical textures, including early utilization of electric-based instruments.
I Looked Up is the sixth album by the Incredible String Band. Recorded at a time when the band was busy rehearsing for their ambitious upcoming stage show, U, the album has been described by band member Robin Williamson as a "quickie" album.
Robin Duncan Harry Williamson is a Scottish multi-instrumentalist, singer, songwriter, and storyteller who was a founding member of The Incredible String Band.
Liquid Acrobat as Regards the Air is the ninth album by the Incredible String Band. It features Mike Heron, Robin Williamson, Licorice McKechnie and Malcolm Le Maistre. The album was the band's first almost entirely electric recording; a new feature that was to define the change in the band's sound throughout their final period through 1974.
The Holly Bears The Crown is an album by The Young Tradition with Shirley and Dolly Collins and other guest musicians. The trio "The Young Tradition" sang a cappella folk songs in a style similar to the Copper Family.
Dorothy Ann Collins, was an English folk musician, arranger and composer. She was the older sister of Shirley Collins.
Earthspan is the tenth album by The Incredible String Band, released in 1972 on Island Records. It features Mike Heron, Robin Williamson, Licorice McKechnie, and Malcolm Le Maistre.
Songs of Love and Parting is a folk album released in 1981 by Robin Williamson.
Myrrh is a folk album and the solo debut of Robin Williamson, released in 1972. Robin Williamson is noted as being a founding member of The Incredible String Band. Myrrh was subjected to a low budget and placed on the Island label's lowest sub-label, Help. The album was downgraded by poor-quality sound mixing and a single-sleeve cover design.
"A Very Cellular Song" is a song by the Incredible String Band, written by Mike Heron, released on the 1968 album The Hangman's Beautiful Daughter.
The Chelsea Sessions 1967 is a compilation album by the Scottish psychedelic folk group the Incredible String Band, which compiles their demo recordings prior to their second studio album, The 5000 Spirits or the Layers of the Onion. Other tracks were also produced during the Wee Tam and the Big Huge sessions in 1968. The sessions were first uncovered by Island Records in 1985. The early productions were one of the first known recordings with Mike Heron and Robin Williamson as a duo.
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