The Prude's Fall | |
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Directed by | Graham Cutts |
Written by |
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Produced by | Michael Balcon |
Starring | |
Cinematography | Hal Young |
Production company | |
Distributed by | Wardour Films |
Release date | 23 November 1925 |
Country | United Kingdom |
Languages |
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The Prude's Fall is a 1925 British silent drama film directed by Graham Cutts and starring Jane Novak, Julanne Johnston and Warwick Ward. [1]
The film was shot at Islington Studios, produced by a company that would soon develop into Gainsborough Pictures. It was an adaptation of a play by Rudolph Besier and May Edington with the screenplay written by Alfred Hitchcock. Its German title is Seine zweite Frau. It was also known by the alternative title of Dangerous Virtue.
It was not very well regarded. Iris Barry's review in the Daily Mail ran as follows: "An English picture, not of first-rate quality, but with an interesting cast." [2]
uncredited
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in West London from 1938 to 1955. Under his direction, the studio became the one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
Gainsborough Pictures was a British film studio based on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, north London. Gainsborough Studios was active between 1924 and 1951. The company was initially based at Islington Studios, which were built as a power station for the Great Northern & City Railway and later converted to studios.
The Mountain Eagle is a 1926 silent drama film, and Alfred Hitchcock's second as director, following The Pleasure Garden. The film, a romantic melodrama set in Kentucky, is about a widower who jealously competes with his crippled son and a man he loathes over the affections of a schoolteacher. The film was mostly produced at the Emelka Film studios in Munich, Germany in autumn of 1925, with exterior scenes shot in the village of Obergurgl in the State of Tyrol, Austria. Production was plagued with problems, including the destruction of a village roof and Hitchcock experiencing altitude sickness. Due to producing the film in Germany, Hitchcock had more directorial freedom than he would have had in England, and he was influenced by German cinematic style and technique.
Blackmail is a 1929 British thriller drama film directed by Alfred Hitchcock and starring Anny Ondra, John Longden, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
The Ring is a 1927 British silent romance film written and directed by Alfred Hitchcock and starring Carl Brisson, Lillian Hall-Davis and Ian Hunter.
Julanne Johnston was an American silent film actress.
Jane Novak was an American actress of the silent film era.
Warwick Ward was an English actor of the stage and screen, and a film producer. He appeared in more than 60 films between 1919 and 1933. He also produced 19 films between 1931 and 1958. He was born in St. Ives, Cornwall.
Pam Cook is Professor Emerita in Film at the University of Southampton. She was educated at Sir William Perkins's School, Chertsey, Surrey and Birmingham University, where she was taught by Stuart Hall, Richard Hoggart, Malcolm Bradbury, and David Lodge. Along with Laura Mulvey and Claire Johnston, she was a pioneer of 1970s Anglo-American feminist film theory. Her collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner provoked debate among feminist film scholars over the following decades.
May Edginton was an English writer who had over 50 popular novels published in London. She also wrote plays, collaborating with Rudolf Besier on two of them. Some of her fiction works were filmed. Her work was translated into several languages, including Hungarian and Chinese.
The American Venus is a 1926 American silent comedy film directed by Frank Tuttle, and starring Esther Ralston, Ford Sterling, Lawrence Gray, Fay Lanphier, Louise Brooks, and Douglas Fairbanks Jr. The film was based on an original story by Townsend Martin. The scenario was written by Frederick Stowers with intertitles by Robert Benchley.
John Henry Graham Cutts, known as Graham Cutts, was a British film director, one of the leading British directors in the 1920s. His fellow director A. V. Bramble believed that Gainsborough Pictures had been built on the back of his work.
The Informer is a 1929 British part-talkie drama film directed by Arthur Robison and starring Lya De Putti, Lars Hanson, Warwick Ward and Carl Harbord. The picture was based on the 1925 novel The Informer by Liam O'Flaherty. In the film, a man betrays his best friend, a member of the outlawed Irish Republican Army, to the authorities and is then pursued by the other members of the organisation. The later better-known adaptation The Informer (1935) was directed by John Ford.
Adrian Brunel was an English film director and screenwriter. Brunel's directorial career started in the silent era, and reached its peak in the latter half of the 1920s. His surviving work from the 1920s, both full-length feature films and shorts, is highly regarded by silent film historians for its distinctive innovation, sophistication and wit. With the arrival of talkies, Brunel's career ground to a halt and he was absent from the screen for several years before returning in the mid-1930s with a flurry of quota quickie productions, the majority of which are now classed as lost. Brunel's last credit as director was in a 1940 comedy film, although he worked for a few years more as a "fixer-up" for films directed or produced by friends in the industry.
Maria Marten is a 1928 British silent drama film directed by Walter West starring Trilby Clark, Warwick Ward and Dora Barton. It is based on the real story of the Red Barn Murder in the 1820s, and is one of five film versions of the events. The film shifted the action to fifty years earlier to the height of the Georgian era. This was the last of the silent film adaptations of the Maria Marten story, and its success paved the way for the much better 1935 sound film remake starring Tod Slaughter. A 35mm print of the 1928 silent film exists in the British Film Institute's archives.
The Mayor of Casterbridge is a 1921 British silent drama film directed by Sidney Morgan and starring Fred Groves, Pauline Peters and Warwick Ward. It was an adaptation of the 1886 novel The Mayor of Casterbridge by Thomas Hardy and was made with Hardy's collaboration.
The Blackguard (1925) is a British-German drama film directed by Graham Cutts and starring Jane Novak, Walter Rilla, and Frank Stanmore.
Islington Studios, often known as Gainsborough Studios, were a British film studio located on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, London between 1919 and 1949. The studios are closely associated with Gainsborough Pictures which was based there for most of the studio's history. During its existence Islington worked closely with its sister Lime Grove Studios in Shepherd's Bush and many films were made partly at one studio and partly at the other. Amongst the films made at the studios were Alfred Hitchcock thrillers, Will Hay comedies and Gainsborough Melodramas.
Dame Chance is a surviving 1926 American silent romantic drama film produced and released by independent companies David Hartford Productions and American Cinema Associates respectively. The stars are Julanne Johnston, Robert Frazer, Gertrude Astor, and Mary Carr. Copies of the film are held at the Library of Congress and the BFI British Film Institute.
Big Pal is a 1925 American silent sports drama film directed by John G. Adolfi and starring William Russell, Julanne Johnston and Mary Carr. A newly restored copy exists at the Library of Congress. It was released in Britain in 1926, distributed by Wardour Films.