The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
"Misery" is a song by the English rock band the Beatles from their 1963 debut album Please Please Me. It was co-written by John Lennon and Paul McCartney. According to Lennon, "It was kind of a John song more than a Paul song, but it was written together." McCartney was to say: "I don't think either one of us dominated on that one, it was just a hacking job."
The Remains were a mid-1960s American garage rock group from Boston, Massachusetts, led by Barry Tashian. Although the Remains never achieved national success, they were very popular in New England, and were one of the opening acts on the Beatles' final US tour in 1966.
Judith Anne Henske was an American singer and songwriter, dubbed "the Queen of the Beatniks" by producer Jack Nitzsche. Initially performing in folk clubs in the early 1960s, her performances and recordings embraced blues, jazz, show tunes, and humorous material. Her 1963 recording of "High Flying Bird" was influential on folk-rock, and her 1969 album Farewell Aldebaran, with husband Jerry Yester, was an eclectic "fusion of folk music, psychedelia, and arty pop".
Volume 3: A Child's Guide to Good and Evil is the fourth album by the American psychedelic rock band The West Coast Pop Art Experimental Band (WCPAEB), and was released on Reprise Records in May 1968. By the time the group commenced recording Volume 3, guitarist Danny Harris had excused himself from the WCPAEB, reducing their numbers to a trio. As with the WCPAEB's earlier work, the album saw the band continue to blend psychedelic influences and complex studio techniques, and was marked by a bizarre fusion of innocence and malice in the band's lyrics. Volume 3 featured the WCPAEB's most ambitious music to date, and the striking cover art of John Van Hamersveld, yet it failed to sell in sufficient copies to chart nationally. In more recent times, the album has been considered the band's most accomplished work and a masterpiece of the psychedelic genre.
Hollies is the Hollies' third studio album for Parlophone. It is also referred to as Hollies '65 to differentiate it from the similarly titled 1974 album. It went to No. 8 in the UK album charts. Originally available in mono only, it was reissued in stereo under the title Reflection in 1969. In 1997, British EMI put both mono and stereo versions of this album onto a single CD.
All Our Own Work is an album by Sandy Denny and the Strawbs, recorded in 1967 but not released until 1973. The album was recorded in Copenhagen, Denmark, and contains an early recording of one of Sandy Denny's best known songs "Who Knows Where the Time Goes?". Denny later recorded this song as a member of Fairport Convention. The album was released by Pickwick Records, who in the 1970s specialised in budget releases of deleted record company catalogues.
"Don't Look Back" was the Remains' last single on Epic Records. The song was composed by Billy Vera, who composed and recorded "Storybook Children" for Atlantic Records. "Don't Look Back" was released as Epic 10060 in 1966. Its B-side was "Me Right Now", composed by Barry Tashian, the Remains' leader.
The Place and the Time is a compilation album of demos, outtakes, alternative versions and live versions of songs by Moby Grape, released by Sundazed Records in 2009 in CD and double LP format.
Moby Grape Live is a 2010 album, released by Sundazed Records, of previously unissued live recordings of the band Moby Grape. Included are recordings of the band in its prime in 1966 and 1967, as well as 1969 recordings, subsequent to the 1968 collapse and departure of founding member Skip Spence. A particularly notable inclusion is the band's performance at the historic Monterey International Pop Festival. According to critic Mark Deming, "While Moby Grape's studio work might offer a clearer picture of the strength of their songs, Moby Grape Live does a brilliant job of revealing what made them great as a band, and the best tracks here should prompt any serious fan of late-'60s rock to reaffirm Moby Grape's status as one of the finest acts of their time." According to another reviewer, "After the essential debut record, this is the Moby Grape record I would recommend next."
"Diddy Wah Diddy" is a song written by Willie Dixon and Ellas McDaniel, known as Bo Diddley, and recorded by the latter in 1956. The song shares only its title with Blind Blake's song "Diddie Wah Diddie" recorded in 1929. Over the years, the Bo Diddley song has been covered by many bands and artists, including the Astronauts, Captain Beefheart and his Magic Band, the Remains, the Twilights, Taj Mahal, the Sonics, the Fabulous Thunderbirds, Ty Segall Band, and the Blues Band among others.
Barry Tashian is an American rock and folk musician.
The Bonniwell Music Machine is the second and final album by the American garage rock band The Music Machine, recorded under the renamed moniker The Bonniwell Music Machine, and released on Warner Bros. Records on February 10, 1968. As with their debut LP, the album again saw the band blending garage and psychedelic rock influences, albeit with a greater emphasis on psychedelia than on their previous album release. Prior to completing its recording, all of the group's original members, except for its creative force, Sean Bonniwell, departed, though they would still appear on some of the album's tracks.
The Magicians were an American garage rock band formed in New York City, New York, in 1965. The group released four singles during their brief recording career with Columbia Records, with their most well-known song being "An Invitation to Cry". Members Alan Gordon and Garry Bonner later became a successful songwriting duo, and the Magicians' material was assembled on a compilation album in 1999.
The Driving Stupid was an American garage rock band formed in New Jersey in 1966. The group issued one cult favorite single called "Horror Asparagus Stories" that is most known for its absurd lyrics and psychedelic instrumentals. Though short-lived, the band's sole release has been included on numerous compilation albums. Previously unreleased material by the band was also issued in 2002.
Garage Beat '66 Volume 2: Chicks are for Kids! is the second installment in the Garage Beat 66 series of garage rock compilations issued by Sundazed Records, which was released on April 27, 2004 and is available exclusively on compact disc. It features well-researched liner notes, written by Ugly Things publisher Mike Stax, which supply background information about each song and act, usually including photographs of the bands. Like all of the entries in the series it is noted for good sound quality, as all of the tracks are mastered from the original studio master sources.
No Chance Baby! is a retrospective album by the American garage rock band Oscar and the Majestics and was released on July 26, 2011 on Sundazed Records. The album compiles all of the group's released material that was previously available to only a handful of collectors.
Raw 'n' Alive at the Cellar, Chicago 1966! is a live album by the American garage rock band the Shadows of Knight, and was released on Sundazed Records in 1992. The album consists of recordings from the band's appearance at the Cellar in Arlington Heights, Illinois in December 1966. Although the tapes were never anticipated to be released publicly, Raw 'n' Alive at the Cellar is commended for its good sound quality, and represents one of the better live concert recordings to emerge from the garage rock era.
The Gentle Soul was a folk band formed in 1966 by singer-songwriters Pamela Polland and Rick Stanley. The band's music contained spiritual influences and an emphasis on creative and elaborate vocal harmonies. Their eponymous album appeared on Epic Records, together with a number of non-LP singles. Columbia Records released one record by the Gentle Soul, which was produced by Terry Melcher. The group consisted of Riley Wildflower, Pamela Polland, Rick Stanley and Sandy Konikoff. For a short time, the group included Jackson Browne. The Gentle Soul recordings have become a coveted classic, and the original vinyl album is now a pricey collector’s item.
