René François Ghislain Magritte was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. His imagery has influenced pop art, minimalist art, and conceptual art.
André Albert Auguste Delvaux was a Belgian film director. He co-founded the film school INSAS in 1962 and is regarded as the founder of the Belgian national cinema. Adapting works by writers such as Johan Daisne, Julien Gracq and Marguerite Yourcenar, he received international attention for directing magic realist films.
Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
Paul Delvaux was a Belgian painter noted for his dream-like scenes of women, classical architecture, trains and train stations, and skeletons, often in combination. He is often considered a surrealist, although he only briefly identified with the Surrealist movement. He was influenced by the works of Giorgio de Chirico and René Magritte, but developed his own fantastical subjects and hyper-realistic styling, combining the detailed classical beauty of academic painting with the bizarre juxtapositions of surrealism.
Watermael-Boitsfort or Watermaal-Bosvoorde, often simply called Boitsfort in French or Bosvoorde in Dutch, is one of the 19 municipalities of the Brussels-Capital Region, Belgium. Located in the south-eastern part of the region, it is bordered by Auderghem, the City of Brussels, Ixelles, and Uccle, as well as the Flemish municipalities of Hoeilaart, Overijse and Sint-Genesius-Rode. In common with all of Brussels' municipalities, it is legally bilingual (French–Dutch).
Aimé Nicolas Morot was a French painter and sculptor in the Academic Art style.
The Royal Academy of Fine Arts of Brussels is an art school established in Brussels, Belgium. It was founded in 1711. Starting from modest beginnings in a single room in Brussels' Town Hall, it has since 1876 been operating from a former convent and orphanage in the Rue du Midi/Zuidstraat, which was converted by the architect Victor Jamaer. The school has played an important role in training important local artists.
The Brussels International Exposition of 1935 was a world's fair held between 27 April and 6 November 1935 on the Heysel/Heizel Plateau in Brussels, Belgium.
Laurent Delvaux was a Flemish sculptor. After a successful international career that brought him to London and Rome, he returned to the Austrian Netherlands where he was a sculptor to the court. Delvaux was a transitional figure between the Baroque and Neo-classicism.
The Apotheosis of Homer is a grand 1827 painting by Jean-Auguste-Dominique Ingres, now exhibited at the Louvre as INV 5417. The symmetrical composition depicts Homer being crowned by a winged figure personifying Victory or the Universe. Forty-four additional figures pay homage to the poet in a kind of classical confession of faith.
Pierre Schwarz is a contemporary Belgian painter and engraver, neo-expressionist and muralist.
Marcel Paquet was a Belgian philosopher. The most important influences on his thought were Spinoza, Kant, Hegel, Nietzsche, Heidegger and Michel Foucault.
Jeff Kowatch is an American painter, born in Los Angeles in 1965.
The Great Sirens is a large 1947 painting by the Belgian painter Paul Delvaux in the collection of the Metropolitan Museum of Art, in New York.
The Road to Rome is a 1979 painting by the Belgian painter Paul Delvaux. It depicts a European town square in twilight, with a number of women, many of whom are nude or semi-nude, scattered around the scene. Three high, open doors stand upright along the walkway.
The Sacrifice of Iphigenia is a 1968 painting by Paul Delvaux. Inspired by Iphigenia's sacrifice in Greek mythology, it depicts five people on a boardwalk. In the foreground are three women, two of whom might be the same person who watches herself, and behind them appears to be a scene of human sacrifice where a man overlooks a woman with an exposed breast.
Procession in Lace is a painting made by Paul Delvaux in 1936. It shows a group of women walking toward a Roman triumphal arch. It was one of the first paintings in which Delvaux drew inspiration from Giorgio de Chirico and painted women reminiscent of mannequins, something he would continue to do throughout his career. Art historians have highlighted the painting's theatricality and described it as one of Delvaux's first major works.
Sleeping Venus is a 1944 painting by Paul Delvaux. It depicts a reclining Venus surrounded by anguished people at a town square with classical buildings. It was painted in Brussels while the city was bombed during World War II and Delvaux wanted to contrast the psychological drama of the moment with the calm Venus. The painting has been in the collection of Tate in London since 1957.
