Angelo is an opera in four acts by César Cui, composed during 1871–1875, with a libretto by Viktor Burenin based on Victor Hugo's 1835 prose play, Angelo, Tyrant of Padua. This same play formed the basis of Saverio Mercadante's Il giuramento of 1837, Amilcare Ponchielli's La Gioconda, which premiered in the same year as Cui's opera (1876), and Alfred Bruneau's Angelo, tyran de Padoue of 1928.
Telefoni Bianchi films, also called deco films, were made by the Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.
Clara Calamai was an Italian actress.
Light in the Darkness is a 1941 Italian drama film directed by Mario Mattoli and starring Fosco Giachetti, Alida Valli and Clara Calamai. The film's sets were designed by the art director Ottavio Scotti. It was shot at the Palatino Studios in Rome.
Sicilian Uprising or Sicilian Vespers is a 1949 Italian historical drama film directed by Giorgio Pastina and starring Marina Berti, Clara Calamai and Roldano Lupi. The film is set in 1282, showing the events leading up to the War of the Sicilian Vespers. It is based on the libretto of the Verdi opera I vespri siciliani, which was itself based on an earlier play written by Eugène Scribe and Charles Duveyrier.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
The Innkeeper is a 1944 Italian historical comedy film directed by Luigi Chiarini and starring Luisa Ferida, Armando Falconi and Osvaldo Valenti. The film is an adaptation of Carlo Goldoni's 1753 play The Mistress of the Inn, one of a number of times the work has been turned into films. It belongs to the movies of the calligrafismo style.
Carlo Lombardi was an Italian stage and film actor. Later in his career he often worked in television. He appeared in a number of films during the Fascist era, including a leading role in the historical epic Scipio Africanus (1937).
Angelo, Tyrant of Padua is an 1835 play by the French writer Victor Hugo. It is a historical work on podestà Angelo, set in Padua in northern Italy. It was a return to the theatre for Hugo, whose previous work Marie Tudor had been a failure.
Last Love is a 1947 Italian melodrama film directed by Luigi Chiarini and starring Clara Calamai, Andrea Checchi and Carlo Ninchi. It set during the Second World War with Italy close to defeat and increasingly occupied by German troops. Three Italian soldiers are enjoying some leave when they become involved with an enigmatic female singer!.
Goodbye Youth is a 1940 Italian "white-telephones" drama film directed by Ferdinando Maria Poggioli and starring María Denis, Adriano Rimoldi and Clara Calamai. The film was adapted from the 1911 play of the same name by Nino Oxilia and Sandro Camasio, which had been adapted into films on three previous occasions. The film was a breakthrough role for Calamai who emerged as a leading star of Italian cinema during the 1940s. It was made at the Cinecittà studios in Rome and the Fert Studios in Turin.
The Queen of Navarre is a 1942 Italian "white-telephones" historical film directed by Carmine Gallone and starring Elsa Merlini, Gino Cervi and Renato Cialente. It was made at the Cinecittà Studios in Rome, based on a play by Eugène Scribe. The film portrays a series of intrigues at the Madrid court of Charles V in the Sixteenth century.
The Fornaretto of Venice is a 1939 Italian historical drama film directed by Duilio Coletti and starring Roberto Villa, Elsa De Giorgi and Clara Calamai. It is an adaptation of the 1846 play of the same title by Francesco Dall'Ongaro, which has been adapted into films on several occasions. It was made at the Cinecittà Studios in Rome.
The Adulteress is a 1946 Italian melodrama film directed by Duilio Coletti and starring Clara Calamai, Roldano Lupi and Carlo Ninchi. It was shot at the Scalera Studios in Rome. Calamai received the Nastro d'Argento for Best Actress for her performance.
The Silent Partner is a 1939 Italian drama film directed by Roberto Roberti and starring Carlo Romano, Clara Calamai and Evi Maltagliati. It is based on the 1928 novel The Partner by Jenaro Prieto, which was turned into a British film The Mysterious Mr. Davis the same year.
Captain Fracasse is a 1940 Italian historical adventure film directed by Duilio Coletti and starring Elsa De Giorgi, Giorgio Costantini and Osvaldo Valenti. It was made at the Cinecittà studios in Rome. The film is based on the 1863 novel of the same name by Théophile Gautier. Another adaptation Captain Fracasse was made three years later as a co-production between France and Italy.
They've Kidnapped a Man is a 1938 Italian white-telephone comedy film directed by Gennaro Righelli and starring Vittorio De Sica, Caterina Boratto and Maria Denis. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art director Alfredo Montori.
I, His Father is a 1939 Italian sports drama film directed by Mario Bonnard and starring Erminio Spalla, Mariella Lotti and Clara Calamai.
Two Million for a Smile is a 1939 Italian "white-telephones" comedy film directed by Carlo Borghesio and Mario Soldati and starring Enrico Viarisio, Giuseppe Porelli and Elsa De Giorgi.
The Mask of Cesare Borgia is a 1941 Italian historical drama film directed by Duilio Coletti and starring Osvaldo Valenti, Elsa De Giorgi and Carlo Tamberlani. Coletti asserted that the 1948 20th Century Fox film Prince of Foxes was a remake of his work, the American studio having bought the rights, although the latter film's source is credited as a novel of the same title by Samuel Shellabarger.
