| "Thoroughly Modern Millie" | ||||
|---|---|---|---|---|
| 7-inch US single picture sleeve | ||||
| Single by Julie Andrews | ||||
| from the album Thoroughly Modern Millie | ||||
| B-side | "Jimmy" | |||
| Released | 1967 | |||
| Genre | Musical, show tune | |||
| Length | 2:30 | |||
| Label | Decca | |||
| Songwriters | Sammy Cahn, James Van Heusen | |||
| Julie Andrews singles chronology | ||||
| ||||
"Thoroughly Modern Millie" is a song composed by Sammy Cahn (lyrics) and Jimmy Van Heusen (music) for the 1967 musical film of the same name, a faux-1920s musical comedy directed by George Roy Hill and produced by Ross Hunter. The film starred Julie Andrews, Carol Channing, and Mary Tyler Moore, blending original compositions with period-appropriate standards. [1]
The song was performed by Julie Andrews, who starred in the film as the titular character. Released as a single by Decca Records, it features "Jimmy" as the B-side. [2] According to William Ruhlmann of AllMusic, "Thoroughly Modern Millie" is an upbeat, jazzy number that mirrors the film's lighthearted tone. At the same time the lyrics playfully depict the protagonist's embrace of modernity. [3] In 1996, the song, along with the instrumental track "Prelude", was included in Andrews' Rhino compilation album The Best of Julie Andrews: Thoroughly Modern Julie . [4]
Cash Box named it a "Pick of the Week", praising the track's upbeat, lighthearted energy and Andrews' ability to bridge pop and middle-of-the-road audiences. The publication noted that the A-side's playful, jazz-infused style contrasted effectively with the B-side, "Jimmy", which offered a smoother, more romantic tone. [5]
Record World echoed this enthusiasm, selecting the song as a "Single Pick of the Week" and later awarding it a "Four Star" rating. The two reviews emphasized its "pristine perkiness" and infectious, "jingle-like quality", suggesting it would resonate widely due to its ties to the upcoming film. Further reinforcing its reception, Record World described the single as a "darling title ditty", predicting its success with mainstream audiences. [6] [7]
In his review of the film's soundtrack for Cast Album Reviews, David Barbour awarded just one out of five stars, dismissing it as a "bizarre camp exercise" - yet made sure to highlight that the admittedly catchy title track and the ballad "Jimmy" stood as rare noteworthy moments amidst an album full of questionable choices. [8]
"Thoroughly Modern Millie" was nominated for the Golden Globe Award for Best Original Song at the 25th Golden Globe Awards (1967). The other nominees in the category were: "If Ever I Would Leave You" from Camelot (performed by Richard Harris, music by Frederick Loewe, lyrics by Alan Jay Lerner), which won the award; "Talk to the Animals" from Doctor Dolittle (performed by Rex Harrison, music and lyrics by Leslie Bricusse); "Circles in the Water (Des ronds dans l'eau)" from Live for Life (Vivre pour vivre) (music by Francis Lai, lyrics by Norman Gimbel); and "Please Don't Gamble with Love" from Ski Fever (music by Jerry Styner, lyrics by Guy Hemric). [9]
The film's title song was also nominated for the Academy Award for Best Original Song at the 40th Academy Awards (1967). The other nominees were: "Talk to the Animals" from Doctor Dolittle, which won the Oscar; "The Eyes of Love" from Banning (music by Quincy Jones, lyrics by Bob Russell); "The Look of Love" from Casino Royale (music by Burt Bacharach, lyrics by Hal David); and "The Bare Necessities" from The Jungle Book (music and lyrics by Terry Gilkyson). [10]
| Year | Award | Category | Result | Ref. |
|---|---|---|---|---|
| 1968 | 25th Golden Globe Awards | Best Original Song | Nominated | |
| 1968 | 40th Academy Awards | Best Original Song | Nominated | |
On March 25, 1967, the single made its first appearance on the Billboard's Easy Listening chart—now known as the Adult Contemporary chart. [11] The song eventually reached its peak position at number 3 on April 22. [12] It remained on the chart for a total of 12 weeks. [11] Additionally, it peaked at number 5 on the Record World Top Non-Rock chart. [13]
| Chart (1967) | Peak position |
|---|---|
| US (Billboard Easy Listening) [12] | 3 |
| US ( Record World Top Non-Rock) [13] | 5 |