Three Musicians | |
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Spanish: Los Tres Mùsicos | |
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Artist | Pablo Picasso |
Year | 1921 |
Medium | Oil on canvas |
Movement | Synthetic Cubism |
Dimensions | 200.7 cm× 222.9 cm(79.0 in× 87.8 in) |
Location | Museum of Modern Art, New York. Mrs. Simon Guggenheim Fund, 1949 |
Three Musicians | |
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Spanish: Los Tres Mùsicos | |
![]() | |
Artist | Pablo Picasso |
Year | 1921 |
Medium | Oil on canvas |
Movement | Synthetic Cubism |
Dimensions | 204.5 cm× 188.3 cm(80.5 in× 74.1 in) |
Location | Philadelphia Museum of Art. A.E. Gallitan Collection, 1952 |
Three Musicians, also known as Musicians with Masks or Musicians in Masks, is a large oil painting created by Spanish artist Pablo Picasso. He painted two versions of Three Musicians. Both versions were completed in the summer of 1921 in Fontainebleau near Paris, France, in the garage of a villa that Picasso was using as his studio. They exemplify the Synthetic Cubist style; the flat planes of color and "intricate puzzle-like composition" giving the appearance of cutout paper with which the style originated. These paintings each colorfully represent three figures wearing masks. The two figures in the center and left are wearing the costumes of Pierrot and Harlequin from the popular Italian theater Commedia dell'arte, and the figure on the right is dressed as a monk. [1] In one version, there also is a dog underneath the table.
Although both versions share the same subject, the darker version today is more famous than the other. [2] [1]
The Pierrot is believed to represent the poet Guillaume Apollinaire, the Harlequin is believed to represent Picasso, and the monk is believed to represent the poet Max Jacob. [2] [1] Apollinaire and Jacob were close friends of Picasso during the 1910s. However, Apollinaire died from the Spanish flu on November 9, 1918 and Jacob entered a Benedictine monastery in the June of 1921. [3]
The setting of this version is a bare, dark brown, boxlike space, where the floor is a lighter brown color than the walls. Unscrambling the jigsaw in this one is quite a challenge.
In the space are three figures behind a table. On the table are still–life objects, which Picasso identified as a pipe, a package of tobacco, and a pouch.
The figure on the left is the Pierrot, the sad clown from Commedia dell'arte. He has a white pointy hat, a black eye mask, a blue and white body, and white pants. He is playing a gray clarinet. His small brown hands are disproportionate to the rest of his body.
The figure in the middle is the Harlequin. He's dressed in a red and yellow diamond pattern and is playing a yellow guitar. The guitar and his body are quite easy to make out. His blue mask is part of a larger shape that covers much of the Pierrot and it's topped off by a black, round hat. The figure on the right is the monk. He wears a black robe and is holding sheet music. He has a square nose with a stringy beard.
In this version, Picasso also included a dark brown dog underneath the table but it's mostly hidden. Its tail is seen flicking upward between the Harlequin's legs, its body and one of its rear legs between the Pierrot's legs, and its two front legs on the far left of the floor between the left table leg and the left wall. Not its head, but the shadow of his head, is seen on the back wall.
Picasso worked on both versions simultaneously. At the same time, he also painted Three Women at the Spring .
At the end of summer 1921, the canvases were untacked from the garage walls, rolled up, and transported. One version was acquired by Paul Rosenberg. The other was acquired by Albert Eugene Gallatin.
In 1949, Paul Rosenberg sold his painting to the Museum of Modern Art.
In 2023, an exhibition at the Museum of Modern Art reunited the two versions with two versions of Three Women at the Spring which were created at the same time. [4]
In the Simpsons episode Mom and Pop Art , Homer has a dream where the Three Musicians turn their instruments into guns and shoot at Homer. [5]
Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.
Harlequin is the best-known of the comic servant characters (Zanni) from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by the Italian actor-manager Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630.
Zanni, Zani or Zane is a character type of commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker". Through time, the Zanni grew to be a popular figure who was first seen in commedia as early as the 14th century. The English word zany derives from this character. The longer the nose on the characters mask, the more foolish the character.
Pierrot is a stock character of pantomime and commedia dell'arte, whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a diminutive of Pierre (Peter), via the suffix -ot and derives from the Italian Pedrolino. His character in contemporary popular culture—in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall—is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap.
Max Jacob was a French poet, painter, writer, and critic.
Harlequinade is an English comic theatrical genre, defined by the Oxford English Dictionary as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon, who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman.
Harlequin Valentine is a bloody and romantic short story (1999) and graphic novel (2001) based on the old Commedia dell'arte and Harlequinade pantomime.
Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian sculpture, and the art of Paul Cézanne and El Greco. This proto-Cubist period following Picasso's Blue Period and Rose Period has also been called the Negro Period, or Black Period. Picasso collected and drew inspiration from African art during this period, but also for many years after it.
Pedrolino is a primo ("first") Zanni, or comic servant, of the commedia dell'arte; the name is a hypocorism of Pedro (Peter), via the suffix -lino. The character made its first appearance in the last quarter of the 16th century, apparently as the invention of the actor with whom the role was to be long identified, Giovanni Pellesini. Contemporary illustrations suggest that his white blouse and trousers constituted "a variant of the typical Zanni suit", and his Bergamasque dialect marked him as a member of the "low" rustic class. But if his costume and social station were without distinction, his dramatic role was certainly not: as a multifaceted first Zanni, his character was—and still is—rich in comic incongruities.
Tristano Martinelli, called Dominus Arlecchinorum, the "Master of Harlequins", was an Italian actor in the commedia dell'arte tradition. He is probably the first actor to use the name "Harlequin" for the secondo ("second") Zanni role.
Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's Parade, Le Tricorne, Pulcinella, and Cuadro Flamenco. Picasso also drew a sketch with pen on paper of La Boutique fantasque, and designed the drop curtain for Le Train Bleu, based on his painting Two Women Running on the Beach, 1922.
Commedia dell'arte was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. Characterized by masked "types", commedia was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A commedia, such as The Tooth Puller, is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of commedia is the lazzo, a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of commedia is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin.
Pierrot lunaire: rondels bergamasques is a cycle of fifty poems published in 1884 by the Belgian poet Albert Giraud, who is usually associated with the Symbolist Movement. The protagonist of the cycle is Pierrot, the comic servant of the Italian Commedia dell'Arte and, later, of Parisian boulevard pantomime. The early 19th-century Romantics, Théophile Gautier most notably, had been drawn to the figure by his Chaplinesque pluckiness and pathos, and by the end of the century, especially in the hands of the Symbolists and Decadents, Pierrot had evolved into an alter-ego of the artist, particularly of the so-called poète maudit. He became the subject of numerous compositions, theatrical, literary, musical, and graphic.
Family of Saltimbanques is a 1905 oil on canvas painting by Pablo Picasso. The work depicts six saltimbanques, a kind of itinerant circus performer, in a desolate landscape. It is considered the masterpiece of Picasso's Rose Period, sometimes called his circus period. The painting is housed in the collection of the National Gallery of Art in Washington, D.C.
Kerry James Casey was an Australian actor, writer, director, and performance teacher. He worked in bilingual theatre in Australia with companies using Greek, French, Vietnamese, and Italian languages and cultures in performance.
Les Peintres Cubistes, Méditations Esthétiques, is a book written by Guillaume Apollinaire between 1905 and 1912, published in 1913. This was the third major text on Cubism; following Du "Cubisme" by Albert Gleizes and Jean Metzinger (1912); and André Salmon, Histoire anecdotique du cubisme (1912).
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Many cultural movements found him amenable to their respective causes: Decadents turned him into a disillusioned foe of idealism; Symbolists saw him as a lonely fellow-sufferer; Modernists converted him into a Whistlerian subject for canvases devoted to form and color and line.
Three Women at the Spring is an oil painting by Pablo Picasso. It was painted in the summer of 1921 in Fontainebleau, France. The painting features three young women posed at a fountain. At the same time he also painted Three Musicians.