Three Pieces for Blues Band and Symphony Orchestra | ||||
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Studio album by | ||||
Released | 1973 | |||
Genre | Blues rock, third stream, classical crossover, avant-garde | |||
Label | Deutsche Grammophon | |||
Producer | Thomas Mowrey | |||
Siegel–Schwall Band chronology | ||||
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Alternate cover | ||||
Three Pieces for Blues Band and Symphony Orchestra is an avant-garde musical composition written by William Russo in 1968. It combines classical music played by an orchestra with blues played by a four-piece band.
Three Pieces for Blues Band and Symphony Orchestra was recorded in 1972 by the San Francisco Symphony and the Siegel–Schwall Band, conducted by Seiji Ozawa. When the album was released the following year by Deutsche Grammophon, it became one of the company's best selling records, [1] reaching number 21 on the Billboard Jazz Chart and number 105 on the Billboard 200. [2]
Conductor Jean-François Verdier recorded Three Pieces in 2021 and 2022 with Orchestre Victor Hugo de Franche Comté and French blues band Awek, releasing the recording in 2023.
In 1966, Seiji Ozawa saw the Siegel–Schwall Band perform live at Big John's in Chicago. The Siegel–Schwall Band was a blues rock group led by Corky Siegel (harmonica, piano, vocals) and Jim Schwall (guitar, vocals). Ozawa conceived the idea of combining blues and classical music. [3] The following year, Ozawa conducted a performance of William Russo's Symphony No. 2, Titans, at the Ravinia Festival. Shortly after that, Russo was commissioned to write and orchestrate the composition that became Three Pieces for Blues Band and Symphony Orchestra. Russo consulted with Siegel when writing this work. While the orchestral parts are fully delineated, the blues band parts are more broadly outlined, leaving significant room for musical improvisation. [4]
Three Pieces for Blues Band and Symphony Orchestra was first performed at the Ravinia Festival on July 7, 1968 by the Chicago Symphony Orchestra, conducted by Ozawa, and the Siegel–Schwall Band. It was subsequently performed by the Siegel–Schwall Band and several other orchestras around the United States, one of which was the San Francisco Symphony. [5]
In 1972, the San Francisco Symphony was reunited with the Siegel–Schwall Band to record Three Pieces for the album. [6] [4]
Several years later, William Russo wrote another composition combining classical music and the blues, Street Music: A Blues Concerto. This piece was recorded by the San Francisco Symphony, again conducted by Seiji Ozawa, with Corky Siegel playing harmonica and electric piano. [7] Street Music was released as an album in 1977 by Deutsche Grammophon, with a "B side" of George Gershwin's An American in Paris . [6] [3]
Side two of the original LP record was Symphonic Dances from West Side Story by Leonard Bernstein. Later in 1977, Three Pieces for Blues Band and Symphony Orchestra was re-released on vinyl by Deutsche Grammophon, on their Polydor Records label, backed by Street Music: A Blues Concerto. [6]
In 2002, Three Pieces for Blues Band and Symphony Orchestra was released on CD, combined with Street Music and An American in Paris.
Review scores | |
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Source | Rating |
Allmusic | [8] |
On Classical Music Sentinel in 2011, Jean-Yves Duperron wrote, "This great collaborative recording from the 1970s deserves the term of Definitive Recording simply for being what it is. A very successful coming together of different genres of music that created an impact, that is still being felt today.... If you like blues music, Leonard Bernstein's Mass , even something a bit more remote like the Sketches of Spain by Miles Davis, you will love these pieces blending the upbeat sound of a blues band with a symphony orchestra. And if you love the sound of a well-played blues harmonica, just wait until you hear what Corky Siegel can achieve on that versatile instrument. It will make you love the blues all over again." [1]
On Allmusic, Cub Koda was considerably more reserved, saying "This is not an album — or a piece of music — to be neutral about. Collaborations between the high brow and the low down have always been dicey... but this one will definitely leave [you] on one side of the debate or the other..." [8]
Side one:
Three Pieces for Blues Band and Symphony Orchestra (William Russo)
with the Siegel–Schwall Band; Stuart Canin – solo violin on "2nd Part"
Side two:
Symphonic Dances from West Side Story (Leonard Bernstein)
Street Music: A Blues Concerto (William Russo)
with Corky Siegel
Three Pieces for Blues Band and Symphony Orchestra (William Russo)
with the Siegel–Schwall Band; Stuart Canin – solo violin on "2nd Part"
An American in Paris (George Gershwin)
The San Francisco Symphony, founded in 1911, is an American orchestra based in San Francisco, California. Since 1980 the orchestra has been resident at the Louise M. Davies Symphony Hall in the city's Hayes Valley neighborhood. The San Francisco Symphony Youth Orchestra and the San Francisco Symphony Chorus (1972) are part of the organization. Michael Tilson Thomas became the orchestra's music director in 1995, and concluded his tenure in 2020 when Esa-Pekka Salonen took over the position.
Seiji Ozawa was a Japanese conductor known internationally for his work as music director of the Toronto Symphony Orchestra, the San Francisco Symphony, and especially the Boston Symphony Orchestra (BSO), where he served from 1973 for 29 years. After conducting the Vienna New Year's Concert in 2002, he was director of the Vienna State Opera until 2010. In Japan, he founded the Saito Kinen Orchestra in 1984, their festival in 1992, and the Tokyo Opera Nomori in 2005.
Tanglewood is a music venue and festival in the towns of Lenox and Stockbridge in the Berkshire Hills of western Massachusetts. It has been the summer home of the Boston Symphony Orchestra since 1937. Tanglewood is also home to three music schools: the Tanglewood Music Center, Tanglewood Learning Center, and the Boston University Tanglewood Institute. Besides classical music, Tanglewood hosts the Festival of Contemporary Music, jazz and popular artists, concerts, and frequent appearances by James Taylor, John Williams, and the Boston Pops.
Alexis Sigismund Weissenberg was a Bulgarian-born French pianist.
William Joseph Russo was an American composer, arranger, and musician from Chicago, Illinois, United States.
The Siegel–Schwall Band was an American electric blues band from Chicago, Illinois. The band was formed in 1964 by Corky Siegel and Jim Schwall. They played many live shows, and released ten albums. They disbanded in 1974. The Siegel-Schwall Band performed occasional concerts, and released two more albums, from 1987 to 2016.
Randall Craig Fleischer was an American conductor. He was the Music Director of the Hudson Valley Philharmonic, Anchorage Symphony, and Youngstown Symphony orchestras.
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The Siegel–Schwall Band is an album by the blues-rock group the Siegel–Schwall Band. Released in 1971, it was their fifth album, and their first to be released by Wooden Nickel Records. It is not to be confused with the band's 1966 debut album, which is also titled The Siegel-Schwall Band.
The Siegel–Schwall Band is the first album by the Chicago-based blues-rock group the Siegel–Schwall Band. It was released by Vanguard Records in 1966. It is not to be confused with the band's fifth album, which is also titled The Siegel–Schwall Band.
Mark Paul "Corky" Siegel is an American musician, singer-songwriter, and composer. He plays harmonica and piano. He plays and writes blues and blues-rock music, and has also worked extensively on combining blues and classical music. He is best known as the co-leader of the Siegel-Schwall Band, and as the leader of the Chamber Blues group.
Jim Schwall was an American musician, singer-songwriter, and photographer. He was best known as a co-founder and member of the Siegel-Schwall Band.
Sleepy Hollow is an album by American electric blues band Siegel–Schwall Band. Their second album on the Wooden Nickel Records label, and their sixth album overall, it was recorded at Paragon Recording Studios in Chicago. It was released on vinyl in 1972. It was re-released as a CD by Wounded Bird Records in 1999.
953 West is an album by the Siegel–Schwall Band. Their third album on the Wooden Nickel Records label, and their seventh album overall, it was recorded at Paragon Recording Studios in Chicago in August 1973, and was released later that year. It was re-released as a CD, by Wounded Bird Records, in 1999.
Live: The Last Summer is an album by the blues-rock group the Siegel–Schwall Band. Their ninth album, it was recorded live in the summer of 1973 at the Brewery in Lansing, Michigan and at the Quiet Knight in Chicago, Illinois. It was released as a vinyl LP by Wooden Nickel Records in 1974. It was re-released as a CD by Wounded Bird Records in 1999. The album is also known as The Last Summer.
R.I.P. Siegel/Schwall is an album by the blues-rock group the Siegel–Schwall Band. It was recorded at Paragon Recording Studios in Chicago. It was released as a vinyl LP by Wooden Nickel Records in 1974. It was re-released as a CD by Wounded Bird Records in 1999.
Siegel–Schwall '70 is an album by the blues-rock group the Siegel–Schwall Band. Released in 1970, it was their fourth album, and their last one for Vanguard Records. Produced as a vinyl LP, it was later re-released as a CD, also on the Vanguard label.
This is an undated alphabetical list of audio and video recordings by the Vienna Philharmonic orchestra. Founded in 1842, the orchestra has a long history of recording music dating back to 1905. The orchestra has made numerous critically acclaimed recordings, of which several have been ranked as the greatest classical recordings of all time, such as Beethoven's Symphonies Nos. 5 & 7 with Carlos Kleiber and Wagner's complete Ring des Nibelungen with Sir Georg Solti. The orchestra has primarily made recordings with the Deutsche Grammophon, EMI and Decca labels.
Divertimento, or Divertimento for Orchestra, is a suite of eight orchestral bagatelles by American composer Leonard Bernstein. Completed in 1980 and written to celebrate the centenary of the Boston Symphony Orchestra, it is well-known for featuring the notes B and C in most of its melodic material.
Leonard Bernstein's Symphonic Dances from West Side Story was scored in 1960. It is an orchestral suite in nine movements adapted for large symphony orchestra from parts of his musical West Side Story. In the published score, Bernstein thanked Sid Ramin and Irwin Kostal, who prepared the expanded orchestration under his supervision, and who had orchestrated the musical. The suite was premiered by the New York Philharmonic, conducted by Lukas Foss, at New York's Carnegie Hall on February 13, 1961. It was subsequently recorded by Bernstein and others.