Time Will Tell | ||||
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Studio album by | ||||
Released | January 1995 | |||
Recorded | January 1994 | |||
Genre | Avant-garde jazz, free jazz, free improvisation | |||
Length | 67:15 | |||
Label | ECM ECM 1537 | |||
Producer | Manfred Eicher | |||
Paul Bley chronology | ||||
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Time Will Tell is an album by pianist Paul Bley, bassist Barre Phillips, and saxophonist Evan Parker recorded in January 1994 and released on ECM the following year. [1]
The Penguin Guide to Jazz selected this album as part of its suggested Core Collection. [2]
The AllMusic review by Scott Yanow awarded the album 2½ stars stating "This CD contains a series of mostly thoughtful free improvisations featuring three of the giants of the idiom... Although the results overall are not classic, the music never fails to hold on to one's interest as the three musicians continually think and evolve together". [3]
Review scores | |
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Source | Rating |
Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Barre Phillips is an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. Since 1972, he has been based in southern France where, in 2014, he founded the European Improvisation Center.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, that was recorded in 1982 and released in 1983. The album was voted jazz album of the year in Down Beat magazine's 1984 critic's poll. Haden and Carla Bley placed first in that 1984 poll's “Acoustic Bass” and “Composer” categories, respectively.
European Tour 1977 is an album by American composer, bandleader and keyboardist Carla Bley. Recorded in 1977 in Munich, Germany, it was released on the Watt/ECM label in 1978.
Dinner Music is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1976 and released on the Watt/ECM label in 1977.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
Social Studies is an album by American composer, bandleader and keyboardist Carla Bley, recorded in 1980 and released on the Watt/ECM label in 1981.
I Hate to Sing is a live album by American composer, bandleader and keyboardist Carla Bley recorded at the Great American Music Hall in 1981 combined with three tracks recorded at Grog Kill Studios in 1983 and released on the Watt/ECM label in 1984.
Night-Glo is an album by American composer, bandleader and keyboardist Carla Bley, with bassist Steve Swallow, recorded and released on the Watt/ECM label in 1985.
Go Together is an album of duets by the American composer, bandleader and keyboardist Carla Bley and bassist Steve Swallow, recorded and released on the Watt/ECM label in 1993. It is the pair's second duet recording following Duets (1988).
Big Band Theory is an album by the American composer, bandleader and keyboardist Carla Bley, recorded and released on the Watt/ECM label in 1993.
The Carla Bley Big Band Goes to Church is a live album by American composer, bandleader and keyboardist Carla Bley recorded in Perugia, Italy as part of the Umbria Jazz Festival and released on the Watt/ECM label in 1996.
Fragments is an album by Canadian jazz pianist Paul Bley recorded in 1986 and released on the ECM label.
The Paul Bley Quartet is an album by Canadian jazz pianist Paul Bley, recorded in 1987 and released on the ECM label.
In the Evenings Out There is an album by pianist Paul Bley, bassist Gary Peacock, drummer Tony Oxley and saxophonist John Surman recorded in 1991 and released on the ECM label in 1993.
Not Two, Not One is an album by the Canadian jazz pianist Paul Bley, with American bassist Gary Peacock and drummer Paul Motian, recorded in 1998 and released on the ECM label.
Sankt Gerold is an album by pianist Paul Bley, bassist Barre Phillips, and saxophonist Evan Parker recorded in 1996 and released on the ECM label in 2000.
If We May is an album of jazz standards by pianist Paul Bley recorded in 1993 and released on the SteepleChase label.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
The Redwood Session is an album by saxophonist Evan Parker with bassist Barry Guy and drummer Paul Lytton recorded in 1995 which was the first release on the CIMP label.
Trio (London) 1993 is a live album featuring performances by saxophonists Anthony Braxton and Evan Parker and trombonist Paul Rutherford which was recorded at the Bloomsbury Theatre as part of the 1993 London Jazz Festival and released on the Leo label.