Titanic Days | ||||
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Studio album by | ||||
Released | October 5, 1993 | |||
Recorded | 1993 | |||
Studio |
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Genre | ||||
Length | 47:41 | |||
Label | ZTT (Europe) I.R.S. (US) | |||
Producer | ||||
Kirsty MacColl chronology | ||||
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Titanic Days is the fourth studio album by Kirsty MacColl, released in 1993. [1] [2] [3] Containing eleven tracks, Titanic Days was sometimes hard to get in years after its release, but it was remastered and re-released in 2005 by ZTT with a second CD of non-album tracks and some live recordings, including a version of "Miss Otis Regrets". [4] In 2012, another remastered re-issue of the album was released by Salvo/ZTT, which again featured a second disc of bonus tracks. [5] This is the final album to be produced by her husband Steve Lillywhite, before they divorced several years after the release.
"I suppose it's a bit subdued in a sense. It's more personal and serious to a certain extent. It was the hardest album I have ever done. I hope the next one is easier and I hope I am not as depressed as I was when I did this album."
—MacColl discussing the album with Gilbert Blecken in 1994. [6]
Following the release of her third studio album Electric Landlady in 1991, MacColl continued to write songs that would be recorded for her follow-up release Titanic Days. However, in 1992, when Virgin was sold to EMI, MacColl was dropped from the label, leaving her new material to be recorded without a record deal. Much of the album, including vocals and overdubs, was recorded in MacColl's small home studio at Ealing, due to the limited budget. The musicians who appeared on the recordings, largely from MacColl's own live band, agreed to wait for payment for their contributions until a record deal was finalised. MacColl and her band spent two days at Townhouse Studios in London, where all the backing tracks were recorded. [7]
The album was recorded over an approximate period of eighteen months. MacColl told Sunday Life in 1994: "In many ways this album was recorded back to front. I was writing songs, playing them live and knocking them into shape, then recording them for the album, when normally it would be the other way around." [8]
When the album was completed, ZTT Records agreed to release the album as a one-off release. [7] [9] In the United States, the album was released by I.R.S. Records, which MacColl signed to after being introduced to the head of the label, Jay Boberg, as he happened to be the husband of a childhood friend. [10]
During the time of writing and recording the album, MacColl's marriage to Steve Lillywhite was disintegrating. As such, much of album's material reflected MacColl's personal issues. [11] She told Billboard in 1993: "There were big things happening in my life, and then every time you turned on the TV, there was a war going on and countries changing. It was such a strange period, it was so huge, that's why we called the album "Titanic Days"." [10]
Both "Angel" and "Soho Square" were performed on Later... with Jools Holland in November 1992. [12] [13] "Can't Stop Killing You" was performed on Late Night with Conan O'Brien in November 1993 and "Bad" on Kenny Live in February 1994. [14] [15]
Speaking to Gilbert Blecken in 1994, MacColl described "Last Day of Summer" as being "lyrically quite dark, but musically very bright". [16] "Tomorrow Never Comes" was recorded in a single day, with Nevin playing guitar, bass and organ. In MacColl's The One and Only biography, Nevin described the song as his favourite on the album. [17]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Pitchfork | 8.2/10 [18] |
Upon its release, Andrew Boyd of Reading Evening Post felt the album had a "satisfying diversity of styles on offer" and was a "commercial and pleasingly varied effort which should cheer MacColl fans everywhere". [19] Neil McKay of Sunday Life noted the album's "tales of domestic violence and strife, intercut with a neat turn of phrase and sense of humour". [20]
Billboard described the album as "a brew of pure pop sense and biting wit at least as satisfying as her previous work". They picked "Can't Stop Killing You", "Soho Square", "Angel", "Bad", "Big Boy on a Saturday Night" and "Titanic Days" as the album's "high points". [21] The Age picked Titanic Days as their "Album of the Week" and commented: "Titanic Days builds on the strengths of [her] last effort - strong songs, memorable hooks and a gentle ebb and flow between acoustic and electric." [22]
All tracks composed by Kirsty MacColl and Mark E. Nevin; except where indicated
Adapted from the album liner notes. [23]
Musicians
Technical
CD two
Notes
Chart (1993–1994) | Peak position |
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Australian Albums (ARIA) [25] | 187 |
UK Albums Chart [26] | 47 |
US New Rock Albums ( Radio & Records ) [27] | 16 |
Kite is the breakthrough second album by Kirsty MacColl, released in 1989. Produced by her husband Steve Lillywhite, it was her first album for Virgin Records. The album included MacColl's hit cover of the Kinks' "Days", as well as two tracks written with Smiths guitarist Johnny Marr. On 6 October 1989, it was certified silver by the BPI.
Electric Landlady is Kirsty MacColl's third studio album. Released in 1991, it was her second Virgin Records release and second collaboration with producer/husband Steve Lillywhite. The title is a pun on Jimi Hendrix's album Electric Ladyland.
"My Affair" is a song by British singer and songwriter Kirsty MacColl, released by Virgin on 29 July 1991 as the second single from her third studio album, Electric Landlady. It was written by MacColl and Mark E. Nevin, and produced by Steve Lillywhite. "My Affair" reached No. 56 in the UK and remained in the charts for two weeks. A music video was filmed to promote the single.
Eddi Reader is the second studio album by the Scottish singer Eddi Reader released in the United Kingdom on 20 June 1994.
"A New England" is a song written and recorded by Billy Bragg, included on his album Life's a Riot with Spy Vs Spy, released in 1983. It remains a signature song from the early years of Bragg's recording career.
"Don't Come the Cowboy with Me Sonny Jim!" is a song by British singer and songwriter Kirsty MacColl, which was released in 1990 as the fourth and final single from her second studio album Kite. It was written by MacColl and produced by Steve Lillywhite. The song reached No. 82 in the UK and remained in the charts for four weeks. A music video was filmed to promote the single, directed by Sarah Tuft.
Desperate Character is the first solo album of British singer-songwriter Kirsty MacColl, released in 1981. The album was re-released in March 1985 as Kirsty MacColl, with three tracks replaced with other songs. The album has been remastered and received a CD release for the first time on 8 October 2012 on the Union Square Music label and features the original twelve track listing.
Kirsty Anna MacColl was an English singer-songwriter, daughter of folk singer Ewan MacColl. She recorded several pop hits in the 1980s and 1990s, including "There's a Guy Works Down the Chip Shop Swears He's Elvis" and cover versions of Billy Bragg's "A New England" and the Kinks' "Days". Her first single, "They Don't Know", had chart success a few years later when covered by Tracey Ullman. MacColl also sang on a number of recordings produced by her husband Steve Lillywhite, most notably "Fairytale of New York" by the Pogues. Her death in 2000 led to the "Justice for Kirsty" campaign.
Howard Gray is an English musician, sound engineer, programmer, composer, re-mixer and producer who has worked with Public Image Ltd, Orchestral Manoeuvres in the Dark, Kirsty MacColl, the Armoury Show, the Pale Fountains, Japan, the Stranglers, Simple Minds, the Pretenders, XTC, UB40, Scritti Politti, Cherubs, Terence Trent D'Arby, Jean Michel Jarre, the Cure, Manic Street Preachers, U2, Puff Daddy & Jimmy Page, Tom Jones and Van Morrison.
"Walking Down Madison" is a song by Kirsty MacColl featuring Aniff Cousins, released by Virgin Records on 7 May 1991 as the lead single from her third studio album, Electric Landlady. It charted at No. 23 on the UK Singles Chart and impacted a number of Billboard charts.
"Free World" is a song by British singer and songwriter Kirsty MacColl, released on 20 March 1989 as the lead single from her second studio album, Kite. It was written by MacColl and produced by Steve Lillywhite. "Free World" reached number 43 in the UK Singles Chart and remained in the top 100 for seven weeks.
Pete Glenister is an English guitarist, songwriter and producer, known for his collaborations with Alison Moyet and Kirsty MacColl. He has also worked with a number of other artists including Anni-Frid Lyngstad, Bruce Foxton, Terence Trent D'Arby, Bros, E. G. Daily, Mary Coughlan, Geoffrey Williams, Five Thirty, Bryan Ferry and Raphael Gualazzi.
"Innocence" is a song by British singer and songwriter Kirsty MacColl, which was released in 1989 as the third single from her second studio album Kite. It was written by MacColl and Pete Glenister, and produced by Steve Lillywhite. "Innocence" reached No. 80 in the UK and remained in the charts for four weeks. The song's music video was filmed in the back garden of MacColl's home in Ealing. It was directed by Sarah Tuft and features a cameo appearance from Edward Tudor-Pole.
"Caroline" is a song by British singer and songwriter Kirsty MacColl, released in February 1995 as a single from her compilation album Galore. The song was written by MacColl, and produced by Victor Van Vugt and MacColl. "Caroline" reached number 58 in the UK Singles Chart and remained in the top 100 for two weeks.
"Angel" is a song by British singer and songwriter Kirsty MacColl, released in 1993 as the lead single from her fourth studio album Titanic Days. It was written by MacColl and produced by Steve Lillywhite. For its release as a single, "Angel" was remixed with additional production by Gregg Jackman. The song reached number 87 in the UK Singles Chart and number 26 on the US Billboard Modern Rock Tracks chart.
"Can't Stop Killing You" is a song by British singer and songwriter Kirsty MacColl, which was released in 1993 as the second single from her fourth studio album Titanic Days. It was written by MacColl and Johnny Marr, and produced by Victor Van Vugt and Baboon Farm. The song reached No. 20 on the US Billboard Modern Rock Tracks and remained on the chart for seven weeks.
"Dear John" is a song by Scottish singer-songwriter Eddi Reader, released on 24 October 1994 as the third and final single from her second studio album Eddi Reader. It was written by Kirsty MacColl and Mark E. Nevin, and produced by Greg Penny. "Dear John" reached No. 48 in the UK and remained in the charts for two weeks. In 1995, the song was nominated for "Best song musically and lyrically" at the Ivor Novello Awards.
What Do Pretty Girls Do? is a live compilation album by British singer-songwriter Kirsty MacColl, released by Hux Records in 1998. The compilation features fifteen tracks recorded across four BBC Radio One sessions between 1989 and 1995.
"All I Ever Wanted" is a song by English singer-songwriter Kirsty MacColl, released in 1991 as the third and final single from her third studio album, Electric Landlady. The song was written by MacColl and Marshall Crenshaw, and was produced by Steve Lillywhite. It peaked at number 91 in the UK Singles Chart.
See That Girl 1979–2000 is an eight disc box set by the British singer and songwriter Kirsty MacColl, released by Universal Music Group in 2023. The set contains 161 songs, recorded between 1979 and 2000, featuring 47 previously unreleased tracks, including the entirety of her 1983 unreleased second album Real, and sleeve notes by Jude Rogers. It reached number 49 on the UK Physical Albums chart and number 97 on the Scottish Albums Chart.
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