Tom Morris OBE (born 22 June 1964) is an English theatre director, writer and producer. He was the Artistic Director at BAC (Battersea Arts Centre) from 1995 to 2004 and the Artistic Director of Bristol Old Vic from 2009 to 2022. [1] He has been Associate Director at the National Theatre since 2004. [2]
Morris was born in 1964. He is the younger brother of satirist Chris Morris. He was educated at Stonyhurst College, a Jesuit boys' boarding independent school in Lancashire in north west England, and then read English Literature at Pembroke College, Cambridge, from 1983 to 1986. [2] [3]
From 1988 to 1994, Morris taught English Literature and worked in broadcasting and journalism, as a critic and feature-writer for The Times Literary Supplement , The Independent , The Sunday Times , The Daily Telegraph , The Guardian and The Observer , and appeared on BBC television and radio programmes Kaleidoscope , Night Waves and The Late Show . [4]
During this period he also founded Stage of Fools with Nick Vivian and Nick Sweeting, writing, acting and directing at the Edinburgh Fringe Festival and on tour.
In 1995, Morris became Artistic Director of Battersea Arts Centre (BAC), staying until 2004 when he joined the National Theatre. While at BAC, Morris established the Scratch Programme, [5] The Sam Shepherd Festival, The Critics Up for Review, The British Festival of Visual Theatre, Playing in the Dark [6] (which marked the launch of Vanishing Point and Sound and Fury and included the first scratch version of Complicite's Mnemonic) and BAC Opera (which produced Jerry Springer: The Opera). While at BAC he also wrote Ben Hur, Jason and the Argonauts and World Cup Final 1966 all with Carl Heap.
In September 2009 Morris took over as Artistic Director of Bristol Old Vic theatre, overseeing the theatre's revival with Executive Director Emma Stenning. Morris and Stenning expanded the Old Vic's Outreach Programme into every part of the City, set up the widely imitated artist development programme, the Bristol Ferment, and restored the theatre's national and international reputation with West End transfers and national & international touring for Swallows and Amazons, [7] A Midsummer Night's Dream, Jane Eyre [8] and Peter Pan (both of which were re-created for the National Theatre) and festivals such as Bristol Jam and Bristol Proms. in 2010, he directed the debut production of Helen Edmundson's Swallows and Amazons at Bristol Old Vic. [9] He stepped down from his role at the Bristol Old Vic in 2022. [1]
In 2012 Morris & Stenning oversaw the first phase of a multimillion-pound redevelopment, which included the long-awaited refurbishment of the theatre's 250 year old auditorium and creation of new office and rehearsal spaces. The second phase of redevelopment of Bristol Old Vic commenced in November 2016, designed by Steve Tompkins. The plans included an overhaul of the front of house spaces and Studio theatre, and was completed in autumn 2018. [10]
As well as directing many theatrical productions, Morris has directed and produced several operas, [3] including The Death of Klinghoffer (ENO and the Met) and a staging of Handel's Messiah (Bristol Proms, 2013). [11]
In 2011 he won the Tony Award for Best Direction of a Play for the Broadway production of War Horse , along with co-director Marianne Elliott. Morris was appointed Officer of the Order of the British Empire (OBE) in the 2016 Birthday Honours for services to theatre. [12]
One interviewer said of Morris: "His tastes are catholic, and frequently risky, but they can produce some of the most inspired, inventive theatre in Britain today." [4]
Tom Morris is on the board of innovating British theatre company Complicite, and is the founding chair of The JMK Trust, [13] set up in honour of James Menzies-Kitchin to provide opportunities for talented young theatre directors.
The Royal National Theatre of Great Britain, commonly known as the National Theatre (NT) within the UK and as the National Theatre of Great Britain internationally, is a performing arts venue and associated theatre company located in London, England. The theatre was founded by the actor Laurence Olivier in 1963, and many well-known actors have performed with it since.
The Old Vic is a 1,000-seat, nonprofit producing theatre in Waterloo, London, England. It was established in 1818 as the Royal Coburg Theatre, and renamed in 1833 the Royal Victoria Theatre. In 1871 it was rebuilt and reopened as the Royal Victoria Palace. It was taken over by Emma Cons in 1880 and formally named the Royal Victoria Hall, although by that time it was already known as the "Old Vic". In 1898, a niece of Cons, Lilian Baylis, assumed management and began a series of Shakespeare productions in 1914. The building was damaged in 1940 during air raids and it became a Grade II* listed building in 1951 after it reopened.
Bristol Old Vic is a British theatre company based at the Theatre Royal, Bristol. The present company was established in 1946 as an offshoot of the Old Vic in London. It is associated with the Bristol Old Vic Theatre School, which became a financially independent organisation in the 1990s. Bristol Old Vic runs a Young Company for those aged 7–25.
The Battersea Arts Centre ("BAC") is a performance space specialising in theatre productions. Located near Clapham Junction railway station in Battersea, in the London Borough of Wandsworth, it was formerly Battersea Town Hall. It is a Grade II* listed building.
The Young Vic Theatre is a performing arts venue located on The Cut, near the South Bank, in the London Borough of Lambeth.
Matthew Warchus is an English theatre director, filmmaker and dramaturg. He has been the Artistic Director of London's The Old Vic since September 2015.
Neil Vivian Bartlett, OBE is a British director, performer, translator and writer. He was one of the founding members of Gloria, a production company established in 1988 to produce his work along with that of Nicolas Bloomfield, Leah Hausman and Simon Mellor.
Paul Blackman is a British theatrical producer and director.
Helen Edmundson is a British playwright, screenwriter and producer. She has won awards and critical acclaim both for her original writing and for her adaptations of various literary classics for the stage and screen.
Thea Sharrock is an English theatre and film director. In 2001, at age 24, she became the artistic director of London's Southwark Playhouse and the youngest artistic director in British theatre.
Simon Dormandy is an English theatre director, teacher and actor. As an actor, he worked with Cheek by Jowl and the Royal Shakespeare Company (RSC), as well as at The Donmar Warehouse, The Old Vic, Chichester Festival Theatre and The Royal Exchange, amongst many others. He is perhaps best known on screen for his performances in Little Dorrit (film) and Vanity Fair. Between 1997 and 2012, he taught drama at Eton College, Berkshire, and held the posts of Director of Drama, Head of Theatre Studies and Deputy Head of English. He worked as a freelance theatre director until 2019 and has been Head of Academic Drama at St Paul's School, London since 2020. His directing credits include Julius Caesar at the Bristol Old Vic and Much Ado About Nothing at the Rose Theatre, Kingston, and his own adaptations of A Passage to India and the Coen Brothers' film The Hudsucker Proxy.
Carrie Cracknell is a British theatre director. She was artistic director of the Gate Theatre, London, from 2007 to 2012. She was associate director at both the Young Vic (2012–2013) and the Royal Court (2013–2014).
Joseph Hill-Gibbins is a British theatre and opera director.
Emma Stenning is a British arts professional, based in Birmingham, where she is the Chief Executive of the City of Birmingham Symphony Orchestra. She joined the CBSO from Soulpepper Theatre where she was Executive Director from 2018-2022.
Natalie Abrahami is a British theatre, film and opera director. She was associate director and Genesis Fellow at the Young Vic in London 2013-16 and associate artist at Hull Truck Theatre. From 2007–12 she was joint artistic director of the Gate Theatre with Carrie Cracknell.
Timothy Sheader is a British theatre director. Sheader read Law with French at the University of Birmingham before moving into a career in theatre. He has been Artistic Director at Regent's Park Open Air Theatre from 2007 to 2024. He became Artistic Director of the Donmar Warehouse in 2024.
Annabel Arden is a British actress, theatre and opera director, and one of the co-founders of Théâtre de Complicite.
David Jubb is a theatre producer and the current artistic director and CEO of Battersea Arts Centre. He has been BAC's Artistic Director since 2004, sharing the Joint Artistic Directorship with David Micklem from 2008 to 2012, and CEO since 2008. He also worked as a Development Producer at Battersea Arts Centre (1999-2001), working with Artistic Director Tom Morris to develop Scratch and BAC's Ladder of Development.
John Edward Berry is a British-born musician and arts administrator.
Finn Ross is a Scottish video designer working internationally. He works primarily on stage productions in the London's West End and on Broadway in the USA. He has also worked extensively in opera throughout Europe and has collaborated with designers like Es Devlin and theatre companies like Complicite. Ross has won a Tony Award and two Olivier Awards.