Ubirr, once referred to as Obiri Rock, so-named by C. P. Mountford,[1] is a rock formation within the East Alligator region of Kakadu National Park in the Northern Territory of Australia, and is known for its rock art. It consists of a group of rock outcrops on the edge of the Nadab floodplain where there are several natural shelters that have a collection of Aboriginalrock paintings, some of which are many thousands of years old. The art depicts certain creation ancestors as well as animals from the area such as barramundi, catfish, mullet, goannas, long-necked turtles, pig-nosed turtles, rock ringtail possums, and wallabies.
From the top of Ubirr rock there is a panoramic view of the floodplains and escarpments.
Ubirr is approximately 40km from Jabiru along a sealed road. The road is low-lying, so access can be restricted during periods of heavy rain. A short walk from the car park takes visitors past the main art sites to the foot of Ubirr Rock.
The rock faces at Ubirr have been continuously painted and repainted since 40,000 BCE.[2] Most paintings there were created about 2000 years ago. Some have been repainted right up to modern times. There are three main galleries of art accessible to visitors. National Park rangers, many of them Indigenous, give talks at all of these sites.
Main gallery
The main gallery is perhaps the most photographed, and contains many examples of "X-ray art". Also in the main gallery can be seen paintings of white men with their hands on hips, and, high up, Mimi spirits, who are so thin that they can slip in and out of cracks in the rock. It is a puzzle how the artists managed to reach these bits of rock to paint the Mimi spirits. The local explanation is that the Mimi spirits painted the pictures themselves, and brought the rock down to ground level to do so.
At the northern end of the main gallery can be seen a painting of a thylacine, or Tasmanian tiger, which has been extinct in the area for about 2000 years, and attests to the antiquity of the paintings.
Rainbow Serpent Gallery
This is the most sacred site at Ubirr, and is traditionally a women-only site, although this rule is relaxed for non-indigenous tourists. This is the spot visited by the Rainbow Serpent or "Garranga'rreli", during her path across the top end of Australia, during the Dreaming. As she crossed the land, she "sang" the rocks, plants, animals, and people into existence. This path, or songline, is still a sacred path to the indigenous people who live in northern Australia.
The Wandjina, also written Wanjina and Wondjina and also known as Gulingi, are cloud and rain spirits from Australian Aboriginal mythology that are depicted prominently in rock art in Australia. Some of the artwork in the Kimberley region of Western Australia dates back to approximately 4,000 years ago. Another closely related spirit entity is the creator being Wunngurr, a being analogous to the Rainbow Serpent in other Aboriginal peoples' belief systems, but with a different interpretation.
Kakadu National Park is a protected area in the Northern Territory of Australia, 171 km (106 mi) southeast of Darwin. It is a World Heritage Site. Kakadu is also gazetted as a locality, covering the same area as the national park, with 313 people recorded living there in the 2016 Australian census.
Indigenous Australian art includes art made by Aboriginal Australians and Torres Strait Islanders, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sandpainting; art by Indigenous Australians that pre-dates European colonisation by thousands of years, up to the present day.
Australian art is any art made in or about Australia, or by Australians overseas, from prehistoric times to the present. This includes Aboriginal, Colonial, Landscape, Atelier, early-twentieth-century painters, print makers, photographers, and sculptors influenced by European modernism, Contemporary art. The visual arts have a long history in Australia, with evidence of Aboriginal art dating back at least 30,000 years. Australia has produced many notable artists of both Western and Indigenous Australian schools, including the late-19th-century Heidelberg School plein air painters, the Antipodeans, the Central Australian Hermannsburg School watercolourists, the Western Desert Art Movement and coeval examples of well-known High modernism and Postmodern art.
A songline, also called dreaming track, is one of the paths across the land within the animist belief systems of the Aboriginal cultures of Australia. They mark the route followed by localised "creator-beings" in the Dreaming. These routes serve as crucial connections between individuals and their ancestral lands, carrying intricate geographical, mythological, and cultural information.
Mimis are fairy-like beings of Arnhem Land in the folklore of the Aboriginal Australians of northern Australia. They are described as having extremely thin and elongated bodies, so thin as to be in danger of breaking in case of a high wind. To avoid this, they usually spend most of their time living in rock crevices.
Alligator Rivers is the name of an area in an Arnhem Land region of the Northern Territory of Australia, containing three rivers, the East, West, and South Alligator Rivers. It is regarded as one of the richest biological regions in Australia, with part of the region in the Kakadu National Park. It is an Important Bird Area (IBA), lying to the east of the Adelaide and Mary River Floodplains IBA. It also contains mineral deposits, especially uranium, and the Ranger Uranium Mine is located there. The area is also rich in Australian Aboriginal art, with 1500 sites. The Kakadu National Park is one of the few World Heritage sites on the list because of both its natural and human heritage values. They were explored by Lieutenant Phillip Parker King in 1820, who named them in the mistaken belief that the crocodiles in the estuaries were alligators.
Gunbalanya is an Aboriginal Australian town in west Arnhem Land in the Northern Territory of Australia, about 300 kilometres (190 mi) east of Darwin. The main language spoken in the community is Kunwinjku. At the 2021 Australian census, Gunbalanya had a population of 1,177.
Sydney rock engravings, or Sydney rock art, are a form of Australian Aboriginal rock art in the sandstone around Sydney, New South Wales, Australia, that consist of carefully drawn images of people, animals, or symbols. Many thousands of such engravings are known to exist in the Sydney region, although the locations of most are not publicised to prevent damage by vandalism, and to retain their sanctity, as they are still regarded as sacred sites by Indigenous Australians. There are two art environments in Sydney Basin, rock shelters and engraving sites.
Burrunggui is located in an outlying sandstone formation of the Arnhem Land Escarpment within the Kakadu National Park in the Northern Territory of Australia. It is the traditional Country of the Gun-djeihmi speaking people and according to traditional owners, was shaped by Ancestral beings in the creation period of the Dreaming. It was included on the World Heritage Register. Kakadu National Park is included on UNESCO the World Heritage List due to its exceptional natural and cultural values.
Anbangbang Billabong lies in the shadow of Burrunggui within Kakadu National Park and is a good place to view a wide range of wildlife. Large numbers of waterfowl and wading birds inhabit the billabong and many wallabies can be found grazing around the water's edge. There is a walking trail around the circumference of Anbangbang Billabong with many picnic areas.
Peggy Rockman Napaljarri is a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Born on what is now Tanami Downs pastoral station in the Northern Territory, she learned English when working as a child with a white mining family; Peggy Rockman and her family were subsequently relocated by government authorities to Lajamanu, a new community west of Tennant Creek. Peggy Rockman is one of the traditional owners of Tanami Downs.
George Jiří Chaloupka OAM, FAHA was an expert on Indigenous Australian rock art. He identified and documented thousands of rock art sites, and was a passionate advocate for Aboriginal Australian art, as longest continuing art tradition in the world. He is especially known for the much-debated assignation of a four-phase style sequence to rock art in Arnhem Land, and the term "Dynamic Figures", which he assigned to rock art described by him in Mirrar country of western Arnhem Land.
Bardayal "Lofty" Nadjamerrek was a Kunwinjku Aboriginal artist of the Mok clan. He belonged to the Duwa moiety and spoke the Kundedjnjenghmi language. He is currently referred to by his skin and clan as "Wamud Namok", following the Kunwinjku custom of avoiding use of the name of deceased persons.
The Bininj are an Aboriginal Australian people of Western Arnhem land in the Northern Territory. The sub-groups of Bininj are sometimes referred to by the various language dialects spoken in the region, that is, the group of dialects known as Bininj Kunwok; so the people may be named the Kunwinjku, Kuninjku, Kundjeyhmi (Gundjeihmi), Manyallaluk Mayali, Kundedjnjenghmi and Kune groups.
Sally Kate May, usually cited as Sally K. May, is an Australian archaeologist and anthropologist. She is an Associate Professor of Archaeology and Museum Studies at the University of Adelaide, Australia. She is a specialist in Indigenous Australian rock art and Australian ethnographic museum collections.
Barbara Mbitjana Moore is an Anmatyerre woman who grew up in Ti-Tree in the Northern Territory, moving later to Amata in South Australia's Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. In April 2003, Moore began painting at Amata's Tjala Arts, and, since then, has received widespread recognition. Moore won a National Aboriginal & Torres Strait Islander Art Award in 2012 and has been a finalist in many other years. Moore has also been a finalist for the Wynne Prize.
Nonggirrnga Marawili was an Australian Yolngu painter and printmaker. She was the daughter of the acclaimed artist and pre-contact warrior Mundukul. Marawili was born on the beach at Darrpirra, near Djarrakpi, as a member of the Madarrpa clan. She grew up in both Yilpara and Yirrkala in Arnhem Land in the Northern Territory, but lived wakir', meaning her family would move frequently, camping at Madarrpa clan-related sites between Blue Mud Bay and Groote Eylandt. Marawili died at Yirrkala in October 2023.
Mick Kubarkku (c.1922-2008) was regarded as a prominent Aboriginal Australian artist most associated with Kuninjku modernism.
Graham Badari is an Aboriginal Australian artist from the Wardjak clan in West Arnhem Land. Graham Badari belongs to the Duwa moeity and speaks the Kunwinjku dialect. At Injalak Arts, Badari is a popular figure, a tour guide, and a font of community news. Art historian Henry Skerritt describes him as possessing a "impish smile and cheeky sense of humour" and a "unique and eccentric personality"
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