Unintentional defamation

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Unintentional defamation occurs where a work of fiction contains a character that coincidentally shares a name or other recognizable characteristics with a real person, such that the real person is defamed by the depiction. [1]

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A famous early case in the field, E. Hutton & Co. v. Jones (1910), was successfully brought by a person named Artemus Jones who sued a newspaper that had published a story about a fictional Artemus Jones. [1]

In order to minimize the risk of unintentional defamation, producers of film, television, and radio programs will engage in a process of negative checking to ensure that the names of fictional characters cannot be confused with real life people, and will post a fictitious persons disclaimer stating that the characters portrayed in it are fictional, and not based on real persons.

Negative checking

Negative checking is a process by which producers of film, television and radio programs will attempt to ensure that the names of fictional characters cannot be confused with real life people. For instance, during the making of the television series Inspector Morse , the producers of the show checked with local police to ensure that the names of characters used in the program could not be confused with individuals in any real life cases. The primary reason for this practice is to prevent any possible legal action for libel which could result. The term is sometimes shortened in program credits to Neg Check. [2]

Fictitious persons disclaimer

A title card from the film Affairs of Cappy Ricks (1937) showing an all persons fictitious disclaimer All persons fictitious Affairs of Cappy Ricks.jpg
A title card from the film Affairs of Cappy Ricks (1937) showing an all persons fictitious disclaimer

A fictitious persons disclaimer in a work of media states that the characters portrayed in it are fictional, and not based on real persons. This is done mostly in realistic films and television programs to reduce the possibility of legal action for libel from any person who believes that they have been defamed by their portrayal in the work, whether portrayed under their real name or a different name. The wording of this disclaimer varies, and differs from jurisdiction to jurisdiction, as does its legal effectiveness.

History

The disclaimer came as a result of litigation against the 1932 Metro-Goldwyn-Mayer (MGM) film Rasputin and the Empress , which depicted the character Princess Natasha being seduced by Russian mystic Rasputin. Natasha was claimed to represent Princess Irina Alexandrovna of Russia, who sued MGM for libel. After seeing the film twice and hearing testimony, the English Court of Appeal agreed that the princess had been defamed. [3] In 1934, Irina and her husband Felix Yusupov were reportedly awarded $127,373 (equivalent to $2,990,000in 2024) in damages, and $1,000,000 (equivalent to $24,000,000in 2024) in an out-of-court settlement with MGM. As a preventive measure against further lawsuits, the film was taken out of distribution for decades. [4]

The film began with a claim that "This concerns the destruction of an empire ... A few of the characters are still alive—the rest met death by violence." Reportedly, a justice in the case told MGM that not only was this claim damaging to their case, but that their case would be stronger if they had incorporated a directly opposite statement, that the film was not intended as an accurate portrayal of real people or events. This prompted the film industry to add the disclaimer to all future movies for decades, even when it was clearly untrue. [5]

Despite the disclaimer's widespread use, its actual effectiveness is unclear. In America, fictional works are already heavily protected under the First Amendment, and success of libel suits is rare, with a high burden of proof. [6] Meanwhile, films using the disclaimer have still been successfully sued for defamation. Robert B. Kelly was awarded damages in 1948 for a negative depiction in the World War II movie They Were Expendable . [3] An additional example was the 1980 film The Idolmaker , based on a fictional talent promoter who discovers a talentless teenage boy and turns him into a manufactured star. Singer Fabian, whose career path was similar to the fictional singer depicted in the film, took offense at the caricature, and the production company responded by bringing up the all persons fictitious disclaimer. Because Bob Marcucci, the promoter on which the fictional character was based, was part of the production staff (and thus it could not be plausibly denied that actual events inspired the film), Fabian received a settlement granting a minority stake in the film's profits. [7] [8]

Examples

Although the disclaimer is routinely included as a boilerplate, producers sometimes vary from it, sometimes to make a statement about the veracity of their work, for humor, or to satirize the standard disclaimer.

The disclaimer is sometimes presented with qualifications.

Disclaimers can occasionally be used to make political or similar points. One such disclaimer is shown at the end of the industrial/political thriller The Constant Gardener , signed by the author of the original book, John le Carré: "Nobody in this story, and no outfit or corporation, thank God, is based upon an actual person or outfit in the real world. But I can tell you this; as my journey through the pharmaceutical jungle progressed, I came to realize that, by comparison with the reality, my story was as tame as a holiday postcard." [9] Other examples of such variation include:

The familiar disclaimer is often rewritten for humor. Early examples include The Three Stooges' parody of Nazi Germany You Nazty Spy , which stated that "Any resemblance between the characters in this picture and any persons, living or dead, is a miracle," [10] and its sequel I'll Never Heil Again , which features a disclaimer that states that "The characters in this picture are fictitious. Anyone resembling them is better off dead." [10] Other examples include:

Variations sometimes employ irony or satire. The 1985 film The Return of the Living Dead features a disclaimer that reads "The events portrayed in this film are all true. The names are real names of real people and real organizations." The novel Breakfast of Champions by Kurt Vonnegut features a truncated version of the disclaimer: "All persons, living and dead, are purely coincidental, and should not be construed", referring to the novel's existentialist themes. The 1990 film Slacker ends with "This story was based on fact. Any similarity with fictitious events or characters was purely coincidental." As the 1975 film Monty Python and the Holy Grail possesses no ending credits, the disclaimer, supposedly signed by Richard Nixon, is thus instead featured in the opening credits.

In response to controversies over cultural appropriation and the use of an indigenous term, Filipino television network ABS-CBN used a special disclaimer in the 2018 fantaserye Bagani , maintaining that the series takes place in an alternate fantasy universe inspired by, but unrelated to, pre-colonial Philippines and is in no way intended to trivialize or misrepresent tribal groups: "Ang kuwentong inyong mapapanood ay kathang-isip lamang at kumuha ng inspirasyon mula sa iba’t ibang alamat at mitolohiyang Pilipino. Ito’y hindi tumutukoy o kumakatawan sa kahit anong Indigenous People sa Pilipinas." ("The story you are about to watch is a work of fiction and merely takes inspiration from various Philippine legends and mythologies. It does not pertain to nor does it represent any Indigenous People in the Philippines.") [14] [15] [16]

See also

References

  1. 1 2 Donal Nolan, Mark Lunney, Ken Oliphant, Lunney & Oliphant's Tort Law: Text and Materials (2023), p. 727-28.
  2. Lunney, Mark; Oliphant, Ken (2008). Tort Law: Texts and Materials (3rd ed.). New York: Oxford University Press. ISBN   978-0-19-921136-4.
  3. 1 2 Zemon Davis, Natalie. "'Any Resemblance to Persons Living or Dead': Film and the Challenge of Authenticity". Stanford.edu. pp. 457–458. Archived from the original on 2014-02-22. Retrieved 2016-08-02.
  4. "Rasputin and the Empress". Turner Classic Movies. Retrieved 17 October 2011.
  5. "The Strange Reason Nearly Every Film Ends by Saying It's Fiction (You Guessed It: Rasputin!)". Slate.com. 26 August 2016. Retrieved 3 December 2017.
  6. "'Law & Order' Faces Libel Suit". NPR . 2008-03-24. Retrieved 2024-09-30.
  7. Dale Pollock (30 January 1981). "Film Clips: Paramount's Eisner Can't Find A Booth". Los Angeles Times . p. G1.
  8. "The Music Index – Story of the Stars – Fabian Interview". Story of the Stars. Archived from the original on 10 March 2012. Retrieved 11 April 2012.
  9. The Constant Gardener , IMDb.com. Retrieved 31 August 2012.
  10. 1 2 3 4 Erickson, Hal (2017). Any Resemblance to Actual Persons: The Real People Behind 400+ Fictional Movie Characters. McFarland & Company. p. 4. ISBN   978-1476666051.
  11. , IMDb.com. Retrieved 12 June 2023.
  12. tab=cz&ref_=tt_trv_cc Crazy Credits , IMDb.com. Retrieved 9 March 2013.
  13. Debbie Does Dallas trailer, 1978.
  14. Cody Cepeda (6 March 2018). "'Bagani' teleserye's misuse of term 'distorts, misleads and confuses' Filipino viewers, says IP commission". Philippine Daily Inquirer . Retrieved 6 March 2018.
  15. Niña Guno (4 March 2018). "'Bagani' teleserye under fire from CHED commissioner for misuse of term". Philippine Daily Inquirer. Retrieved 5 March 2018.
  16. Marjaleen Ramos (5 March 2018). "CHED Commissioner criticizes teleserye 'Bagani'". Manila Bulletin . Retrieved 6 March 2018.