| Uns ist ein Kind geboren | |
|---|---|
| Church cantata by Georg Philipp Telemann | |
| Telemann c. 1725 | |
| Catalogue | TWV 1:452 |
| Occasion | Christmas Day |
| Written | 1711 |
| Text | by Gottfried Simonis |
| Language | German |
| Composed | 1720 |
| Scoring |
|
Uns ist ein Kind geboren (Unto us a child is born), TWV 1:1452, is a Christmas cantata for the first day of Christmas by Georg Philipp Telemann to a libretto in German by Gottfried Simonis that was first published in 1711. Telemann composed it in Frankfurt in 1720. It is structured in eight movements and is scored for five vocal soloists, a four-part choir, flauto traversi or horns, oboes, strings and continuo.
Telemann composed Uns ist ein Kind geboren when he was music director in Frankfurt. [1] [2] He used a libretto by Gottfried Simonis , [1] [3] [4] which contains biblical text, chorale and free poetry, beginning with verse 5 from Isaiah 9. [1]
A libretto with the same title was published in 1711 in a collection of librettos by the writer, theologian, pastor and theorist Erdmann Neumeister. [5] A printed libretto, based on this text, survives in the Stadtgeschichtliches Museum of Leipzig for a cantata with this title because J. S. Bach performed it there. [1] That cantata was believed to have been composed by Bach and was published as one of his works in the 19th century by the Bach-Gesellschaft as Uns ist ein Kind geboren, BWV 142. It was possibly composed by Bach's predecessor, Johann Kuhnau. [5]
Telemann's cantata is closed by the last stanza of Kaspar Füger's hymn "Wir Christenleut". In the opening duet, he used elements from Hanakish and Polish folk music which he may have heard in his former position as kapellmeister for Count Erdmann von Promnitz, in Pleß and Kraków. While Telemann often used folk music in his compositions, it was rare in his church music. [1] He may have wanted to refer to the pastoral music of the shepherds. [1]
Telemann's cantata is extant in two forms: a set of parts, with Johann Balthasar König as the principal copyist, dates to the 1720s and is held by the Frankfurt University Library, and a copied score from the period is kept by the Berlin Singakademie. The parts source is regarded as preferable because it comes from the Frankfurt Telemann tradition. The other copy misses colla parte instruments, ornaments and figured bass. [1]
The cantata was published in 1963, edited by Helga Jaedtke, for Möseler , Wolfenbüttel. [6] It was published as part of the Frankfurter Telemann Editions by Habsburger Verlag in 2003. [7] [6] It was published in a critical edition by Carus in 2008, edited by Klaus Hofmann. It was published in 2019 by Bärenreiter, edited by Simon Rettelbach, as part of Telemann, Georg Philipp: Neues Lied. Kirchenmusiken vom 21. bis 26. Sonntag nach Trinitatis und vom 1. Advent bis zum 3. Weihnachtstag, volume 53 of his compositions. [6]
The cantata is scored for five vocal soloists (two sopranos, alto, tenor and bass), a four-part choir, two flauto traversi or horns, two oboes, two violins, viola and continuo. [4] [6] [8]
The cantata is structured in eight movements: [6] [9]