Plot
While rock climbing in Monument Valley, a freak accident puts adult siblings Peter and Annie, and their father Royce Garrett in a deadly situation. Royce realizes that his death will save his children, and verbally pushes Peter into cutting Royce's safety rope, causing him to fall to his death.
Three years later, Peter has retired from climbing and works for National Geographic . Annie has become a renowned mountaineer. Their relationship is strained, as Annie blames Peter for their father's death. Peter reunites with Annie at the K2 base camp, where she is planning a summit attempt. The expedition is funded by billionaire Elliot Vaughn. Their team is led by renowned climber Tom McLaren.
The night before the climb, Vaughn throws a party. Respected climber Montgomery Wick criticizes Vaughn. It's later revealed that Wick's wife, an expedition guide, died during Vaughn's previous expedition. Vaughn claims they were hit by a storm and Wick's wife died of pulmonary edema because her supply of dexamethasone (or "dex") was swept away. Wick doesn't believed that story and has been trying to find his wife's body.
Vaughn's team begins their K2 summit attempt, but are warned of an approaching storm. McLaren wants to turn back, but Vaughn convinces him to continue. An avalanche traps Annie, Vaughn, and McLaren in a crevasse, while the other two people in their group are killed. Radio contact is lost, but Annie uses Morse code through static to signal that the trio are alive. Peter assembles a rescue team of climbers. Pairs are assigned: Peter and Wick, Kareem and Malcolm, and Monique and Cyril. After a treacherous helicopter drop-off, each pair takes a different path to increase the chances of success. They also carry canisters of explosive nitroglycerine, donated by the Pakistani army, to clear the entrance to the crevasse.
When Cyril loses his balance at the edge of a cliff, Monique attempts to rescue him. Their nitro canister falls over the cliff and explodes, causing another avalanche and killing Cyril. At the military station, the nitroglycerine canisters are exposed to sunlight and explode. Base camp tells the rescue teams to get their cases of nitro into the shade. Kareem and Malcolm do so, but their canister leaks fluid and explodes, killing them. Monique joins Peter and Wick's team.
Underground, McLaren is severely injured and has lost his dex. Annie wants to share her supply with McLaren, but Vaughn discourages her in the belief they will need it for themselves, and McLaren will die regardless. Annie risks her life to retrieve a backpack across the crevasse and obtains more dexamethasone. She administers it to McLaren and herself, as they are both suffering from pulmonary edema.
Wick finally discovers his wife's body and an empty dex container nearby suggests that Vaughn stole hers, ensuring his own survival while leaving her to die. Monique, Peter and Wick camp for the night. Peter is wary of Wick, who seems focused on taking revenge. Wick awakens to find that Peter and Monique have left him.
In the crevasse, Annie falls asleep, and Vaughn kills McLaren to avoid having to give him more dex. Annie and Vaughn mark the crevasse entrance by detonating a flare inside a bag of McLaren's blood, which explodes over the snow. Peter and Monique see the marker and use nitro to blast a hole, enabling access to the survivors. They drop a rope and Vaughn harnesses Annie.
Wick arrives, descends into the cave, and attaches a clip to Vaughn. Monique and Peter attempt to pull Annie out of the crevasse, but an ice boulder falls, knocking Wick and Vaughn from the ledge in the crevasse, and pulling Annie and Peter down. Monique alone remains on the ledge holding the rope from which the other four are dangling. This creates a scenario similar to the opening scene. To save Annie and Peter, and to take revenge against Vaughn, Wick cuts his rope; he and Vaughn fall to their deaths.
Recovering at base camp, Annie reconciles with Peter, who pays his respects at a makeshift memorial for climbers who have died on mountain.
Reception
Box office
Vertical Limit grossed $69.2 million domestically and $215.7 million worldwide, becoming the 17th-highest-grossing film of 2000. Against a budget of $75 million, the film was a success.
In the United States, the film opened at No. 1 during its opening day, December 8, earning an estimated $5.1 million, overtaking How the Grinch Stole Christmas , which had stayed since November 17. On its opening weekend, the film finished second at the box office, with $15.5 million. [7]
Critical reception
Vertical Limit received mixed reviews from critics, as the film holds a 49% rating on Rotten Tomatoes based on 111 reviews, with an average rating of 5.2/10. The website's critical consensus reads: "The plot in Vertical Limit is ludicrously contrived and clichéd. Meanwhile, the action sequences are so over-the-top and piled one on top of another, they lessen the impact on the viewer". [8] On Metacritic, the film has a weighted average score of 48 out of 100, based on 29 critics, indicating "mixed or average reviews". [9] The movie has the rating of 
on Allmovie.com. [10] According to free-soloing legend Alex Honnold, the unrealistic opening scene is "horrendous and probably the worst scene in all of Hollywood climbing". [11]
Roger Ebert gave the film three stars out of four, commenting, "It's made from obvious formulas and pulp novel conflicts, but strongly acted and well crafted... "Vertical Limit" delivers with efficiency and craft, and there are times, when the characters are dangling over a drop of a mile, when we don't even mind how it's manipulating us." [12] James DiGiovanna of Tucson Weekly Vertical Limit, the best mountain-climbing movie starring Chris O'Donnell to come out this week." [13] Philip French of The Guardian mentioned, "Campbell sustains the tension pretty well and the settings are spectacular. More interesting than the characters, however, are two aspects of the dramatic background. The first is an isolated army post on a mountain peak from which ill-equipped Pakistani soldiers fire an artillery barrage every afternoon in the direction of India as an absurd daily ritual. [14] David Ansen of Newsweek wrote, ""Vertical Limit" produces a decidedly split reaction in an audience. You gasp at the action sequences, then giggle at the drama, then gasp, then giggle until finally the filmmakers pile on one cliffhanger too many. By that point, the gasps have become muted by sheer disbelief... Alternately generating adrenaline and ennui, "Vertical Limit" battles itself to a hard-earned draw." [15]
