Vice (Original Motion Picture Score) | ||||
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Film score by | ||||
Released | December 7, 2018 | |||
Genre | Film score | |||
Length | 58:13 | |||
Label | Decca | |||
Producer | Nicholas Britell | |||
Nicholas Britell chronology | ||||
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Vice (Original Motion Picture Score) is the score album composed by Nicholas Britell to the 2018 American biographical political satire black comedy-drama film Vice , directed, written, and co-produced by Adam McKay. Based on the life of former U.S. Vice President Dick Cheney, the film stars Christian Bale in the titular role with Amy Adams, Steve Carell, Sam Rockwell, Justin Kirk, Tyler Perry, Alison Pill, Lily Rabe, and Jesse Plemons in supporting roles. The film marked Britell's second collaboration with McKay after The Big Short (2015). [1] The original score album was released in digital and physical formats on December 7, 2018 by Decca Records and a double vinyl edition released on August 30, 2019.
The score was composed using a 90-piece orchestra ranging from solo piano to classically styled orchestral music to big-band jazz, as "The film explores the story of his life and the story of America in parallel, and the music explores different genres as it all evolves over the decades of the story." [1] He felt the idea of how a "typical American-symphonic sound is" and how Cheney's journey progresses. In the structure of the film's music, there is also certain dissonance woven into the score, as "Cheney worked in the shadows, there is also this question of what is true and what is false that has become such a big part of our daily conversation." [2] The theme cue "The Lineman" follows Cheney's journey in politics from younger age, has the shape of a "trumpet theme" suggesting the idea of the West and Americana, and consciously include notes that do not fit the theme. A "power motif" was also created in the score which was meant for "crazy big bands" or "hip hop tracks", but occurs in different places in the film. [2]
Britell had written a musical number, featuring Steve Carell as Donald Rumsfeld teaching Cheney on how power works around Washington D.C. and in the White House of Richard Nixon. The song was sung by Alabama Shakes' frontman Brittany Howard and choreographed by Andy Blankenbuehler. McKay mentioned the score as "breathtaking" and "incredible", but however could not include in the film's test screenings. He mentioned about the number, "It was kind of when Rumsfeld is teaching Cheney about Washington D.C. and how to get ahead. It’s sort of like ‘neither a borrower nor a lender be,’ he’s kind of giving him that speech. But the speech is about, ‘Who cares about anything? You’ve got to just get ahead of people, making your moves.’ I think there was a line in it, ‘The means justify the ends,’ which I always loved." [3] He further had possibilities of that scene being included in the Blu-ray version of the film. [4] [5]
No. | Title | Length |
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1. | "The Lineman – Prelude And Development" | 2:10 |
2. | "He Saw an Opportunity – Counterpoint in C Minor" | 2:19 |
3. | "Vice – Main Title Piano Suite" | 1:51 |
4. | "Master of the Switchblade" | 1:56 |
5. | "Flipping Cards" | 1:22 |
6. | "B-Flat Prelude" | 1:13 |
7. | "The Lineman in E-Flat Minor" | 1:49 |
8. | "Taking Over the Damn Place" | 3:26 |
9. | "Scalia" | 0:19 |
10. | "James Earl Carter Jr." | 1:14 |
11. | "The Wyoming Campaign" | 3:23 |
12. | "The Other Half Fears Us" | 2:08 |
13. | "Dick's Heart Is Healthier Than Ever" | 1:51 |
14. | "He Wants to Impress His Father" | 2:00 |
15. | "My Friend, My Running Mate" | 0:53 |
16. | "The Washington Game Board" | 2:42 |
17. | "The Many Offices of The VP" | 1:56 |
18. | "The War in Afghanistan / His Magnum Opus" | 2:34 |
19. | "The Iraq War Symphony" | 2:48 |
20. | "Major Combat Operations Have Ended" | 1:53 |
21. | "At Death's Door" | 2:40 |
22. | "Conclusion – The Transplant" | 7:07 |
23. | "Vice – Main Title Orchestra Suite" | 1:52 |
24. | "Imperium" | 1:45 |
25. | "G Minor Prelude" | 2:59 |
26. | "Parade Music (Bonus Track)" | 2:03 |
Total length: | 58:13 |
Source: [6]
James Southall of Movie Wave wrote "Writing a film score that is both satirical and sincere at the same time is one of the most difficult balancing acts a composer can undertake. You have to key the audience in to the joke while not overselling it to the point of obviousness, but then also use that same music to score scenes that are intended to be viewed un-ironically; finding that line can be a key element in whether a film is successful or not. Nicholas Britell not only found that line in Vice, but he also made his score genuinely interesting and appealing from a musical point of view – something that many composers fail to do." and called "Vice is his standout score of the year, and it confirms that this is a composer whose voice will continue to be heard for many years to come." [7] David Edelstein of Vulture wrote that Britell's score is "deadly serious even when the film is at its zaniest". [8] LATF USA-based critic felt that Britell's score "nicely complements the film’s comic and dramatic elements". [9] Alci Rengifo of Riot Material wrote "The music by Nicholas Britell is fittingly imperial, emphasizing the story with grand trumpets both somber and martial." [10] It has been complimented by film critics as "one of the best scores of 2018" by publications such as IndieWire , [11] Vulture, [12] and Film School Rejects [13] along with Britell's If Beale Street Could Talk .
Vice was shortlisted at the 91st Academy Awards for Best Original Score category, along with Nicholas Britell's score for If Beale Street Could Talk. [14] [15] However, the latter was officially nominated for the category, [16] and was similarly included in other major ceremonies and nominations. Britell however, won the World Soundtrack Awards for Soundtrack Composer of the Year in 2019, for both the films. [17]
Adam McKay is an American film director, producer, screenwriter, and comedian. McKay began his career as a head writer for the NBC sketch comedy show Saturday Night Live from 1995 to 2001. Following his departure from SNL, he rose to fame in the 2000s for his collaborations with comedian Will Ferrell and co-wrote his comedy films Anchorman, Talladega Nights, and The Other Guys. Ferrell and McKay later co-wrote and co-produced numerous television series and films, with McKay himself co-producing their website Funny or Die through their company Gary Sanchez Productions.
The World Soundtrack Awards, launched in 2001 by the Film Fest Gent, is aimed at organizing and overseeing the educational, cultural and professional aspects of the art of film music, including the preservation of the history of the soundtrack and its worldwide promotion. The event takes place yearly in Ghent, Belgium with the ceremony usually at the Capitole Concert Hall. Usually, the Brussels Philharmonic conducted by Dirk Brossé performs the awarded music at the ceremony.
Nicholas Britell is an American film and television composer. He has received numerous accolades including a Emmy Award as well as nominations for three Academy Awards, and a Grammy Award. He has received Academy Award nominations for Best Original Score for Barry Jenkins' Moonlight (2016) and If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015), and Vice (2018). He is also known for scoring Battle of the Sexes (2017), Cruella (2021), and She Said (2022).
The King is a 2019 epic historical film directed by David Michôd, based on several plays from William Shakespeare's Henriad. The screenplay was written by Michôd and Joel Edgerton, who both produced the film with Brad Pitt, Dede Gardner, Jeremy Kleiner, and Liz Watts. The King includes an ensemble cast led by Timothée Chalamet as the Prince of Wales and later King Henry V of England, alongside Edgerton, Sean Harris, Tom Glynn-Carney, Lily-Rose Depp, Thomasin McKenzie, Robert Pattinson, and Ben Mendelsohn.
If Beale Street Could Talk is a 2018 American romantic drama film written and directed by Barry Jenkins and based on James Baldwin's 1974 novel of the same name. It stars an ensemble cast that includes KiKi Layne, Stephan James, Colman Domingo, Teyonah Parris, Michael Beach, Dave Franco, Diego Luna, Pedro Pascal, Ed Skrein, Brian Tyree Henry, and Regina King. The film follows a young woman who, with her family's support, seeks to clear the name of her wrongly charged lover and prove his innocence before the birth of their child.
Moonlight (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film of the same name directed by Barry Jenkins. The film's original score is composed by Nicholas Britell who applied a chopped and screwed technique of hip hop remixes to orchestral music, producing a "fluid, bass-heavy score". The soundtrack album consisted of 21 tracks, with incorporated compositions from Goodie Mob, Boris Gardiner and Barbara Lewis and an arrangement of Wolfgang Amadeus Mozart's "Vesperae solennes de confessore" by Britell, with the score accompanying the remainder of it.
Vice is a 2018 American biographical political satire black comedy-drama film directed, written, and co-produced by Adam McKay and starring Christian Bale as former U.S. Vice President Dick Cheney, with Amy Adams, Steve Carell, Sam Rockwell, Justin Kirk, Tyler Perry, Alison Pill, Lily Rabe, and Jesse Plemons in supporting roles. The film follows Cheney on his path to becoming the most powerful vice president in American history. It is the second theatrical film to depict the presidency of George W. Bush, following Oliver Stone's W. (2008).
Joy Ngiaw is Malaysian composer for film and TV. Her score for Apple TV+ and Skydance's debut animation Blush had won Best Music Award from Hollywood Music in Media and was nominated for an Annie. She also scored Skydance Animation's inaugural studio logo. Other recent projects include Netflix and CBS's TV show Glamorous, Walt Disney Animation Studio's Short Circuit: Jing Hua, and Netflix's Rescued by Ruby.
"Just Look Up" is a song by American singer Ariana Grande and American rapper Kid Cudi. The song was written by both artists, alongside American film composer Nicholas Britell and American songwriter Taura Stinson, for the 2021 satirical science fiction film Don't Look Up. The song was issued on December 3, 2021 for streaming and digital download prior to the soundtrack's release.
Eighth Grade (Original Motion Picture Soundtrack) is the film score / soundtrack album to the 2018 film Eighth Grade, directed by Bo Burnham in his feature directorial debut. The score is composed by Scottish musician Anna Meredith marking her feature film debut, consisting primarily of electronic score to capture the "intensity of Kayla's experience" rather than a melodic score. Burnham additionally produced few cues for the score. The album was released on July 13, 2018 by Columbia Records, to positive response from critics.
The King (Original Score from the Netflix Film) is the score album to the 2019 film of the same name, directed by David Michôd and starring Timothée Chalamet, Joel Edgerton, Sean Harris, Tom Glynn-Carney, Lily-Rose Depp, Thomasin McKenzie, Robert Pattinson, and Ben Mendelsohn. The original score to the film is composed by Nicholas Britell who approached a futuristic music set in the 25th century, despite being the film set in the medieval period. He called it as the most "dark and sombre" music, he had composed, reflecting the setting and soundscape.
Andor (Original Score) is the score album composed by Nicholas Britell for the Disney+ science-fiction action-adventure television series Andor, the fourth live-action television series in the Star Wars franchise. The score (which was recorded over the course of two years) is notable for its prominent use of electronic instruments in much of the show's duration, in contrast to the orchestral scores in previous entries into the Star Wars franchise. The soundtrack was released in three volumes, including four episodes each to cover all twelve episodes of the first season. Volume 1 was released on October 21, with Volume 2 on November 4, and Volume 3 on December 9. The main title themes from the first three episodes were released as singles, coinciding its premiere on September 21. The score received critical acclaim with praise towards Britell's musical approach.
The music for the 2018 HBO satirical black comedy-drama television series Succession is composed by Nicholas Britell. It is considered as a combination of "hip hop and classical music" approaching the life style of Kendall Roy's mindset, his entry in corporate business, and obsession over rap music, which led hip hop being a major influence in the show. The score albums for each season were distributed by Republic Records, WaterTower Music, Milan Records, and Lake George Music Group. Britell's score, along with the main title theme, received critical acclaim and several accolades.
"Succession (Main Title Theme)" is the theme music of HBO's satirical black comedy-drama television series Succession which plays during the title sequence. It was composed by Nicholas Britell in 2018 and was released by Milan Records and HBO on July 20, 2018. The theme was composed using piano tunes, layered with strings, brass, beats from the Roland TR-808 drum machine and percussive sounds to blend classical and hip hop music. The title theme was critically acclaimed and became hailed as "one of the best television show themes" while also being referenced in popular cultures, with being included in memes, remixes, fan projects, and TikTok viral trends. A remixed version of the theme song by rapper Pusha T, was released on October 2019. At the 71st Primetime Creative Arts Emmy Awards the title theme won the award for Outstanding Original Main Title Theme Music.
If Beale Street Could Talk (Original Motion Picture Score) is the score album to the 2018 film of the same name directed by Barry Jenkins based on James Baldwin's 1974 novel of the same name. Featuring original music written and composed by Nicholas Britell, the film marked his second collaboration with Jenkins after the Academy Award-winning Moonlight (2016). According to Britell, he used two different soundscapes to depict the relationship between Clementine "Tish" Rivers (KiKi Layne) and Alonzo "Fonny" Hunt (Stephan James) as well as the horrors of alleged accusation over Fonny, and the aftermath surrounds. The primary instruments used in most of the scores, were strings and brass to depict the relationship, while orchestra and jazz also accompany the score.
She Said (Original Motion Picture Score) is the score album to the 2022 film of the same name, based on the 2019 book by reporters Jodi Kantor and Megan Twohey, that stars Carey Mulligan and Zoe Kazan as Twohey and Kantor, respectively, following their New York Times investigation that exposed Harvey Weinstein's history of abuse and sexual misconduct against women. The film features original score composed by Nicholas Britell and cello performances by his wife Caitlin Sullivan. The album was released by Back Lot Music on November 18, 2022.
Don't Look Up (Soundtrack from the Netflix Film) is the soundtrack to the 2021 film Don't Look Up directed by Adam McKay. The film's original score is composed by Nicholas Britell in his fourth collaboration with McKay, following The Big Short (2015), Vice (2018) and the HBO television series Succession (2019–2022), where McKay was the executive producer. Britell's score consisted of widest range of instrumentation used in the film, that produces multiple genres and musical styles, ranging from big-band jazz, traditional orchestral sounds and electronics and offbeat music. The album was led by the promotional single "Just Look Up" performed by Ariana Grande and Kid Cudi. that was described as a "love song for the end of the world". The song was issued on December 3, 2021 for streaming and digital download. The album featuring Britell's original score and an original song titled "Second Nature" by Bon Iver, was released on December 10, by Republic Records. The musical score received critical acclaim and led him receiving several nominations, including the Academy Award for Best Original Score, his third Academy Award nomination, following Moonlight (2016) and If Beale Street Could Talk (2018).
Carmen (Original Motion Picture Soundtrack) is the soundtrack to the 2022 film of the same name directed by Benjamin Millepied. It consisted 30 tracks from the original music composed by Nicholas Britell, who co-wrote the original songs with Taura Stinson, Julieta Venegas and The D.O.C. while also having songs performed by the actors, Paul Mescal and Melissa Barrera. The soundtrack was released by Sony Masterworks on April 21, 2023.