UNESCO World Heritage Site | |
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Location | Sarego, Province of Vicenza, Veneto, Italy |
Part of | City of Vicenza and the Palladian Villas of the Veneto |
Criteria | Cultural: (i), (ii) |
Reference | 712bis-014 |
Inscription | 1996 (20th Session) |
Coordinates | Coordinates: 45°25′42″N11°24′49″E / 45.42833°N 11.41361°E |
Villa Trissino is an incomplete patrician villa designed by Italian Renaissance architect Andrea Palladio, situated in the hamlet of Meledo in the comune of Sarego in the Veneto, north-eastern Italy. It was intended for the brothers Ludovico and Francesco Trissino.
It is not to be confused with Villa Trissino at Cricoli, which is 20 km away, just outside Vicenza.
Palladio included the project in book two of the I quattro libri dell'architettura , published in Venice in 1570. In the Quattro libri, Palladio affirms that he had begun the construction of a villa at Meledo for the brothers Ludovico and Francesco Trissino, ranking figures in the aristocracy of Vicenza and Palladio’s patrons not only at Meledo but also at their city palace in the Contra’ Riale (1558) and at a small suburban casino. Palladio refers to the building as having been begun, and praises the site which includes a small hill. However, it is debatable how much of the multi-level design illustrated in the book was constructed – probably only a small part of the design was ever attempted. [1] This did not prevent the plan from being influential: Thomas Jefferson's University of Virginia shows some similarities to it.
A number of Palladian villas differ from the illustrations in the Quattro libri. For example, at Villa Saraceno there is a Palladian house, but not the wings of the design published in 1570, and Villa Serego is also incomplete. At Villa Trissino, the visitor will find no Palladian house, only the start of the two extending wings can be seen. There is also a small rusticated gateway which recalls the Villa Serego.
The treatise engraving restores to us a view of an imposing structure, arranged on several levels, obviously inspired by the disposition of ancient Roman acropolis complexes. It is not possible to affirm whether this project had any practical outcome. On the other hand, evident traces of the beginning of the a Palladian project do exist in the imposing stone foundations of buildings along the river and in the two barchesse with Tuscan columns of fine workmanship. The most economic hypothesis would be that a project by Palladio existed for the Villa Trissino, although not necessarily identical to that presented in the Quattro libri. The latter seems rather to be the development of a theoretical scheme hypothetically conceived for the real site of Meledo. [1]
Villa Trissino, like most of the Palladian villas, was to be the centre of an agricultural estate built for an aristocratic family. What survives at Meledo is two sections of the villa's extending colonnade, which would have been used for the utilitarian functions, something like a farmyard.
At the end of the wing in the photo there is a dovecote, a feature also found at Villa Barbaro. The dovecote of Villa Trissino is decorated with frescoes, indicating that even within the utilitarian portions of the villa, great care was given to create aesthetic beauty. The dovecote tower was frescoed with grotesques by Eliodoro Forbicini (a Veronese painter mentioned by Vasari), who also worked in Palladio’s Palazzo Chiericati and Palazzo Thiene. It is an evident sign that the building’s function was not just utilitarian.
In 1996, Villa Trissino was designated as part of the World Heritage Site "City of Vicenza and Palladian Villas of the Veneto". [2] The buildings are in a poor state of conservation.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
Villa La Rotonda is a Renaissance villa just outside Vicenza in northern Italy designed by Italian Renaissance architect Andrea Palladio. The villa's correct name is Villa Almerico Capra Valmarana, but it is also known as "La Rotonda", "Villa Rotonda", "Villa Capra", and "Villa Almerico Capra". The name Capra derives from the Capra brothers, who completed the building after it was ceded to them in 1592. Along with other works by Palladio, the building is conserved as part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".
Villa Badoer is a villa in Fratta Polesine in the Veneto region of northern Italy. It was designed in 1556 by Italian Renaissance architect Andrea Palladio for the Venetian noble Francesco Badoer, and built between 1557 and 1563 on the site of a medieval castle, which guarded a bridge across a navigable canal. This was the first time Palladio used his fully developed temple pediment in the facade of a villa.
The Palladian villas of the Veneto are villas designed by Renaissance architect Andrea Palladio, all of whose buildings were erected in the Veneto, the mainland region of north-eastern Italy then under the political control of the Venetian Republic. Most villas are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto.
Villa Chiericati is a villa at Vancimuglio in the Veneto, northern Italy. It was designed for Giovanni Chiericati by the architect Andrea Palladio in the early 1550s.
Villa Godi is a patrician villa in Lugo di Vicenza, Veneto, northern Italy. It was one of the first projects by Italian Renaissance architect Andrea Palladio, as attested in his monograph I quattro libri dell'architettura. The work was commissioned by the brothers Girolamo, Pietro and Marcantonio Godi, started in 1537 and concluded in 1542, with later modifications to the rear entry and gardens.
Villa Saraceno is a Palladian Villa in Agugliaro, Province of Vicenza, northern Italy. It was commissioned by the patrician Saraceno family.
The Villa Angarano or Villa Angarano Bianchi Michiel is a villa in Bassano del Grappa, Veneto, northern Italy. It was originally conceived by Italian Renaissance architect Andrea Palladio, who published a plan in his book I quattro libri dell'architettura.
The Villa Pisani is a patrician villa designed by Italian Renaissance architect Andrea Palladio, located in Bagnolo, a hamlet in the comune of Lonigo in the Veneto region of Italy.
Villa Caldogno is a villa in the Veneto region of Italy, which is attributed to Italian Renaissance architect Andrea Palladio. It was built for the aristocratic Caldogno family on their estate in the village of Caldogno near Vicenza. It is also known as the "Villa Nordera" after Dr. Ettore Nordera who owned the property through a large part of the 20th century.
The Villa Trissino is a patrician villa, which belonged to Gian Giorgio Trissino, located at Cricoli, just outside the center of Vicenza, in northern Italy. It was mainly built in the 16th century and is associated by tradition with the architect Andrea Palladio.
Villa Thiene is a 16th-century villa at Quinto Vicentino in the province of Vicenza. The building as it stands today is the work of several architects one of whom was Andrea Palladio. Like several other projects on which Palladio worked, it was commissioned by two brothers, in this case Marcantonio and Adriano Thiene. Since 1996, the villa has been conserved as part of a World Heritage Site, the "City of Vicenza and the Palladian Villas of the Veneto". The World Heritage Site also includes the Palazzo Thiene in the city of Vicenza, which belonged to same Thiene brothers.
Villa Piovene is a Palladian villa built in Lugo di Vicenza, province of Vicenza, northern Italy. The building was commissioned in the 16th century for the aristocratic Venetian Piovene family, their architect believed to have been Andrea Palladio. It is part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto" since 1996.
Villa Serego or Villa Sarego is a Palladian villa at Santa Sofia di Pedemonte, San Pietro in Cariano in the province of Verona, northern Italy. It was built for the aristocratic Sarego family, and designed by Italian Renaissance architect Andrea Palladio. The villa is distinctive for its use of rusticated columns of the Ionic order.
The Villa Valmarana is a Renaissance villa situated in Lisiera, a locality of Bolzano Vicentino, province of Vicenza, northern Italy. Designed by Andrea Palladio, it was originally built in the 1560s for the Valmarana family.
Villa Porto is an unfinished patrician villa in Molina di Malo, Province of Vicenza, northern Italy, designed by Italian Renaissance architect Andrea Palladio in 1570.
The Wing of the Villa Thiene is a construction designed by Italian Renaissance architect Andrea Palladio, located in Cicogna, a hamlet in the comune of Villafranca Padovana in the Veneto region of Italy.
Palazzo Porto is a palace built by Italian Renaissance architect Andrea Palladio in Contrà Porti, Vicenza, Italy. It is one of two palaces in the city designed by Palladio for members of the Porto family. Commissioned by the noble Iseppo da Porto, just married, this building had a rather long designing stage and a longer and troublesome realization, partially unfinished.
Palazzo Thiene Bonin Longare is a patrician palace in Vicenza, northern Italy, designed by Italian Renaissance architect Andrea Palladio, probably in 1572, and built after Palladio's death by Vincenzo Scamozzi. It is one of the city palazzi of the Thiene family that Palladio worked upon, the other being Palazzo Thiene in the near contrà Porti.
Palazzo Valmarana is a palace in Vicenza. It was built by Italian Renaissance architect Andrea Palladio in 1565 for the noblewoman Isabella Nogarola Valmarana. Since 1994 it is part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".