"We Are I.E." | |
---|---|
Single by Lennie De Ice | |
Released | 1991 |
Recorded | 1989 |
Genre | |
Length | 7:41 |
Label | Reel 2 Reel Productions, I.E. Records |
Songwriter(s) | Lenworth Green |
Producer(s) | Lenworth Green |
"We Are I.E." is a song by British breakbeat hardcore producer Lennie De Ice. It was first recorded in 1989, but not released until 1991 when it appeared on a four-track EP from Reel 2 Reel Productions, one of a number of labels (and associated artists) that originated from the De Underground record shop based in Forest Gate, East London. [1] It is often credited as one of, if not the first, tracks to lay down the foundations for jungle music. [2] [3] [4] [5] [6]
The track contains several samples, the most prominent being the Amen break and the vocal "We are i.e." from the Algerian song "N'Sel Fik" by Chaba Fadela and Cheb Sahraoui, as well as the "let me hear you scream" vocal from "The Bugger Groove" by the Buggers, a backspin sound from Simon Harris's "Beats, Breaks & Scratches", the riff from 808 State's "Fire Cracker", and finally a Western-style gunshot sound. [7]
The track has had a number of remixes and revivals, with subsequent jungle remixes released in 1993 and 1994, and the track being increasingly played at 45 RPM (the original EP was mastered at 33 RPM) in later drum and bass and UK garage DJ sets. [8] It inspired producers R.I.P. Productions to release a speed garage version in 1997 titled "The Chant (We R)". In 1999, Distinctive Records released new house and hard house remixes which reached No. 61 on the UK Singles Chart, No. 4 on the UK Dance Singles Chart and No. 12 on the UK Independent Singles Chart in April of that year. [9] It was re-released again in 2022 by the British house music label Hooj Choons featuring new remixes including by Horsepower Productions). [10]
In a 2015 interview, drum and bass pioneer DJ Grooverider stated of the song: "We Are i.e." changed the game. After that, people started to talk about jungle". [11]
Breakbeat hardcore duo 2 Bad Mice compiled a list of "the 10 best rave tracks" for Dummy Mag in 2016 including "We Are I.E.", saying: "A stone cold classic, and anybody that ever heard this dropping down at Rage would never forget it. Cited by many as the first ever jungle tune, and it's pretty hard to argue with that." [12]
In a March 2017 article for The Vinyl Factory , artist Luca Lozano said of the track: "Whenever the birth of jungle is debated, usually some smart alec offers this track up as a starting point. Many people herald it as the first jungle track ever. Whether that is true or not is a matter for another discussion, but what we can talk about here is the relentless amen, the bleeps, the dubbed out "stepper" bass line and the incredibly suitable 'Lemme hear you scream' vocal sample." [13]
DJ Billy 'Daniel' Bunter included "We Are I.E." in his 2018 list of "7 utterly crucial rave and hardcore classics", saying: "Another huge catalyst for jungle and hardcore. The simplicity of it – there's this reggae-esque bassline, very mid-'80s reggae, then there's this rattling Amen break, and then the chant: "We are IE". There are hardly any elements to it, but it makes up such an amazing record. Everyone would always save their main track for the A-side, but this was the second track on the B-side, not even the main feature. But it still became one of the most seminal records of the era." [14]
Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.
Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. The thing that makes happy hardcore stand apart from gabber, is that happy hardcore tends to have breakbeats running alongside the 4/4 kick drum.
Breakcore is a style of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.
4hero are an electronic music group from Dollis Hill, London, comprising producers Mark "Marc Mac" Clair & Denis "Dego" McFarlane. 4hero are known for being pioneers of breakbeat hardcore, jungle/drum and bass, broken beat and nu jazz music.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases and Ultra-Sonic who were formed in Ayrshire.
Michael Alec Anthony West, better known as Rebel MC and Congo Natty, is a British jungle producer, spiritual chanter and toaster. He has also gone by aliases including Conquering Lion, Blackstar, Tribe of Issachar, Lion of Judah, X Project and Ras Project.
Matthew Nelson, better known as DJ Slipmatt, is a British electronic music producer and DJ. He was one half of breakbeat hardcore group SL2, who had a 1992 UK hit with "On a Ragga Tip".
Leroy Small, better known as DJ SS, is a British drum and bass DJ and record producer.
Luna-C is a British DJ and record producer, known for his work in breakbeat hardcore music. He was a member of the group Smart E's in 1992, who scored a No. 2 hit on the UK Singles Chart with "Sesame's Treet" which samples the Sesame Street theme song. He founded Kniteforce Records in 1992, for which he produced tracks and remixes under various aliases. The label was sold in 1997 but resurrected as Kniteforce Again (KFA) in 2001.
Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
Deekline is a British producer and DJ of breakbeat, breakstep, drum and bass and garage music. He is the innovator of breakstep music which is bass-heavy, breakbeat-infused 2-step, first characterised in his 1999 hit "I Don't Smoke", which reached No. 11 on the UK charts. He is the owner of Rat Records, which has released material of such artists as DJ Fresh, Jack Beats, Stanton Warriors, Wiley, Skinny Man, Rennie Pilgrem, House Breakers and Freq Nasty. Deekline has also had notable collaborations with British electronic music producers Ed Solo and Wizard. In 2011, he opened up his online clothing store, Bass Boutique.
The Criminal Minds are a British hip hop group first formed in Milton Keynes, UK in 1985, who would later have success with breakbeat hardcore music during the peak of the early-mid 1990s UK rave scene.
Reggae Owes Me Money is the debut album by British duo the Ragga Twins, produced by hardcore duo Shut Up and Dance and released on the latter's record label of the same name in May 1991. After establishing themselves as dancehall artists from the Unity soundsystem in the 1980s, the Ragga Twins switched direction in the early 1990s, combining into a duo after signing to Shut Up & Dance's label. The production duo stirred the Ragga Twins' change in direction, fusing their previous reggae and dancehall style into the Shut Up & Dance rave dance music.
Noise Factory were an English breakbeat hardcore and jungle group active in the early 1990s. The group is credited as being pivotal in the transition between hardcore and jungle music.
Lenworth Green, better known as Lennie De Ice, was a British musician credited with pioneering jungle music with his 1991 track, "We Are I.E.". His other aliases include Body Snatcher and Lick Down Crew. De Ice was a member of music groups CIS Production, Dub Hustlers, and Madd-Ice.
Randall McNeil, better known as DJ Randall, was a British jungle and drum and bass DJ and record producer.
"Toy Town" is a happy hardcore track by British duo Hixxy and Sharkey. Released in 1995, the single was a hit in the UK clubbing scene, peaked at number 24 in the UK dance singles chart, and had a pivotal impact in the UK rave music scene with a move away from breakbeat towards the newer happy hardcore "cheesy" sound.