Welcome to the Canteen | ||||
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Live album by | ||||
Released | 10 September 1971 | |||
Recorded | Fairfield Halls, Croydon, 6 June 1971 The Oz Benefit Concert, London, July 1971 | |||
Genre | Rock | |||
Length | 39:21 | |||
Label | United Artists/Island [1] | |||
Traffic chronology | ||||
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Welcome to the Canteen is the first live album by English rock band Traffic. It was recorded live at Fairfield Halls, Croydon and the Oz Benefit Concert in the canteen of the Polytechnic of Central London London, on 3 July 1971 and released in September of that year. It was recorded during Dave Mason's third stint with the band, which lasted only six performances.
The track list includes one song each from the first three Traffic albums; two songs from Mason's first solo album, Alone Together ; and "Gimme Some Lovin'" from Steve Winwood's former band, the Spencer Davis Group. (Winwood's organ and Mason's rhythm guitar are conspicuously out of sync for part of "Gimme Some Lovin'".)
In the band's native United Kingdom, the album was a surprise flop, the first in a series of albums by the group that would fail to make an appearance in the charts. [2] In the USA, however, it was a solid success, hitting number 26 in the charts and yielding the single "Gimme Some Lovin' (live)", which reached number 68 in the Billboard Hot 100. [3]
Although regarded as a Traffic album, it was originally released without the name "Traffic" anywhere on it; credited instead to the seven individual musicians. Nonetheless the Traffic logo appeared on the cover (on the back, in this case) as on all of their albums. Most later issues retain the original front cover with its individual crediting, but credit the album to Traffic on the spine. [4]
In 1970, Traffic toured in support of their comeback album John Barleycorn Must Die , with a quartet line-up of Steve Winwood, Chris Wood, Jim Capaldi, and Ric Grech. In November, the group played a series of concerts at the Fillmore East, and recordings from these concerts were compiled into a live album, to be called Live Traffic, [5] consisting of "Who Knows What Tomorrow May Bring", "Glad", "Pearly Queen", "40,000 Headmen", "Dear Mr. Fantasy", and "Can't Find My Way Home". [6] This album was set for release in early 1971 but cancelled for unknown reasons, though Side A eventually appeared as bonus tracks on the 1999 reissue of John Barleycorn Must Die .
By the time of their next tour, Traffic had expanded with the additions of Dave Mason, Jim Gordon, and Reebop Kwaku Baah. The band only played six dates, two of which – their opening performance at Fairfield Hall, Croydon and a London benefit for Oz – were recorded and mixed to become Welcome to the Canteen. Mason was keen to take this version of Traffic to the United States, but Winwood was only interested in doing these six dates. Mason said, "It's Stevie's band, so it's up to him." [6]
Welcome to the Canteen would be the last album Traffic would release under the band's North American distribution contract with United Artists Records; their next album The Low Spark of High Heeled Boys would be issued by Island Records, who released Traffic's records in the U.K. and who (in late 1971) had recently established operations in North America.
Review scores | |
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Source | Rating |
AllMusic | [7] |
Christgau's Record Guide | B− [1] |
The Great Rock Discography | 5/10 [8] |
The Rolling Stone Record Guide | [9] |
Welcome to the Canteen was released in September 1971. [10] Reviewing for Rolling Stone in October, Ed Leimbacher regarded most of the songs as "near duplicates" of their original studio versions, but found the performances of the musicians redeeming. He was particularly impressed by "Dear Mr. Fantasy" (calling it "eleven swirling, blending, building, wondrous minutes of 'Fantasy' with Winwood as pensive/yearning/mournful as ever") and "Gimme Some Lovin'" (calling it "a nine-minute eternal experience" rendered from the "all time great three minute single"). [11] The album was included in The Villanovan critic Fred Trietsch's ballot in the first annual Pazz & Jop critics poll of the year's top albums, published by The Village Voice in February 1972. [12] Robert Christgau, the poll's creator and supervisor, was lukewarm in his appraisal, published later in Christgau's Record Guide: Rock Albums of the Seventies (1981). He found the album "lax at times, but not bad for live jazziness—Stevie Winwood and Dave Mason play as engagingly as Mike Ratledge and Elton Dean, say, and in a genuine rock style." He appreciated how much "more aggressive" it sounded compared to the band's studio recordings, adding that "the double percussion of Jim Gordon and Rebop Kwaku Baah driving pretty hard at times. Even the lackadaisical 'Gimme Some Lovin' doesn't seem like a desecration." [1] Martin C. Strong was more critical, writing in The Great Rock Discography (1998) that the album is "fairly heavy going but no less self-indulgent than your average early 70's live effort". [8]
The album was reissued on CD by Island Records, on 19 March 2002, in the United States, and on 22 April 2002, in the United Kingdom. Reviewing the rerelease for PopMatters , Ronnie D. Lankford Jr. was somewhat disappointed by the relatively inessential, two-track second-half and the lack of bonus tracks typically found on reissues, but felt the first-half "exceeds expectations" and the album ultimately "offers a close facsimile of what the original Traffic sounded like live, and that's reason enough to add it to your collection." [13] AllMusic's William Ruhlmann expressed even more enthusiasm about the release, saying it serves as an overview of "the Winwood/Mason/Traffic musical world" and shows "how good a contractual obligation album could be ... the playing was exemplary, and the set list was an excellent mixture of old Traffic songs and recent Mason favorites." [7]
No. | Title | Writer(s) | Length |
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1. | "Medicated Goo" | Jimmy Miller, Steve Winwood | 3:34 |
2. | "Sad and Deep as You" | Dave Mason | 3:48 |
3. | "Forty Thousand Headmen" | Winwood, Jim Capaldi | 6:21 |
4. | "Shouldn't Have Took More Than You Gave" | Mason | 5:39 |
No. | Title | Writer(s) | Length |
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5. | "Dear Mr. Fantasy" | Capaldi, Winwood, Chris Wood | 10:57 |
6. | "Gimme Some Lovin'" | Winwood, Muff Winwood, Spencer Davis | 9:02 |
Total length: | 39:21 |
Chart (1971-1972) | Peak position |
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Australian Albums (Kent Music Report) [14] | 49 |
Canada Top Albums/CDs ( RPM ) [15] | 23 |
US Billboard 200 [16] | 26 |
Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music.
Stephen Lawrence Winwood is an English musician and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a guitarist, keyboard player, and vocalist prominent for his distinctive soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, bass, and saxophone.
David Thomas Mason is an English singer-songwriter and guitarist from Worcester, who first found fame with the rock band Traffic, and went on to play and record with many notable pop and rock musicians, including Paul McCartney, George Harrison, the Rolling Stones, Jimi Hendrix, Eric Clapton, Michael Jackson, David Crosby, Graham Nash, Steve Winwood, Fleetwood Mac, Delaney & Bonnie, Leon Russell, and Cass Elliot.
"Gimme Some Lovin'" is a song first recorded by the Spencer Davis Group. Released as a single in 1966, it reached the Top 10 of the record charts in several countries. Later, Rolling Stone included the song on its list of the 500 Greatest Songs.
"The Low Spark of High Heeled Boys" is the title track from the 1971 album by British rock band Traffic, written by Jim Capaldi and Steve Winwood. Despite never being released as a single due to its long duration, it became a staple of North American AOR-format FM radio stations in the 1970s and still receives airplay on classic rock radio today.
John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada. It marked the band's comeback after a brief disbandment, and peaked at number 5 on the Billboard Top LPs chart, making it their highest-charting album in the US, and has been certified a gold record by the RIAA. In addition, the single "Empty Pages" spent eight weeks on the Billboard Hot 100, peaking at number 74. The album was marginally less successful in the UK, reaching number 11 on the UK Albums Chart.
The Low Spark of High Heeled Boys is the fifth studio album by English rock band Traffic, released in 1971. The album was Traffic's most successful in the United States, reaching number 7 on the Billboard Top LPs chart and becoming their only platinum-certified album there, indicating sales in excess of one million. However, it failed to chart in the United Kingdom. The album features the minor hit "Rock & Roll Stew" and the title track, which received heavy FM airplay.
Christopher Gordon Blandford Wood was a British rock musician, best known as a founding member of the rock band Traffic, along with Steve Winwood, Jim Capaldi and Dave Mason.
Shoot Out at the Fantasy Factory is the sixth studio album by English rock band Traffic released in 1973. It followed their 1971 album The Low Spark of High Heeled Boys and contained five songs. Shoot Out, while achieving poorer reviews than its predecessor, did reach number six on the Billboard Pop Albums chart, one space higher than Low Spark had peaked in 1972. Like its predecessor, the original jacket for the Shoot Out LP had its top right and bottom left corners clipped. The album was remastered for CD in 2003.
When the Eagle Flies is the seventh studio album by English rock band Traffic, released in 1974. The album featured Jim Capaldi, Steve Winwood and Chris Wood, with Rosko Gee on bass guitar. Percussionist Rebop Kwaku Baah was fired prior to the album's completion, but two tracks feature his playing. Winwood plays a broader variety of keyboard instruments than most previous Traffic albums, adding Moog to their repertoire. This was the last Traffic album for 20 years, when Winwood and Capaldi reunited for Far from Home in 1994.
Eric Clapton's Rainbow Concert is a live album by Eric Clapton, recorded at the Rainbow Theatre in London on 13 January 1973 and released in September that year. The concerts, two on the same evening, were organised by Pete Townshend of the Who and marked a comeback by Clapton after two years of inactivity, broken only by his performance at the Concert for Bangladesh in August 1971. Along with Townshend, the musicians supporting Clapton include Steve Winwood, Ronnie Wood and Jim Capaldi. In the year following the two shows at the Rainbow, Clapton recovered from his heroin addiction and recorded 461 Ocean Boulevard (1974).
Anthony "Rebop" Kwaku Baah was a Ghanaian percussionist who worked with the 1970s rock groups Traffic and Can.
Saw Delight is an album by the German rock band Can. It features two new band members who were ex-members of the band Traffic, Rosko Gee and Rebop Kwaku Baah, with Can's bassist Holger Czukay giving up the bass in favour of experimental effects.
Rosko Gee is a Jamaican bassist, who has played with the English band Traffic on their album When the Eagle Flies (1974); with Go featuring Stomu Yamashta, Steve Winwood, Michael Shrieve, Klaus Schulze and Al Di Meola; and with the German band Can, along with former Traffic percussionist Rebop Kwaku Baah, appearing on the albums Saw Delight, Out of Reach and Can. He toured with Can in 1977 and also provided vocals for some of the band's songs during this period.
On The Road is the second live album by English rock band Traffic, released in 1973. Recorded live in Germany, it features the Shoot Out at the Fantasy Factory band, with the Muscle Shoals Rhythm Section of keyboardist Barry Beckett, bassist David Hood, and drummer Roger Hawkins.
Steve Winwood is the debut solo studio album by blue-eyed soulster Steve Winwood. It was released in 1977, three years after the break-up of his former band, Traffic. Though the album sold moderately well in the US, it was a commercial disappointment compared to Traffic's recent albums, peaking at number 22 on the Billboard 200 album chart. In the UK, however, while Traffic's recent albums had only been moderately successful, Steve Winwood reached number 12 on The Official Charts. Island Records launched two singles from the album, "Hold On" and "Time Is Running Out", both of which failed to make the charts.
The Last Great Traffic Jam is a live album and DVD from the English rock band Traffic. The album was recorded on the 1994 reunion tour supporting Far from Home.
Joe Cocker is the third studio album by Joe Cocker, released in 1972 in Europe as Something to Say on Cube Records, and in the USA as Joe Cocker on A&M Records. It contains the hit single "High Time We Went", that was released in the summer of 1971. Joe Cocker signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts.
Oh How We Danced is the debut studio album by the British musician Jim Capaldi. The album was recorded while Traffic was on hiatus due to Steve Winwood's struggles with peritonitis and was released by Island Records in 1972. Like his contemporary albums with Traffic, it was unsuccessful in his native United Kingdom but did better in the United States, reaching number 82 in the Billboard 200 chart and producing the hit single "Eve", which reached number 91 in the Billboard Hot 100.
Short Cut Draw Blood is the third studio album by the British musician Jim Capaldi, released by Island Records in 1975. It marked a major turning point in Capaldi's career: it was his first album recorded after the breakup of Traffic, and more importantly it was his commercial breakthrough. While Capaldi's first two solo albums had been moderately successful in the United States, Short Cut Draw Blood entered the charts in several other countries for the first time. This was particularly evident in his native United Kingdom; the single "It's All Up to You" at number 27, released a year before the album, became his first top 40 hit there, only to be overshadowed the following year by his cover of "Love Hurts", which went all the way to number 4.