The Low Spark of High Heeled Boys | ||||
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Studio album by | ||||
Released | 26 November 1971 | |||
Recorded | September 1971 | |||
Studio | Island, London | |||
Genre | Progressive rock | |||
Length | 40:14 | |||
Label | ||||
Producer | Steve Winwood | |||
Traffic chronology | ||||
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Singles from The Low Spark of High Heeled Boys | ||||
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The Low Spark of High Heeled Boys is the fifth studio album by English rock band Traffic, released in 1971. The album was Traffic's most successful in the United States, reaching number 7 on the Billboard Top LPs chart and becoming their only platinum-certified album there, indicating sales in excess of one million. However, it failed to chart in the United Kingdom. The album features the minor hit "Rock & Roll Stew" and the title track, which received heavy FM airplay.
It was Traffic's first studio album to feature percussionist Rebop Kwaku Baah, and the only studio appearance of drummer Jim Gordon and bassist Ric Grech. Grech had previously worked with Traffic singer/multi-instrumentalist Steve Winwood in the short-lived supergroup Blind Faith. This is the only Traffic album to feature two lead vocals by Jim Capaldi ("Light Up or Leave Me Alone" and "Rock & Roll Stew"). His only other solo lead vocal on a Traffic studio album was on "Dealer" from Mr. Fantasy (1967).
As with other Traffic albums, The Low Spark of High Heeled Boys featured varied influences, including jazz, folk music and Classical. The name of the album's title track was suggested by the actor Michael J. Pollard.
The LP's front cover is notable for its top right and bottom left corners being clipped, giving the illusion of a three-dimensional cube. This effect would be repeated on their next album, Shoot Out at the Fantasy Factory . On original pressings of the UK and some European versions, the title of both the album and song are shown as 'The Low Spark of High-Heeled Boys' (with a hyphen) on the record labels.
The title of the album and the eponymous single on it became the source of some controversy in the UK upon initial release. At that time, the phrase "high-heeled boys" was often used by British writers as a slang term referring to organized-crime assassins. When it became clear the song was not inspired by this and was using the term in a non-descriptive sense, the issue faded away.
Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B [2] |
The Encyclopedia of Popular Music | [3] |
Critical retrospectives on the album are generally positive. AllMusic was overwhelmingly approving in its assessment, praising the variety brought by the non-Winwood/Capaldi compositions and the power of the lengthy title track, and claiming the album "marked the commercial and artistic apex of the second coming of Traffic". [1] In addition, Robert Christgau commented on the band's growth from previous efforts, stating that while the group is "devoid of intellectual thrust", they're "onto something", and "when it works, it suggests a nice paradox—relaxed and exciting at the same time." [4] Pop Matters offered yet another viewpoint, calling it "an album that's easy to listen to over and over, but one that seldom shows up on 'best of' lists." It commented that most of the songs are highly underrated and require multiple listens to appreciate. [5] It was voted number 625 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). [6]
The album was certified gold less than a year after its release in the United States, and eventually certified platinum in 1996. It was remastered and reissued with one bonus track on 19 March 2002.
The first six songs as listed here are the track order as originally released on LP in the US and many parts of the world. Both LP and CD pressings exist with "Light Up Or Leave Me Alone" as the fifth track of the album instead of the third. (Awaiting confirmation of when the alternate track order first appeared in these formats.)
No. | Title | Writer(s) | Length |
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1. | "Hidden Treasure" | Steve Winwood, Jim Capaldi | 4:11 |
2. | "The Low Spark of High Heeled Boys" | Winwood, Capaldi | 11:44 |
3. | "Light Up or Leave Me Alone" | Capaldi | 4:48 |
No. | Title | Writer(s) | Length |
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4. | "Rock & Roll Stew" | Ric Grech, Jim Gordon | 4:23 |
5. | "Many a Mile to Freedom" | Winwood, Anna Capaldi [7] | 7:16 |
6. | "Rainmaker" | Winwood, Capaldi | 7:52 |
Total length: | 40:14 |
No. | Title | Writer(s) | Length |
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7. | "Rock & Roll Stew Parts 1 & 2" | Grech, Gordon | 6:07 |
Note: This consists of "Part 1" and "Part 2" from the single, joined into one track. Part 1 is an edit of the album version, with about 45 seconds cut from the instrumental break. Part 2 is an extended jam that begins, with a fade-in, at a point shortly before the end of the album version's fadeout. Thus, in comparison to the album version, this is both an edited and extended version. This is also the version of "Rock & Roll Stew" that appears on the Gold compilation.
with:
Chart (1971–1972) | Peak position |
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Australian Albums (Kent Music Report) [9] | 38 |
Canada Top Albums/CDs ( RPM ) [10] | 18 |
German Albums (Offizielle Top 100) [11] | 48 |
US Billboard 200 [12] | 7 |
Region | Certification | Certified units/sales |
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United States (RIAA) [13] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music.
Nicola James Capaldi was an English singer-songwriter and drummer. His musical career spanned more than four decades. He co-founded the progressive rock band Traffic in 1967 with Steve Winwood with whom he co-wrote the majority of the band's material. He was inducted into the Rock and Roll Hall of Fame as a part of Traffic's original lineup.
"The Low Spark of High Heeled Boys" is the title track from the 1971 album by British rock band Traffic, written by Jim Capaldi and Steve Winwood. Despite never being released as a single due to its long duration, it became a staple of North American AOR-format FM radio stations in the 1970s and still receives airplay on classic rock radio today.
John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada. It marked the band's comeback after a brief disbandment, and peaked at number 5 on the Billboard Top LPs chart, making it their highest-charting album in the US, and has been certified a gold record by the RIAA. In addition, the single "Empty Pages" spent eight weeks on the Billboard Hot 100, peaking at number 74. The album was marginally less successful in the UK, reaching number 11 on the UK Albums Chart.
Christopher Gordon Blandford Wood was a British rock musician, best known as a founding member of the rock band Traffic, along with Steve Winwood, Jim Capaldi and Dave Mason.
Shoot Out at the Fantasy Factory is the sixth studio album by English rock band Traffic released in 1973. It followed their 1971 album The Low Spark of High Heeled Boys and contained five songs. Shoot Out, while achieving poorer reviews than its predecessor, did reach number six on the Billboard Pop Albums chart, one space higher than Low Spark had peaked in 1972. Like its predecessor, the original jacket for the Shoot Out LP had its top right and bottom left corners clipped. The album was remastered for CD in 2003.
When the Eagle Flies is the seventh studio album by English rock band Traffic, released in 1974. The album featured Jim Capaldi, Steve Winwood and Chris Wood, with Rosko Gee on bass guitar. Percussionist Rebop Kwaku Baah was fired prior to the album's completion, but two tracks feature his playing. Winwood plays a broader variety of keyboard instruments than most previous Traffic albums, adding Moog to their repertoire. This was the last Traffic album for 20 years, when Winwood and Capaldi reunited for Far from Home in 1994.
Eric Clapton's Rainbow Concert is a live album by Eric Clapton, recorded at the Rainbow Theatre in London on 13 January 1973 and released in September that year. The concerts, two on the same evening, were organised by Pete Townshend of the Who and marked a comeback by Clapton after two years of inactivity, broken only by his performance at the Concert for Bangladesh in August 1971. Along with Townshend, the musicians supporting Clapton include Steve Winwood, Ronnie Wood and Jim Capaldi. In the year following the two shows at the Rainbow, Clapton recovered from his heroin addiction and recorded 461 Ocean Boulevard (1974).
Anthony "Rebop" Kwaku Baah was a Ghanaian percussionist who worked with the 1970s rock groups Traffic and Can.
Welcome to the Canteen is the first live album by English rock band Traffic. It was recorded live at Fairfield Halls, Croydon and the Oz Benefit Concert in the canteen of the Polytechnic of Central London London, on 3 July 1971 and released in September of that year. It was recorded during Dave Mason's third stint with the band, which lasted only six performances.
On The Road is the second live album by English rock band Traffic, released in 1973. Recorded live in Germany, it features the Shoot Out at the Fantasy Factory band, with the Muscle Shoals Rhythm Section of keyboardist Barry Beckett, bassist David Hood, and drummer Roger Hawkins.
Steve Winwood is the debut solo studio album by blue-eyed soulster Steve Winwood. It was released in 1977, three years after the break-up of his former band, Traffic. Though the album sold moderately well in the US, it was a commercial disappointment compared to Traffic's recent albums, peaking at number 22 on the Billboard albums chart. In the UK, where Traffic's recent albums had only been moderately successful, Steve Winwood reached number 12 on The Official Charts. Island Records released two singles from the album, "Hold On" and "Time Is Running Out", both of which failed to chart.
The Last Great Traffic Jam is a live album and DVD from the English rock band Traffic. The album was recorded on the 1994 reunion tour supporting Far from Home.
Joe Cocker is the third studio album by Joe Cocker, released in 1972 in Europe as Something to Say on Cube Records, and in the USA as Joe Cocker on A&M Records. It contains the hit single "High Time We Went", that was released in the summer of 1971. Joe Cocker signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts.
Richard Roman Grechko, better known as Ric Grech, was a British rock musician. He is best known for playing bass guitar and violin with the rock band Family as well as in the supergroups Blind Faith and Traffic. He also played with ex-Cream drummer Ginger Baker.
Oh How We Danced is the debut studio album by the British musician Jim Capaldi. The album was recorded while Traffic was on hiatus due to Steve Winwood's struggles with peritonitis and was released by Island Records in 1972. Like his contemporary albums with Traffic, it was unsuccessful in his native United Kingdom but did better in the United States, reaching number 82 in the Billboard 200 chart and producing the hit single "Eve", which reached number 91 in the Billboard Hot 100.
Whale Meat Again is the second studio album by the British musician Jim Capaldi, released by Island Records in 1974. Like his first solo album, it failed commercially in his native United Kingdom but did better in the United States. With help from the opening track, "It's All Right", which spent seven weeks in the Billboard Hot 100 and peaked at number 55, the album reached number 191 in the Billboard 200.
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Fierce Heart is the eighth solo album by British musician Jim Capaldi. The album has a far more synth-heavy approach than any of his previous albums, though the songs are mostly in the same aggressive rock/pop vein that Capaldi had long been associated with. This synth-heavy pop sound was exactly what 1980s audiences were looking for, and the songs "That's Love" which broke the top 40 in the US at number 28, and "Living on the Edge" at number 75, became hit singles. The album itself reached number 91 on the Billboard 200.
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