Well-Founded Fear

Last updated
Well-Founded Fear
Well-Founded Fear poster.jpg
"Sec(101): Persecution on account of race, religion, nationality, membership in a particular social group or political opinion."
Directed by Shari Robertson
Michael Camerini
Produced by Shari Robertson
Michael Camerini
Cinematography Michael Camerini
Edited byKaren Schmeer
Suzanne Pancrazi
Christopher Osborn
Music byMark Suozzo
Production
companies
The Epidavros Project, Inc.
Distributed byThe Epidavros Project, Inc
Roco Films International
Release dates
Running time
119 minutes
CountryUnited States
LanguageEnglish

Well-Founded Fear is a 2000 documentary film from directors Shari Robertson and Michael Camerini. The film takes its title from the formal definition of a refugee under the UN Convention Relating to the Status of Refugees, as a person who deserves protection, "owing to a well-founded fear of persecution for reasons of race, religion, nationality, membership of a particular social group or political opinion.” [1] The film analyzes the US asylum process by following several asylum applicants and asylum officers through actual INS interviews.

Contents

Synopsis

On average, only one in two hundred asylum applicants is ever admitted as a refugee to the U.S. A refugee is defined as someone afraid to return home for fear of persecution on account of race, religion, nationality, social group or political opinion. Any foreign citizen who is able to find a path into the U.S. is eligible to apply for refugee protection in the form of political asylum. At the time of filming, the former Immigration and Naturalization Service (INS) handled all requests for asylum.

Behind the doors of the asylum office lies a dramatic real-life stage where American ideals about human rights collide with the nearly impossible task of trying to know the truth. The film shows the closed corridors of the INS for an extraordinary close-up look at what has been called the Ellis Island of the 21st Century. It is an intimate world never before seen on screen—asylum officers, lawyers, translators, economic migrants, legitimate refugees looking for protection, all focused on the confidential interviews that are the heart of the asylum process.

Cases examined within the film involve individuals originating from China, El Salvador, Albania, Nigeria, Romania, Algeria, France and Russia. The film reveals the challenges of determining the validity of claims made in the asylum interview process.

The film closes with several onscreen statements about how the asylum application process has changed since filming. Congress passed legislation which reduces the number of people who are eligible to apply for asylum. The legislation also jails individuals arriving at U.S. borders requesting asylum. Additionally, the legislation limited an individual's right to appeal some of the decisions from asylum officers.

Release

Well-Founded Fear was featured as an Official Selection at the 2000 Sundance Film Festival where The Hollywood Reporter called it “one of the most talked-about and attended films at the festival.” [2] The film was broadcast on PBS, through P.O.V. on June 5, 2000. It was also broadcast on CNN and CNN satellite stations as CNN Presents: Asylum in America. It played at Docfest 2000, where it was lauded as The Grand Jury Prize Winner. [3]

The film has screened at festivals in San Francisco, New Zealand, Finland and many cities across the United States. It has been an Official Selection at:

The film has been specially screened at New York University, The School of International and Public Affairs, Columbia University, Austin Film Society's "Texas Documentary Tour," Office of Refugee Resettlement National Conference in D.C., Carnegie Endowment for International Peace in D.C. and The Refugee Studies Centre at University of Oxford.

Critical reception

The film has a wide mix of reviews from commentators, reformers, and educators. The film is currently used in universities and law schools across the United States. It is in regular use by the Asylum Training Corps in the Department of Homeland Security, as well as hundreds of law offices across the U.S.

The New York Times review wrote “the two-hour documentary by Shari Robertson and Michael Camerini takes an amazingly unflinching look at the process for seeking political asylum in the United States. The viewer who sticks with it ends up rewarded but deeply rattled, on several levels.” [7] The New York Daily News review of the P.O.V. broadcast called the film “a very strong show,” highlighting that “the close-ups, when people learn of their fates, are unforgettable, as are some of the very candid admissions by the INS interviewers. And by all means, stay tuned until the very end, because the updates at the end will both amaze and amuse you.” [8] Esquire cited the film as “a reason to (still) watch PBS... [and] a reminder of the power public television can still generate when it’s firing on all of its high-minded cylinders.” [9] At the 2000 Independent Spirit Awards, the film was nominated the Truer than Fiction award. [10]

Modules

Due to the film’s success in the classroom and other education situations, two discussion modules were produced to accompany the film.

  1. Lyudmila, a Jewish ex-soviet from Belarus, living in Minsk, who feels persecuted by her neighbors and strangers.
  2. Jamal, a Sudanese political dissident who was tortured and is intent on describing his entire story.
  3. Gjergi, an Albanian, kidnapped by the secret-police and beaten after writing an article in his high school newspaper.
  4. Alfonso, a Guatemalan who is modest about how he was affected by civil war.
  5. Mareja, a former Yugoslavian, unable to prosecute her abusive husband because his Communist Party family ruled the region.

Additional resources

The filmmakers developed an educational website, [11] commissioned by POV for their broadcast of the film in 2000. The website allows users to play an online game where they can "step into the job of asylum officer for a few minutes and try deciding a case themselves." Gerald, an INS asylum officer who appears in the film is featured in the online game.

See also

Related Research Articles

<i>Promises</i> (2001 film) 2001 documentary film

Promises is a 2001 documentary film that examines the Israeli–Palestinian conflict from the perspectives of seven children living in the Palestinian communities in the West Bank and Israeli neighborhoods of Jerusalem. Promises has been shown at many film festivals and received excellent reviews and many accolades.

An asylum seeker is a person who leaves their country of residence, enters another country, and makes in that other country a formal application for the right of asylum according to the Universal Declaration of Human Rights Article 14. A person keeps the status of asylum seeker until the right of asylum application has concluded.

<i>Stealing a Nation</i> 2004 British TV series or programme

Stealing a Nation is a 2004 Granada Television documentary about the British–American clandestine operation that saw the expulsion of the Chagossian population who have lived on Diego Garcia and neighbouring islands since the late 18th century. More than 2,000 people were exiled to Mauritius between 1967 and 1973, so that Diego Garcia could become a United States military airbase (see depopulation of Chagossians from the Chagos Archipelago). The film contains a series of interviews with Chagossians, who have been deprived of their right of return and forced to live in abject poverty. Stealing a Nation was written and directed by Australian journalist John Pilger, and produced and directed by Christopher Martin; reconstruction footage was directed by Sean Crotty.

<span class="mw-page-title-main">Jamie Doran</span> Irish-Scottish independent documentary filmmaker

Jamie Doran is an Irish-Scottish independent documentary filmmaker and former BBC producer. He founded the award-winning company Clover Films, based in Windsor, in 2008. He is also president of Datchet Village Football Club, which he founded in 1986. Doran's films have been shown worldwide, and on series such as BBC's Panorama, Channel 4's Dispatches, Channel 4's True Stories, PBS's Frontline, Al Jazeera, ABC's Four Corners, Japan's NHK, Germany's ZDF NDR/ARD and Denmark's DR.

<span class="mw-page-title-main">Asylum in the United States</span> Overview of the situation of the right for asylum in the United States of America

The United States recognizes the right of asylum for individuals seeking protections from persecution, as specified by international and federal law. People who seek protection while outside the U.S. are termed refugees, while people who seek protection from inside the U.S. are termed asylum seekers. Those who are granted asylum are termed asylees.

<span class="mw-page-title-main">Eric Daniel Metzgar</span> American film director

Eric Daniel Metzgar is a filmmaker who lives and works in San Francisco.

<i>Scottsboro: An American Tragedy</i> 2001 documentary film

Scottsboro: An American Tragedy is a 2001 American documentary film directed by Daniel Anker and Barak Goodman. The film is based on one of the longest-running and most controversial courtroom pursuits of racism in American history, which led to nine black teenaged men being wrongly convicted of raping a white woman in Alabama. The film received an Oscar nomination for Best Documentary Feature. It was funded in part by the National Endowment for the Humanities.

<span class="mw-page-title-main">Douglas Gayeton</span>

Douglas Gayeton is an American multimedia artist, filmmaker, writer, and photographer with ties to farming in Sonoma County, California and photography in Pistoia, a medieval Tuscan town in North Central Italy.

<span class="mw-page-title-main">Thomas Allen Harris</span>

Thomas Allen Harris is a critically acclaimed, interdisciplinary artist who explores family, identity, and spirituality in a participatory practice. Since 1990, Harris has remixed archives from multiple origins throughout his work, challenging hierarchy within historical narratives through the use of pioneering documentary and research methodologies that center vernacular image and collaboration. He is currently working on a new television show, Family Pictures USA, which takes a radical look at neighborhoods and cities of the United States through the lens of family photographs, collaborative performances, and personal testimony sourced from their communities..

<i>How Democracy Works Now: Twelve Stories</i> American film

How Democracy Works Now is a 10-part, feature documentary film series that examines the American political system through the lens of immigration reform during 2001–2007. The films were directed and produced by award-winning filmmaking team Shari Robertson and Michael Camerini.

Michael Camerini is a British-born American film director, producer and cinematographer. His filmmaking credits include FRONTLINE: Immigration Battle, Niger:Tales of Resilience,How Democracy Works Now, Well-Founded Fear, These Girls Are Missing, Becoming the Buddha in L.A., Dadi's Family and Born Again: Life in a Fundamentalist Baptist Church. His films have been featured on HBO, CNN, PBS, Human Rights Watch International Film Festival in London and New York City and The Sundance Film Festival among others.

Shari Robertson is an American film director and producer. Her filmmaking credits include How Democracy Works Now, Well-Founded Fear, These Girls Are Missing, Inside the Khmer Rouge, Return to Year Zero and Washington/Peru: We Ain't Winnin'. Her films have been featured on HBO, CNN, PBS, BBC, Channel 4, Human Rights Watch International Film Festival in London and New York City and The Sundance Film Festival among others.

<i>These Girls Are Missing</i> 1995 American film

These Girls Are Missing is a 1995 documentary film from directors Shari Robertson and Michael Camerini about the gender gap in education in Africa. Its world premiere was at the UN Fourth World Conference on Women. The film grew out of an initiative by the FAWE, The Forum for African Women Educationalists, with additional support from the Rockefeller Foundation and UNICEF.

<span class="mw-page-title-main">Yoruba Richen</span> American film producer

Yoruba Richen is an American film director, screenwriter and producer. Her work has been featured on PBS, New York Times Op Doc, Frontline Digital, New York Magazine's website -The Cut, The Atlantic and Field of Vision. Her film The Green Book: Guide to Freedom was broadcast on the Smithsonian Channel to record audiences and was awarded the Henry Hampton Award for Excellence in Documentary Filmmaking.

Cristina Ibarra is an American documentary filmmaker who currently lives in Brooklyn, NY. She was a Rauschenberg Fellow, Rockefeller Fellow, a New York Foundation for the Arts Fellow, and a MacArthur Fellow.

Justine Pimlott is a Canadian documentary filmmaker, and co-founder of Red Queen Productions with Maya Gallus. She began her career apprenticing as a sound recordist with Studio D, the women’s studio at the National Film Board of Canada (NFB), in Montreal. As a documentary filmmaker, her work has won numerous awards, including Best Social Issue Documentary at Hot Docs Canadian International Documentary Festival and Best Canadian Film at Inside Out Film and Video Festival for Laugh in the Dark, which critic Thomas Waugh described, in The Romance of Transgression in Canada as "one of the most effective and affecting elegies in Canadian queer cinema." Her films have screened internationally at Sheffield Doc/Fest, SEOUL International Women’s Film Festival, Women Make Waves (Taiwan), This Human World Film Festival (Vienna), Singapore International Film Festival, among others, and have been broadcast around the world.

<i>Dreaming of Denmark</i> 2015 Danish film

Dreaming of Denmark is a documentary film by director Michael Graversen that investigates what happens to one of the many unaccompanied minor refugees who disappear in Europe. The film was released at the peak of the refugee crisis in Europe in 2015/16.

<span class="mw-page-title-main">Vivian Kleiman</span> American documentary film producer

Vivian Kleiman is a Peabody Award-winning documentary filmmaker. Other honors include a National Emmy Award nomination for Outstanding Individual Achievement in Research and an Academy Award nomination for Documentary Short.

The United Nations Association Film Festival (UNAFF) is an international documentary film festival. It was founded by Jasmina Bojic, a Stanford educator and film critic, in 1998 to honor the 50th anniversary of the Universal Declaration of Human Rights. The festival showcases documentaries related to human rights and social issues/solutions and holds discussion forums with experts on the topics.

<i>Midnight Traveler</i> 2019 film

Midnight Traveler is a 2019 documentary film directed by Hassan Fazili. Filmed on three smartphones by Fazili and his wife, Fatima Hussaini, and their two daughters, it chronicles their three-year journey from their home in Afghanistan to Europe in search for asylum.

References

  1. "Definitions and obligations". Unhcr.org.au. Retrieved 19 June 2010.
  2. "The Epidavros Project | Our Work | Projects". Epidavros.org. Retrieved 2011-03-10.
  3. "docfest Previous Festivals: 2000". Docfest.org. Retrieved 2011-03-10.
  4. "Well-Founded Fear | San Francisco Film Festival". History.sffs.org. Retrieved 28 November 2021.
  5. "UNAFF 2000". Unaff.org. Retrieved 28 November 2021.
  6. [ dead link ]
  7. Genzlinger, Neil (2000-06-05). "TELEVISION REVIEW - TELEVISION REVIEW - Where Dreams of Asylum Can Come True or Die - Review - NYTimes.com". The New York Times . Retrieved 2011-03-10.
  8. "In Or Out? Asylum Seekers Make For A Powerful 'P.O.V.'". Nydailynews.com. 2000-06-05. Retrieved 2011-03-10.
  9. Goulet, Matt (2000-06-01). "Viewers Like Who?". Esquire. Retrieved 2011-03-10.
  10. "Archived copy" (PDF). Archived from the original (PDF) on 2011-03-04. Retrieved 2011-03-23.{{cite web}}: CS1 maint: archived copy as title (link)
  11. "POV - Well-Founded Fear . Waiting Room | PBS". Archive.pov.org. Retrieved 28 November 2021.