West Side Story | ||||
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Live album by | ||||
Released | 1975 | |||
Recorded | July 2, 1974 Montreux Jazz Festival, Switzerland | |||
Genre | Jazz | |||
Length | 39:20 | |||
Label | Black Lion 162.018 | |||
Producer | Alan Bates | |||
Earl Hines chronology | ||||
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West Side Story is a live album by pianist Earl Hines featuring selections from his solo performance at the 1974 Montreux Jazz Festival which was released on the British Black Lion label. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
AllMusic's Scott Yanow noted "Even at that late stage of his career, Hines constantly took chances and came up with surprising and consistently fresh ideas. This set is easily recommended, as are virtually all of his the pianist's unaccompanied solo albums". [2]
Earl Kenneth Hines, also known as Earl "Fatha" Hines, was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".
Erroll Louis Garner was an American jazz pianist and composer known for his swing playing and ballads. His instrumental ballad "Misty", his best-known composition, has become a jazz standard. It was first recorded in 1956 with Mitch Miller and his orchestra, and played a prominent part in the 1971 motion picture Play Misty for Me.
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
Mulgrew Miller was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on.
Stanley Frank Dance was a British jazz writer, business manager, record producer, and historian of the Swing era. He was personally close to Duke Ellington over a long period, as well as many other musicians; because of this friendship Dance was in a position to write "official" biographies. Over his career, his priority was advocating for the music of black ensembles performing sophisticated arrangements, based on Swing-era dance music.
Solo Concerts: Bremen/Lausanne is a live solo triple album by jazz pianist Keith Jarrett recorded at the Salle de Spectacles d'Epalinges in Lausanne, Switzerland and the Kleiner Sendesall in Bremen, Germany on March 20 and July 12, 1973, respectively and released on ECM November that same year—Jarrett's debut solo live album for the label.
Duke's Big 4 is a studio album by the American pianist, composer and bandleader Duke Ellington, featuring a small group session with Joe Pass, Ray Brown and Louie Bellson, recorded in January 1973 and released on the Pablo label in 1974.
Happy Reunion is an album by American pianist, composer and bandleader Duke Ellington recorded in 1956 and 1958 but not released on the Doctor Jazz label until 1985. The album features two small group sessions led by Ellington and recorded in Chicago.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
A Drum Is a Woman is a musical allegory by American pianist, composer, and bandleader Duke Ellington and his long-time musical collaborator Billy Strayhorn. It tells the story of Madam Zajj, the personification of African rhythm, and Carribee Joe, who has his roots firmly in the jungle with his drums. Zajj travels out into the world seeking fame and sophistication and melds with the influences of cultures she weaves through the story, which gives a brief history of the rise of jazz and bebop.
The Pianist is a studio album by the American pianist, composer and bandleader Duke Ellington, compiled from sessions in 1966 and 1970, and released on the Fantasy Records label in 1974. Tracks one through seven were recorded at RCA Studio A in New York, New York on July 18, 1966. Tracks eight through ten were recorded in Las Vegas, Nevada on January 7, 1970.
Cue for Saxophone is an album by pianist and composer Billy Strayhorn's Septet comprising members of the Duke Ellington Orchestra recorded in 1959 and originally released on the Felsted label in 1959, then reissued by Vocalion in 1962.
Lunch in L.A. is a solo album by pianist Tete Montoliu recorded in 1979 and released on the Contemporary label.
Voyage is a 1986 jazz album by American saxophonist Stan Getz, accompanied by pianist Kenny Barron, who consistently played with his group for the last five years of his career, bassist George Mraz, and drummer Victor Lewis. This album was released late in Getz' career and was rare to find until its 2008 re-release due to high demand and low supply. The style of Voyage is very versatile, ranging from Cool Jazz to Post-Bop.
Stride Right is an album by American jazz saxophonist Johnny Hodges and pianist/organist Earl "Fatha" Hines featuring performances recorded in 1966 and released on the Verve label.
Swing's Our Thing is an album by American jazz saxophonist Johnny Hodges and pianist Earl Hines featuring performances recorded in 1967 and released on the Verve label.
American Tunes is the final recording from New Orleans jazz and R&B pianist Allen Toussaint, released on Nonesuch Records on June 10, 2016. It was produced by Joe Henry and includes music from a 2013 solo session at the pianist's home studio in New Orleans and an October 2015 session featuring musicians Bill Frisell, Charles Lloyd, Greg Leisz, Jay Bellerose, and David Piltch, with special guest vocalist Rhiannon Giddens and pianist Van Dyke Parks, recorded in Los Angeles the month before Toussaint died.
Earl Hines Plays Duke Ellington is a compilation double album set featuring solo recordings by pianist Earl Hines performing compositions by Duke Ellington which were originally released as a series of four LPs that Hines recorded for the Master Jazz label in four separate sessions between 1971 and 1975 and rereleased on the New World label on LP in 1988 and on CD in 1992. It was followed by a second volume in 1997.
Earl Hines Plays Duke Ellington Volume Two is a compilation CD featuring recordings by pianist Earl Hines performing compositions by Duke Ellington which follows the first volume of tracks from LPs that Hines recorded for the Master Jazz label in sessions between 1971 and 1974. The recordings were reissued by New World
Earl Hines Plays Cole Porter is a solo album by pianist Earl Hines performing compositions by Cole Porter which was originally released as an LP on the Australian Swaggie label and rereleased on the New World label on CD in 1996.