What a Feelin' | ||||
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Released | November 2, 1983 | |||
Recorded | 1983 | |||
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What a Feelin' is the second studio album by American singer-songwriter Irene Cara. Released on November 2, 1983, this album is a continuation of the work that Cara began with producer Giorgio Moroder on the soundtrack to the 1983 film Flashdance . The dance-pop song she co-wrote with Moroder and Keith Forsey for the film, "Flashdance... What a Feeling", went to number one on Billboard magazine's Hot 100 and foreshadowed the style of this album, which was unlike her R&B-heavy debut. Although Cara was more accustomed to composing music, she relinquished most of those duties to Moroder here and shifted much of her songwriting focus to lyrics.
The title of the album clued in record buyers to the inclusion of the soundtrack hit from the spring of that year, but another four songs would make the Hot 100, the first of which, "Why Me?", had been released in October. "The Dream (Hold On to Your Dream)" from the D.C. Cab soundtrack became the second new single when that movie was released in December, four months earlier than planned. Since the song was not on the original pressings of What a Feelin', those copies were removed from store shelves so that the album could be re-released to include it. The other two Hot 100 entries were Cara's last top ten hit, "Breakdance", and the one track on the album for which she did write the music, "You Were Made for Me".
The album received mixed-to-positive reviews and was moderately successful, reaching number 77 on Billboard's album chart. But while Cara was having hit records and receiving awards for "Flashdance... What a Feeling", she was also feeling ripped off by her record company, Network Records, and planning to sue. The lawsuit she filed resulted in a backlash that destroyed her reputation in the entertainment industry. It would be eight years before the courts would acknowledge the harm she suffered and she would begin receiving royalties for the recordings she had made since signing with the label.
In March 1983, [2] Casablanca Records released the first single from the soundtrack to the upcoming Paramount Pictures film Flashdance , the story of a young woman who works as a welder and nightclub performer and dreams of becoming a ballerina. The music for that song, "Flashdance... What a Feeling", was written by the composer of the score for the film, Giorgio Moroder, and Irene Cara, who performed the song, wrote the lyrics with Keith Forsey. Their collaboration spent six weeks at number one on the Billboard Hot 100, [3] and Moroder and Cara together completed two more projects in 1983 that were initially separate: Cara's next album, What a Feelin', and a song for the soundtrack of the film D.C. Cab titled "The Dream (Hold On to Your Dream)". Moroder also composed the score for that film and produced the soundtrack album. He wrote the music for the song, and Cara again sang and co-wrote the lyrics.
In a discussion of What a Feelin' with Billboard just after its release, Cara said, "I usually write music; it's only working with Giorgio that I've become a lyricist. I had no choice since he's a composer." [4] Of the nine new tracks on the original album, Moroder wrote the music for six, but one of her compositions, "You Were Made for Me", [1] made the final cut as the sole ballad and album closer. She insisted, "It's still very much Giorgio's album." [4] Many of the same people who Moroder selected to work on "Flashdance... What a Feeling" joined her on this new project. Forsey assisted her with lyrics on four of the tracks, and the guitarist on her number-one hit, Richie Zito, arranged all of the new material, played instruments on most of the songs, and even co-wrote (with Arthur Barrow) the music on one of the other songs not composed by Moroder, "Keep On". The album also reunited Cara with two of her "Flashdance..." background vocalists, Joe Esposito and Stephanie Spruill, on the first new single from the album, "Why Me?".
What a Feelin' was released by Geffen Records on November 2, 1983, [5] without "The Dream", which was to be on the D.C. Cab soundtrack album by MCA Records. Since the film was originally scheduled to be released in April 1984, the soundtrack was going to hit store shelves in February. [6] D.C. Cab told the story of a taxi service in the nation's capital, and one of the cabbies was played by Mr. T., whose new television show The A-Team was a top ten hit in the Nielsen ratings. [7] The film's distributor, Universal Pictures, wanted to take advantage of his popularity by moving the film's release up from the April 1984 slot to December 16, 1983. [6] The release of the soundtrack album was also now moved up to December, [8] but the loss of those four months that had been available for publicizing the film disrupted the plans that the studio had to market it using members of the cast. [6] One of the film's executive producers, Jon Peters, then arranged to have What a Feelin' pulled from store shelves and reissued to include "The Dream". [6]
What a Feelin' debuted on Billboard magazine's Top LPs & Tapes chart in the issue dated December 10, 1983, [9] to start a 37-week run there and peaked at number 77 in the February 25, 1984, issue. [10] AllMusic critic William Ruhlmann noted that the album struggled to stay in the top 100 of the 200 albums listed there and speculated that it was because people already had a copy of "Flashdance... What a Feeling" and "Cara never established a base beyond her individual hits." [11] The album also spent 30 weeks on the magazine's Black LPs chart, where it made its highest showing at number 45 in the January 7 issue. [12]
"Why Me?", the first official single from the album, debuted on the Billboard Hot 100 in the issue of the magazine dated October 22, 1983, to begin a fifteen-week run [3] and peaked at number 13 for two weeks, [13] [14] which began in the December 3 issue. [13] Upon the release of her next single, "The Dream (Hold On to Your Dream)", the review in Cash Box magazine pointed out that "Why Me?" was "still making its way up the charts." [15] The December 10 issues of that magazine [16] and Billboard [14] both included the debut of "The Dream" on their respective lists of the 100 most popular singles in the US and listed "Why Me?" with bullets indicating noteworthy airplay and sales gains, giving her two songs moving up the charts at the same time.
"The Dream" peaked at number 37 on February 11, 1984, and stayed on the Hot 100 for a total of fourteen weeks. [13] Her next single, "Breakdance", started its nineteen weeks there in the March 24, 1984, issue. [3] It peaked at number eight in the June 9 issue and was her third and last top ten hit. [13] "You Were Made for Me" was the final single from the album and her last song to make the Billboard Hot 100. It began its five weeks on the pop chart in the July 28, 1984, issue [3] and peaked at number 78 in its third week there. [13]
Although a promotional video had not been planned for "Flashdance... What a Feeling", Flashdance distributor Paramount Pictures had the director Adrian Lyne compile clips exclusively from the film to create a music video for the song when the movie became a surprise hit in the spring of 1983. [17] Cara did appear in the other two videos created for songs on What a Feelin', "Why Me?" and "The Dream". Both were directed and edited by Doug Dowdle and produced by Jeffrey Abelson. [18]
The character Cara portrays in the video for "Why Me?" juggles two plot lines: her frustration as a performer going to auditions at Broadway theaters and finally having success while at the same time ending one relationship and finding another. Because the story takes place in Manhattan, Cara is filmed at various landmarks and theaters as she lip-syncs the song. Billboard listed the clip in the New Videos Added section of its MTV Adds & Rotation column, which noted that it was added to the cable channel's playlist of music videos as of December 7 in the magazine's December 17 issue, [19] eight weeks after its debut on the Hot 100.
The video for "The Dream" used scenes from D.C. Cab alongside footage of Cara playing herself in her home and around the streets of London. The cabbies have sent her a note that reads, "We miss you, Irene! Your friends at D.C. Cab", and Cara lip-syncs and dances to the music as the comedic visual elements from the film are interwoven throughout. According to the MTV Adds & Rotation list, the video began airing on the cable channel on December 14, [20] one week after "Why Me?" did.
Review scores | |
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Source | Rating |
AllMusic | [11] |
Robert Christgau | C+ [21] |
The Encyclopedia of Popular Music | [22] |
The Rolling Stone Album Guide | [23] |
At the time of the album's release, Billboard Dance Trax columnist Brian Chin described it as "a well-executed piece of work on the part of both producer and artist" and made mention of the yet-to-be-released singles "Breakdance" and "The Dream (Hold On to Your Dream)" as "ace uptempo picks" that "beg for remixes." [24] He added, "Cara should also please fans nostalgic for the robotic early [Donna] Summer sound with her slightly off, trance-like delivery of 'Romance '83' and 'Cue Me Up.'" [24] Cash Box averred that "Flashdance... What a Feeling" and "Why Me?" were "just two of the sizzling singles from this consistent collection." [25] They felt it was "strong on well-structured pop songs, often reminiscent of ABBA in 'Why Me?' and 'You Took My Life Away' with impeccable melodic turns." [25] They concluded, "Many of the tunes sound suitable for follow-up singles because of their distinctive quality and Cara's vocal warmth." [25]
In a contemporary review for The Village Voice , music critic Robert Christgau gave the album a "C+" grade but confused Cara's educational background with that of her Fame character, Coco Hernandez: "I wish she'd gotten her training in church rather than at Performing Arts." [21] In a retrospective review, AllMusic's William Ruhlmann gave it four-and-a-half out of five stars and said that, even though she sang and co-wrote the lyrics, Cara was mostly "the mouthpiece of Euro-disco producer Giorgio Moroder on these recordings." [11] The Rolling Stone Album Guide found that the title song was its only redeeming feature. [23]
In a 2018 interview, Cara described how the time of receiving awards for "Flashdance... What a Feeling" in early 1984 was also quite painful. "Unfortunately, I was going through a lot of hassles with my record company… So on the outside, I was putting on a face of being on top of the world and being a success, and on the inside I was trying to figure out how to sue my label." [26] Al Coury, the former RSO executive who signed Cara to his newly formed Network Records a few years earlier, was "acting like a manager, which he shouldn't have been doing," according to Cara. [27] Her musical contribution to D.C. Cab , for example, was something that Coury arranged. [28] She confronted him about not receiving financial compensation for her first album or for "Flashdance... What a Feeling" but was given the runaround. [27]
They blacklisted me.
– Irene Cara on the treatment she received from the recording industry after suing her label [29]
In 1985, Cara filed a lawsuit against Network Records and Al Coury, Inc., for, among other things, withholding most of the royalties she had earned from her recordings for the label. [28] She claimed that the backlash she endured from taking action against Coury cost her her "future as a recording artist", [26] and believed that the company discouraged the other record labels from working with her because of her legal actions; she described it as being blacklisted. [29] From that point on, record executives and film producers would have nothing to do with her. [30] "Rumors swirled mercilessly about rampant drug use, spreading the notion that, in her early twenties, this great talent already had been hollowed out." [30] The first team of lawyers she hired proved ineffective, and the lawsuit laid dormant until the early nineties when she found a lawyer willing to address what happened. [31]
A Los Angeles County Superior Court awarded her $1.5 million in 1993 after concluding that her career was damaged as a result of the treatment she received, [32] but her attorney, Tom Nunziato explained how actually getting the money was more complicated: "Because only the corporations [Al Coury Inc. and Network Records] were sued back in the beginning and not the individuals, the corporations just declared bankruptcy; supposedly they used all the money to pay attorneys… Irene was vindicated by the jury, but the legal system kind of fell down, and there was no way to compensate her." [33] She did, however, begin earning royalties almost a decade after her last chart hit. [26]
Unidisc Music reissued What a Feelin' on compact disc in 1997 in an expanded edition that included dance remixes of "Flashdance... What a Feeling", "Why Me?", "The Dream", and "Breakdance" as well as an instrumental remix of the album's title song and the track that "The Dream" replaced on some editions of the 1983 reissue, "Talk Too Much". The dance remix of "Why Me?" was the only version of that song included, but the other four singles were presented as heard on their albums of origin instead of as the single edit or "radio edit" that the liner notes indicated.
No. | Title | Writer(s) | Length |
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1. | "Why Me?" | Irene Cara, Keith Forsey, Giorgio Moroder | 4:38 |
2. | "Breakdance" | Cara, Bunny Hull, Moroder | 3:26 |
3. | "You Took My Life Away" | Cara, Moroder | 3:53 |
4. | "Receiving" | Seidman | 3:42 |
5. | "Keep On" | Arthur Barrow, Cara, Forsey, Richie Zito | 3:30 |
No. | Title | Writer(s) | Length |
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1. | "Flashdance... What a Feeling" | Cara, Forsey, Moroder | 3:55 |
2. | "Romance '83" | Cara, Moroder | 4:00 |
3. | "Cue Me Up" | Cara, Forsey, Moroder | 3:25 |
4. | "Talk Too Much" | Cara, Forsey, Moroder | 4:01 |
5. | "You Were Made for Me" | Eddie Brown, Cara | 4:20 |
The version of "The Dream" on this reissue is the same as the D.C. Cab soundtrack album version (running approximately 4:49). [34]
No. | Title | Writer(s) | Length |
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1. | "Why Me?" | Cara, Forsey, Moroder | 4:38 |
2. | "Breakdance" | Cara, Hull, Moroder | 3:26 |
3. | "The Dream (Hold On to Your Dream)" | Pete Bellotte, Cara, Moroder | 4:49 |
4. | "You Took My Life Away" | Cara, Moroder | 3:53 |
5. | "Keep On" | Barrow, Cara, Forsey, Zito | 3:30 |
No. | Title | Writer(s) | Length |
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1. | "Flashdance... What a Feeling" | Cara, Forsey, Moroder | 3:55 |
2. | "Romance '83" | Cara, Moroder | 4:00 |
3. | "Cue Me Up" | Cara, Forsey, Moroder | 3:25 |
4. | "Receiving" | Seidman | 3:42 |
5. | "You Were Made for Me" | Brown, Cara | 4:20 |
The version of "The Dream" on this reissue is the same as the 7-inch single version (running approximately 4:18). [35]
No. | Title | Writer(s) | Length |
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1. | "Why Me?" | Cara, Forsey, Moroder | 4:38 |
2. | "Breakdance" | Cara, Hull, Moroder | 3:26 |
3. | "You Took My Life Away" | Cara, Moroder | 3:53 |
4. | "Receiving" | William Seidman | 3:42 |
5. | "Keep On" | Barrow, Cara, Forsey, Zito | 3:30 |
6. | "The Dream (Hold On to Your Dream)" | Bellotte, Cara, Moroder | 4:18 |
No. | Title | Writer(s) | Length |
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1. | "Flashdance... What a Feeling" | Cara, Forsey, Moroder | 3:55 |
2. | "Romance '83" | Cara, Moroder | 4:00 |
3. | "Cue Me Up" | Cara, Forsey, Moroder | 3:25 |
4. | "Talk Too Much" | Cara, Forsey, Moroder | 4:01 |
5. | "You Were Made for Me" | Brown, Cara | 3:53 |
No. | Title | Length |
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1. | "Flashdance... What a Feeling" (mislabeled as Radio Edit) | 3:57 |
2. | "Why Me?" (12" Mix) | 7:03 |
3. | "Breakdance" (mislabeled as Radio Edit) | 3:27 |
4. | "The Dream (Hold On to Your Dream)" | 4:49 |
5. | "You Took My Life Away" | 3:53 |
6. | "Keep On" | 3:29 |
7. | "Romance '83" | 3:56 |
8. | "Cue Me Up" | 3:24 |
9. | "Receiving" | 3:42 |
10. | "You Were Made for Me" | 4:21 |
11. | "Talk Too Much" | 4:01 |
12. | "Breakdance" (Extended Version) | 5:26 |
13. | "The Dream (Hold On to Your Dream)" (Dance Remix) | 6:49 |
14. | "Flashdance... What a Feeling" (Extended Version) | 7:09 |
15. | "Flashdance... What a Feeling" (Instrumental) | 8:03 |
From the liner notes for the 1997 CD release. [36] Personnel for CD track 11 from the liner notes for the original 1983 vinyl release. [1]
Additional vocalists
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Production
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All tracks except 1, 14, 15 mixed at Oasis Studios, Los Angeles. Tracks 1, 14, 15 mixed at Westlake Studios, Los Angeles. 1997 CD digitally remastered at Unidisc Studios, Montreal, Quebec.
Artwork
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Chart (1983–1984) | Peak position |
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Australian Albums (Kent Music Report) [37] | 49 |
Canada Top Albums/CDs ( RPM ) [38] | 83 |
Finnish Albums (Suomen virallinen lista) [39] | 17 |
German Albums (Offizielle Top 100) [40] | 29 |
Norwegian Albums (VG-lista) [41] | 12 |
Swedish Albums (Sverigetopplistan) [42] | 3 |
Swiss Albums (Schweizer Hitparade) [43] | 8 |
US Billboard 200 [44] | 77 |
US Top R&B/Hip-Hop Albums (Billboard) [45] | 45 |
US Cash Box Albums [46] | 54 |
Flashdance is a 1983 American romantic drama dance film directed by Adrian Lyne and starring Jennifer Beals as a passionate young dancer, Alex Owens, who aspires to become a professional ballerina, alongside Michael Nouri, who plays her boyfriend and the owner of the steel mill where she works by day in Pittsburgh. It was the first collaboration of producers Don Simpson and Jerry Bruckheimer, and the presentation of some sequences in the style of music videos was an influence on other 1980s films including Footloose, Purple Rain, and Top Gun, Simpson and Bruckheimer's most famous production. It was also one of Lyne's first major film releases, building on television commercials. Alex's elaborate dance sequences were shot using body doubles.
Giovanni Giorgio Moroder is an Italian composer and music producer. Dubbed the "Father of Disco", Moroder is credited with pioneering Euro disco and electronic dance music. His work with synthesizers had a large influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house and techno music.
Irene Cara Escalera was an American singer and actress who rose to prominence for her role as Coco Hernandez in the 1980 musical film Fame, and for recording the film's title song "Fame", which reached No. 1 in several countries. In 1983, Cara co-wrote and sang the song "Flashdance... What a Feeling", for which she shared an Academy Award for Best Original Song and won a Grammy Award for Best Female Pop Vocal Performance in 1984.
"Flashdance... What a Feeling" is a song from the 1983 film Flashdance with music by Giorgio Moroder and lyrics by Keith Forsey and the song's performer, Irene Cara. The song spent six weeks at number one on the Billboard Hot 100 and topped the charts around the world. It was awarded Gold certification by the Recording Industry Association of America for sales of one million copies and won the Academy Award and Golden Globe for Best Original Song and earned Cara the Grammy Award for Best Female Pop Vocal Performance. In 2023, the song was chosen by the Library of Congress for inclusion in the National Recording Registry.
Albert Eli Coury was an American music record executive and producer who was vice-president of Capitol Records, co-founder of RSO Records, founder of Network Records and general manager of Geffen Records.
Scarface: Music from the Original Motion Picture Soundtrack is the soundtrack album featured on the 1983 American crime film, Scarface, which was directed by Brian De Palma. Composed by Italian producer Giorgio Moroder, the vinyl soundtrack was released on December 9 of the same year through MCA Records. The album features music created by Moroder, who wrote and produced all of the tracks. Scarface counts with the collaboration of multiple singers, including Paul Engemann, Debbie Harry, Amy Holland, Elizabeth Daily, among other artists. The soundtrack received a Golden Globe Award nomination for Best Original Score at the 41st Golden Globe Awards.
"Together in Electric Dreams" is a song by the British singer and composer Philip Oakey and Italian composer and producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the original soundtrack of the film Electric Dreams (1984). It later formed part of the joint album Philip Oakey & Giorgio Moroder, released in 1985.
Keith Forsey is an English pop musician and record producer.
What a Feeling may refer to:
Flashdance: Original Soundtrack from the Motion Picture is the soundtrack to the 1983 film Flashdance, which tells the story of Alex Owens, a welder and exotic dancer who dreams of becoming a professional ballerina. The nightclub performances by Alex and her co-workers and other set pieces involving training and auditioning provided opportunities to present the songs that would make up the soundtrack album. The film's music supervisor, Phil Ramone, made selections that he felt were the best fit for their respective scenes, and composer Giorgio Moroder contributed additional tracks in the process of scoring the film. One of his contributions, "Flashdance...What a Feeling" by Irene Cara, was released as a single in March 1983, weeks before the film's April 15 release, and eventually spent six weeks at number one on the Billboard Hot 100. The soundtrack was released on April 11, 1983 by Casablanca Records.
American Gigolo is the soundtrack album to the 1980 film of the same name, starring Richard Gere and Lauren Hutton. The music was composed and performed by Italian musician Giorgio Moroder and was released worldwide on the Polydor label. It peaked at number 7 on the Billboard 200 album chart. All the cuts from the soundtrack also went to number two for five weeks on the disco/dance charts.
D.C. Cab: Music from the Original Motion Picture Soundtrack is the soundtrack to the 1983 film D.C. Cab. The producers selected artists for the album who were popular with a young, black audience, and the popularity of one of the film's stars, Mr. T, prompted the film's distributor to release the film four months earlier than planned. D.C. Cab performed poorly at the box office, and the soundtrack peaked at number 181 on the album chart in Billboard magazine.
Richie Zito is an American songwriter, composer and record producer from Los Angeles. In a career spanning more than 50 years, Zito has experienced success as a prolific session musician, being featured on a wide array of other artists' recordings, including work with Joe Cocker, White Lion, Poison, Mr. Big, Neil Sedaka, Yvonne Elliman, Charlie Sexton, Eric Carmen, Art Garfunkel, Leo Sayer, Diana Ross, Marc Tanner, Elton John, Cher, The Motels, as well as The Cult, Eddie Money, Heart, Juliet Simms, Bad English and Prism.
"Out Here on My Own" is a ballad from the 1980 musical film Fame, performed by Irene Cara. It was written by sibling songwriting duo Lesley Gore (lyricist) and Michael Gore (composer). The recording was produced by Michael Gore. Cara performed the song at the 1981 Academy Awards, where it was nominated for Best Original Song. The song was released on the Fame soundtrack, which also contains an instrumental version of the track.
"Why Me?" is a song written by Giorgio Moroder, Keith Forsey, and the song's performer, Irene Cara, that was the first official single to be released from Cara's 1983 album, What a Feelin', making it the follow-up to the songwriting trio's previous project for Cara, "Flashdance... What a Feeling". This new collaboration, however, was described as having more of a hard rock edge and had lyrics that conveyed the difficulties in a relationship.
"Breakdance" is a song written by Giorgio Moroder, Bunny Hull, and the song's performer, Irene Cara. Moroder's obsession with the dance hit "Rockit" by Herbie Hancock fueled his composition of the music, and Cara was inspired by the street performers she saw growing up in the South Bronx to write lyrics about what was then called breakdancing. Released in March 1984, it was the third single that originated on her What a Feelin' LP and her first to make the top ten in the US since the album's title track went to number one almost a year earlier. "Breakdance" also charted in several other countries and had a dance remix that was also well received.
"You Were Made for Me" is a song written by Eddie Brown and the song's performer, Irene Cara. It was the fourth and final single that originated on her 1983 LP What a Feelin' and the only ballad included on it. While Giorgio Moroder had written the music for most of the songs on the album, Cara is credited as the composer on "You Were Made for Me". Whereas the previous singles spawned dance remixes and did well on the pop and R&B charts, "You Were Made for Me" had its biggest success on the Adult Contemporary charts in the US and Canada. It was also her last chart hit in the US.
"Lady, Lady, Lady" is a 1983 song written by Giorgio Moroder and Keith Forsey and performed by singer Joe Esposito for the film Flashdance. It was released as a single from the soundtrack to the film.
Jeri Keever "Bunny" Hull is an American songwriter, musician, and author. Her catalog includes music, film and television projects. She is a recipient of 20 Gold and Platinum Certifications, a Grammy Award and two nominations, an Emmy nomination, a GMA Dove Award, a BMI Performance Award, and multiple Parents' Choice Awards. In 2021, Hull was inducted into the Women Songwriters Hall of Fame.
"The Dream (Hold On to Your Dream)" is a song written by Giorgio Moroder, Pete Bellotte, and the song's performer, Irene Cara, for the 1983 film D.C. Cab. Although not included on initial pressings of Cara's What a Feelin' LP, the decision to release the film four months earlier than originally slated prompted an arrangement for her album to be reissued with the song. A slightly different version (more noticeable in the intro) was also included on the film's soundtrack album; an edited version was released on the 7-inch single, and the 12-inch single included a much longer dance remix.
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