The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart, and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, "Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act.
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
Van Allen Clinton McCoy was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit "The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations, David Ruffin, The Stylistics, The Presidents, Faith, Hope & Charity, New Censation, Gladys Knight & the Pips, Aretha Franklin, Peaches & Herb, Lesley Gore, and Stacy Lattisaw.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
Hubert Neal McGaughey Jr., known professionally as Neal McCoy and previously as Neal McGoy, is an American country music singer. He has released 10 studio albums on various labels, and has released 34 singles to country radio. Although he first charted on the Billboard Hot Country Songs chart in 1988, he did not reach the top 40 for the first time until 1992's "Where Forever Begins", which peaked at number 40. McCoy broke through two years later with the back-to-back number one singles "No Doubt About It" and "Wink" from his platinum-certified album No Doubt About It. Although he has not topped the country charts since, his commercial success continued into the mid to late 1990s with two more platinum albums and a gold album, as well as six more top 10 hits. A ninth top 10 hit, the number 10 "Billy's Got His Beer Goggles On", came in 2005 from his self-released That's Life.
Ruby & the Romantics was an Akron, Ohio-based American R&B group in the 1960s, composed of Ruby Nash, George Lee, Ronald Mosely, Leroy Fann and Ed Roberts.
"Oh Girl" is a song written by Eugene Record and recorded by American soul vocal group the Chi-Lites, with Record on vocals and also producing. It was released as a single on Brunswick Records in 1972. Included on the group's 1972 album A Lonely Man, "Oh Girl" centers on a relationship on the verge of break-up.
"Beechwood 4-5789" is a song written by Marvin Gaye, William "Mickey" Stevenson and George Gordy. It was a 1962 hit single for the Motown girl group The Marvelettes on Motown's Tamla subsidiary record label. The song became a hit again when it was covered by the pop duo The Carpenters in 1982.
"Cry to Me" is a song written by Bert Berns and first recorded by American soul singer Solomon Burke in 1961. Released in 1962, it was Burke's second single to appear in both Billboard magazine's Hot R&B Sides and Hot 100 singles charts. On March 20, 1962, Burke performed "Cry to Me" on American Bandstand.
"634-5789 " is a soul song written by Eddie Floyd and Steve Cropper. It was first recorded by Wilson Pickett on December 20, 1965 and included on his 1966 Atlantic Records album The Exciting Wilson Pickett with backing vocals by Patti LaBelle and the Blue Belles. The single reached number 1 on the Billboard Hot Rhythm & Blues Singles chart and number 13 on the Hot 100 singles chart.
"Too Many Fish in the Sea" is a 1964 hit song recorded by Motown singing group The Marvelettes. It was the group's first top 40 pop hit in almost a year, reaching #25 on the Billboard Hot 100, and was one of the first hit singles written by Norman Whitfield; Eddie Holland also had a hand in the writing. "Too Many Fish..." was also Whitfield's first produced single.
"Playboy" is a song composed by Brian Holland, Robert Bateman, Mickey Stevenson and singer Gladys Horton, lead vocalist of the Motown singing group The Marvelettes, who recorded the song and released it as a single on Motown's Tamla imprint in 1962. The single, led by Horton, is about a man who fools around with a lot of women and the woman who narrates the story warns him to stay away from her due to the stories she heard of him "running around with every woman in town". Horton is helped out in the song by her Marvelettes cohorts Wanda Young, Georgeanna Tillman, Katherine Anderson & Juanita Cowart. This was released as the third single by the Marvelettes and was their second top ten pop hit reaching number seven on the charts while reaching number four on the R&B chart.
"Twistin' Postman" is a song recorded by Motown singing group The Marvelettes, who released it in 1961, and was the follow-up to their smash debut single, "Please Mr. Postman".
"I'll Keep Holding On" is a song composed by Mickey Stevenson and Ivy Jo Hunter and recorded by Motown singing group The Marvelettes, who released the single on the Tamla imprint in 1965. Peaking at #34 on the Billboard Hot 100, the single returned the group to the top forty after a year recording songs that performed below the top forty. This was among the first A-side singles that longtime Marvelettes member Wanda Young sung lead on. Before 1965, the majority of the leads in Marvelettes songs had belonged to original member Gladys Horton. The single features a woman determined to win the love of an unknowingly conquest telling him that she'll convince him to love her "until my will to resist is gone". Her Marvelettes band mates Gladys Horton and Katherine Anderson egg her on with her ad-libbing "oh yeah/sho' nuff" in the bridge leading up to the chorus. The single was covered by British mod-pop act, The Action in 1966. It then returned across the Atlantic in 1998 to be released on Mink Rat or Rabbit by the Detroit Cobras.
"My Baby Must Be a Magician" is a 1967 song written and produced by Smokey Robinson and recorded by the Marvelettes.
"Locking Up My Heart" is a 1963 single released by Motown girl group The Marvelettes on the Tamla record label.
"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.
The Marvelettes a.k.a. The Pink Album is a 1967 album by American vocal group The Marvelettes, also their seventh LP.
