Wildlife (La Dispute album)

Last updated

Wildlife
La Dispute-Wildlife(with text).jpg
Studio album by
La Dispute
ReleasedOctober 4, 2011
RecordedNovember 2010, April 2011
StudioDrasik Studios, Chicago
StadiumRed, New York [1]
Genre Post-hardcore, progressive rock
Length57:50
Label No Sleep
Producer La Dispute
La Dispute chronology
Never Come Undone
(2011)		Wildlife
(2011)		 Rooms of the House
(2014)
Singles from Wildlife
  1. "Harder Harmonies"
    Released: August 23, 2011
  2. "The Most Beautiful Bitter Fruit"
    Released: September 9, 2011

Wildlife is the second studio album by American post-hardcore band La Dispute, released October 4, 2011, on independent label No Sleep Records. Recording sessions for the album took place primarily at StadiumRed in New York City in April 2011. The band members took control of all of the production duties alongside the album's recording engineers, Andrew Everding and Joseph Pedulla. Wildlife was their last release on No Sleep Records before forming their own record label, Better Living.

Contents

Noted by music writers for its varied elements, Wildlife incorporates musical components from La Dispute's previous releases, particularly Somewhere at the Bottom of the River Between Vega and Altair and Here, Hear III. , and genres such as screamo, progressive rock and post-rock. The album features lyrical themes that – while making several references to the band's home town of Grand Rapids – focus on personal loss, anger, despair, and in the vision of the band, is a collection of unpublished "short stories" from a hypothetical author, complete with the author’s notes and sectioned thematically by the use of four monologues.

The album debuted at number 135 on the US Billboard 200 chart, selling 3,140 copies in its first week. It spent one week on the chart and charted only in the United States. Prior to its release, Wildlife was promoted with two singles, "Harder Harmonies" and "The Most Beautiful Bitter Fruit". The album was well received by critics, who mainly praised its conceptual lyrics and more melodic approach to the band's style.

Writing and recording

The writing of the album did not start until a year after La Dispute's debut album, Somewhere at the Bottom of the River Between Vega and Altair , was released. Part of the reason for the delay was the band's continuous touring and promotion of the debut across the United States and Canada, with rare tour and festival appearances in Europe and Australia. When commenting on the delay between the band's album releases, singer Jordan Dreyer said he and the rest of the band members require "an absurdly long gestation period with these types of things and then we have to really sit down and be as meticulous as we all want to be". [2] The band decided to use lyrical elements that they had intended to use in the first album but that were not included because they did not seem fully developed at the time. [3] While writing Wildlife, the band had very specific goals; they projected the album to have 14 tracks [4] and knew exactly what they wanted from each song. [5]

La Dispute wrote and recorded Wildlife in pieces to accommodate their intense tour schedule. [4] The album was recorded at two different studios with recording engineers Andrew Everding and Joe Pedulla. They started with the instrumentation of six tracks at Drasik Studios in Chicago; this recording process took place over two weeks. [6] [7] The songwriting featured on the album is distinct from La Dispute's previous releases. Dreyer wrote the stories or the concepts behind each song, and then the band adapted these stories into lyrics and created music to revolve around them. [4] In an interview, Dreyer was asked how the songwriting differs; he said that the lyrics were written before the music was composed. He was quoted as saying: "This time around, we switched the process up entirely. Previous to Wildlife, we'd always start music first and add vocals later based on the way the song felt. This time around, because we had a more concrete concept going into it, and because we wanted to work even more as a single unit [...]" [8] Dreyer and the rest of La Dispute had expressed interest in writing a conceptual record, but with ambiguity so it would not limit the listener's experience. "Oftentimes, I think records with a linear narrative narrow the ways in which a person can enjoy it, and not everyone wants to sit down and listen to something front to back." [3] When they returned from their touring in Australia in February 2011 they "dropped off the face of the earth" for two months, during which their writing sessions lasted twelve to fourteen hours a day. [4]

La Dispute recorded the remainder of the album in a month in StadiumRed in New York City in April 2011. [1] [9] Dreyer wanted to give the album the most organic feel possible by using no artificial reverb or studio techniques that would give the album a synthesized quality. [10] Joe Pedulla stated that he wanted to give the album a more raw and authentic sound: "We were just trying to capture what it would be like for an audience member sitting and listening to a guitar in a room." He also credited Dreyer's vocal range: "Jordan Dreyer has this crazy dynamic range – a 20dB swing from how loud and quiet he gets. So there are some vocal parts with no resonance at all, where he's speaking/singing softly, the room is not echoing, and he sounds close and in-your-face. Then the dynamic swing happens, and we would see how big it can get." [11] When recording vocals, Dreyer makes very long takes, trying to emulate the sound of his voice in live performances. [2] The album's recording features what the band considers "auxiliary instrumentation", including trumpet and rhodes piano, [4] and even improvised instruments that Sterenburg's brother created out of scrap metal. [10]

Title and packaging

The title Wildlife is not derived from lyrics from the album, but from themes that connect the songs. [12] Dreyer regards wildlife as "an all-encompassing word to sum everything up", and he has said that "we all witness tragedy and change. It's the summation of our existence." [13] On the inside of the album cover the words "To – for everything" are written as a dedication with a word being crossed out. It has been speculated by some that the word is the name 'Helen'. Drummer Brad Vander Lugt when asked about the dedication replied "That’s Jordan’s story to tell, and not mine. [...] It does have significance to a story he is telling. You will probably hear a little bit more about that in future work, Jordan has been known to continue stories or themes onto future albums." [14]

Composition

Gnome-mime-sound-openclipart.svg
Edit Your Hometown
'Edit Your Hometown' tells a tale of struggle [15] and fuses the introspectiveness of emo with hardcore punk dynamism. [16]
King Park
The song 'King Park' is a seven-minute ballad [13] and has been described as the centrepiece to the whole album. [17] Highlights the band's use of singing-speaking vocal style and matured lyrics inspired by loss and despair on songs about gang violence [18] to a backing of "delicate fingerpicked work and ripping chords" as described by Joshua Khan of Blare. [19]
Problems playing these files? See media help.

Music

The music on Wildlife, akin to the band's first album, incorporates elements of post-hardcore, screamo, progressive rock and post-rock, [11] [20] described as having "bluesy quirks and experimental touches" by Alex Reeves of The 1st Five. [16] Compared with the first album, Wildlife has melodic tendencies and a more synchronized approach to musicianship and vocals, with fewer unusual time signatures and more emphasis on chord progressions. [18] There is less hardcore punk-style screaming, but as in the band's earlier work, [21] the vocal style alternates between singing and speaking. [18] The song structures are often unconventional. [22] Wildlife utilizes instrumental passages to complement the lyrics; Reeves described it by saying that "the music expertly builds tension, creating a sense of visceral emotion and releasing this tension in a well-timed burst". [16]

Lyrics

The first one is kind of an examination of different people’s search for purpose and what other people apply to their lives to give it some sort of semblance for order. The second one is kind of similar, but [relating to] more drastic responses. It’s isolation, or immersion — far to the left, far to the right thing. The third one is the point in the record where the character gets himself some perspective on his own struggles by examining the struggles of others. The last one is kind of a summation of the two ongoing narratives throughout the record: one being the stories that are told, the other being those four monologues.

Jordan Dreyer commenting on the record's monologues in an interview in 2011. [23]

Dreyer had always stated that the band's second album would feature "a lot of storytelling", "a lot of groove", and "a more of an organic feel" than their debut album. [24] When describing the sound of the album the band wrote that they believe it is "musically more heavy and more soft, more fast and more slow, more complicated and more straight-forward, and I know my band mates would agree, so there isn't really a thing this record sounds like, at least not that we can hear." [12] With writer Vladimir Nabokov's works Pale Fire and Lolita being considered as the "biggest external influence" on Wildlife, [23] the album features dark lyrical themes which focus on personal loss and the anger and despair felt from watching one's hometown decay. [21]

In the vision of the band the album is a collection of unpublished "short stories" from a hypothetical author, complete with the author's notes, and sectioned thematically by the use of four monologues. The stories are told in parallel to the author's own ambiguous loss and struggle, [1] [7] and the lyrics are a combination of Dreyer's fictional stories and his interactions in life, [4] including true stories from La Dispute's home town, Grand Rapids. [5] [14] The four monologues in question project the loss and the struggle of the artist with the introduction 'a Departure', and the three interludes, 'a Letter', 'a Poem' and 'a Broken Jar'. [21] The first two monologues of Wildlife were used to "capture a general feeling". [23] 'a Poem' and 'a Broken Jar' are noted for using spoken word and alternative folk-influenced melodies to spark melodramatic feelings. [19]

'St. Paul Missionary Baptist Church Blues' focuses on the decaying value of a real life abandoned church in Grand Rapids and how that was a striking contrast to the popularity of other churches. [23] 'Edit Your Hometown', has been described as "treading the boundary between melodrama and actual drama" by Ben Patashnik of 'Rock Sound'. [25] 'The Most Beautiful Bitter Fruit' deals with the hypothetical author's sexuality, by exploring and questioning his inability to participate in casual sex. [15] 'King Park', a seven-minute ballad, [13] focuses on inner-city gang culture and follows the perspective of an individual who is engrossed by a drive-by shooting; and also follows how the drive by shooter, plagued by guilt, commits suicide. [26] Dreyer described the true story behind the song: "A year or two ago, down the street from where Brad and I work, a kid was shot. It's an area that's been riddled with gang violence, which has been really sad to witness." [27] 'Edward Benz, 27 Times' is the story of a father dealing with the pain of being brutally attacked by his schizophrenic son, while "I See Everything" describes parents losing their seven-year-old son to cancer. [28]

Release and promotion

La Dispute performing in 2011. During the initial promotion of the album the band refrained from performing selected songs, such as "King Park", which they believed were too "emotionally draining" for live shows. La Dispute 2011-11-11 02.JPG
La Dispute performing in 2011. During the initial promotion of the album the band refrained from performing selected songs, such as "King Park", which they believed were too "emotionally draining" for live shows.

Throughout their European tour in August 2011, La Dispute performed a new song titled "Edit Your Hometown". [30] Once the tour was finished, La Dispute wrote a blog post titled "Arrivals" that announced the track listing, the album art, and the first single, titled "Harder Harmonies." It became available to stream on August 23, 2011, in conjunction with the album's announcement. [8] [12] On September 9 the seventh track, "The Most Beautiful Bitter Fruit" was released online to stream. [31] On September 23, La Dispute uploaded the entire album to stream on their official website and Facebook page. [32] [33] The album was released internationally on October 4, 2011. [17] On October 26, 2011, Wildlife was released in Germany with German alternative magazine Visions. [34] They promoted the initial release of the album by supporting Thrice's headline tour across the United States in October and November 2011. [33]

For one day on December 25, 2011, La Dispute made all of their discography, including Wildlife, free to download with an opportunity to donate money to 826michigan, a Michigan-based, non-profit organization dedicated to supporting students ages 6 to 18 with creative writing and to helping teachers to inspire their students to write. [35] Donations on that day totaled $1,600. [36]

Throughout 2012 La Dispute went on a series of headline tours that acted as promotion for Wildlife, with tour legs in Europe, Australia and North America. [3] La Dispute's European tour took place over January and early February with support from Former Thieves. [37] Their Australian tour started four days after their European tour, and instead of having a permanent support band, they had a different lineup every night, composed of local bands. [38] The North American leg of the tour started in late March, lasting into June and had support from Balance and Composure, Sainthood Reps, and All Get Out. [39] [40] At their shows in the United States in April, the band collaborated with 826michigan once again to release 150 limited-edition packets at their shows. These packets included their CD "Conversations", which annotates the lyrical themes in Wildlife in depth, along with rare photos, a poster, postcards and other items. [41] In June 2012, the band made several festival appearances in Europe including Download Festival, [42] Greenfield Festival, Hurricane Festival and Southside Festival, during a short European tour with Hot Water Music. [43] La Dispute planned to do a third European tour with Title Fight and Make Do and Mend in September and October 2012. [14] [44]

As La Dispute have promoted their music on headline tours they have tried to play different songs and create a different experience for each live show. [5] [14] They have also used songs after a certain period of time: an example is 'King Park', which although was initially considered too emotionally draining for live performances, [29] the band eventually started to play the song live. [45] The band played 'St Paul Missionary Baptist Church Blues' from Wildlife at its first performance in September 2012. [45]

Reception

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [18]
Alternative Press Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [17]
Rock Sound 9/10 [25]
SputnikmusicStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [28]

The album received favorable reviews from critics. Alex Reeves of The 1st Five gave a positive review of Wildlife favoring its lyrical depth and intimacy, comparing the album's lyrics to "reading the tear-stained diary of a good friend". [16] Chrysta Cherrie, writing for Allmusic, gave the album a positive three and a half stars out of five and credited the album for its maturity and progression from the band from their debut, saying: "Wildlife is the best of both worlds, serving up the energy and power fans have come to expect from La Dispute, but showing a maturity beyond the band’s years." [18] Joshua Khan on Blare Magazine gave the album a 4.5 out of 5 star rating, describing the album's four monologues as "tormented progressive rock outbursts" and describes the instrumentation as bringing character to the vocals and lyrics. [19]

Daniel Roe, writing for Rockfreaks, acknowledged the album's large stylistic shift from "blistering hardcore punk inspired" musicianship towards simpler chord progressions. [21] Channing Freeman of Sputnikmusic gave an appreciative review of the album while praising its lyrical improvements over the predecessor, describing the album overall as "a wake-up call for post-hardcore bands." [28]

Negative opinions about the album stemmed from its lyrical content. Some critics have said that the serious nature of the lyrics are hard to digest. [25] Others said Dreyer's lyrics and vocals still overshadow the instrumentation. Alex Andrews of Thrash Hits gave the album a four out of six rating, saying: "The flipside of Dreyer's imposing presence is that it can be all too easy to let the rest of the band fade into the background. It's a shame, because for the most part, there are some interesting things happening". [22]

Commercial performance

La Dispute's record label No Sleep produced 5,000 copies for Wildlife's first pressing, adamant that they would all sell. [46] In the United States the album debuted on the Billboard 200 at number 135, selling 3,140 copies of the album in the first week. Of those copies, 1,192 were 7" vinyl. [47] [48]

Accolades

In the year of Wildlife's release it featured in some end-of-year lists, including those by Rock Sound [49] and Kill Your Stereo. [50] Rock Sound placed the album at 19 out of their top 50, stating "some bands ask for you attention, on Wildlife La Dispute demand it." [49] The album was also on Kill Your Stereo's "Staff International top 10" list, being placed at 7 out of 10. [50]

Track listing

All tracks are written by Jordan Dreyer, Brad Vander Lugt, Chad Sterenberg, Kevin Whittemore and Adam Vass

No.TitleLength
1."A Departure"3:32
2."Harder Harmonies"3:35
3."St. Paul Missionary Baptist Church Blues"3:46
4."Edit Your Hometown"2:55
5."A Letter"3:49
6."Safer in the Forest/Love Song for Poor Michigan"4:36
7."The Most Beautiful Bitter Fruit"3:55
8."A Poem"2:59
9."King Park"6:54
10."Edward Benz, 27 Times"5:45
11."I See Everything"3:37
12."A Broken Jar"2:19
13."All Our Bruised Bodies and the Whole Heart Shrinks"5:04
14."You and I in Unison"4:56
Total length:57:50

Notes

Personnel

La Dispute

Additional liner notes

Charts

Chart (2011) [18] Peak
position
US Billboard 200 [51] 135
US Top Rock Albums (Billboard) [52] 28
US Independent Albums (Billboard) [53] 27
US Top Alternative Albums (Billboard) [54] 25
US Top Rock Albums (Billboard) [52] 28
US Heatseekers Albums (Billboard) [55] 6

Related Research Articles

<span class="mw-page-title-main">Sunny Day Real Estate</span> American rock band

Sunny Day Real Estate is an American rock band from Seattle, Washington, formed in 1992. The band currently consists of founding members Jeremy Enigk, Dan Hoerner (guitar) and William Goldsmith (drums), alongside Greg Suran (guitar), who originally played with the band between 2000 and 2001, and Chris Jordan (bass), who joined the band in 2022. Founding bass guitarist Nate Mendel was a member of the band during three of its four incarnations.

MewithoutYou, usually styled as mewithoutYou, was an American rock band from Philadelphia, Pennsylvania. The band consisted of Aaron Weiss (vocals), Michael Weiss and Brandon Beaver (guitars), Greg Jehanian, and Rickie Mazzotta (drums). The band's music is generally dominated by spoken-word vocals and free-ranging drums, bass, and guitar.

<span class="mw-page-title-main">Screamo</span> Subgenre of hardcore punk music

Screamo is an aggressive subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego-based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.

The Idoru is a post-hardcore band from Budapest, Hungary. It was formed in 2003 by ex-members of the Hungarian hard-core and metalcore band Newborn. The original line-up consisted of Tibor Szalkai (guitars), Gábor Nagy (guitars), Mátyás Mohácsi (bass), Denis Valach (drums) and András Bödecs (vocals). However, three of the original members left the band in 2009.

<span class="mw-page-title-main">Moving Mountains (band)</span>

Moving Mountains is an American rock band from Purchase, New York. Combining elements of emo and post-rock, the band has often been compared to such acts as The Appleseed Cast and Thrice.

<span class="mw-page-title-main">La Dispute (band)</span> American post-hardcore band

La Dispute is an American post-hardcore band from Grand Rapids, Michigan, formed in 2004. The current lineup is vocalist Jordan Dreyer, drummer Brad Vander Lugt, guitarist Chad Morgan-Sterenberg, guitarist Corey Stroffolino and bass guitarist Adam Vass.

<span class="mw-page-title-main">Touché Amoré</span> American post-hardcore band

Touché Amoré is an American post-hardcore band from Los Angeles, formed in 2007. The band consists of vocalist Jeremy Bolm, guitarists Clayton Stevens and Nick Steinhardt, bassist Tyler Kirby, and drummer Elliot Babin. Among other releases, they have released five studio albums: ...To the Beat of a Dead Horse in 2009, Parting the Sea Between Brightness and Me in 2011, Is Survived By in 2013, Stage Four in 2016, and Lament in 2020.

<span class="mw-page-title-main">For the Fallen Dreams</span> American metalcore band

For the Fallen Dreams, often abbreviated FTFD, is an American metalcore band from Lansing, Michigan, formed in 2003. The band originally signed to Rise Records but produced one album under Artery Recordings in 2012. After the departure of then vocalist Dylan Richter and the return of vocalist Chad Ruhlig in 2013, the band started producing music under Rise Records once again until 2022.

<i>There Is a Hell Believe Me Ive Seen It. There Is a Heaven Lets Keep It a Secret.</i> 2010 studio album by Bring Me the Horizon

There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret. is the third studio album by British rock band Bring Me the Horizon. It was released on 4 October 2010 by Visible Noise. The album was produced by Fredrik Nordström and Henrick Udd at IF Studios in Gothenburg, Sweden, with additional work at Sunset Lodge Studios in Los Angeles, California. It features guest vocals from Canadian singer Lights, British singer Josh Franceschi, and American vocalist Josh Scogin.

Pianos Become the Teeth are an American band from Baltimore, Maryland, formed in 2006. Their early musical style has been inspired by post-rock and early screamo acts, and they are a part of a post-hardcore music movement also represented by Touché Amoré, La Dispute, Defeater, and Make Do and Mend. The group reissued their well-received debut album Old Pride in 2010 through Topshelf Records.

<i>Here, Hear.</i> 2008 EP by La Dispute

Here, Hear. is an EP by La Dispute, released on May 15, 2008 through Forest Life Records. The extended play contains a series of spoken-word tracks that focus on combining pieces of pre-existing poetry and writings with a variety of instrumentation.

<i>Somewhere at the Bottom of the River Between Vega and Altair</i> 2008 studio album by La Dispute

Somewhere at the Bottom of the River Between Vega and Altair is the debut studio album by American post-hardcore band La Dispute. Supported by three release shows, it was released on November 11, 2008, alongside Here, Hear II. through No Sleep Records on both CD and vinyl. The album's title is derived from an Asian folktale, which the album's lyrics loosely follow. The album received positive reviews by notable critics, and it remains as a legacy in the post-hardcore scene.

<i>Searching for a Pulse/The Worth of the World</i> 2010 EP by Touché Amoré and La Dispute

Searching for a Pulse/The Worth of the World is a split EP between American post-hardcore bands Touché Amoré and La Dispute. It was released on July 27, 2010, through No Sleep Records. The EP was the first split release for both bands and consists of two original songs from each band, all four of them featuring both vocalists.

<i>Never Come Undone</i> 2011 EP by La Dispute and Koji

Never Come Undone is an EP by La Dispute and Koji, released on May 3, 2011, by No Sleep Records. This is the second split EP for both bands. The EP has one new song from each band, as well as a reimagining of "Last Blues for Bloody Knuckles" by La Dispute and a cover of Ted Leo and the Pharmacists's "Biomusicology" by Koji. The vinyl press was limited to 2,000 copies; 500 purple and black, 500 purple and 1,000 black.

<span class="mw-page-title-main">Make Do and Mend (band)</span> American musical group

Make Do and Mend was an American post-hardcore band from West Hartford, Connecticut, that formed in 2006, who relocated to Boston. They released 2 EPs on Panic Records, a split with Touché Amoré and three full-length albums. While technically members of "The Wave", along with La Dispute, Touché Amoré, Pianos Become the Teeth, and Defeater, the band has since clarified that "The Wave" was merely an inside joke between those bands and does not represent a particular movement or subgenre in post-hardcore.

<i>A Flash Flood of Colour</i> 2012 studio album by Enter Shikari

A Flash Flood of Colour is the third studio album by English rock band Enter Shikari, and was produced by Dan Weller. The album was recorded in May and June 2011 at Karma Sound Studios in Bang Saray, Thailand, and at the Fortress in London, United Kingdom. It was released internationally on 16 January 2012 by Ambush Reality, the band's record label in the United Kingdom, and Hopeless Records in North America.

<i>Short Songs</i> 2012 studio album by Silverstein

Short Songs is the sixth studio album by Canadian post-hardcore band Silverstein. The release has an untraditional number of songs at 22, though as its title suggests, all songs are short and mostly under 90 seconds. Only 11 of the songs are original, while the other 11 are covers of songs by notable punk, hardcore, and screamo bands that influenced Silverstein, such as Green Day, Orchid, Dead Kennedys, Gorilla Biscuits and NOFX. It is the band's second release on Hopeless Records and like their last release, it was also produced by Jordan Valeriote. It is also the band's last release with long-time guitarist Neil Boshart, who left the band in the summer of 2012.

<span class="mw-page-title-main">Being as an Ocean</span> American post-hardcore band

Being as an Ocean is an American post-hardcore band from Alpine, California, formed in 2011. They have released five studio albums: Dear G-d..., How We Both Wondrously Perish, a self-titled album, Waiting for Morning to Come, released on 8 September 2017, and PROXY: An A.N.I.M.O. Story, released in 2019. How We Both Wondrously Perish was released in May 2014 and charted at number 57 on the Billboard 200 in the U.S.

<i>Rooms of the House</i> 2014 studio album by La Dispute

Rooms of the House is the third studio album by American post-hardcore band La Dispute, released on March 18, 2014 through their own label Better Living.

<i>Panorama</i> (La Dispute album) 2019 studio album by La Dispute

Panorama is the fourth studio album released by La Dispute. It was released on March 22, 2019, through Epitaph Records.

References

  1. 1 2 3 "La Dispute To Release New Album". Legends Arising. August 23, 2011. Retrieved August 23, 2011.
  2. 1 2 Daniel Furnari (June 20, 2013). "La Dispute: Into The Wild". Blunt Magazine. (Nextmedia). Archived from the original on July 2, 2013. Retrieved June 25, 2013.
  3. 1 2 3 John B. Moore (December 8, 2011). "I don't wonna grow up / John Moore". Blurt Magazine. Archived from the original on January 17, 2013. Retrieved December 10, 2011.
  4. 1 2 3 4 5 6 Darren Tayor, ed. (July 2011). "In The Studio: La Dispute". Rock Sound . London: Freeway Press (149): 22. ISSN   1465-0185.
  5. 1 2 3 Kane Sutton (June 22, 2013). "No Questions Asked". The Music.com.au. (Street Press Australia). Retrieved June 25, 2013.
  6. ↑ "News: La Dispute Premiere New Song and Release Album Details". Midnight Mixtape. August 23, 2011. Retrieved August 28, 2011.
  7. 1 2 La Dispute Interview (Brad (Interviewer), Jordan Dreyer, Adam Vass) (Podcast). Fromthegarage.net. December 13, 2010. Event occurs at 9:20. Retrieved August 23, 2011. Brad with FromTheGarage.net chats with Jordan and Vass from La Dispute about the band's history, their emergence onto the post-hardcore scene, and the new album.
  8. 1 2 Lars Gotrich (August 23, 2011). "La Dispute: Half-Spoken Explosions". NPR Music . Retrieved December 28, 2011.
  9. ↑ Jon Ableson (August 23, 2011). "Interview: La Dispute". Alter The Press!. Retrieved August 28, 2011.
  10. 1 2 "Interview: Jordan Dreyer (La Dispute) discusses touring, "Wildlife" and homemade instruments". Dying Scene. Idioteq. April 20, 2012. Retrieved September 11, 2012.
  11. 1 2 David Weiss (October 11, 2011). "No Artificial Reverb Allowed! The Tracking and Mixing Challenge of La Dispute's "Wildlife"". SonicScoop. Retrieved October 31, 2011.
  12. 1 2 3 La Dispute (August 23, 2011). "Arrivals. La Dispute". Archived from the original on December 8, 2011. Retrieved August 23, 2011.
  13. 1 2 3 Shane Miller (November 12, 2012). "La Dispute weaves emotional intricacy in songs". The Daily Texan . (Texas Student Media). Archived from the original on May 30, 2016. Retrieved June 27, 2013.
  14. 1 2 3 4 "La Dispute: Interviews". (Killyourstereo.com). June 30, 2013. Archived from the original on February 2, 2014. Retrieved September 8, 2013.
  15. 1 2 Megan Davies (October 5, 2011). "Midnight Mixtape » Album Review: La Dispute 'Wildlife'". Midnight Mixtape. Archived from the original on October 14, 2011. Retrieved January 9, 2012.
  16. 1 2 3 4 Alex Reeves (September 26, 2011). "La Dispute – Wildlife". The1stFive. Archived from the original on October 6, 2011. Retrieved October 7, 2011.
  17. 1 2 3 Scott Heisel (October 4, 2011). "Alternative Press Reviews La Dispute – Wildlife". Alternative Press . Retrieved January 9, 2012.
  18. 1 2 3 4 5 6 Chrysta Cherrie (October 30, 2011). "Wildlife – La Dispute AllMusic". AllMusic . Retrieved October 31, 2011.
  19. 1 2 3 Joshua Khan (September 25, 2011). "La Dispute – Wildlife". Blare Magazine. Retrieved October 13, 2011.
  20. ↑ Dave Imms (April 3, 2013). "Wildlife, the new album from La Dispute, is raw post-hardcore". Lost at E Minor. (Conversant Media). Archived from the original on December 17, 2013. Retrieved September 8, 2013. They sit in that fairly unspecific post-rock or post-hardcore genre. I can't decide whether it is a bit emo, or in fact just wholesomely honest.
  21. 1 2 3 4 Daniel Roe (October 10, 2011). "La Dispute – Wildlife Review". Rockfreaks.net. Retrieved October 11, 2011.
  22. 1 2 Alex Andrews (October 3, 2011). "La Dispute – Wildlife". Thrash Hits. Retrieved October 7, 2011.
  23. 1 2 3 4 Peter Woodburn (November 27, 2011). "La Dispute Band Interview : It's Like Medicine. It's Self-Discovery. (w/ Full Album Stream & Lyrical Analysis)". Redefine Magazine . Retrieved December 17, 2013.
  24. ↑ Stanley (September 10, 2010). "La Dispute Interview: Features: Caught In the Crossfire". Caught In the Crossfire. Retrieved June 4, 2011.
  25. 1 2 3 Patashnik, Ben (October 2011). "La Dispute [9] 'Wildlife' (No Sleep)". Rock Sound . London: Freeway Press. 153: 97. ISSN   1465-0185.
  26. ↑ Brittany Moseley (April 10, 2013). "Weekly Playlist #20: Loooong Soooongs". Alternative Press . Retrieved December 17, 2013.
  27. ↑ David Weiss (October 24, 2011). "La Dispute: 'All Our Favourite Artists Are Articulate'". Rock Sound . Archived from the original on April 16, 2012. Retrieved January 9, 2012.
  28. 1 2 3 Channing Freeman (September 25, 2011). "La Dispute – Wildlife (staff review)". Sputnikmusic.net. Retrieved October 31, 2011.
  29. 1 2 Tom Aylott (January 30, 2012). "Live: La Dispute – Kingston Fighting Cocks". Punktastic. Retrieved February 5, 2012.
  30. ↑ "Video // La Dispute "Edit Your Hometown" (New Song Live)". Bedwetting Cosmonaut. August 4, 2011. Retrieved August 28, 2011.
  31. ↑ "La Dispute x Siq Shit". September 9, 2011. Archived from the original on October 6, 2011. Retrieved September 10, 2011.
  32. ↑ Brian Kraus (September 22, 2011). "La Dispute streaming new album "Wildlife"". Alternative Press. Retrieved September 23, 2011.
  33. 1 2 "Media: La Dispute: 'Wildlife'". Punknews. September 22, 2011. Retrieved September 23, 2011.
  34. ↑ "visions.de | Plattern | La Dispute | Wildlife" (in German). visions.de. January 20, 2012. Retrieved February 12, 2012. It would be a hardcore album of the year: Visions published La Dispute album "Wildlife" exclusive. Visions 224 – 26 October in the trade.
  35. ↑ Jon Ableson. "La Dispute Give Away Discography For Free". Alter The Press!. Retrieved January 28, 2012.
  36. ↑ "The Next Month Or So: La Dispute". La Dispute. January 13, 2012. Archived from the original on April 22, 2016. Retrieved January 28, 2012.
  37. ↑ Sarah Jamieson (November 24, 2011). "La Dispute Announce UK And Europe Tour". This Is Fake DIY . Retrieved January 28, 2012.
  38. ↑ Jon Ableson (November 24, 2011). "La Dispute Announce Australian 2012 Tour". Alter The Press!. Retrieved August 23, 2011.
  39. ↑ Jon Ableson (November 24, 2011). "La Dispute announce tour with Balance And Composure, Sainthood Reps, All Get Out". Alter The Press!. Retrieved August 23, 2011.
  40. ↑ Amy Sciarretto (February 29, 2012). "La Dispute to Tour This Spring". Artist Direct . (Rogue Digital). Retrieved December 17, 2012.
  41. ↑ Amy Sciarretto (April 6, 2012). "La Dispute Partner With 826michigan". Artist Direct . (Rogue Digital). Retrieved December 17, 2012.
  42. ↑ "16 More Bands For Download Festival!". Rock Sound . Freeway Press Inc. April 12, 2012. Archived from the original on June 30, 2012. Retrieved July 8, 2012.
  43. ↑ Bryne Yancey (March 5, 2012). "Hot Water Music, La Dispute announce European tour". Alternative Press . Retrieved July 8, 2012.
  44. ↑ "La Dispute, Title Fight And Make Do And Mend For Euro Tour". Rock Sound . (Freeway Press). April 24, 2012. Archived from the original on June 27, 2012. Retrieved July 8, 2012.
  45. 1 2 Tom Shepherd (September 20, 2012). "La Dispute The Garage, London". The Fly . (MAMA & Company). Retrieved September 8, 2013.
  46. ↑ Adam Sever (May 29, 2012). "Interviews: Chris Hansen (No Sleep Records)". Punknews.org. ISSN   1710-5366 . Retrieved June 11, 2013.
  47. ↑ Drew Beringer (October 13, 2011). "La Dispute Debuts in the Billboard 200". Absolute Punk . Retrieved June 23, 2012.
  48. ↑ "Metal By Numbers 10/12: Album Sales Take A Fall". Metal Insider. October 12, 2011. Retrieved June 23, 2012.
  49. 1 2 "50 Albums Of The Year". Rock Sound . London: Freeway Press (156). January 2012. ISSN   1465-0185.
  50. 1 2 "Killyourstereo.com Album of the Year 2011 results". Kill Your Stereo. January 9, 2011. Archived from the original on December 1, 2013. Retrieved June 27, 2013.
  51. ↑ "La Dispute Chart History (Billboard 200)". Billboard. Retrieved March 29, 2019.
  52. 1 2 "La Dispute Chart History (Top Rock Albums)". Billboard. Retrieved March 29, 2019.
  53. ↑ "La Dispute Chart History (Independent Albums)". Billboard. Retrieved March 29, 2019.
  54. ↑ "La Dispute Chart History (Top Alternative Albums)". Billboard. Retrieved March 29, 2019.
  55. ↑ "La Dispute Chart History (Heatseekers Albums)". Billboard. Retrieved March 29, 2019.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.