| Would You Still Love Me If You Really Knew Me? | ||||
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| Studio album by | ||||
| Released | July 18, 2025 | |||
| Recorded | 2024–2025 | |||
| Length | 39:51 | |||
| Label | Capitol | |||
| Producer |
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| Fletcher chronology | ||||
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| Singles from Would You Still Love Me If You Really Knew Me? | ||||
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Would You Still Love Me If You Really Knew Me? is the third studio album by American singer-songwriter Fletcher. It was released on July 18, 2025, through Capitol Records. Co-produced with Jennifer Decilveo, the album was supported by two singles, "Boy" and "Hi, Everyone Leave Please".
The album marks a more introspective and vulnerable phase in Fletcher's artistry, exploring themes of self-acceptance, identity, and emotional renewal. Written during late 2024 and early 2025, it reflects her personal growth and shifting perspectives following her previous album, In Search of the Antidote (2024). The record blends acoustic and pop elements, emphasizing raw lyricism and stripped-back production.
Critics noted its emotional depth and reflective tone, viewing it as a continuation of Fletcher's exploration of authenticity and queer identity. Would You Still Love Me If You Really Knew Me? reached number 29 on the Belgian Albums Chart and number 34 on the German Albums Chart.
Ahead of the album's release, Fletcher described the project as deeply personal, calling it "my heart split open on record" in a hand-written letter shared with fans. [1] [2] She noted that the album was born from questioning whether she would still be loved if she revealed her present self, framing it as both an expression of vulnerability and liberation. [3] Much of her earlier work had centered on sapphic narratives, and with the release of "Boy" she introduced a different perspective by addressing a relationship with a man. [4] She explained that, with this project, she aimed to show a softer and more tender side of herself. She further stated that while her past performances often revolved around creating an epic party-like experience for her audience, she now sought to foster a different kind of connection that reflected her own present experience. [5]
In another interview, Fletcher said that Would You Still Love Me If You Really Knew Me? felt like her most unguarded work to date. Released only a year after In Search of the Antidote (2024), the album came together quickly—a pace she said mirrored the urgency she felt while writing it. "Last year was one of the hardest years of my life", she recalled, describing the record as "confessing everything that had been alive in my heart". She also admitted feeling "nervous, excited, scared, [and] relieved" as release day approached, noting that once the music is out, "it's not mine anymore. It's for whoever needs it". [6] Fletcher told Rolling Stone that the flood of emotions informing the album occurred in late 2024 and early 2025, following her last tour. Regarding the inspiration behind "Boy", she did not provide specifics about her current relationship status. But she noted that she is in a positive place personally, adding that she had recently begun experiencing love again and feeling a deeper emotional connection. [7]
According to Elle , the album consists of twelve introspective tracks that reveal a more unguarded side of Fletcher. [5] Discussing the project, Fletcher described this new era as "a continuation" of her artistry — an emotional deepening and expansion rather than a departure from her previous work. [8]
The closing track, "Would You Still Love Me?", incorporates spoken word elements and poses questions to herself and her listeners. [5] In an interview with Rolling Stone , Fletcher discussed the song "Boy", explaining that it reflects a new chapter in her queer journey after unexpectedly falling in love with a man. [7] [9] While she emphasized that she remains "so proud to be queer" and that the album is "not about a guy", but rather about self-discovery and acceptance. [9] Fletcher also described "Hi, Everyone Leave Please" as a long-held personal track expressing a plea for freedom and space, addressing her experiences in the music industry, including competition, shifting expectations, and burnout. [10]
In the lead-up to the album announcement, Fletcher cleared her Instagram page and began posting new teasers, including Pride Month greetings and the hand-written letter about the record. [3] The album is her first studio album since her second album, In Search of the Antidote (2024). [11]
Fletcher released the album's lead single, "Boy", in June 5, 2025, and simultaneously announced the upcoming album. [12] It marked the beginning of a new phase in her career. [3] The second single, "Hi, Everyone Leave Please", was released on July 18, accompanied by a video directed by a duo Birthplace, consisting of Pfion Vince and Madison Phipps. [13] [10]
| Would I Still Love Me If I Really Knew Me? (Live from California) | ||||
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| EP / live album by | ||||
| Released | September 26, 2025 | |||
| Length | 17:28 | |||
| Label | Capitol | |||
| Producer |
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| Fletcher chronology | ||||
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Fletcher released a live EP on September 28, 2025, titled Would I Still Love Me If I Really Knew Me? (Live from California), featuring tracks from Would You Still Love Me If You Really Knew Me?. [14] The live EP features intimate renditions of five tracks, accompanied by Jennifer Decilveo on piano, and Shane McAnally on guitar. The visual accompaniment, directed by Carissa Gallo, features Fletcher performing all five songs against the backdrop of the Californian mountains. [15]
All tracks were written and produced by Fletcher and Jennifer Decilveo, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Would You Still Love Me?" (Live from California) | 3:09 | |
| 2. | "Chaos" (Live from California) | 3:58 | |
| 3. | "Good Girl / Gone Girl" (Live from California) | 3:45 | |
| 4. | "Boy" (Live from California) |
| 3:49 |
| 5. | "Congratulations!" (Live from California) | 2:46 | |
| Total length: | 17:38 | ||
| Review scores | |
|---|---|
| Source | Rating |
| Clash | 7/10 [16] |
| Dork | 4/5 [17] |
| Stereoboard | |
Clash noted that Would You Still Love Me If You Really Knew Me?'s dreamy, acoustic pop sound encourages reflection on identity, change, and self-love. [16] Dork described the album as a candid and introspective record, highlighting its focus on self-discovery and the challenges of balancing personal authenticity with the expectations of others. [17] Stereoboard observed that it features a more stripped-back production compared to Fletcher's previous synth-pop work, emphasizing her experiences in the music industry and marking a turning point in her musical and lyrical direction. [18] Melodic Magazine noted that while listeners first encountered Fletcher's alter ego, Cari, on her previous project Girl of My Dreams through tracks like "For Cari" and "I Think I'm Growing", the new album brings her true self to the forefront, allowing Cari to take center stage. [19]
Elle stated that while her earlier work has frequently drawn from autobiographical experiences, Would You Still Love Me If You Really Knew Me? carries a different kind of rawness. [5] Billboard described the album as deeply introspective and often discomforting, highlighting Fletcher's willingness to confront difficult personal questions. [20]
All songs were written and produced by Fletcher and Jennifer Decilveo, except where noted.
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Party" | 3:34 | ||
| 2. | "Hi, Everyone Leave Please" | 2:56 | ||
| 3. | "Don't Tempt Me..." | 3:56 | ||
| 4. | "The Arsonist" |
| 3:28 | |
| 5. | "Boy" |
| 3:22 | |
| 6. | "Chaos" |
| 3:42 | |
| 7. | "Distance" |
| 3:23 | |
| 8. | "Good Girl / Gone Girl" | 3:20 | ||
| 9. | "All of the Women" | 3:54 | ||
| 10. | "Congratulations!" | 3:10 | ||
| 11. | "Would You Still Love Me?" | 5:06 | ||
| Total length: | 39:51 | |||
| No. | Title | Length |
|---|---|---|
| 12. | "Hail Mary" | 3:24 |
| Total length: | 42:55 | |
Credits were adapted from AllMusic. [21]
| Chart (2025) | Peak position |
|---|---|
| Belgian Albums (Ultratop Flanders) [22] | 29 |
| Belgian Albums (Ultratop Wallonia) [23] | 113 |
| German Albums (Offizielle Top 100) [24] | 34 |
| Dutch Albums (Album Top 100) [25] | 78 |
| Scottish Albums (OCC) [26] | 22 |
| Spanish Albums (PROMUSICAE) [27] | 46 |
| UK Albums Sales (OCC) [28] | 33 |
| UK Download Albums (OCC) [29] | 87 |
| UK Physical Albums (OCC) [30] | 29 |
| UK Vinyl Albums (OCC) [31] | 31 |