| Would You Still Love Me If You Really Knew Me? | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 18, 2025 | |||
| Length | 39:51 | |||
| Label | Capitol | |||
| Producer |
| |||
| Fletcher chronology | ||||
| ||||
| Singles from Would You Still Love Me If You Really Knew Me? | ||||
| ||||
Would You Still Love Me If You Really Knew Me? is the third studio album by American singer-songwriter Fletcher. It was released on July 18, 2025, through Capitol Records.
Ahead of the album's release, Fletcher described the project as deeply personal, calling it "my heart split open on record" in a hand-written letter shared with fans. [1] [2] She noted that the album was born from questioning whether she would still be loved if she revealed her present self, framing it as both an expression of vulnerability and liberation. [3] Much of her earlier work had centered on sapphic narratives, and with the release of "Boy" she introduced a different perspective by addressing a relationship with a man. The song's timing during Pride Month and its lyrical focus drew mixed responses from some listeners, who viewed it as a shift from the themes that had characterized her previous music. [4] She also explained that with this project she aimed to show a softer and more tender side of herself, stating that while her past performances often revolved around creating an epic party-like experience for her audience, she now sought to foster a different kind of connection that reflected her own present experience. [5]
Fletcher told Rolling Stone that the flood of emotions informing the album occurred in late 2024 and early 2025, following her last tour. Regarding the inspiration behind "Boy", she did not provide specifics about her current relationship status, but noted that she is in a positive place personally, adding that she had recently begun experiencing love again and feeling a deeper emotional connection. [6]
According to Elle , the album consists of twelve introspective tracks that reveal a more unguarded side of Fletcher. The closing track, "Would You Still Love Me?", incorporates spoken word elements and poses questions to herself and her listeners. [5] Fletcher described "Hi, Everyone Leave Please" as a long-held personal track expressing a plea for freedom and space, addressing her experiences in the music industry, including competition, shifting expectations, and burnout. [7]
In the lead-up to the album announcement, Fletcher cleared her Instagram page and began posting new teasers, including Pride Month greetings and the hand-written letter about the record. [3]
Fletcher released the album's lead single, "Boy", in June 5, 2025, and simultaneously announced the upcoming album. [8] The album marks her first studio album since In Search of the Antidote (2024), [9] and "Boy" marked the beginning of a new phase in her career. [3] She later shared a second single, "Hi, Everyone Leave Please", accompanied by a video directed by the creative duo Birthplace, consisting of Pfion Vince and Madison Phipps. [7] [10]
| Review scores | |
|---|---|
| Source | Rating |
| Clash | 7/10 [11] |
| Dork | 4/5 [12] |
| Stereoboard |   [13] |
Clash noted that the album's dreamy, acoustic pop sound encourages reflection on identity, change, and self-love, likening it to a quiet moment in a live performance when the lights dim and the artist plays an acoustic guitar. [11] Dork described Would You Still Love Me If You Really Knew Me? as a candid and introspective record, highlighting its focus on self-discovery and the challenges of balancing personal authenticity with the expectations of others. [12] Stereoboard observed that the album features a more stripped-back production compared to Fletcher's previous synth-pop work, emphasizing her experiences in the music industry and marking a turning point in her musical and lyrical direction. [13] Melodic Magazine noted that while listeners first encountered Fletcher's alter ego, Cari, on her previous project Girl of My Dreams through tracks like "For Cari" and "I Think I'm Growing", the new album brings her true self to the forefront, allowing Cari to take center stage. [14]
Elle stated that while her earlier work has frequently drawn from autobiographical experiences, the album carries a different kind of rawness. [5] Billboard described the album as deeply introspective and often discomforting, highlighting Fletcher's willingness to confront difficult personal questions. Tracks such as "Hi, Everyone Leave Please", "Chaos", and "Distance" are noted for exploring comparisons to other pop stars, reconciliation with past decisions, and requests for personal space, with Fletcher presenting her thoughts openly to listeners. [15]
All songs were written and produced by Fletcher and Jennifer Decilveo, except where noted.
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Party" | 3:34 | ||
| 2. | "Hi, Everyone Leave Please" | 2:56 | ||
| 3. | "Don't Tempt Me..." | 3:56 | ||
| 4. | "The Arsonist" |
| 3:28 | |
| 5. | "Boy" |
| 3:22 | |
| 6. | "Chaos" |
| 3:42 | |
| 7. | "Distance" |
| 3:23 | |
| 8. | "Good Girl / Gone Girl" | 3:20 | ||
| 9. | "All of the Women" | 3:54 | ||
| 10. | "Congratulations!" | 3:10 | ||
| 11. | "Would You Still Love Me?" | 5:06 | ||
| Total length: | 39:51 | |||
| No. | Title | Length |
|---|---|---|
| 12. | "Hail Mary" | 3:24 |
| Total length: | 42:55 | |
Credits were adapted from AllMusic. [16]
| Chart (2025) | Peak position |
|---|---|
| Belgian Albums (Ultratop Flanders) [17] | 29 |
| German Albums (Offizielle Top 100) [18] | 34 |