Wreck-It Ralph: Original Motion Picture Soundtrack | ||||
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Soundtrack album by | ||||
Released | October 24, 2012 | |||
Studio | Sony Scoring Stage | |||
Length | 70:36 | |||
Label | Walt Disney | |||
Producer |
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Walt Disney Animation Studios chronology | ||||
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Henry Jackman chronology | ||||
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Wreck-It Ralph:Original Motion Picture Soundtrack is the soundtrack album to the 2012 animated film Wreck-It Ralph . [1] The film's score was composed by Henry Jackman, [2] and the soundtrack featured three original songs and three incorporated songs,with Jackman's score accompanying the remainder of it. Artists featured in the soundtrack are,Owl City,AKB48,Buckner &Garcia,Skrillex,Noisia,Kool &the Gang and Rihanna. [3] [4] The soundtrack was released by Walt Disney Records on October 24,2012 and received positive reviews from critics.
On August 20,2012,Henry Jackman was announced to composed the film's score,his second film for Walt Disney Animation Studios after Winnie the Pooh (2011). [5] For the score,Jackman tried to produce 8-bit music (chiptune),as the film and the music goes on the world of arcade games,and the themes were adapted to fit the characters and worlds of retro digital creations and more modern games,including popular video-game franchises of Mario Kart , Halo and Pac-Man etc. [6]
The initial themes were being written on piano,and was followed by which,the score was tailored to infuse synth and electronic instruments being tailored for several sequences. The main theme for "Wreck-It Ralph" was created using an 8-bit orchestra. The score cue to establish Ralph and Vanellope von Schweetz's characters,consisted of emotional beats as Jackman said,"at that point it was not quite so important to be referential in terms of video games. By then,you’ve accepted them as three-dimensional characters with motivations and aspirations. You don’t always want to be bleeping your way through that." [7]
In an interview to Los Angeles Times ,Jackman recalled that before getting into video game music,he earlier purchased a vintage Donkey Kong arcade game,which he dismantled later. He further added "I wanted to check the original Namco chips from 1984 to see what the frequency response was. These machines weren’t capable of making frequencies higher than such-and-such a note. They weren’t able to play more than three sounds at once. I didn’t want anyone to be able to go,‘But that sound couldn’t have played in those days.’This film is pretty accurate." [7]
A For Your Consideration score album featured Jackman's demos that were not included in the soundtrack. [8] Consisting of 44 tracks,the complete score album was released by Walt Disney Records on December 24,2012. A private copy of the score was published for the cast and crew,which includes the theme from "Paperman" composed by Christophe Beck,featured in the short film of the same name,that accompanied with Wreck-It Ralph. [9]
While majority of the score was written by Jackman,the album also featured six songs:three original and three incorporated tracks. Owl City performed the original track "When Can I See You Again?", [10] which was released on October 18,2012 as a promotional music video through YouTube. [11] The Japanese-band AKB48 performed the song "Sugar Rush" released as a single on October 22, [12] [13] followed by an independent release in Japan on March 20,2013. It's music video was screened at the film's world premiere in Los Angeles. [12] Buckner &Garcia performed the song "Wreck-It,Wreck-It Ralph". [3] [14]
The soundtrack also features the songs "Celebration" by Kool &the Gang,"Bug Hunt" (Skrillex and Noisia remix),and "Shut Up and Drive" by Rihanna. The electronic music band Skrillex had produced the track "Bug Hunt" (Hero's Duty),a remixed version by Noisia was featured in the soundtrack album. Director Rich Moore wanted him for the soundtrack,as in the writing process he wanted to do "something contemporary to other Disney film music" and asked about the same to music supervisor Tom MacDougall,which he named Skrillex for the band. He approved his track,after being impressed with the narration and demos,he came up for the score. [15] Early in the development process,Robert Lopez and Kristen Anderson-Lopez wrote an original song for the film;it was later cut out. [16]
Heather Phares of AllMusic said "While Wreck-It-Ralph misses out on being a Tron for the preteen set,the soundtrack still scores high when it comes to playfulness and devotion to its subject matter." [17] Joy Of Movies wrote "What starts out as a looser soundtrack,like the film becomes really touching by the end. In this way it mirrors the emotions of the movie and that is exactly what you’d want. The music seems to be pretty much in order here as well which is good. The last three tracks are exciting,touching,and perfect to close out a really fun soundtrack." [18] Filmtracks.com stated "Overall,this wild ride is amusing and entertaining in its parts but difficult to qualify in its whole because the wacky instrumentation really does dominate the structures. You don't leave the score with a clear picture of Jackman's thematic intentions;while the representations exit,they are muddied by the fast pace and inconsistent instrumental colors. As mentioned before,this score is admirably smart enough to earn four stars,but when heard on album,its ultra-frenetic personality and surprisingly elusive themes,along with the mostly original but unrelated and irritating songs (several of which meant for the end credits),pull Wreck-It Ralph back to three-star reality." [19] Lipstiq.com wrote "Wreck-It Ralph is certainly a must-have if you’re an avid collector of movie soundtracks because you’ll never find there is no album like this,especially if you’re a hardcore gamer,and you feel like you might need a little backing music to go with your daily adventures!" [20] Screen Rant wrote "the soundtrack proved to be a good blend of catchy songs and original compositions". [21]
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | "When Can I See You Again?" |
| Owl City | 3:38 |
2. | "Wreck-It, Wreck-It Ralph" | Jamie Houston | Buckner & Garcia | 2:59 |
3. | "Celebration" |
| Kool & the Gang | 3:40 |
4. | "Sugar Rush" |
| AKB48 | 3:14 |
5. | "Bug Hunt (Noisia Remix)" | Skrillex | 7:04 | |
6. | "Shut Up and Drive" | Rihanna | 3:32 | |
7. | "Wreck-It Ralph" | 1:33 | ||
8. | "Life in the Arcade" | 0:43 | ||
9. | "Jumping Ship" | 1:06 | ||
10. | "Rocket Fiasco" | 5:48 | ||
11. | "Vanellope von Schweetz" | 2:57 | ||
12. | "Royal Raceway" | 3:23 | ||
13. | "Cupcake Breakout" | 1:12 | ||
14. | "Candy Vandals" | 1:39 | ||
15. | "Turbo Flashback" | 1:42 | ||
16. | "Laffy Taffies" | 1:35 | ||
17. | "One Minute to Win It" | 1:17 | ||
18. | "Vanellope's Hideout" | 2:33 | ||
19. | "Messing with the Program" | 1:20 | ||
20. | "King Candy" | 2:11 | ||
21. | "Broken-Karted" | 2:49 | ||
22. | "Out of the Penthouse, Off to the Race" | 2:51 | ||
23. | "Sugar Rush Showdown" | 4:15 | ||
24. | "You're My Hero" | 4:16 | ||
25. | "Arcade Finale" | 3:19 | ||
Total length: | 70:36 |
No. | Title | Length |
---|---|---|
1. | "Fix-It Felix" | 1:16 |
2. | "Different Worlds" | 2:22 |
3. | "Wreck-It Ralph Main Title" | 1:35 |
4. | "Bureaucratic Dressing Down" | 0:42 |
5. | "Ralph At The Door Sting" | 0:06 |
6. | "Cake Remonstration" | 2:04 |
7. | "Lost And Found" | 0:28 |
8. | "Markowski Panics" | 1:07 |
9. | "Reporting For Duty" | 1:09 |
10. | "The Beacon" | 1:13 |
11. | "Gameplay Gone Wrong" | 0:14 |
12. | "Where's Ralph?" | 1:59 |
13. | "Rocket To Sugar Rush" | 4:10 |
14. | "Vanellope Von Schweetz" | 3:03 |
15. | "Cybug Explanation" | 1:52 |
16. | "Pay To Play" | 2:26 |
17. | "The Glitch" | 1:42 |
18. | "Bad Guys Don't Win Medals" | 2:04 |
19. | "Discriminating Racers" | 2:02 |
20. | "Jawbreaker" | 0:23 |
21. | "A Disagreeable Pact" | 2:16 |
22. | "NesQuik Sand" | 1:40 |
23. | "Bakery Skulking" | 1:12 |
24. | "Bake-A-Kart" | 1:21 |
25. | "Trombone Fiasco" | 0:12 |
26. | "Emotional Biscuits" | 2:27 |
27. | "Build A Racetrack" | 2:18 |
28. | "Top Shelf" | 0:18 |
29. | "Gubbin Tampering" | 1:44 |
30. | "One Dynamite Gal" | 2:34 |
31. | "The King's Deceit" | 2:53 |
32. | "You Really Are A Bad Guy" | 2:54 |
33. | "Alone" | 1:13 |
34. | "Saccharine Conspiracy" | 2:21 |
35. | "Fungeon And Fanfare" | 1:39 |
36. | "Mario Karnage" | 2:28 |
37. | "Turbo Vs Glitch" | 2:57 |
38. | "Cybug Invasion" | 1:30 |
39. | "No One I'd Rather Be" | 2:45 |
40. | "Into The Light" | 1:08 |
41. | "Finish Line Transformation" | 1:17 |
42. | "Princess Vanellope" | 1:28 |
43. | "Wrap-Up" | 1:06 |
44. | "Arcade Finale" | 2:12 |
Total length: | 83:43 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | "When Can I See You Again?" |
| Owl City | 3:38 |
2. | "Wreck-It, Wreck-It Ralph" | Jamie Houston | Buckner & Garcia | 2:59 |
3. | "Celebration" |
| Kool & the Gang | 3:40 |
4. | "Sugar Rush" |
| AKB48 | 3:14 |
5. | "Bug Hunt (Noisia Remix)" | Skrillex | 7:04 | |
6. | "Shut Up and Drive" | Rihanna | 3:32 | |
7. | "Ralph Spaccatutto" | 1:33 | ||
8. | "Vita In Sala Giochi" | 0:43 | ||
9. | "Abbandonare La Nave" | 1:06 | ||
10. | "Rocket Fiasco" | 5:48 | ||
11. | "Vanellope von Schweetz" | 2:57 | ||
12. | "Pista Regale" | 3:23 | ||
13. | "Fuga Dal Bigne'" | 1:12 | ||
14. | "Vandali Canditi" | 1:39 | ||
15. | "Turbo Flashback" | 1:42 | ||
16. | "Lacci Gommosi" | 1:35 | ||
17. | "Un Minuto Per Vincere" | 1:17 | ||
18. | "La Tana / Il Covo Di Vanellope" | 2:33 | ||
19. | "Manomissione Del Programma" | 1:20 | ||
20. | "Re Candito" | 2:11 | ||
21. | "Rompi-Kart" | 2:49 | ||
22. | "Fuori Dal Superattico, Giu' In Pista" | 2:51 | ||
23. | "Sugar Rush Showdown" | 4:15 | ||
24. | "Sei Il Mio Eroe" | 4:16 | ||
25. | "Finale Sala Giochi" | 3:19 | ||
Total length: | 70:36 |
No. | Title | Writer(s) | Artist | Length |
---|---|---|---|---|
1. | "When Can I See You Again?" |
| Owl City | 3:38 |
2. | "Wreck-It, Wreck-It Ralph" | Jamie Houston | Buckner & Garcia | 2:59 |
3. | "Celebration" |
| Kool & the Gang | 3:40 |
4. | "Sugar Rush" |
| AKB48 | 3:14 |
5. | "Bug Hunt (Noisia Remix)" | Skrillex | 7:04 | |
6. | "Shut Up and Drive" | Rihanna | 3:32 | |
7. | "Ralph La Casse" | 1:33 | ||
8. | "La Vie De L'Arcade" | 0:43 | ||
9. | "Le Vaisseau Sauteur" | 1:06 | ||
10. | "Lancement Raté" | 5:48 | ||
11. | "Vanellope von Schweetz" | 2:57 | ||
12. | "Circuit Royal" | 3:23 | ||
13. | "Sortie de Brioche" | 1:12 | ||
14. | "Casser Du Sucre" | 1:39 | ||
15. | "Turbo Flashback" | 1:42 | ||
16. | "Lianes Qui Rient" | 1:35 | ||
17. | "Une Minute Pour Gagner" | 1:17 | ||
18. | "Le Repaire De Vanellope" | 2:33 | ||
19. | "Jouer Avec Le Programme" | 1:20 | ||
20. | "Sa Sucrerie" | 2:11 | ||
21. | "Kart Brisé" | 2:49 | ||
22. | "Du Loft Au Circuit" | 2:51 | ||
23. | "Sugar Rush, L'Epreuve" | 4:15 | ||
24. | "Tu Es Mon Héros" | 4:16 | ||
25. | "Arcade Finale" | 3:19 | ||
Total length: | 70:36 |
Chart (2013) | Peak position |
---|---|
UK Soundtrack Albums (OCC) [24] | 17 |
US Billboard 200 [25] [ failed verification ] | 25 |
US Soundtrack Albums (Billboard) [26] [ failed verification ] | 13 |
Award | Category | Recipients | Result |
---|---|---|---|
Annie Awards [27] [28] | Music in an Animated Feature Production | Henry Jackman, Skrillex, Adam Young, Matthew Thiessen, Jamie Houston, Yasushi Akimoto | Won |
Buckner & Garcia was an American musical duo consisting of Jerry Buckner and Gary Garcia from Akron, Ohio. Their first recording was made in 1972, when they performed a novelty song called "Gotta Hear the Beat", which they recorded as Animal Jack. Later, in 1980, they wrote a novelty Christmas song titled "Merry Christmas in the NFL", imagining sports journalist Howard Cosell as Santa Claus. The recording was credited to Willis the Guard and fictional group Vigorish. The song reached No. 82 on the Billboard charts. In 1981, the duo wrote a faith-based country theme to back the poem "Footprints in the Sand", performed by Edgel Groves, which reached No. 1 on many Country and Easy Listening radio stations. The duo also produced an extended version of the WKRP in Cincinnati theme song released on MCA Records in 1982.
Pirates of the Caribbean: At World's End is the soundtrack for the Disney movie of the same title, Pirates of the Caribbean: At World's End. It is composed by Hans Zimmer, and features additional music by Lorne Balfe, Tom Gire, Nick Glennie-Smith, Henry Jackman, Atli Örvarsson, John Sponsler, Damon M. Marvin and Geoff Zanelli.
Noisia was a Dutch electronic music trio consisting of members Nik Roos, Martijn van Sonderen, and Thijs de Vlieger from Groningen, Netherlands. They produced a wide variety of music including drum and bass, dubstep, breakbeat and house. They released music under labels including Skrillex's Owsla, deadmau5's mau5trap and Jay-Z's Roc Nation. Noisia previously combined with the group Foreign Beggars to form the supergroup side project, I Am Legion. They released their collaborative self-titled album on 2 September 2013. Noisia also has production credits under the pseudonym Nightwatch, such as when they worked with Alexis Jordan, Hadouken!, Wiley and Wretch 32. They produced Hadouken!'s album, For the Masses, that charted at number 19 on the UK Albums Chart.
Henry Pryce Jackman is an English composer. He composed music for films such as Kong: Skull Island, X-Men: First Class, Puss in Boots, Monsters vs. Aliens, Captain Phillips, Kick-Ass, Kick-Ass 2, Wreck-It Ralph, Turbo, Big Hero 6, Pixels, Ron's Gone Wrong, The Interview, and Detective Pikachu, as well as the video games Uncharted 4: A Thief's End and Disney Infinity 2.0. He has also collaborated with film directors such as Don Hall, Stephen J. Anderson, Rob Letterman, Matthew Vaughn, Raman Hui, Russo brothers, Jake Kasdan, Sam Hargrave and Rich Moore.
Wreck-It Ralph is a 2012 American animated comedy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It was directed by Rich Moore and produced by Clark Spencer, from a screenplay written by Phil Johnston and Jennifer Lee, and a story by Moore, Johnston, and Jim Reardon. John Lasseter served as the film’s executive producer. Featuring the voices of John C. Reilly, Sarah Silverman, Jack McBrayer, and Jane Lynch, the film tells the story of the eponymous arcade game villain who rebels against his "bad guy" role and dreams of becoming a hero.
"Sugar Rush" is a song by the Japanese girl idol group AKB48. It was released on October 30, 2012, on the original soundtrack of Wreck-It Ralph, which is titled Sugar Rush (シュガー・ラッシュ) in Japanese.
"When Can I See You Again?" is a song by American electronica project Owl City from the 2012 Walt Disney Animation Studios film Wreck-It Ralph. It was written and produced by Adam Young, with additional writing from Matt Thiessen and Brian Lee. The song was made available for streaming on October 6, 2012 via AOL Music.
Ralph Breaks the Internet (Original Motion Picture Soundtrack) is the soundtrack album for the film of the same name. Composed by the first film's composer, Henry Jackman, the soundtrack was released digitally on November 16, 2018, and was followed with a physical release on November 30, 2018.
Winnie the Pooh is the soundtrack album to the 2011 film of the same name, based on the eponymous novel created by A. A. Milne and E. H. Shepard, and directed by Stephen J. Anderson and Don Hall, the latter in his feature directorial debut. Henry Jackman composed the film score with additional music by Christopher Willis. The original songs were written by Kristen Anderson-Lopez and Robert Lopez. The soundtrack was released by Walt Disney Records on July 12, 2011.
Big Hero 6 (Original Motion Picture Soundtrack) is the soundtrack album to Disney's 2014 animated superhero film Big Hero 6. The album was released by Walt Disney Records digitally on November 4, 2014, and through physical formats on November 25. It featured 19 tracks, from the background score composed by Henry Jackman, and an original song titled "Immortals" written and recorded by American rock band Fall Out Boy. The track was released as a single on October 14, 2014. The score consisted of electronic and orchestral music, to balance with the film's emotional depth and heroic themes.
Clouds is the soundtrack album to the 2020 film Clouds. Based on the life of late American singer/songwriter Zach Sobiech from the memoir Fly a Little Higher: How God Answered a Mom's Small Prayer in a Big Way by Laura Sobiech, it is directed by Justin Baldoni and featured musical score composed by Brian Tyler. The soundtrack featured incorporated songs by the lead actors Fin Argus and Sabrina Carpenter, Sobiech's dissolved band A Firm Handshake, Renforshort and OneRepublic. It was released by the record labels Interscope and Walt Disney on October 16, 2020. Prior to the soundtrack release, OneRepublic's original song "Wild Life" was released as the lead single on September 25. The titular track "Clouds", which was Sobiech's own song, altered and composed by Tyler and performed by the lead cast, was released as the second single on October 9, and the third song "afterthoughts" performed by Renforshort was released as a single on October 15, accompanied by a music video.
Ron's Gone Wrong (Original Motion Picture Soundtrack) is the soundtrack album to the 2021 animated film Ron's Gone Wrong. It was released digitally on October 15, 2021 by Hollywood Records and Walt Disney Records, followed by a physical edition being published on October 22, the same day as the film's theatrical release. The soundtrack album featured music composed by Henry Jackman, along with an original song titled "Sunshine" sung by Liam Payne, which was released as a part of the soundtrack on September 24.
Pokémon Detective Pikachu is the score album to the 2019 film of the same name, based on the Pokémon franchise, and the loose adaptation of the 2016 video game series of the same name. The score, composed by Henry Jackman, featured 27 tracks and was released digitally by WaterTower Music and Sony Classical Records on May 8, 2019, and in physical formats on May 10, coinciding with the film's United States theatrical release. The film also features an original single "Carry On" by Kygo and Rita Ora, served as the standalone track and not featured in the score album, it was independently released by RCA Records on April 19. The score is included as a part of Jackman's score catalog acquired by Reservoir Media in March 2022.
Maleficent (Original Motion Picture Soundtrack) is the score album composed by James Newton Howard for the 2014 film Maleficent, based on the Disney villain character Maleficent from the animated film Sleeping Beauty (1959). The film is a live-action spin-off of Sleeping Beauty, and is loosely inspired from Charles Perrault's original fairy tale. Directed by Robert Stromberg, the film stars Angelina Jolie in the titular character.
X-Men: First Class is the soundtrack album to the 2011 film X-Men: First Class. The film, directed by Matthew Vaughn, is based on the X-Men characters appearing in Marvel Comics, and is the fourth mainline installment in the X-Men film series and the fifth installment overall. Henry Jackman, who had worked with Vaughn in Kick-Ass (2010) composed the score, becoming the fourth composer to score for the series. The score consisted of pop and rock infused music, which is reminiscent of John Barry's themes from the 1960s.
The Predator: Original Motion Picture Soundtrack is the score album to the 2018 film of the same name directed by Shane Black, who wrote the script with Fred Dekker, and is the fourth installment in the Predator franchise. The film is scored by Henry Jackman, the third composer to score for the franchise. Jackman also incorporated original themes composed by Alan Silvestri from the 1987 film. The album was released by Lakeshore Records digitally on September 28, 2018 and through physical formats on October 5, 2018.
The Gray Man (Soundtrack from the Netflix Film) is the score album composed by Henry Jackman for the 2022 film of the same name. The film, directed and produced by Russo Brothers is based on the 2009 novel of the same name by Mark Greaney and the first film in a franchise based upon Greaney's Gray Man novels. The film stars Ryan Gosling, Chris Evans, Ana de Armas, Jessica Henwick, Regé-Jean Page, Wagner Moura, Julia Butters, Dhanush, Alfre Woodard, and Billy Bob Thornton.
Rise of the Guardians: Music From The Motion Picture is the score album to the 2012 of the same name, composed by Alexandre Desplat. The film marked Desplat's maiden score for a computer-animated film as well as his DreamWorks' film, not to be scored by or have any involvement from either Hans Zimmer or his Remote Control Productions family of composers. The score was recorded at Abbey Road Studios and AIR Studios in London and features collaborations with London Symphony Orchestra and London Voices performing. In addition to Desplat's score, an original song "Still Dream" written by the film's screenwriter David Lindsay-Abaire and performed by soprano singer Renée Fleming, was featured in the film's end credits. Both Desplat's score and Fleming's original song was included in the film's score album, released by Varèse Sarabande on November 13, 2012 and received positive response praising Desplat's compositions.
Puss in Boots (Music from the Motion Picture) is the score album to the 2011 film of the same name, released by Sony Classical Records on October 26, 2011. The album featured 22 tracks from the original score composed by Henry Jackman, and two songs performed by the Mexican guitar duo Rodrigo y Gabriela: "Diablo Rojo" and "Hanuman" being included. Lady Gaga's song "Americano" was also featured in the film, but not included in the soundtrack. The music was positively received by critics and fans, and received him a nomination for Annie Award for Music in a Feature Production, but lost to John Williams for his score in The Adventures of Tintin (2011). The score is one of Jackman's film score catalog acquired by Reservoir Media in March 2022.
Strange World (Original Motion Picture Soundtrack) is the score album to the 2022 animated film Strange World produced by Walt Disney Animation Studios. The original score is composed by Henry Jackman in his fifth scoring assignment for Disney film, after Winnie the Pooh (2011), Wreck-It Ralph (2012), Big Hero 6 (2014) and Ralph Breaks the Internet (2018). Jackman referenced most of James Horner and John Williams' electronic and symphony orchestral score for big-budget films, to create a "larger-than-life and fantastical, but organic" score suiting the world. He relied on orchestral music and harmonies, with exception for electronic and synth-infused score in few sequences.
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