Ya Ves

Last updated

"Ya Ves"
Single by Selena
from the album Ven Conmigo
ReleasedSeptember 1990
Studio ZAZ Studios
Genre Tejano cumbia
Length3:13
Label EMI Latin
Songwriter(s)
Producer(s) A. B. Quintanilla
Selena singles chronology
"Mentiras"
(1989)
"Ya Ves"
(1990)
"Baila Esta Cumbia"
(1990)
Live video
"Ya Ves" on YouTube

"Ya Ves" ("You See") is a song recorded by American singer Selena on her second studio album Ven Conmigo . The song was written by A. B. Quintanilla and Pete Astudillo. "Ya Ves" was released as the lead single off Ven Conmigo in September 1990 and received critical acclaim from music critics, who recognized its significant contribution to the rise of Selena's popularity across the United States, Mexico, and Latin America. Following the unveiling of the United States Postal Service's commemorative Forever Stamps featuring Selena, "Ya Ves" debuted and peaked at number 20 on the US Billboard Regional Mexican Digital Song Sales chart in April 2011. In 2005, Bobby Pulido performed the song at the Selena ¡Vive! benefit concert.

Contents

Background and composition

In 1989, newly formed EMI Latin signed Selena y Los Dinos, led by Selena, as a strategic maneuver to penetrate the burgeoning Tejano music market, [1] which emerged as one of the fastest-growing genres in the United States. [2] EMI Latin hesitated to let A. B. Quintanilla maintain his role as the group's producer. However, given the uncertainty of the genre's future, the company acquiesced, allowing A. B. to stay on as producer but cautioning that failure would result in his replacement by a company-approved candidate. [3] After Selena's self-titled album surpassed the performance of other female Tejano artists' releases, [4] [5] A. B. secured his position. [6]

Keyboardist, Ricky Vela, characterizes "Ya Ves" as an enthralling experience enriched by its captivating lyrics and melodious arrangement. He described the songwriting process between Pete Astudillo and A. B. as exciting, relishing the synergy between its lyrical composition and melodic allure. [6]

Reception

"Ya Ves" was released as the lead single in September 1990 and debuted on indie Tejano singles chart at number seven. [7] The song reached number one and remained atop for four consecutive weeks. [lower-alpha 1] In a survey conducted by Norteña Musical in December 1992, "Ya Ves" was the second most-played song on radio stations in Monterrey, Mexico, behind La Mafia's "Dile" (1990). [12] Selena's performance of "Ya Ves" on the Johnny Canales Show was later included in the host's DVD compilation of "favorite songs", [13] and her performance of the recording in April 1991 at Market Square was later included in Selena Live - A Night to Remember (2009). [14] The singer performed the track at the 1992 Tejano Music Awards, while Adalberto and Gary Hobbs performed the outro of "Ya Ves" along with Selena at the event. [15] Selena performed "Ya Ves" during her Houston Astrodome concert on February 26, 1995, cited as her final concert before she was shot and killed in March. [16] In March 2005, "Ya Ves" ranked as the tenth most-requested Selena song on KSAB. [17] Following the unveiling of the United States Postal Service's commemorative Forever Stamps featuring Selena, "Ya Ves" debuted and peaked at number 20 on the US Billboard Regional Mexican Digital Song Sales chart in April 2011. [18]

Joey Guerra of the Houston Chronicle hailed "Ya Ves" as one of Selena's alluring rhythmic ballads for the dance floor. [19] After a string of musicians covered songs by Selena at their RodeoHouston concerts, Guerra proposed that Luke Combs, slated for an upcoming performance at the venue, could interpret "Ya Ves" utilizing his "radio-ready twang". [20] AllMusic handpicked "Ya Ves" as an exemplary track from the Ven Conmigo album. [21] La Prensa 's Liliana Torres del Castillo, lauded Selena's vocals on "Ya Ves" as being unparalleled and delightful while also praising the sensually romantic melody. [22] Writing for La Prensa, Armando Barraza attributed the rise in Selena's popularity in the United States and her breakthrough in Monterrey to the impact of "Ya Ves", alongside "Baila Esta Cumbia" and "No Quiero Saber". [23] Gilberto Coronel of El Debate , recognized the singles off of Ven Conmigo as being transformative in propelling Selena's burgeoning music career to new heights. [24] This was echoed in El Heraldo de México , noting that the singles from Ven Conmigo significantly augmented Selena's success across Mexico and Latin America. [25]

In 2005, Bobby Pulido received an invitation from the singer's father, Abraham Quintanilla, to perform "Ya Ves" at the all-star televised benefit concert Selena ¡Vive! . The concert took place in Houston in April to commemorate the tenth anniversary of Selena's death. Pulido recorded the song at Q-Productions, accompanied by Los Dinos, with a distinct tonal approach. Pulido eschewed any rehearsals, opting instead to acquire a copy of "Ya Ves" from Abraham, enabling him to intimately acquaint himself with the song. [26] Pulido performed "Ya Ves" at the 7-Eleven Fest in Mexico City in July 2022. [27]

Chart performance

Weekly chart performance for "Ya Ves"
Chart (2011)Peak
position
US Regional Mexican Digital Song Sales ( Billboard ) [18] 20

Notes

  1. Week of October 25, [8] November 1, [9] November 8, [10] November 15. [11]

Related Research Articles

<span class="mw-page-title-main">Selena</span> American Tejano singer (1971–1995)

Selena Quintanilla-Pérez, known mononymously as Selena, was an American Tejano singer. Referred to as the "Queen of Tejano Music", her contributions to music and fashion made her one of the most celebrated Mexican-American entertainers of the late 20th century. In 2020, Billboard magazine put her in third place on their list of "Greatest Latino Artists of All Time", based on both Latin albums and Latin songs chart. Media outlets called her the "Tejano Madonna" for her clothing choices. She also ranks among the most influential Latin artists of all time and is credited for catapulting the Tejano genre into the mainstream market.

<i>Ven Conmigo</i> (album) 1990 studio album by Selena

Ven Conmigo is the second studio album by American singer Selena, released on November 12, 1990, by EMI Latin. The singer's brother, A.B. Quintanilla III remained her principal record producer and songwriter after her debut album's moderate success. Selena's Los Dinos band composed and arranged seven of the album's ten tracks; local songwriter Johnny Herrera also provided songs for Selena to record. Ven Conmigo contains half cumbias and half rancheras, though the album includes other genres. Its musical compositions are varied and demonstrate an evolving maturity in Selena's basic Tejano sound. The album's structure and track organization were unconventional compared with other Tejano music albums. The songs on Ven Conmigo are mostly love songs or songs following a woman's struggles after many failed relationships.

<i>Entre a Mi Mundo</i> 1992 studio album by Selena

Entre a Mi Mundo is the third studio album by American singer Selena, released on May 6, 1992, by EMI Latin. The label endeavored to bolster Selena's popularity within the Latin music market in the United States with this release. A. B. Quintanilla sustained his role as the singer's producer and, in collaboration with Selena y Los Dinos members Pete Astudillo and Ricky Vela, composed tracks for the album. The ensuing recording encompassed an eclectic array of songs, attributable to the members' diverse backgrounds, which facilitated the modernization of the sundry genres they explored. Entre a Mi Mundo is a Tejano cumbia album that encapsulated Selena's quintessential sound, characterized by engaging tunes harmonized with her distinctive, plaintive vocals and a relaxed, danceable cumbia beat. The album incorporates musical inspirations from power pop, R&B, disco, rock, funk, and synthesized Tejano music.

<i>Selena</i> (album) 1989 studio album by Selena

Selena is the debut studio album by American Tejano singer Selena, released on October 17, 1989, by EMI Latin. Its music incorporates a range of contemporary genres with a mix of cumbia and regional styles of Mexican music. The album was released following company president Jose Behar's failed crossover request for the singer. The project was denied by the heads of EMI Records' pop division, believing the singer should first strengthen her fanbase. Selena's brother and principal record producer and songwriter, A.B. Quintanilla III fought to remain the singer's producer. The band introduced Pete Astudillo and Joe Ojeda, who contributed to the album's experimental production and songwriting. Aside from A.B., Selena worked with two Mexican songwriters, Alejandro Montealegre and Reinaldo Ornelas.

<i>Mis Mejores Canciones – 17 Super Éxitos</i> 1993 greatest hits album by Selena

Mis Mejores Canciones – 17 Super Éxitos is a greatest hits album by American singer Selena released on September 17, 1993, through EMI Latin. Beginning in January 1993, the label released a comprehensive collection that spotlighted its Latin music artists as part of its Latin Classics series. Mis Mejores Canciones - 17 Super Exitos encompasses 17 tracks, ranging from songs recorded on her debut album with EMI Latin, to songs present in Entre a Mi Mundo (1992). The album received a positive response from music critics who enjoyed the label's catalog releases and praised the tracks on the album for showcasing Selena's early popular recordings. Following the shooting death of Selena on March 31, 1995, Mis Mejores Canciones - 17 Super Exitos debuted at number one on the US Billboard Top Catalog Albums chart, the first Spanish-language recording to do so. The Recording Industry Association of America (RIAA) certified the album diamond (Latin), denoting 600,000 units shipped in the United States.

<i>Anthology</i> (Selena album) 1998 box set by Selena

Anthology is the first box set by American singer Selena. It was released posthumously on April 7, 1998, through EMI Latin to commemorate the singer's works. The collection comprises 30 tracks, dispersed across three genre-themed discs: "Pop / English" showcases uptempo pop compositions, "Mariachi" highlights Mexican ballads featuring poignant narratives of heartache, and "Cumbia" presents danceable tropical rhythms. The album encompasses recordings from a 14-year-old Selena on her Alpha (1986) album to the posthumous "Disco Medley" (1997). With a limited number of unaltered tracks, Anthology predominantly features reworked and remastered musical arrangements, while preserving the singer's original vocals. Selena's death in March 1995 prompted an influx of requests from her admirers. The singer's father and manager, Abraham Quintanilla, expressed a desire to maintain his daughter's legacy through her music. However, Selena's family has faced criticism from both fans and the media, who accuse them of capitalizing on her death and commodifying her repertoire.

<i>All My Hits: Todos Mis Éxitos</i> 1999 greatest hits album by Selena

All My Hits: Todos Mis Éxitos is a greatest hits album by American singer Selena. It was released posthumously on March 9, 1999, through EMI Latin to commemorate its ten-year anniversary since entering the music industry. The album coincided with the fourth anniversary of Selena's death, though then-president Jose Behar rebuffed the idea that the album was an exploitive ploy by the company. Following Selena's death on March 31, 1995, Abraham Quintanilla expressed his interest in persevering his daughter's memory through her works. Selena's family has been criticized by fans and the media for exploiting the singer and cannibalizing her murder by commercializing her repertoire. According to the singer's brother, A.B. Quintanilla, one of Selena's wishes was for her to "never go away", citing a conversation he shared with Selena and their sister Suzette Quintanilla, that if anything were to happen to any one of them, their wish would be to continue on with their music.

<i>All My Hits: Todos Mis Éxitos Vol. 2</i> 2000 greatest hits album by Selena

All My Hits: Todos Mis Éxitos Vol. 2 is a greatest hits album by American singer Selena that was released on February 29, 2000, through EMI Latin. After Selena's murder in 1995, her father Abraham Quintanilla stated his commitment to preserving her music and EMI Latin pledged ongoing support for her releases. In 1999, the label's president José Behar acknowledged Selena, who remained the label's top-selling artist, for her contributions to establishing EMI Latin as "the house that Selena built". In March 1999, to commemorate the label's tenth anniversary, it released All My Hits: Todos Mis Éxitos; it achieved commercial success and a sequel was announced. All My Hits: Todos Mis Éxitos Vol. 2 contains 16 songs ranging from tracks featured on Selena's Muñequito de Trapo (1987) to the posthumous 1997 club remix of "Enamorada de Ti" (1990).

Selena ¡Vive! was a benefit concert which was held on the tenth anniversary of the death of Tejano superstar Selena Quintanilla-Pérez. The concert was held on April 7, 2005 at the Reliant Stadium in Houston, Texas with over 70,000 attendees. The special was produced and filmed by the Spanish language network, Univision, and was the most-watched special in the Spanish language in the history of American television.

<span class="mw-page-title-main">Enamorada de Ti (song)</span> 1990 song recorded by Selena

"Enamorada de Ti" is a song recorded by American Tejano recording artist Selena for her second studio album, Ven Conmigo (1990). The song was written by Selena y Los Dinos band member Pete Astudillo and her brother, A.B. Quintanilla III, and produced by Quintanilla, It is a Spanish-language adaptation of "Is It the Beat?", an English song originally written by Quintanilla III and Pamela Phillips Oland. The English version was recorded by Selena in 1989 for a potential English-language crossover album.

<i>Las Reinas del Pueblo</i> 1995 compilation album by Selena / Graciela Beltrán

Las Reinas del Pueblo is a compilation album by American Tejano music singer Selena and Mexican banda singer Graciela Beltrán. Posthumously released on April 4, 1995, by EMI Latin in the wake of Selena's death on March 31, 1995, the decision to produce a compilation album featuring Beltrán emerged after her tribute to the singer at a Houston memorial. The title was inspired by Mexican newspapers that referred to Selena as "an artist of the people" during a 1992 press tour in the nation and subsequently dubbed her "La Reina del Pueblo" in the aftermath of her death. Las Reinas del Pueblo encompasses six tracks by Selena and six by Beltrán, encapsulating their respective tenures with EMI Latin. Las Reinas del Pueblo peaked at number four on the US Billboard Top Latin Albums and Regional Mexican Albums chart, both behind other Selena releases. The recording peaked at number 147 on the American Billboard 200 chart. The album peaked at number ten on the Spanish albums chart in 2010. Beltrán's participation in the album yielded substantial promotional and sales enhancements.

<span class="mw-page-title-main">Ámame (song)</span> 1993 single by Selena

"Ámame" is a song by American singer Selena, taken from her third studio album, Entre a Mi Mundo (1992). Selena and Chris Pérez began secretly dating subsequent to Pérez's reintegration into Selena y Los Dinos in the summer of 1991, despite her father's objections. The song was written by Selena and conveys her sentiments towards Pérez as they concealed their liaison from familial scrutiny. Pete Astudillo contributed to the lyrical development of the composition, while A. B. Quintanilla handled production. It was released as the fourth and final single from the album in April 1993.

<span class="mw-page-title-main">¿Qué Creías?</span> 1992 single by Selena

"¿Qué Creías?" is a song by American singer Selena, taken from her third studio album, Entre a Mi Mundo (1992). It was written by Pete Astudillo and A. B. Quintanilla; the composition was a result of a challenge issued by A. B. to Astudillo to create a song before they arrived in Las Vegas from California. Astudillo drew inspiration from the works of Mexican singer Juan Gabriel, culminating in a mariachi ballad. Selena, in describing the song, avers that it embodies women on a collective scale. It is the singer's torch song and the lyrics elucidate Selena's inflexible stance on refusing to absolve an unfaithful partner. She directly addresses her former lover who had taken her for granted, informing him of her capability to exist without him. Critics acclaimed Selena's emotional vocal range and her poetic expression with a distinctly feminine cadence.

<span class="mw-page-title-main">Como la Flor</span> 1992 single by Selena

"Como la Flor" is a song recorded by American singer Selena. Written by A. B. Quintanilla and Pete Astudillo, it was released as the second single from her third studio album Entre a Mi Mundo (1992). The song was written by Quintanilla, who was inspired by a family selling illuminated plastic flowers at a concert in Sacramento, California, in 1982. A decade later, Quintanilla. was seized with an infectious melody and abruptly dashed out of the shower in a hotel room in Bryan, Texas, to recreate it on a keyboard with Astudillo. He completed the music in just 20 minutes, while Astudillo took another hour to complete the lyrics. "Como la Flor" is an up-tempo, Tejano cumbia torch song that blends tropical cumbia rhythms with hints of reggae and pop music. Its lyrics describe the feelings of a female protagonist addressing her former lover, who abandoned her for another partner. The narrator is uncertain of her ability to love again, while at the same time, wishing her former partner and his new lover the best.

<span class="mw-page-title-main">La Carcacha</span> 1992 single by Selena

"La Carcacha" is a song recorded by American singer Selena for her third studio album, Entre a Mi Mundo (1992). The song was written by A.B. Quintanilla and Pete Astudillo. It was inspired by a dilapidated car and an experience in which A.B. observed a woman's willingness to court the owner of a luxury car. The song, characterized by its rhythmic melodies and satirical portrayal of life in the barrio, highlights the importance of love and genuine connection over material wealth. It is a Tejano cumbia song that is emblematic of Selena's typical style, while music critics found it to be musically similar to "Baila Esta Cumbia".

<span class="mw-page-title-main">Baila Esta Cumbia</span> 1990 single by Selena

"Baila Esta Cumbia" is a song recorded by American Tejano singer Selena for her second studio album, Ven Conmigo (1990). It was released as the second single by EMI Latin on August 28, 1990, behind "Ya Ves". It was composed by her brother–producer A.B. Quintanilla, and Selena y Los Dinos backup dancer, Pete Astudillo. The recording is an up-tempo Mexican cumbia song. It was well received by music critics who enjoyed its cumbia-feel and rhythm.

"Besitos" is a song recorded by American singer Selena on her eponymous debut album with EMI Latin. It was composed by A. B. Quintanilla and Pete Astudillo. Upon signing a recording contract with EMI Latin, A. B. was cautioned that failure to produce a successful album would result in his replacement by a company-approved candidate. The group Los Bad Boyz, composed of Astudillo and keyboardist Joe Ojeda, initially opened for Selena y Los Dinos before integrating themselves into the band's lineup. Astudillo's songwriting debut came in the form of "Besitos", a composition in which the lyrics convey a longing for her lover's kisses and a desire to be his source of happiness.

<i>16 Super Exitos Originales</i> 1990 greatest hits album by Selena

16 Super Exitos Originales is a greatest hits album by American singer Selena released on March 3, 1990, through EMI Latin. The label aimed to release a compilation containing recordings by Selena y Los Dinos prior to their contractual agreement in 1989, to illustrate the band's musical progressions up to that point. 16 Super Exitos Originales encompasses 16 tracks re-recorded under new arrangements, ranging from compositions recorded through Freddie Records in 1983 to the group's Dulce Amor (1988) album. The album received critical acclaim from music critics, who found it to have contained recordings that solidified Selena's status in the Tejano music market and introduced her to a broader audience. The album peaked at number 22 on the US Billboard Regional Mexican Albums chart. EMI Latin posthumously re-issued 16 Super Exitos Originales under the title Mis Primeros Exitos on August 13, 2002.

References

Works cited