Abraham Quintanilla

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Abraham Quintanilla
Abraham Quintanilla.png
Quintanilla in 2020
Background information
Birth nameAbraham Isaac Quintanilla Jr.
Born (1939-02-20) February 20, 1939 (age 85)
Corpus Christi, Texas, U.S.
Genres Polka, doo-wop, Tejano
Occupation(s)
  • Singer
  • songwriter
  • producer
Years active1957–present
Labels Falcon, J.W. Fox, Bernal, Epitome
Formerly of Selena y Los Dinos
Spouse(s)
Marcella Ofelia Samora
(m. 1963)
Website www.q-productions.com

Abraham Isaac Quintanilla Jr. (born February 20, 1939) [1] is an American singer, songwriter, and producer. He is the father of Tejano singer Selena and was her manager throughout her life.

Contents

Quintanilla was born to a Mexican-American family in Corpus Christi, Texas. He began his music career as a member of the singing group the "Dinos" in 1956. He left the group in the late 1960s and initially retired from music to raise a family. After discovering Selena's singing talent, he created the band Selena y Los Dinos composed of Selena and her two older siblings to develop her talent. Under his management, the group became a major success in Tejano music by the late 1980s, allowing Selena to begin a solo career and become one of the most celebrated Latin music artists of all time. Following Selena's murder in 1995, Quintanilla became an executive producer of a biographical film about her life, in which he was portrayed by actor Edward James Olmos.

Early life

Quintanilla was born on February 20, 1939, in Corpus Christi, Texas, the middle child of six siblings, to Abraham Gonzalez Quintanilla Sr. and Maria Tereza Calderon.[ citation needed ] Quintanilla's parents worked along the Rio Grande in Texas, gleaning vegetables, cotton and fruits. [1] When he was fourteen, his parents left the Catholic Church and converted to Jehovah's Witnesses. [2] Quintanilla's father later worked as an autobody repairman. [3]

Quintanilla attended Roy Miller High School and soon joined with two of his friends to form a high school choir called the Gumdrops. [2] Abraham dropped out of Roy Miller High School when he was a senior to pursue his career. [4] Maria strongly disapproved of her son's desire to become a professional singer. [3]

Career

Early years

In 1956, Quintanilla encountered his alumni classmates performing at a high school dance. [4] He immediately recognized their voices and was hooked. While learning that one of their lead vocalists was quitting the band: Abraham immediately approached the "Dinos" and asked if he could be part of their singing group. [4] The group decided to give Abraham a chance by inviting him to practice with them. Quintanilla's request was granted when the Dinos crowned him as the "third voice". During the beginning stages of the group, the Dinos were paid thirty US dollars in booked venues. Los Dinos cited their musical inspirations as having originated from the musical ensembles The Four Aces and Mills Brothers. [4] In 1959, Los Dinos released their first single "So Hard to Tell" on the J.W. Fox label that was owned by Johnny Herrera. The single became a classic hit on KEYS and helped the band to obtain bookings at sock hops in Corpus, Kingsville and Woodsboro, Texas.

The Dinos' second single "Give Me One Chance", which was composed by Teddy Randazzo who had written songs for Little Anthony and the Imperials, sold 150,000 copies a . The single began getting extensive airplay throughout south Texas and on KILT-FM. [5] Los Dinos' popularity prospered after the record sales of "Give Me One Chance". The band recorded ten English-language revolutions per minutes and covered songs of The Beatles, Ray Stevens, Johnny Tillotson, Tommy Roe, Sam & Dave and the Five Americans.

The band's next singles "Twistin' Irene", "Ride Your Pony", and "Lover's Holiday" sold poorly. In October 1961, Quintanilla joined the United States Air Force. After boot camp, he was stationed at McChord Air Force Base in Tacoma, Washington. While there, he met the half-Mexican American and half-Cherokee Native American Marcella Samora. Samora's father originated from Amarillo, while her mother was from Colorado. [6] Quintanilla and Samora married on June 8, 1963.

After Quintanilla's discharge from active duty in November 1963, his wife gave birth to their first child, Abraham "A.B." Quintanilla III on December 13 of the same year. Within a month after their son's birth, the family moved out of Washington to Corpus Christi, Texas. Following the return to his hometown, Quintanilla re-joined Los Dinos and began singing American pop and rock and roll music. While performing to a crowd of concertgoers of Mexican descent, Los Dinos were chided to play Spanish-language Mexican music. When they continued playing their planned pop and rock music lineup, they were heckled and called "queers" by their fellow Mexican-Americans. The people at the club were refunded their money after the band confessed to not knowing any Mexican music. This angered people who wanted to dance and they chased the band out of the building. Local Corpus Christi police had to be called in to escort the band out. [7] The band changed their musical genre to Chicano rock due to costs in creating English-language popular music and the popularity of the band. Los Dinos recorded their first record Con Esta Copa (With This Cup) in 1964 on Arnoldo Ramirez label Falcon Records. The single "Con esta copa" became an instant hit in Texas and had heavy airplay at the time of its release on Epitome. The single was also played in neighboring states. [8]

The band released three more records with Falcon until they moved on to Bernal Records. On June 29, 1967, Marcella gave birth to their second child and first daughter, Suzette Michelle Quintanilla. By 1969, Los Dinos' popularity had faded and their record sales began to decline. Quintanilla later quit the band while the rest of the group went on without him. [9]

Los Dinos continued to record music and by 1974, the band had recorded twenty 45s and six LP records. The band members then officially ended their careers. [9]

With Selena y Los Dinos

Quintanilla moved to Lake Jackson, Texas, in the early 1970s and began working full-time to support his wife and children. He worked for Dow Chemical, putting his passion for music aside. They were settling into life in Lake Jackson when Marcella was told by doctors that she had a tumor that needed to be removed immediately. Marcella and Quintanilla decided to get a second opinion before they agreed to surgery. The second doctor informed them that there was no tumor; Marcella was pregnant. They were told this baby was a boy and began planning for a son. They picked the name Marc Antony (Quintanilla), but Marcella instead delivered a daughter on April 16, 1971, at Freeport Community Hospital. A woman who shared Marcella's semi-private hospital room suggested the name "Selena". [10]

Quintanilla was teaching his oldest child, A.B., to play a guitar when Selena entered and began singing along with her father. Quintanilla noticed Selena's fine voice, and, believing she was truly gifted, wasted no time working to develop her vocal talent. [11] Quintanilla formed a new group and based its name on his childhood band, Selena y Los Dinos (Selena And The Guys). Quintanilla, with the help of his former recording studio manager and friend, began recording songs with Selena and building a foundation for a music career for his children. [12] [13]

In 1979, Quintanilla opened up a Mexican restaurant called PapaGayo's (Parrots) and built a stage platform so his children could perform for the restaurant's patrons as they enjoyed their meal. The restaurant suffered from the recession of 1981 and was forced to close. This economy had severe impact on the Quintanillas and other South Texas families. Abraham took his musical aspirations and relocated to Corpus Christi after his family was forced to sell their home to avoid bankruptcy. Selena y Los Dinos and their father performed at street corners, parties, weddings, and any other social function that provided income for the family.[ citation needed ]

In 1984, Selena y Los Dinos were signed to Freddie Records. They recorded and released their début album entitled Selena Y Los Dinos. Selena was criticized by Freddie Martinez (CEO of Freddie Records) for being a young female in a male-dominated genre. Quintanilla transferred his children to Cara Records and released their second album, The New Girl in Town. This album led to Selena y Los Dinos' appearance as musical guests on the Johnny Canales Show. [14] [15]

By 1989 Selena had released eight long plays on Manny Guerra's independent labels, GP Productions and Record Producer Productions. These albums launched Selena's domination of the Tejano Music Awards, beginning in 1986. [16] Selena's performance at the TMAs caught the eye of Jose Behar, the former head of Sony Music Latin. Behar signed Selena with Capitol/EMI. [17] He later said that he signed Selena because he thought he had discovered the next Gloria Estefan.

Selena won the 1993 Grammy Award for "Best Mexican-American Album" for Selena Live! . [18]

Selena's 1994 album Amor Prohibido became the biggest-selling Latin album of all time. Amor Prohibido was certified 20× Platinum (Latin type) by the RIAA for selling over two million copies, and eventually sold over five million worldwide. [19] Selena's sales and fan base increased and paved the way to achieve her dream of recording an English crossover album in prospective. [13] [20]

Death of Selena

On March 31, 1995, Quintanilla's youngest child, Selena, was murdered by the president of the Selena Fan Club, manager of Selena's boutiques, Selena Etc. and friend, Yolanda Saldívar. [17]

After Selena's death, Quintanilla has been involved in every development of albums, documentaries, and other productions that involves or talks about Selena. [21] Soon after Selena's death, Abraham Quintanilla and his family started The Selena Foundation, [22] a charitable organization which assists children in crisis. [23] Abraham Quintanilla has appeared in numerous television specials about Selena. [24] Quintanilla continues to produce new acts in the music and film industries with his record company, Q-Productions. [24]

In the 1997 biopic-film, Selena , Quintanilla was portrayed by Edward James Olmos while Quintanilla himself served as co-producer. In the 2020 Netflix miniseries Selena: The Series , he was portrayed by Ricardo Chavira. [25] [26] In 2021, Quintanilla released his memoir A Father's Dream: My Family's Journey in Music .

Discography

Studio albums
Album information [27]
Los Dinos (The Guys)
    • Released: 1963
Con Esta Copa (With This Cup)
    • Released: 1964
The Dinos (Falcon release)
    • Released: 1965
2000
    • Released: 1962
Unknown fifth release (Bernal release)
    • Released: 1967
Unknown sixth release (Bernal release)
    • Released: 1974

Filmography

Film
Year [28] FilmRoleNotes
1997 Selena Executive producer
1997 Selena Remembered Producer
2003 Greatest Hits DVD Producer
Television
YearTitleRoleNotes
1995–present Tejano Music Awards Himself, receiving awards for SelenaTV appearances
1998 American Justice: Selena – Murder of a StarHimself
1998 Behind the Music: SelenaHimself
1999Corpus: A Home Video for SelenaHimself
2004Noche de estrellas: Premio lo Nuestro 2004Himself, receiving awards for Selena
2005Don Francisco presentaHimself
2005Selena: Noche de estrellasHimself
2005 Selena ¡VIVE! Himself
2005Selena ¡vive!, acceso totalHimself
2007Selena: Queen of TejanoHimself
2007Making of Selena: 10 Years LaterHimself

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<span class="mw-page-title-main">Selena y Los Dinos</span> American Tejano band

Selena y Los Dinos was an American Tejano band formed in 1981 by Tejano singer Selena and her father Abraham Quintanilla. The band remained together until the murder of Selena in 1995, which caused the dissolution of the band in the same year. When Selena was signed with EMI Latin, EMI president José Behar told Selena that "the world wanted Selena, not Selena y Los Dinos." Selena then began releasing her solo studio albums under her name and her own logo title Selena instead of Selena y Los Dinos. Before Selena was signed with EMI, the band had sold more than 80,000 copies in the state of Texas.

<i>Amor Prohibido</i> 1994 studio album by Selena

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<i>Ven Conmigo</i> (album) 1990 studio album by Selena

Ven Conmigo is the second studio album by American singer Selena, released on November 12, 1990, by EMI Latin. The singer's brother, A.B. Quintanilla III remained her principal record producer and songwriter after her debut album's moderate success. Selena's Los Dinos band composed and arranged seven of the album's ten tracks; local songwriter Johnny Herrera also provided songs for Selena to record. Ven Conmigo contains half cumbias and half rancheras, though the album includes other genres. Its musical compositions are varied and demonstrate an evolving maturity in Selena's basic Tejano sound. The album's structure and track organization were unconventional compared with other Tejano music albums. The songs on Ven Conmigo are mostly love songs or songs following a woman's struggles after many failed relationships.

<i>Entre a Mi Mundo</i> 1992 studio album by Selena

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<i>Selena</i> (album) 1989 studio album by Selena

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<i>Selena Live!</i> 1993 live album by Selena

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"Como la Flor" is a song recorded by American singer Selena. Written by A. B. Quintanilla and Pete Astudillo, it was released as the second single from her third studio album Entre a Mi Mundo (1992). The song was written by Quintanilla, who was inspired by a family selling illuminated plastic flowers at a concert in Sacramento, California, in 1982. A decade later, Quintanilla was seized with an infectious melody and abruptly dashed out of the shower in a hotel room in Bryan, Texas, to recreate it on a keyboard with Astudillo. He completed the music in just 20 minutes, while Astudillo took another hour to complete the lyrics. "Como la Flor" is an up-tempo, Tejano cumbia torch song that blends tropical cumbia rhythms with hints of reggae and pop music. Its lyrics describe the feelings of a female protagonist addressing her former lover, who abandoned her for another partner. The narrator is uncertain of her ability to love again, while at the same time, wishing her former partner and his new lover the best.

<span class="mw-page-title-main">La Carcacha</span> 1992 single by Selena

"La Carcacha" is a song recorded by American singer Selena for her third studio album, Entre a Mi Mundo (1992). The song was written by A.B. Quintanilla and Pete Astudillo. It was inspired by a dilapidated car and an experience in which A.B. observed a woman's willingness to court the owner of a luxury car. The song, characterized by its rhythmic melodies and satirical portrayal of life in the barrio, highlights the importance of love and genuine connection over material wealth. It is a Tejano cumbia song that is emblematic of Selena's typical style, while music critics found it to be musically similar to "Baila Esta Cumbia".

<span class="mw-page-title-main">Murder of Selena</span> 1995 murder in Corpus Christi, Texas, US

On the morning of March 31, 1995, American singer Selena Quintanilla-Pérez was shot and fatally wounded at the Days Inn in Corpus Christi, Texas. Although the healthcare team tried to revive Selena, she died of hypovolemic shock at Corpus Christi Memorial Hospital at age 23. The killer, Yolanda Saldívar, was the president of Selena's fan club who was exposed as having embezzled thousands of dollars from Selena's earnings.

<i>Muñequito de Trapo</i> 1986 studio album by Selena y Los Dinos

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<i>Selena y Los Dinos</i> (album) 1984 studio album by Selena y Los Dinos

Selena y Los Dinos is the debut independent studio album by American Tejano music group Selena y Los Dinos. It was released on July 16, 1984 under Freddie Martinez’s Freddie Records. The album was originally released in cassette format and in limited quantities. The album was not sold in stores and Freddie records did little to promote it. In 1995, the album was re-issued under the title Mis Primeras Grabaciones and again in 2005, during the 10th anniversary of Selena's passing, with remastered audio tracks.

References

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  19. RIAA Gold & Platinum Searchable Database – Amor Prohibido Archived September 24, 2015, at the Wayback Machine . RIAA.com.
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  21. Richmond page 201
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Works cited