"Fotos y Recuerdos" | ||||
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Single by Selena | ||||
from the album Amor Prohibido | ||||
B-side | "El Chico del Apartamento 512" | |||
Released | January 1995 | |||
Genre | Rock en Español, house | |||
Length | 2:45 | |||
Label | EMI Latin | |||
Songwriter(s) | Chrissie Hynde, Ricky Vela | |||
Producer(s) | A.B. Quintanilla, Bebu Silvetti | |||
Selena singles chronology | ||||
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Audio | ||||
"Fotos y Recuerdos" on YouTube |
"Fotos y Recuerdos" (English: Pictures and Memories) is a song recorded by American recording artist Selena for her fourth studio album, Amor Prohibido (1994). It was released by EMI Latin in January 1995, as the fourth single. A cover version of the Pretenders' 1983 single "Back on the Chain Gang", "Fotos y Recuerdos" was written by Chrissie Hynde with Spanish-language lyrics by Ricky Vela. Lyrically, the song describes a lonely female protagonist who "kisses the photo of her [lover] each night before falling asleep."
"Fotos y Recuerdos" is a Rock en Español song with influences of dance pop and house music. The song garnered acclaim from music critics, who called it an improvement over the Pretenders' original version. The song peaked at number one on the United States Billboard Hot Latin Songs chart for seven consecutive weeks, her fourth successive number one song. "Fotos y Recuerdos" also peaked at number one on the Regional Mexican Airplay chart, her second consecutive number one. "Fotos y Recuerdos" became Selena's first posthumous number one song, following the shooting death of the singer in March 1995. The recording became the second-most successful Latin single of 1995 and ranks as the twentieth best Hot Latin Songs chart single of all-time. Many musicians have since recorded the song and released it on their respective albums including Dominican salsa singer José Alberto "El Canario" and Mexican pop singer Paulina Rubio.
While flying back from New York, A.B. Quintanilla—the brother-producer of Selena—heard the Pretenders' 1983 single "Back on the Chain Gang" on the radio. [1] At the time, A.B. was having a nervous breakdown after realizing he was running out of material to record for Selena's fourth studio album, Amor Prohibido (1994). [1] He likened the idea of reworking "Back on the Chain Gang" into a Spanish-language cumbia song. [1] Keyboardist of the group, Ricky Vela wrote the Spanish lyrics into a cumbia-style that A.B. envisioned for the recording. [1] The Amor Prohibido album was pressed for a release date of March 13, 1994, and was halted for distribution due to the copyrighting issues with "Fotos y Recuerdos". [1] Vela retold in a 2002 interview how he was awaken by Selena and A.B. because they did not have the clearance for "Fotos y Recuerdos". [1] Singer-songwriter Chrissie Hynde's music producers reported the song to Hynde who did not allow Selena to continue with "Fotos y Recuerdos" until she received an English-language writing of the song. [1] It was only after Vela re-wrote the song into English that Hynde gave Selena the clearance for the recording. [1] Musicologist James Perone, noticed how the song was the shortest track off of Amor Prohibido. [2] He further wrote how Vela "stripped some of the edge off of Hynde's text but retained the basic premise of ["Back on the Chain Gang"]" [2] Perone found A.B.'s arrangement to be "an example of [his] universal Latin approach". [2]
"Fotos y Recuerdos" is a mid-tempo cumbia and rock song with influences of dance pop and house music. [3] [4] [5] [6] Cary Darling of The Buffalo News noticed the mixture of house and ranchera music in "Fotos y Recuerdos". [7] Author and contributor to The New York Times , Joe Nick Patoski found the song to use the same melody of the Pretenders' new wave sound. [8] Author Lori Beth Rodriguez, also found similarities between the Pretenders' mainstream sound and "Fotos y Recuerdos" but noticed how the song enchoed a cumbia undertone with "lyrics [that] are similar in theme, yet different from those in the original English version." [9] The song features a synth-driven violin, ostinatish-percussion, and a steel drum under a cumbia beat. [9] [10] [2] Perone found the song to have "small hints" of music found in Jamaica, Cuba, and Trinidad and Tobago. [2] BuzzFeed contributor Brian Galindo, called the song "upbeat and dancy". [11] Written in the key of D minor, the beat is set in common time and moves at a moderate 90 beats per minute. [12] Rebecca Thatcher of the Austin American-Statesman , found the lyrical content of "Fotos y Recuerdos" to be a "lilting ode to a lost love". [13] Lyrically, the song describes a lonely female protagonist who "kisses the photo of her [lover] each night before falling asleep." [14]
"Fotos y Recuerdos" garnered acclaim from music critics, some of whom called it an improvement over the Pretenders' original version, [13] [15] [16] [17] and called it one of Selena's most well-known recordings. [17] [18] According to author Pat Bar-Harrison, it was one of Selena's most successful United States singles. [19] Writing for the San Antonio Express-News , Ramiro Burr called "Fotos y Recuerdos" an "interesting cover". [20] The York Dispatch believed the song "outshines" all other tracks on the Amor Prohibido album. [21] Author Ed Morales believed the song "has a lot of personality". [22] Don McLeese of the Austin American-Statesman wrote how the song became a popular radio song in South Texas and believed it to be one of her signature songs. [23] Musicologist Frank Hoffman, called it a "hard-edge rock" song. [3] The Monitor editor Jon LaFollette, wrote differently; calling the song a "simultaneous effort to celebrate multiculturalism" in a way to "grow her bank account". [24] Nonetheless, he listed the song as part of his "key tracks" for the Amor Prohibido album. [24] Zach Quintance, also from The Monitor, wrote how readers of the newspaper chose Selena's 1994 single "No Me Queda Más" and "Fotos y Recuerdos"; citing that "fans loved the feeling and musicianship in those two songs." [25] Federico Martinez of La Prensa, called the song an "enduring hit". [26] Since its release, the song has been included on many music critics "best of Selena songs" list including the BuzzFeed (at number six), [11] and Latina (at number eleven). [27] In 2016, Rob Sheffield of Rolling Stone magazine included the song at number 47 in the list for the "50 Best Songs of the Nineties". [28]
"Fotos y Recuerdos" was released in the week of January 28, 1995, [29] serving as the fourth single released from Amor Prohibido. The track debuted on the U.S. Hot Latin Songs chart at number 29 on February 4, 1995. [29] In its second week, the song jumped to number 12, receiving airpower honors. [30] As a result, it subsequently debuted on the U.S. Regional Mexican Airplay chart at number ten. [30] "Fotos y Recuerdos" rose to number two on the Hot Latin Songs and Regional Mexican Airplay charts, trailing Grupo Bronco's "Que No Me Olvide" by 557 Nielsen points on February 18, 1995. [31] In the following week, "Fotos y Recuerdos" remained at number two on the Hot Latin Songs chart, while the single fell to number four on the Regional Mexican Airplay chart. [32] In its fifth week, the song reclaimed the second position on the Regional Mexican Airplay chart, while remaining at number two for a third consecutive week on the Hot Latin Songs chart. [33] Staying at number two for its fourth consecutive week on the Hot Latin Songs chart, "Fotos y Recuerdos" fell to number three on the Regional Mexican Airplay chart. [34] The song fell to number three on the Hot Latin Songs chart, while it remained at number three on the Regional Mexican Airplay chart on March 18, 1995. [35]
Selena was shot and killed by Yolanda Saldívar, her friend and former manager of the singer's Selena Etc. clothing boutiques, on March 31, 1995. [36] At the time of her death, "Fotos y Recuerdos" was positioned at number four on the Hot Latin Songs chart. [37] In the week following the singer's death, "Fotos y Recuerdos" peaked at number one on the Hot Latin Songs (her fourth consecutive) and Regional Mexican Airplay chart, her second consecutive. [38] According to disc jockeys, "Fotos y Recuerdos" was the most requested song in South Texas throughout April of that year. [39] In its second week atop the Hot Latin Songs and Regional Mexican Airplay charts, "Fotos y Recuerdos" debuted at number twelve on the U.S. Latin Pop Airplay chart. [40] After two consecutive weeks at number one, "Fotos y Recuerdos" was dethroned on the Regional Mexican Airplay chart by La Mafia's "Toma Mi Amor". [41] After spending seven consecutive weeks atop the Hot Latin Songs chart, "Fotos y Recuerdos" was displaced by Mexican group Los Bukis' single "Te Amo Mamá". [42] "Fotos y Recuerdos" ended 1995 as the second most successful Latin single. [43] Billboard magazine began monitoring digital downloads of Latin songs beginning with the week ending January 23, 2010. [44] "Fotos y Recuerdos" made its debut on the Latin Pop Digital Songs chart following the twentieth anniversary of the singer's death; positioned at number 19. [45] Over at the Regional Mexican Digital Songs chart, the song debuted and peaked at number 14. [46]
Dominican salsa singer José Alberto "El Canario" covered the song for the tribute album Familia RMM Recordando a Selena (1996). [47] Mexican mariachi group Banda El Grullo recorded the track for their album 30 Números 1 en Banda. [48] His version peaked at #15 on the Tropical Songs chart. [49] Mexican group Liberación recorded the song for the tribute album Mexico Recuerda a Selena (2005). [50] Mexican singer Gerardo Williams covered the song for his album Nuevas Voces de América. [51] Mexican pop singer Paulina Rubio performed and recorded "Fotos y Recuerdos" for the live televised tribute concert Selena ¡VIVE! in April 2005. [52] [53] Michael Clark of the Houston Chronicle wrote that Rubio used her "sex appeal" while performing the song. [54] Ramiro Burr of the San Antonio Express-News called Rubio's version a "techno/hip-hop number". [55] Rubio performed "Fotos y Recuerdos" once more during her tour in Texas that same year. [56] [57]
Credits adapted from Amor Prohibido liner notes. [1]
Weekly charts
Year-end charts
| All-time charts
|
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [63] | Platinum (Latin) | 60,000‡ |
‡ Sales+streaming figures based on certification alone. |
Selena Quintanilla Pérez was an American singer. Referred to as the "Queen of Tejano Music", her contributions to music and fashion made her one of the most celebrated Mexican-American entertainers of the late 20th century. In 2020, Billboard magazine put her in third place on their list of "Greatest Latino Artists of All Time", based on both Latin albums and Latin songs chart. Media outlets called her the "Tejano Madonna" for her clothing choices. She also ranks among the most influential Latin artists of all time and is credited for catapulting the Tejano genre into the mainstream market.
Amor Prohibido is the fourth studio album by American singer Selena, released on March 22, 1994, by EMI Latin. Having reached a core fan base, the label aimed to broaden her appeal with the next studio release. Finding it challenging to write a follow-up hit after "Como la Flor" (1992), Selena's brother A. B. Quintanilla enlisted the assistance from band members Ricky Vela and Pete Astudillo with writing the album's songs. The resulting album has a more mature sound featuring experimental production that blends diverse musical styles from ranchera to hip-hop music. Amor Prohibido is a Tejano cumbia album modernized with a synthesizer-rich delivery using a minimalist style that was quintessential in early 1990s Tejano music.
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"No Me Queda Más" is a song by American singer Selena on her fourth studio album, Amor Prohibido. It was released as the third single from the album in October 1994 by EMI Latin. "No Me Queda Más" was written by Ricky Vela, and production was handled by Selena's brother A.B. Quintanilla. A downtempo mariachi and pop ballad, "No Me Queda Más" portrays the ranchera storyline of a woman in agony after the end of a relationship. Its lyrics express an unrequited love, the singer wishing the best for her former lover and his new partner.
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Pedro Astudillo, known as Pete Astudillo, is an American singer-songwriter, record producer, and dancer. Referred to as "the Latino Babyface" by The Daily Journal, he is regarded as the architect behind Selena's sound, as he collaborated or coauthored the singer's top-selling and most popular recordings that cemented him into music history. Astudillo wrote or collaborated on some of the most popular Tejano music songs of the 1990s and was inducted into the Tejano Roots Hall of Fame in 2019. His impact on the United States Latin music scene lies in his role as a songwriter collaborator, according to Billboard magazine.
"Techno Cumbia" is a song recorded by American singer Selena for her fourth studio album, Amor Prohibido (1994). It was posthumously released as the b-side track to "Dreaming of You" through EMI Latin on August 14, 1995. Techno Cumbia would be put on her fifth and final studio album Dreaming of You (1995) and would be the fourth single for Dreaming Of You. "Techno Cumbia" was written by Pete Astudillo and co-written and produced by Selena's brother-producer A.B. Quintanilla. The song is a dance-pop and tecnocumbia recording with influences of dancehall, rap, Latin dance, and club music. Lyrically, Selena calls on people to dance her new style the "techno cumbia" and calls out those who cannot dance.
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Las Reinas del Pueblo is a compilation album by American Tejano music singer Selena and Mexican banda singer Graciela Beltrán. It was released on April 4, 1995, by EMI Latin in the wake of Selena's death on March 31, 1995. The decision to produce a compilation album featuring Beltrán emerged after her tribute to the singer at a Houston memorial. The title was inspired by Mexican newspapers that referred to Selena as "an artist of the people" during a 1992 press tour in the nation and subsequently dubbed her "La Reina del Pueblo" in the aftermath of her death. Las Reinas del Pueblo encompasses six tracks by Selena and six by Beltrán, encapsulating their respective tenures with EMI Latin. Las Reinas del Pueblo peaked at number four on the US Billboard Top Latin Albums and Regional Mexican Albums chart, both behind other Selena releases. The recording peaked at number 147 on the American Billboard 200 chart. The album peaked at number ten on the Spanish albums chart in 2010. Beltrán's participation in the album yielded substantial promotional and sales enhancements.
"Si Una Vez" is a song recorded by American recording artist Selena for her fourth studio album, Amor Prohibido (1994). It was written by Pete Astudillo and produced by Selena's brother-producer A.B. Quintanilla. "Si Una Vez" is a mariachi fusion song and draws influence from cumbia and Latin dance music. Lyrically, Selena questions why she ever fell in love with an abusive partner, saying she will never repeat her mistakes. The lyrics suggest unrequited love and female empowerment.
"El Chico del Apartamento 512" is a song recorded by American recording artist Selena for her fourth studio album, Amor Prohibido (1994). It was released along with "Fotos y Recuerdos" in January 1995, serving as its B-side track. Written by Ricky Vela, "El Chico del Apartamento 512" is a cumbia song with influences of Colombian and South American music. Lyrically, the song describes a female protagonist who knocks on her love interest's apartment door and is heartbroken when his sister answers it. Justino Aguilar of Billboard magazine, called "El Chico del Apartamento 512" as one of Selena's "most memorable songs". The track posthumously peaked at number one on the U.S. Billboard Regional Mexican Digital Songs chart in 2011.
American singer Selena released twenty-four official singles, seven promotional singles. Her career began as the lead vocalist of Los Dinos in 1980. Her albums with Los Dinos on indie labels failed to achieve any chart success. In 1987, her remake of Ritchie Valens' "La Bamba" peaked at number 19 on the United States Billboard Hot Latin Songs chart, her first entry. She signed with EMI Latin nine years later as a solo artist though her band continued to tour with her. Selena appeared on "Buenos Amigos" with Salvadoran singer Álvaro Torres. The track peaked at number one on the U.S. Hot Latin Songs chart in 1991, the singer's first number one song. Subsequent singles, "Baila Esta Cumbia" and "Como la Flor", became popular songs on Mexican radio, with "Como la Flor" launching the singer's career in that country. "Como la Flor" peaked at number six on the Hot Latin Songs chart, despite popular culture claims that it was the singer's first number one single. The track has charted on the U.S. Regional Mexican Digital Songs list since its inception in 2010 and remains the singer's signature number and most popular recording.
Enamorada de Ti is the second remix album by American Tejano singer Selena. It was released posthumously on 3 April 2012 through Capitol Latin and Q-Productions. Enamorada de Ti was produced by Sergio Lopes, Leslie Ahrens, Andres Castro, Moggie Canazio, Cesar Lemons and Chilean record producer Humberto Gatica. Gatica had the idea of modernizing songs recorded by Selena into today's popular music genres. Selena's family had already been working on a similar idea, but they set it aside in favor of Enamorada de Ti, which had gained the approval of Capitol Latin. The selection of artists to sing duets with Selena began in late summer 2011. Gatica and Selena's family chose American singer and actress Selena Gomez, Puerto Rican singer Don Omar, Samuel "Samo" Parra from the Mexican rock band Camila, Mexican singer Cristian Castro, Spanish DJ mixer Juan Magan, and the Carlos Santana band, while the remaining songs selected were remixed.
Lo Mejor de...Selena is a double disc compilation album by American singer Selena. It was released posthumously in the United States on March 31, 2015, by Capitol Latin and Universal Music Latin Entertainment. The album was released after the commercial and chart success of Enamorada de Ti (2012), which featured several Latin music acts lending their voices for the remix album. The recording features six number one United States Billboard Hot Latin Songs chart singles by the singer—"Buenos Amigos", "Donde Quiera Que Estés", "Amor Prohibido", "Bidi Bidi Bom Bom", "No Me Queda Más", "Fotos y Recuerdos", and the US Billboard Latin Pop Airplay chart single "I Could Fall in Love".
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