You Give Love a Bad Name (album)

Last updated
You Give Love a Bad Name
GG Allin You Give Love A Bad Name.jpg
Studio album by
Released1987
RecordedMay 18, 1987 (original LP)
March 4 and July 7, 1991 (CD bonus tracks)
Genre
Length31:32(original LP)
60:22 (CD reissue)
Label Homestead Records (original LP)
Awareness Records (CD reissue)
Producer GG Allin & The Holy Men
GG Allin chronology
Hated in the Nation
(1987)
You Give Love a Bad Name
(1987)
Freaks, Faggots, Drunks and Junkies
(1988)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [1]

You Give Love a Bad Name is the fourth studio album released by American punk rock musician GG Allin, recorded with his backing band the Holy Men. Reissues credit the release mistakenly to GG Allin and the Criminal Quartet.

Contents

The album was the first to fully mark a distinct change in his vocal tone, which by this time began to take on a slurred and gravelly characteristic, and increasing usage of shock rock lyrical content.

History

After the release of the Hated in the Nation compilation cassette by ROIR, as well as a series of letters written by Allin to such magazines as Maximum RockNRoll and Flipside, and advertising campaigns in many music magazines and fanzines like Option, Flipside, RIP, Ben is Dead and many others by Black & Blue Records, Allin's stature in the punk rock underground had grown considerably. However, Allin's uncompromising, and increasingly transgressive performances, and his tendency towards extremely lowbrow lyrics, made him an unlikely prospect not only for major labels, but also for many of the independent labels like SST, Touch and Go, and Alternative Tentacles. Allin had parted with his previous label, Black and Blue Records once he signed with Homestead Records with Yarmouth's blessings.The goal was to get GG on a major label and both GG and Yarmouth felt Homestead was a good first step in getting there versus the small RI based label. Yarmouth is quoted "GG loved to trash any perceived or real authority including his record labels. I recall one show at The Populous Pudding in CT after the release of his second Homestead release where backstage GG pissed on my leg and yelled proudly that he now had pissed on both his labels. He said he pissed on Cosley's head. GG was that kind of guy. Back in the early days I spent a lot of money advertising GG in music publications. No label after Black & Blue had to sell an unknown artist."

Enter Gerard Cosloy, who had already played rhythm guitar with Allin on the "new" recordings on Hated in the Nation. Cosloy operated Homestead Records through a deal with record distributor Dutch East India, and had released records by Big Black, Sonic Youth and Dinosaur Jr before those bands left for greener pastures. With room on the roster and a desire to work with Allin again, Cosloy courted the shock-rocker. Allin agreed almost immediately. Homestead would be the biggest label Allin would deal with up until this time.

Music

On May 18, 1987, Allin entered a low-budget studio called The Music Box, located on Avenue B in New York City's East Village, accompanied by a four-piece band that included Cosloy on second guitar, along with three other area musicians: lead guitarist Greg Bullock, bassist Mike Kirkland, and drummer Mike "Machine Gun" Edison. Allin dubbed the session band The Holy Men.

Musically, Allin eschewed the hyper hardcore punk tempos of his second studio album Eat My Fuc in favor of the rough mid-tempo rock he began on his third full length, 1985's self-released cassette You'll Never Tame Me which is reminiscent of the New York Dolls and the Rolling Stones (the latter of which Allin was a major fan).

"Tough Fuckin' Shit" is an uncredited rewrite of Nancy Sinatra's "Sorry 'Bout That". And "I'm a Rapist" (sic)is musically the track "Blood for You" but with new lyrics (both originally appeared on 1986's self-released cassette EP The Sleaziest, Loosest Sluts by GG Allin & The Cedar Street Sluts.

"Beer Picnic" is a faithful, if slower, version of a song by obscure NYC punk band Bad Tuna Experience. (G.G. asked for—but did not receive—permission to record the song; he bought a cassette tape from Bad Tuna members after reading the lyrics, written by Bad Tuna's Carolyn and No Thanks' Donna Damage, in Maximum RockNRoll sometime in the mid-1980s.) The other cover version, "Garbage Dump", was written and originally recorded by Charles Manson on his infamous Lie album.

While most of the song titles are self-explanatory, "Suck Dog" is reportedly about writer and performance artist Lisa Crystal Carver.

Recording tales

During the sessions, recording engineer Jaques Kralian reportedly asked Allin (who co-engineered the recording) and Cosloy if they really were serious about releasing the sessions. His question was answered a few months later when Allin and Cosloy immortalized his inquiry - "You guys aren't planning on pressing this into a record, are you?" - on the back cover of the album.

All ten of the songs were rehearsed and recorded in one day-long session. Cosloy produced but did not take production credit, instead claiming on the liner notes that he "re-mixed, unmixed, and edited" the album as heard in its final form.

Bonus tracks

In 1992, while Allin was serving a prison sentence for parole violation in Jackson, Michigan, Awareness Records reissued You Give Love a Bad Name, adding the Watch Me Kill 7-inch EP recorded on July 7, 1991, in Lowell, Massachusetts, by Allin, with himself and then-collaborator Mark Sheehan (of the band Out Cold) playing all of the instruments, plus an interview conducted over the phone from prison on March 4, 1991, with journalist Jeff Koch.

Track listing

Original 1987 LP

All songs written by G.G. Allin except where noted.

Side one

  1. "Swank Fuckin'" (G.G. Allin, Mike Edison) - 2:53
  2. "Bloody Mary's Bloody Cunt" (G.G. Allin, Mike Edison) - 3:26
  3. "Tough Fuckin' Shit" - 2:08
  4. "I'm a Rapest" - 4:27
  5. "Suck Dog" (G.G. Allin, Greg Bullock) - 2:50

Side two

  1. "Teenage Twats" (G.G. Allin, Gerald Cosloy) - 3:29
  2. "Beer Picnic" (Bad Tuna Experience) - 4:22
  3. "Stink Finger Clit" (G.G. Allin, Gerald Cosloy) - 3:04
  4. "Scars on My Body - Scabs on My Dick" (G.G. Allin, Bloody F. Mess, Gerald Cosloy) - 2:30
  5. "Garbage Dump" (Charles Manson) - 2:23

CD reissue bonus tracks

  1. "Watch Me Kill the Boston Girl" - 1:00
  2. "Castration Crucifixion" - 2:06
  3. "Snakeman's Dance" - 3:04
  4. "Slaughterhouse Deathcamp" - 1:15
  5. "Feces and Blood" - 3:41
  6. "Master Daddy" - 1:45
  7. "Interview from Prison" - 15:58

Personnel

Related Research Articles

<span class="mw-page-title-main">Dinosaur Jr.</span> American rock band

Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts in 1984. Originally called Dinosaur, the band was forced to change their name due to legal issues.

<span class="mw-page-title-main">GG Allin</span> American punk rock musician (1956–1993)

Kevin Michael "GG" Allin was an American punk rock musician who performed and recorded with many groups during his career. He was known for his controversial live performances, which often featured transgressive acts, including self-mutilation, defecating on stage, and assaulting audience members, for which he was arrested and imprisoned on multiple occasions. AllMusic called him "the most spectacular degenerate in rock n' roll history", while G4TV's That's Tough labelled him the "toughest rock star in the world".

<span class="mw-page-title-main">Sebadoh</span> American indie rock band

Sebadoh is an American indie rock band formed in 1986 in Northampton, Massachusetts, by Eric Gaffney and Lou Barlow, with multi-instrumentalist Jason Loewenstein completing the line-up in 1989. Barlow co-created Sebadoh as an outlet for his songwriting when J. Mascis gradually took over creative control of Dinosaur Jr., in which Barlow plays bass guitar.

<span class="mw-page-title-main">Homestead Records</span> Record label

Homestead Records was a Long Island, New York-based sublabel of music distributor Dutch East India Trading that operated from 1983 to 1996. The label was known for not paying its artists and not spending any money on promotion.

<span class="mw-page-title-main">The Murder Junkies</span> American punk rock band

The Murder Junkies are an American punk rock band, best known for having been GG Allin's final backing band before his death. They perform songs from Allin's back catalog as well as their own original material. They are the third GG Allin backing band to bear the name.

<i>Bad Brains</i> (album) 1982 studio album by Bad Brains

Bad Brains is the debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on the cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging, much in the way that the Beatles' self-titled record is often called "The White Album". Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single.

Eat My Fuc is the second full-length studio album by controversial American punk rock musician GG Allin, released in 1984 on Blood Records. Side one were recorded and initially released in 1983 as a single. This album, played with the backing band The Scumfucs, marks the era where his singing voice had not yet began to deteriorate from a high-pitched sneer into a husky growl, yet his lyrics began to include extreme sociopathic themes and shock value.

<i>Hated in the Nation</i> (album) 1987 compilation album by GG Allin

Hated in the Nation is a compilation album by American punk rock musician GG Allin, released on cassette tape by ROIR. It consists mainly of then-out-of-print recordings by Allin with his early-era backing groups the Jabbers, the Scumfucs, and the Cedar St. Sluts. Hated in the Nation became Allin's first widespread international release. Since it is a compilation intended to both document Allin's early recording career up to that time and to attract new fans to his music, it is the only GG Allin title that has never gone out-of-print; according to his official website, it is also one of the most popular items in Allin's discography.

<i>Freaks, Faggots, Drunks & Junkies</i> 1988 studio album by GG Allin

Freaks, Faggots, Drunks & Junkies is the fifth studio album by American punk rock musician GG Allin. A collaboration with backing band Bulge, the LP was first released by Homestead Records in 1988.

<i>Carnival of Excess: Limited Edition</i> 2016 studio album by GG Allin

Carnival of Excess: Limited Edition is a limited edition reissue of the album Carnival of Excess, released by American punk rock musician GG Allin, and recorded with his backing band the Criminal Quartet. This release, which contains previously unreleased mixes of the songs from the original album, was issued in limited editions of 100 white vinyl albums and 1200 compact discs. Added to the original release is a mock-commercial for the album featuring Tiny Tim and excerpts from a phone conversation with Allin about the album. Unlike many other GG Allin recordings, this release featured songs in the vein of country music, many of them acoustic.

<i>Banned in Boston</i> (GG Allin album) 1989 compilation album by GG Allin

Banned in Boston is a compilation CD by American punk rock musician GG Allin, released by Black & Blue Records. Although it was compiled and sent to the manufacturing plant in the winter of 1988 and gives a copyright date of that year, it was released in 1989. It was also the first GG Allin title to be released on compact disc. The release on CD included additional material not on the vinyl version Black & Blue Records released.

Gerard Cosloy is an American music industry executive.

Antiseen is an American punk rock band formed in Charlotte, North Carolina, by Jeff Clayton and Joe Young in 1983. The name "Antiseen" serves as a deliberate deviation of the phrase "anti-scene" – the group not wishing to adhere to standard perceptions of punk rock in specific and rock music in general. Musically, Antiseen is influenced by groups such as the Ramones and Stooges, employing short, heavily distorted power chord-driven songs largely free of guitar solos or advanced musicianship. The band has a catalogue of over 100 LPs, EPs, CDs and DVDs recorded with various line-ups and have performed all over the world.

<i>Brutality and Bloodshed for All</i> 1993 studio album by GG Allin

Brutality and Bloodshed for All is the eighth and final studio album by American punk rock musician GG Allin, recorded with his backing band the Murder Junkies. Released after his death in 1993, the first recording on Alive Records. All songs were written while GG Allin was in Michigan State Prison. Copies of the album come with a photograph of GG Allin from his viewing, alongside a copy of his birth and death certificates.

Mike Edison is a New York-based writer, editor, musician, social critic, and spoken word artist. He was one of many publishers/editors of the marijuana counterculture magazine High Times, and was later named editor-in-chief of Screw, the self-proclaimed "World's Greatest Newspaper." In his memoir I Have Fun Everywhere I Go, Edison recounts his adventures across twenty years of druggy adventurism and his parallel careers as a magazine editor, writer, and musician. His other books include the sprawling history of American men's magazines, Dirty! Dirty! Dirty!: Of Playboys, Pigs, and Penthouse Paupers, An American Tale of Sex and Wonder; the political satire Bye, Bye Miss American Pie; several collaborations including Restaurant Man with Joe Bastianich and The Carnivore's Manifesto with Slow Food USA founder Patrick Martins; and most recently, Sympathy for the Drummer: Why Charlie Watts Matters, a history and appreciation of the Rolling Stones drummer Charlie Watts, and the history of blues and rock ’n ’roll drumming. Edison speaks frequently on free speech, and the American counterculture. Between 2011 and 2018, Edison was the host and producer of the weekly Heritage Radio Network series Arts & Seizures.

<i>Murder Junkies</i> 1991 studio album by GG Allin & Antiseen

Murder Junkies is the seventh studio album released by American punk rock musician GG Allin, recorded with Antiseen as his backing band. The album consists of spoken word by Allin, interspersed with musical tracks featuring Allin on vocals backed by Antiseen.

Clockcleaner was a punk band from Philadelphia, Pennsylvania,USA, named after a particular "hot bag" of heroin that was distributed in Philadelphia in the 1980s. The band consists of John Sharkey III on vocals/guitar, Karen Horner on 6-string bass guitar, and Richie Charles Jr on drums. The trio has drawn comparisons to The Birthday Party, Big Black, Bauhaus, Flipper and even harsh noise band Whitehouse. Their influences have been cited as including Crucifucks, Modern English, Cro-Mags, GG Allin, Neil Young and the first Skrewdriver LP.

Hogan's Heroes was an American hardcore punk band formed in New Jersey in 1984. During their time they recorded three full lengths for California label New Red Archives. The band broke up in 1993.

<i>Youll Never Tame Me</i> 1985 studio album by GG Allin & The Scumfucs

You'll Never Tame Me is the third full-length studio album released by American punk rock musician GG Allin, recorded with his backing band the Scumfucs. Like Eat My Fuc before it, the lyrics continued to contain shock value, although Allin's singing voice, for the most part, had yet to deteriorate to a husky growl.

<i>The Suicide Sessions</i> 1989 studio album by GG Allin

The Suicide Sessions is the sixth studio album released by American punk rock musician GG Allin, shortly before his arrest in September 1989.

References