Zonosemata electa | |
---|---|
Scientific classification | |
Domain: | Eukaryota |
Kingdom: | Animalia |
Phylum: | Arthropoda |
Class: | Insecta |
Order: | Diptera |
Family: | Tephritidae |
Genus: | Zonosemata |
Species: | Z. electa |
Binomial name | |
Zonosemata electa (Say, 1830) | |
Zonosemata electa (also known as pepper maggot) is a species of tephritid or fruit flies in the genus Zonosemata of the family Tephritidae. [1] [2] [3]
Piero Manzoni di Chiosca e Poggiolo, better known as Piero Manzoni was an Italian artist best known for his ironic approach to avant-garde art. Often compared to the work of Yves Klein, his own work anticipated, and directly influenced, the work of a generation of younger Italian artists brought together by the critic Germano Celant in the first Arte Povera exhibition held in Genoa, 1967. Manzoni is most famous for a series of artworks that call into question the nature of the art object, directly prefiguring Conceptual Art. His work eschews normal artist's materials, instead using everything from rabbit fur to human excrement in order to "tap mythological sources and to realize authentic and universal values".
Irving McClure Johnson was an American sail training pioneer, adventurer, lecturer and writer.
The Pontifical Biblical Institute is a research and postgraduate teaching institution specialised in biblical and ancient Near Eastern studies. It is an institution of the Holy See entrusted to the Society of Jesus (Jesuits).
Princess Maria Gabriella of Savoy is the middle daughter of Italy's last king, Umberto II, and Marie José of Belgium, the "May Queen". She is a historical writer.
The Trypetinae are a subfamily of tephritid fruit flies.
Catocala electa, the rosy underwing, is a moth of the family Erebidae. The species was first described by Karl Friedrich Vieweg in 1790. It can be found in Europe and Asia.
The Domus Augustana is the modern name given to the central residential part of the vast Roman Palace of Domitian on the Palatine Hill. In antiquity the name may have applied to the whole of the palace.
Christ Carrying the Cross is an oil painting attributed to either Titian or Giorgione. It is dated to about 1505. The painting is housed in the Scuola Grande di San Rocco in Venice, Italy. There are several later versions of the subject by Titian.
Quatre motets pour un temps de pénitence, FP 97, are four sacred motets composed by Francis Poulenc in 1938–39. He wrote them on Latin texts for penitence, scored for four unaccompanied voices.
Christ Bearing the Cross is an oil-on-canvas painting by Lorenzo Lotto, painted in 1526 and now in the Louvre. It is signed and dated "Laur. Lotus / 1526" on the crossbeam of the cross at the lower right.
Pietà is an oil-on-canvas painting by the Italian High Renaissance artist Lorenzo Lotto, signed "Laurentio Lotto". It is mentioned in Lotto's account books as being commissioned in 1538 for the altar dedicated to the Pietà in the Dominican Church of San Paolo in Treviso. The account books also mention that the work was completed in 1545. That church was suppressed under the Napoleonic regime late in the 18th century and in 1811 the painting was bought for 12 ducats by the Pinacoteca di Brera in Milan, where it still hangs.
Portrait of an Old Man with Gloves is an oil-on-canvas painting by the Italian High Renaissance artist Lorenzo Lotto. It is assigned a date c.1543 on the basis of stylistic similarities with Portrait of Febo da Brescia, Portrait of a Thirty-Seven-Year-Old Gentleman and other works produced by the artist in the mid 1540s. Its final private owner was count Castellane Harrach of Turin, from whose collection it entered the Pinacoteca di Brera in Milan in 1859, where it still hangs.
Portrait of Febo da Brescia is an oil-on-canvas painting created in 1543–44 by the Italian High Renaissance artist Lorenzo Lotto. It is identified with the commission mentioned in the artist's account books in April 1543 from Febo Bettignoli da Brescia, a nobleman from Treviso, for paintings of himself and his wife, which were delivered in 1544. After Febo's death in 1547 both paintings passed to his wife's heirs and remained with them until her family died out in the 19th century. In 1859, via the painter Francesco Hayez, the Pinacoteca di Brera in Milan acquired the portraits.
Portrait of Laura da Pola is an oil-on-canvas painting created in 1543–44 by the Italian artist Lorenzo Lotto. Its subject was the wife of Febo Bettignoli da Brescia, a nobleman from Treviso, who commissioned this work and its pair from Lotto in April 1543, as recorded in the painter's account books. The paintings were delivered in 1544 and after Febo's death in 1547 remained with his wife's descendants until her family died out in the 19th century. Both works were acquired in 1859 by the Pinacoteca di Brera, where they still hang
Portrait of a Thirty-Seven-Year-Old Gentleman is an oil-on-canvas portrait by the Italian High Renaissance artist Lorenzo Lotto, now in the Galleria Doria Pamphilj in Rome. It was previously interpreted as a 1517 self-portrait of the artist, but its style does not match Lotto's style of the 1510s. It is now dated to c. 1543 on the basis of stylistic similarities with works produced by the artist in the mid-1540s, such as Portrait of Febo da Brescia and Portrait of an Old Man with Gloves.
Rizzoli Libri, formerly Rizzoli Libri S.p.A. and RCS Libri S.p.A. is an Italian book publisher and a division of Mondadori Libri, a wholly owned subsidiary of Arnoldo Mondadori Editore. RCS Libri was a former subsidiary of RCS MediaGroup, but in 2015, most of the book publishing division was sold to Arnoldo Mondadori Editore, with some imprints of RCS Libri, were either sold by RCS MediaGroup or Arnoldo Mondadori Editore to third parties, as part of an antitrust deal. RCS MediaGroup retained the brand Rizzoli for non-book publishing, while Arnoldo Mondadori Editore has the exclusive rights to use the brand Rizzoli in book publishing.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of Cardinal Alessandro Farnese is a c. 1545 – 46 oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520–1589) by Titian, now in the Museo nazionale di Capodimonte in Naples.
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