Catalan literature

Last updated

Catalan literature (or Valencian literature) is the name conventionally used to refer to literature written in the Catalan language. The focus of this article is not just the literature of Catalonia, but literature written in Catalan from anywhere, so that it includes writers from Andorra, the Valencian Community, Balearic Islands and other territories where any Catalan variant is spoken.

Contents

The Catalan literary tradition is extensive, starting in the early Middle Ages. A Romantic revivalist movement of the 19th century, Renaixença, classified Catalan literature in periods. The centuries long chapter known as Decadència that followed the golden age of Valencian literature, was perceived as extremely poor and lacking literary works of quality. Further attempts to explain why this happened (see History of Catalonia) have motivated new critical studies of the period, and nowadays a revalorisation of this early modern age is taking place. Catalan literature reemerged in the 19th and early 20th centuries, to experience troubled times from the start of the Spanish Civil War on. Many intellectuals were forced into exile and Catalan culture was repressed. However, this repression began to temper after the end of World War II. Catalan was repressed until Francisco Franco's death and the end of his dictatorship in 1975. Then, a development towards officiality and presence in schools and media started to this day.

Middle Ages

Origins

Catalan, a Romance language, evolved from Vulgar Latin in the Middle Ages, when it became a separate language from Latin. Literary use of the Catalan language is generally said to have started with the religious text known as Homilies d'Organyà, written either in late 11th or early 12th century, though the earlier Cançó de Santa Fe , from 105476, may be Catalan or Occitan. Another early Catalan poem is the mid-13th century Augats, seyós qui credets Déu lo Payre , a planctus Mariae (lament of Mary).

Ramon Llull (13th century), one of the major medieval Majorcan writers in the Catalan language is not only saluted for starting a Catalan literary tradition clearly separated from the Occitan-speaking world of the time, but also credited with enriching the language with his coining of a large number of words, and his philosophy. See Llibre de Meravelles  [ ca ] (including the famed Llibre de les bèsties  [ ca ]) and Blanquerna (including Llibre d'Amic e Amat) for more details on his works.

Les quatre grans cròniques

These four major literary works are chronicles written between the 13th and 14th centuries narrating the deeds of the monarchs and leading figures of the Crown of Aragon. They are the following:

Lyric poetry

The first widespread vernacular writing in any Romance language was the lyric poetry of the troubadours, who composed in Occitan. Since Occitan and Catalan are often indistinguishable before the 14th century, it is not surprising that many Catalans composed in the Occitan poetic koiné. The first Catalan troubadour (trobadors) may be Berenguier de Palazol, active around 1150, who wrote only cançons (love songs in the courtly tradition). Guerau III de Cabrera and Guillem de Berguedà, active in the generation after, were noted exponents of the ensenhamen and sirventes genres respectively. During this early period Occitan literature was patronised by the rulers of Catalonianot surprisingly considering their wide involvement in Occitanian politics and as Counts of Provence. Alfonso II patronised many composers, not just from Catalonia, and even wrote Occitan poetry himself. The tradition of royal troubadours continued with his descendants Peter III James II of Aragon, the anonymous known only as "Lo bord del rei d'Arago", and Frederick II of Sicily. The most prolific Catalan troubadour during the ascendancy of Occitan as language of literature, was Cerverí de Girona, who left behind more than one hundred works. He was the most prolific troubadour of any nationality.

In the early 13th century, Raimon Vidal, from Besalú, composed his poetic grammar, the Razos de trobar ("Purposes of Composition"). This was the earliest and perhaps most influential Occitan lyric treatise. The troubadour lyric followed the Catalans to Sicily later in the century, where Jaufre de Foixa composed a Regles de trobar ("Rules for Composing") modelled on Vidal's earlier work. A third Catalan treatise on the language of the troubadours and composing lyric poetry, the Mirall de trobar ("Mirror of Composition"), was written by a Majorcan, Berenguer d'Anoia.

The first golden age of this language was developed in the Kingdom of Valencia around the 15th century under the variant of "Valenciano" . The Catalan language consolidated and clearly differentiated, even in lyrical poetry, from Occitan language. The prose is widely cultivated, with influences from Italian humanism. Authors as the humanist Bernat Metge the preacher Vincent Ferrer, Francesc Eiximenis or Anselm Turmeda write works now considered as classical models of Catalan prose. The narrative and the fiction are shown in novels as Història de Jacob Xalabín  [ ca ], Paris e Viana  [ ca ] or the chivalric roman Curial i Güelfa . In the 15th century the main centre of literary production is Valencia: the lyric poetry has outstanding Petrarchian poets: Jordi de Sant Jordi or Ausiàs Marc, or the elaborate poetry and prose of Joan Roís de Corella. In fiction could be outlined Jaume Roig's Espill or Tirant lo Blanc .

Tirant lo Blanc

Written by the Valencian writer Joanot Martorell, this epic romance was among its time's most influential novels, and possibly the last major book in Catalan literature until the 19th century.

Modern era

La Decadència

The early modern period (late 15th-18th centuries), while extremely productive for Castilian writers of the Spanish Golden Age, was termed La Decadència by 19th century Catalan scholars and writers. This "decadent" period in Catalan literature came about because of a general decline in the use of the vernacular language and a lack of patronage among the nobility as Aragonese institutions declined. The Catalan-language decadence accompanied the rise of Catalan commercial influence in the Spanish Empire in which the use of Spanish language was essential after the dynastic union that resulted from the marriage of Ferdinand II of Aragon and Isabella I of Castile in 1474. Today, this is seen as a romantic view made popular by writers and thinkers of the 19th century national awakening movement known as Renaixença. The presumed period of decadence is being contested with the appearance of recent cultural and literary studies showing that there were indeed literary works of note in the period, from authors such as Cristòfor Despuig  [ ca ], Pere Serafí  [ ca ], Francesc Vicenç Garcia, Francesc Fontanella and Joan Ramis, among others. [1]

Renaixença

Angel Guimera Santa Cruz Statue des Angel Guimera vor dem Theater fcm.jpg
Àngel Guimerà

The first Romantics in Catalonia and the Balearic Islands chose Spanish as their language, and did not resort to using the Catalan language until a national awakening movement, kickstarted by Romantic nationalism, appeared. The foundation of the basis of the movement is most often credited to Bonaventura Carles Aribau with his Oda a la Pàtria . Renaixença or "rebirth". Literary Renaixença shares with European Romanticism most of its traits, but created a style of its own through its admiration of the Middle Ages and its will to embellish the language and the need to create a new common standard. Realism and naturalism deeply influenced later authors. Their most important adherents were indeed Jacint Verdaguer, who penned Catalonia's national epic, and Àngel Guimerà, whose plays were translated and performed around Europe.

Modernisme

Literary Catalan modernisme was the natural follow-up of Renaixença, still showing Romantic traits and influences while focusing on dark themes, such as violence or the dark side of life and nature. As for poetry, it closely followed the style of Parnassians and Symbolists. The movement was subdivided into authors in whose work prevailed darker decadentism themes, classed under the name Bohèmia Negra, and those whose career embraced Aestheticism, known as participants of Bohèmia Daurada or Bohèmia Rosa. Santiago Rusiñol, Joan Maragall and Joan Puig i Ferreter were some of its most influential adherents. Furthermore, it is necessary to allude to the seminal work of Miquel Costa i Llobera and Joan Alcover, poets who developed their work parallel to the heyday of Art Nouveau, whilst raising a conception of literature certainly antagonistic relative to them, and more comparable to classical poetry.

Noucentisme

The cultural and political movement known as Noucentisme appeared in the early 20th century, a time of great economic growth in Catalonia, as a mostly conservative reaction against Modernisme and the Avantgarde, both in art and thought. Its Classicism was framed as a "return to beauty." The love of elaborated form, along with its much sought perfection of language, was accused by modernistes of being excessively affected and artificial. Poetry was its preferred genre, as evidenced by Josep Carner or Carles Riba's masterpieces.

Francoist Spain, exile and political transition

After what seemed to be a period of hope and rapid growth, the Spanish Civil War and the establishment of Francoist Spain (starting in 1939) forced many Catalan leftist intellectuals into exile, as many of them faced political persecution.

During the initial years of Francoist Spain the use of Catalan in the media became frowned upon. Publishing in Catalan never ceased completely, though, even though only a few notable authors like Salvador Espriu did publish in this language in the first years of Francoist Spain. Those initial political restrictions on publishing in Catalan relaxed over time. By the 1950s publishing in Catalan was no longer extraordinary; by the 1960s it had become possible without restrictions [2] other than the ideological ones which applied to all of Spain.

Some literary awards in Catalan had been established as early as 1947 (Premi Joanot Martorell). Also by the end of the 1940s well known authors such as Josep Maria de Sagarra were publishing again in Catalan (among others, El prestigi dels morts, 1946, L'Hereu i la forastera, 1949). Many other literary awards followed, like the Premi Carles de la Riba (1950), the Victor Català (1953) or the Lletra d'Or (1956). Since 1951, the most remarkable literary contest in Catalonia at the time (the Premio Ciudad de Barcelona) accepted originals in Catalan. [3]

In 1962, Mercè Rodoreda published The Time of the Doves , possibly the book which paved the way of modern Catalan literature, since it could enjoy wider recognition due to the new media and the spreading of literacy in this language. In 1963, Spain won an international song contest with a piece sung in Catalan. [4]

Later on that decade Josep Pla published what has been considered the masterpiece of the contemporary literature in Catalan, the seminal El Quadern Gris (1966). The Catalan cultural association Òmnium Cultural, which had been established in 1961, could begin its work in favour of Catalan literature by 1967 onwards. Salvador Espriu, who had published most of his works in Catalan, was a candidate for the Nobel Prize in Literature in 1971.

After the transition to democracy (1975–1978) and the restoration of the Catalan regional government Generalitat (1980), literary life and the editorial market have returned to normality and literary production in Catalan is being bolstered with a number of language policies intended to protect Catalan culture. Besides the aforementioned authors, other relevant 20th-century writers of the Francoist and democracy periods include Joan Brossa, Agustí Bartra, Manuel de Pedrolo, Pere Calders or Quim Monzó, Jesús Moncada or, in 21st century, Jaume Cabré or Albert Sánchez Piñol. The number of twenty-first century women writers increases like Dolors Miquel, Núria Perpinyà or Irene Solà.

Lists of Catalan-language writers and poets

Notes

  1. "S'ha acabat parlar de Decadència". Ara.cat (in Catalan). 2017-06-03. Retrieved 2020-11-13.
  2. Branchadell, Albert (23 February 2012). "La il·lusió catalana". El País.
  3. Branchadell, Albert (23 February 2012). "La il·lusió catalana". El País.
  4. Gámez, Carles (3 November 2013). "La canción que le metió un gol al franquismo". El País.

Related Research Articles

<span class="mw-page-title-main">Catalan language</span> Western Romance language

Catalan, known in the Valencian Community and Carche as Valencian, is a Western Romance language. It is the official language of Andorra, and an official language of two autonomous communities in eastern Spain: Catalonia and the Balearic Islands. It is also an official language in Valencia, where it is called Valencian. It has semi-official status in the Italian comune of Alghero, and it is spoken in the Pyrénées-Orientales department of France and in two further areas in eastern Spain: the eastern strip of Aragon and the Carche area in the Region of Murcia. The Catalan-speaking territories are often called the Països Catalans or "Catalan Countries".

<span class="mw-page-title-main">Occitan language</span> Romance language of Western Europe

Occitan, also known as lenga d'òc by its native speakers, sometimes also referred to as Provençal, is a Romance language spoken in Southern France, Monaco, Italy's Occitan Valleys, as well as Spain's Val d'Aran in Catalonia; collectively, these regions are sometimes referred to as Occitania. It is also spoken in Calabria in a linguistic enclave of Cosenza area. Some include Catalan in Occitan, as the distance between this language and some Occitan dialects is similar to the distance between different Occitan dialects. Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative.

<span class="mw-page-title-main">Troubadour</span> Composer and performer of lyric poetry during the High Middle Ages

A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz.

<span class="mw-page-title-main">Catalan Countries</span> Regions where Catalan is the native language

The Catalan Countries are those territories where the Catalan language is spoken. They include the Spanish regions of Catalonia, the Balearic Islands, Valencian Community, and parts of Aragon and Murcia (Carche), as well as the Principality of Andorra, the department of Pyrénées-Orientales in France, and the city of Alghero in Sardinia (Italy). It is often used as a sociololinguistic term to describe the cultural-linguistic area where Catalan is spoken. In the context of Catalan nationalism, the term is sometimes used in a more restricted way to refer to just Catalonia, Valencia and the Balearic Islands. The Catalan Countries do not correspond to any present or past political or administrative unit, though most of the area belonged to the Crown of Aragon in the Middle Ages. Parts of Valencia (Spanish) and Catalonia (Occitan) are not Catalan-speaking.

<span class="mw-page-title-main">Joan Fuster</span> Spanish writer

Joan Fuster i Ortells was an influential Spanish writer. He is considered a major writer in the Valencian language, and his work contributed to reinvigorate left-wing, pro-Catalan nationalism in Valencia during the Spanish transition to democracy. In his influential political essay Nosaltres, els valencians (1962) he coined the term Països Catalans to refer to the Catalan-speaking territories.

<span class="mw-page-title-main">Josep Carner</span> Spanish poet, journalist, playwright and translator

Josep Carner i Puigoriol, was a Spanish poet, journalist, playwright and translator. He was also known as the Prince of Catalan Poets. He was nominated for the Nobel Prize in Literature seven times.

<span class="mw-page-title-main">Renaixença</span> 19th-century Catalan revivalist movement

The Renaixença, or Catalan Renaissance, was a romantic revivalist movement in Catalan language and culture through the mid 19th century, akin to the Galician Rexurdimento or the Occitan Félibrige movements. The movement began in the 1830s and lasted until the 1880s, when it branched out into other cultural movements. Even though it primarily followed a romantic impulse, it incorporated stylistic and philosophical elements of other 19th century movements such as Naturalism or Symbolism. The name does not indicate a particular style, but rather the cultural circumstances in which it bloomed.

<span class="mw-page-title-main">Anti-Catalanism</span> Feeling or expression of hate towards Catalan people

Anti-Catalanism is the collective name given to various historical trends in France, Italy, and Spain that have been hostile to Catalan culture and traditions.

The early modern period in Catalan literature and historiography, while extremely productive for Castilian writers of the Siglo de Oro, has been termed La Decadència, an era of decadence in Catalan literature and history, generally thought to be caused by a general falling into disuse of the vernacular language in cultural contexts and lack of patronage among the nobility, even in lands of the Crown of Aragon. This decadence is thought to accompany the general Castilianization of Spain and overall neglect of the Crown of Aragon's institutions after the dynastic union of the crowns of Castile and Aragon that resulted from the marriage of Ferdinand II of Aragon and Isabella I of Castile, a union finalized in 1474.

<span class="mw-page-title-main">Consistori del Gay Saber</span> Poetic academy

The Consistori del Gay Saber was a poetic academy founded at Toulouse in 1323 to revive and perpetuate the lyric poetry of the troubadours.

The Consistoride Barcelona was a literary academy founded in Barcelona by John the Hunter, King of Aragon and Count of Barcelona, in 1393 in imitation of the Consistori del Gay Saber founded in Toulouse in 1323. The poetry produced by and for the Consistori was heavily influenced by the troubadours. The Consistori's chief purpose was to promote "correct" styles and themes and discourage vices (vicis) by awarding prizes in competition to poets who adhered to the "rules" of poetic composition. The names of few poets laureate have come down to us and despite some excellent descriptions of the Consistori's activities, associated persons and poems are obscure.

<span class="mw-page-title-main">Names of the Catalan language</span>

The first names, or glossonyms, of the Catalan/Valencian language formed in a dialectal relation with Latin, in which Catalan existed as a variety. These names already expressed the relationship between the two languages. New names that related Catalan to Rome came about to dignify the Catalan language in the thirteenth century, though Latinists called it vulgar and the people planus, or pla.

Floral Games were any of a series of historically related poetry contests with floral prizes. In Occitan, their original language, and Catalan they are known as Jocs florals. In French they became the Jeux floraux, and in Basque Lore jokoak. The original contests may have been inspired by the Roman Floralia held in honour of Flora.

<span class="mw-page-title-main">Joan Margarit</span> Catalan architect and poet (1938–2021)

Joan Margarit i Consarnau was a Catalan poet, architect and professor. Most of his work is written in the Catalan language. He won the 2019 Miguel de Cervantes Prize.

The first complete Catalan Bible translation was produced by the Catholic Church, between 1287 and 1290. It was entrusted to Jaume de Montjuich by Alfonso II of Aragon. Remains of this version can be found in Paris.

<span class="mw-page-title-main">History of Catalan</span>

The Catalan language originated from Vulgar Latin in the Pyrenees Mountains between France and Spain. It diverged from the other Romance languages in the 9th century. At that time, Catalan spread quickly throughout the Iberian peninsula when the Catalan counts conquered Muslim territory. By the 11th century, the Catalan language was present in several feudal documents. Catalan was present throughout the Mediterranean by the 15th century. At that time, the city of Valencia was thriving.

<span class="mw-page-title-main">David Castillo i Buïls</span> Spanish poet, writer, and literary critic

David Castillo i Buïls is a Spanish poet, writer, and literary critic. He started out as a poet with counterculture and underground publications in the 1970s, although his first published work, a declaration of principles, was the biography of Bob Dylan in 1992. Three years earlier, he had been the anthologist of Ser del segle, which brought together leading voices of the generation of the 1980s. They were followed by a series of poems among them "Game over", which won the Carles Riba Poetry Award. Then he began a career as a writer with novels like El cel de l'infern and No miris enrere, that were well accepted both by critics and the general public. El cel de l'infern was awarded the Crexells Prize for the best Catalan novel of the year in 1999. No miris enrere won the Premi Sant Jordi de novel·la of 2001. Castillo has received Atlàntida awards for journalism three times, and he has also been awarded the Italian "Tratti Poetry Prize for the best foreign poet" for his anthology of poetry translated into Italian. He has been organizing various poetic cycles. He is a founder of Poetry Week in Barcelona, and has been a director of it since 1997.

Valencian regionalism is a cultural and political movement that advocates the revival of the identity of the region now within the Valencian Community in eastern Spain. Politically, the regionalists support the administrative decentralisation of the Spanish state and, for some, the recognition of Valencian foral law and increased autonomy for the Valencian Community. The movement emerged during the early years of the Bourbon restoration in the last third of the 19th century. It took political shape during the early 20th century, and persisted in a controlled and attenuated form through the Francoist State. After the restoration of democracy, the regionalist tendency was challenged by a Valencian nationalism with some left-wing and pan-Catalanist associations. Regionalism took on a right-wing and anti-Catalanist outlook which became known as Blaverism, and was represented politically by the Valencian Union until the absorption of that party into the People's Party in 2011.

Josep Palomero i Almela is a Valencian linguist and vice-president of the Valencian Language Academy.

<span class="mw-page-title-main">Joan Triadú</span> Catalan literary critic, academic and writer (1921–2010)

Joan Triadu i Font was a Catalan literary critic, academic and writer. A cultural and resistant anti-Francoist activist, he was involved in many important Catalan cultural projects in the twentieth century, including the magazines Serra d'Or and Ariel, the newspaper Avui and the association Òmnium Cultural. He was a pioneer in the teaching of Catalan language courses after the Spanish Civil War. As an educationalist, he was the general director of the Cultural Institute of the Centre of Catholic Influence, an institution that created the Thau Barcelona School in 1963 and the Thau Sant Cugat School in 1996. Joan Triadú Year, which marked the centenary of his birth, was celebrated in 2021.

References

General

E-books