Solvent cabinet

Last updated

In a chemistry laboratory a solvent cabinet is a chemical storage cabinet or cupboard which is properly labeled and equipped, for the storage of solvents (especially those that are combustible). A solvent cabinet should be positioned separately from acid cabinet or base cabinet (used for storing acids and caustic bases respectively, as solvents are not compatible with these substances. (Some carts for transporting containers of chemicals come equipped with a built in solvent cabinet).

A solvent cabinet must incorporate a number of safety features. It should be adequately ventilated, preventing the release of excessive fumes (being either sealed or vented). It should be equipped to contain fires and isolate the contents from sources of ignition, be grounded (to prevent sparks and static discharge).

Related Research Articles

<span class="mw-page-title-main">Solvent</span> Substance dissolving a solute resulting in a solution

A solvent is a substance that dissolves a solute, resulting in a solution. A solvent is usually a liquid but can also be a solid, a gas, or a supercritical fluid. Water is a solvent for polar molecules, and the most common solvent used by living things; all the ions and proteins in a cell are dissolved in water within the cell.

<span class="mw-page-title-main">Sodium hydroxide</span> Chemical compound with formula NaOH

Sodium hydroxide, also known as lye and caustic soda, is an inorganic compound with the formula NaOH. It is a white solid ionic compound consisting of sodium cations Na+ and hydroxide anions OH.

<span class="mw-page-title-main">Petrochemical</span> Chemical product derived from petroleum

Petrochemicals are the chemical products obtained from petroleum by refining. Some chemical compounds made from petroleum are also obtained from other fossil fuels, such as coal or natural gas, or renewable sources such as maize, palm fruit or sugar cane.

<span class="mw-page-title-main">Tetrahydrofuran</span> Cyclic chemical compound, (CH₂)₄O

Tetrahydrofuran (THF), or oxolane, is an organic compound with the formula (CH2)4O. The compound is classified as heterocyclic compound, specifically a cyclic ether. It is a colorless, water-miscible organic liquid with low viscosity. It is mainly used as a precursor to polymers. Being polar and having a wide liquid range, THF is a versatile solvent.

A substance is anhydrous if it contains no water. Many processes in chemistry can be impeded by the presence of water; therefore, it is important that water-free reagents and techniques are used. In practice, however, it is very difficult to achieve perfect dryness; anhydrous compounds gradually absorb water from the atmosphere so they must be stored carefully.

<span class="mw-page-title-main">Flux (metallurgy)</span> Chemical used in metallurgy for cleaning or purifying molten metal

In metallurgy, a flux is a chemical cleaning agent, flowing agent, or purifying agent. Fluxes may have more than one function at a time. They are used in both extractive metallurgy and metal joining.

Green chemistry, similar to sustainable chemistry or circular chemistry, is an area of chemistry and chemical engineering focused on the design of products and processes that minimize or eliminate the use and generation of hazardous substances. While environmental chemistry focuses on the effects of polluting chemicals on nature, green chemistry focuses on the environmental impact of chemistry, including lowering consumption of nonrenewable resources and technological approaches for preventing pollution.

<span class="mw-page-title-main">Thermal Oxide Reprocessing Plant</span> Waived nuclear fuel reprocessing plant in England, UK

The Thermal Oxide Reprocessing Plant, or THORP, is a nuclear fuel reprocessing plant at Sellafield in Cumbria, England. THORP is owned by the Nuclear Decommissioning Authority and operated by Sellafield Ltd.

<span class="mw-page-title-main">Conservation and restoration of textiles</span> Processes by which textiles are cared for and maintained to be preserved from future damage

The conservation and restoration of textiles refers to the processes by which textiles are cared for and maintained to be preserved from future damage. The field falls under the category of art conservation, heritage conservation as well as library preservation, depending on the type of collection. The concept of textile preservation applies to a wide range of artifacts, including tapestries, carpets, quilts, clothing, flags and curtains, as well as objects which "contain" textiles, such as upholstered furniture, dolls, and accessories such as fans, parasols, gloves and hats or bonnets. Many of these artifacts require specialized care, often by a professional conservator.

Post-combustion capture refers to the removal of carbon dioxide (CO2) from a power station flue gas prior to its compression, transportation and storage in suitable geological formations, as part of carbon capture and storage. A number of different techniques are applicable, almost all of which are adaptations of acid gas removal processes used in the chemical and petrochemical industries. Many of these techniques existed before World War II and, consequently, post-combustion capture is the most developed of the various carbon-capture methodologies.

<span class="mw-page-title-main">Byne's disease</span> Mollusk disease

Byne's disease, more accurately known as Bynesian decay, is a peculiar and permanently damaging condition resulting from an ongoing chemical reaction which often attacks mollusk shells and other calcareous specimens that are in storage or on display for long periods of time. It is a form of efflorescence of salts formed by the reaction of acidic vapors with the basic calcareous surface. The efflorescence can sometimes superficially resemble a growth of mold. Although first described in the early 19th century, Bynesian decay was not well understood until almost a hundred years later. The condition is named after the man who is best known for describing it in the late 19th century, even though he was not the first person to describe it in print. In addition, Byne mistakenly assumed that the condition was caused by bacteria, and thus the condition came to be referred to as a "disease".

<span class="mw-page-title-main">Conservation and restoration of ceramic objects</span> Preservation of heritage collections

Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer, especially when dealing with an object of cultural heritage. Ceramics are created from a production of coatings of inorganic, nonmetallic materials using heating and cooling to create a glaze. These coatings are often permanent and sustainable for utilitarian and decorative purposes. The cleaning, handling, storage, and in general treatment of ceramics is consistent with that of glass because they are made of similar oxygen-rich components, such as silicates. In conservation ceramics are broken down into three groups: unfired clay, earthenware or terracotta, and stoneware and porcelain.

<span class="mw-page-title-main">Chemical storage</span>

Chemical storage is the storage of controlled substances or hazardous materials in chemical stores, chemical storage cabinets, or similar devices.

<span class="mw-page-title-main">Cultural property storage</span>

The cultural property storage typically falls to the responsibility of cultural heritage institutions, or individuals. The proper storage of these objects can help to ensure a longer lifespan for the object with minimal damage or degradation. With so many different types of artifacts, materials, and combinations of materials, keepers of these artifacts often have considerable knowledge of the best practices in storing these objects to preserve their original state.

<span class="mw-page-title-main">Conservation and restoration of bone, horn, and antler objects</span> Preservation of heritage collections

Conservation-restoration of bone, horn, and antler objects involves the processes by which the deterioration of objects either containing or made from bone, horn, and antler is contained and prevented. Their use has been documented throughout history in many societal groups as these materials are durable, plentiful, versatile, and naturally occurring/replenishing.

<span class="mw-page-title-main">Conservation and restoration of taxidermy</span>

The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam. Due to their composite nature, taxidermy specimens require special care and conservation treatments for the different materials.

<span class="mw-page-title-main">Conservation and restoration of photographic plates</span>

The conservation and restoration of photographic plates is caring for and maintaining photographic plates to preserve their materials and content. It covers the necessary measures that can be taken by conservators, curators, collection managers, and other professionals to conserve the material unique to photographic plate processes. This practice includes understanding the composition and agents of deterioration of photographic plates, as well as the preventive conservation and interventive conservation measures that can be taken to increase their longevity.

<span class="mw-page-title-main">Safety cabinet</span> Cabinet used to store flammable chemical substance or compressed gas cylinders

A safety cabinet is used for the safe storage of flammable chemical substance or compressed gas cylinders.

<span class="mw-page-title-main">Agents of deterioration</span> Major causes of damage to cultural heritage

The 'ten agents of deterioration' are a conceptual framework developed by the Canadian Conservation Institute (CCI) used to categorise the major causes of change, loss or damage to cultural heritage objects. Also referred to as the 'agents of change', the framework was first developed in the late 1980s and early 1990s. The defined agents reflect and systematise the main chemical and physical deterioration pathways to which most physical material is subject. They are a major influence on the applied practice of conservation, restoration, and collection management, finding particular use in risk management for cultural heritage collections.

Cultural heritage collections contain many materials known to be hazardous to the environment and to human health. Some hazardous substances may be an integral part of the object, applied as a treatment after the object was made or the result of material degradation. The toxicity of such objects in heritage collections can also determine their historic and scientific value. Consequently, management of these materials within collecting organisations can be complex in terms of health and safety.

References