Bodging (full name chair-bodgering [lower-alpha 1] ) is a traditional woodturning craft, using green (unseasoned) wood to make chair legs and other cylindrical parts of chairs. The work was done close to where a tree was felled. The itinerant craftsman who made the chair legs was known as a bodger or chair-bodger. According to Collins Dictionary, the use of the term bodger in reference to green woodworking appeared between 1799 and 1827 and, to a much lesser extent, from 1877 to 1886 and from 1939 to present. [2]
The term was once common around the furniture-making town of High Wycombe in Buckinghamshire, England. Traditionally, bodgers were highly skilled wood-turners, who worked in the beech woods of the Chiltern Hills. [3] [4] The term and trade also spread to Ireland and Scotland. Chairs were made and parts turned in all parts of the UK before the semi industrialised production of High Wycombe. As well recorded in Cotton the English Regional Chair.
Bodgers also sold their waste product as kindling, or as exceptionally durable woven-baskets. [5]
Chair bodgers were one of three types of craftsmen associated with the making of the traditional country "Windsor Chairs" . [6] Of the other craftsmen involved in the construction of a Windsor chair, one was the benchman who worked in a small town or village workshop and would produce the seats, backsplats and other sawn parts. The final craftsman involved was the framer. The framer would take the components produced by the bodger and the benchman and would assemble and finish the chair. [7]
In the early years of the 20th century, there were about 30 chair bodgers scattered within the vicinity of the High Wycombe furniture trade. Although there was great camaraderie and kinship amongst this close community nevertheless a professional eye was kept upon what each other was doing. Most important to the bodger was which company did his competitors supply and at what price. Bodger Samuel Rockall's account book for 1908 shows he was receiving 19 shillings (£0.95) for a gross (144 units) of plain legs including stretchers. With three stretchers to a set of four legs this amounted to 242 turnings in total. [8] [9]
Another account states: "a bodger worked ten hours a day, six concurrent days a week, in all weathers, only earning thirty shillings a week" (360 pence=£1.10s.-) [10] [lower-alpha 2]
The rate of production was surprisingly high. According to Ronald Goodearl, who photographed two of the last professional bodgers, Alec and Owen Dean, in the late 1940s, recalled they had stated "each man would turn out 144 parts per day (one gross) including legs and stretchers- this would include cutting up the green wood, and turning it into blanks, then turning it". [12]
Although the last of the original itinerant bodgers were relegated to the history books in the 1950s the subsequent revival of interest in pole lathe turning since 1980, has seen many current chairmakers now calling themselves bodgers. [13]
With this, we charged again: but, out, alas!
We bodged again; as I have seen a swan
With bootless labour swim against the tide
And spend her strength with over-matching waves.Henry VI, part 3, Act 1, Scene 4 - Shakespeare
The origins of the term are obscure. A few dozen chair leg turners around High Wycombe, Buckinghamshire are called this c. 1910. [14] [1]
The bodger's equipment was so easy to move and set up that it was easier to go to the timber and work it there than to transport it to a workshop. The completed chair legs were sold to furniture factories to be married with other chair parts made in the workshop. [3]
Common bodger's or bodging tools included:
A bodger commonly camped in the open woods in a "bodger's hovel" or basic "lean-to"-type shelter constructed of forest-floor lengths suitable for use as poles lashed, likely with twine, together to form a simple triangular frame for a waterproof thatch roof. The "sides" of the shelter may have been enclosed in wicker or wattled manner to keep out driving rain, animals, etc. [15] [16] [lower-alpha 3]
High-Wycombe lathe became a commonly used generic term to describe any wooden-bed pole lathe, irrespective of user or location, and remained the bodger's preferred lathe until the 1960s when the trade died out, losing to the more cost-effective and rapid mechanised mass production factory methods. [16] [17]
Traditionally, a bodger would buy a stand of trees from a local estate, set up a place to live (his bodger's hovel) and work close to trees. [6]
After felling a suitable tree, the bodger would cut the tree into billets, approximately the length of a chair leg. The billet would then be split using a wedge. Using the side-axe, he would roughly shape the pieces into chair legs. The drawknife would further refine the leg shape. The finishing stage was turning the leg with the pole lathe (the pole lathe was made on site). Once the leg or stretchers were finished, being of "green" wood, they required seasoning. Chair legs would be stored in piles until the quota (usually a gross of legs and the requisite stretchers) was complete. The bodger would then take their work to one of the large chair-making centres. The largest consumer of the day was the High Wycombe Windsor chair industry. [18]
There were traditionally two other types of craftsmen involved in the construction of a Windsor chair. There was the benchman who worked in a workshop and would produce the seats, backsplats and other sawn parts. [19] Then there was the framer who would take the components produced by the bodger and the benchman. The framer would assemble and finish the chair. [20] After completion the chairs were sold on to dealers, mainly in the market town of Windsor, Berkshire, which is possibly how the name "Windsor Chair" originated. [21]
Samuel Rockall learnt the trade from his uncle, Jimmy Rockall. At the age of 61, Samuel was almost the last of the living chair bodgers. [22] Rockall's bodging tradition was captured on film shortly after he died in 1962. His two sons helped in the reconstruction of his working life in the woods and his workshop. The colour film was produced by the furniture manufacturer Parker Knoll and follows the complete process using Sam's own tools and equipment. A film copy is available at the Wycombe Museum. [8]
In contemporary British English slang, bodging can also refer to a job done of necessity using whatever tools and materials come to hand and which, whilst not necessarily elegant, is nevertheless serviceable. Bodged should not be confused with a "botched" job: a poor, incompetent or shoddy example of work, deriving from the mediaeval word "botch" – a bruise or carbuncle, typically in the field of DIY, though often in fashion magazines to describe poorly executed cosmetic surgery. A "bodge", like its synonyms kludge and fudge, is serviceable: a "botched" job most certainly is not.
Douglas and Lucretia Bodger were brother-and-sister characters in the comic strip 'Flook', which appeared in the U.K. Daily Mail newspaper in the 1950s and 1960s. [23]
Bodger is the name of a dog in The Incredible Journey .
Wycombe Wanderers Football Club's official mascot is a man called 'Bodger', referring to the club's record goalscorer Tony Horseman. He had earned the moniker from supporters through being employed in the town's furniture industry, but admitted in an interview after his playing career that he had never worked as an itinerant turner in the woods. [24]
A character named Bodger is the protagonist in the British children's television programme Bodger & Badger and is himself involved in handiwork. [25]
A lathe is a machine tool that rotates a workpiece about an axis of rotation to perform various operations such as cutting, sanding, knurling, drilling, deformation, facing, threading and turning, with tools that are applied to the workpiece to create an object with symmetry about that axis.
High Wycombe, often referred to as Wycombe, is a market town in Buckinghamshire, England. Lying in the valley of the River Wye surrounded by the Chiltern Hills, it is 29 miles (47 km) west-northwest of Charing Cross in London, 13 miles (21 km) south-southeast of Aylesbury, 23 miles (37 km) southeast of Oxford, 15 miles (24 km) northeast of Reading and 8 miles (13 km) north of Maidenhead.
Buckinghamshire New University (BNU) is a public university in Buckinghamshire, England, with campuses in High Wycombe, Aylesbury, Uxbridge and Great Missenden. The institution dates from 1891, when it was founded as the School of Science and Art, and has since then has variously been known as Wycombe Technical Institute, High Wycombe College of Technology and Art and the Buckinghamshire College of Higher Education. It was a university college from 1999 until 2007, when its application for university status was accepted.
Woodturning is the craft of using a wood lathe with hand-held tools to cut a shape that is symmetrical around the axis of rotation. Like the potter's wheel, the wood lathe is a mechanism that can generate a variety of forms. The operator is known as a turner, and the skills needed to use the tools were traditionally known as turnery. In pre-industrial England, these skills were sufficiently difficult to be known as "the mysteries of the turners' guild." The skills to use the tools by hand, without a fixed point of contact with the wood, distinguish woodturning and the wood lathe from the machinist's lathe, or metal-working lathe.
A drawknife is a traditional woodworking hand tool used to shape wood by removing shavings. It consists of a blade with a handle at each end. The blade is much longer than it is deep. It is pulled or "drawn" toward the user.
A pole lathe, also known as a springpole lathe, is a wood-turning lathe that uses the resilience of a long pole as a return spring for a treadle. Pressing the treadle pulls on a cord that is wrapped around the piece of wood or billet being turned. The other end of the cord reaches up to the end of a long springy pole. As the action is reciprocating, the work rotates in one direction and then back the other way. Cutting is only carried out on the down stroke of the treadle, the spring of the pole only being sufficient to return the treadle to the raised position ready for the next down stroke. Bungee cords are sometimes used as a modern replacement for springpoles. A bungee cord can function within a smaller space but the pole lathe still rotates in two directions and cutting is only possible on the downstroke.
A framer is someone who builds or creates frames. In construction work, frames may be built from wood or metal and provide support and shape to a structure. In a related sense, framers may create frames for art works, pictures, or mirrors. The term framer is also used for the authors of a formal text such as a constitution.
A Windsor chair is a chair built with a solid wooden seat into which the chair-back and legs are round-tenoned, or pushed into drilled holes, in contrast to other styles of chairs whose back legs and back uprights are continuous. The seats of Windsor chairs are often carved into a shallow dish or saddle shape for comfort. Traditionally, the legs, stretchers, and uprights were usually turned on a pole lathe. Spindles may also be carved, using drawknives and spokeshaves. The back and sometimes the arm pieces are formed from steam bent pieces of wood. Traditional Windsors are typically painted, primarily to hide the different types of wood used in construction, based on their characteristics.
A spindle, in furniture, is a cylindrically symmetric shaft, usually made of wood. A spindle is usually made of a single piece of wood and typically has decoration fashioned by hand or with a lathe. The spindle was common at least as early as the 17th century in Western Europe as an element of chair and table legs, stretchers, candlesticks, balusters, and other pieces of cabinetry. By definition, the axis of a spindle is straight; hence, for example, a spindle-legged chair is a straight-legged design, even though cylindrical symmetry allows decoration of elaborate notches or bulbs, so long as the cylindrical symmetry is preserved.
The forms of Chinese furniture evolved along three distinct lineages which date back to 1000 BC: frame and panel, yoke and rack and bamboo construction techniques. Chinese home furniture evolved independently of Western furniture into many similar forms, including chairs, tables, stools, cupboards, cabinets, beds and sofas. Until about the 10th century CE, the Chinese sat on mats or low platforms using low tables, but then gradually moved to using high tables with chairs.
Turned chairs — sometimes called thrown chairs or spindle chairs — represent a style of Elizabethan or Jacobean turned furniture that were in vogue in the late 16th and early 17th century England, New England and Holland. In turned furniture, the individual wooden spindles of the piece are made by shaping them with chisels and gouges while they are being turned on a lathe. Joiners or carpenters who made such furniture were termed "turners", or "bodgers", hence the surname Turner. Today, turned chairs — as well as various turned decorative elements — are still commonly made, but by machines rather than by hand.
A shaving horse is a combination of vice and workbench, used for green woodworking. Typical usage of the shaving horse is to create a round profile along a square piece, such as for a chair leg or to prepare a workpiece for the pole lathe. They are used in crafts such as coopering and bowyery.
The High Wycombe Chair Making Museum in High Wycombe, England, houses a collection of antique tools, and explains the process of how the bodgers worked in the woods through to the finished Windsor chairs. It is now run as a community interest company.
George Lailey (1869–1958) was a craftsman from the United Kingdom, noted as the last professional practitioner of the traditional craft of bowl-turning using a pole lathe.
A stool is a raised seat commonly supported by three or four legs, but with neither armrests nor a backrest, and typically built to accommodate one occupant. As some of the earliest forms of seat, stools are sometimes called backless chairs despite how some modern stools have backrests. Folding stools can be collapsed into a flat, compact form typically by rotating the seat in parallel with fold-up legs.
Ancient furniture was made from many different materials, including reeds, wood, stone, metals, straws, and ivory. It could also be decorated in many different ways. Sometimes furniture would be covered with upholstery, upholstery being padding, springs, webbing, and leather. Features which would mark the top of furniture, called finials, were common. To decorate furniture, contrasting pieces would be inserted into depressions in the furniture. This practice is called inlaying.
Philip Clissett was a Victorian country chairmaker who influenced and inspired the English Arts and Crafts Movement through various architects and designers. His chance meeting with James MacLaren has been described as "undoubtedly a seminal point in the subsequent development of the Arts and Crafts Movement", and led to the furnishing of the meeting room of the Art Workers Guild with a large number of his chairs which can still be seen today. These chairs have been "highly influential", having been "seen by almost everyone involved in art and design from the late 1880s". They particularly influenced Ernest Gimson who, in 1890, spent six weeks with Clissett learning to make ladderback chairs. Clissett's chairs were popular with the Arts and Crafts cognoscenti, and were used by Charles Rennie Mackintosh in early commissions, and by the architectural team of Richard Barry Parker and Raymond Unwin. They were also used as part of the original furnishing of the Passmore Edwards Settlement at Mary Ward House, 5 Tavistock Place, London by the architects A. Dunbar Smith and C. Cecil Brewer.
A ladderback chair, also ladder-back chair, slatback chair or fiddle back although that name is used less now due to the creation of the fiddle back chair. It gets its name from the horizontal spindles that serve as the back support on them and are reminiscent of a ladder.
Jennie Alexander was an American woodworker considered a pioneer in the woodworking world, "Instrumental in designing the now iconic two-slat post-and-rung shaving chair." She also coined the term "greenwoodworking" as a single word in her book, Make a Chair from a Tree: An Introduction to Working Green Wood.
High Wycombe Lathe is a wood bed pole-lathe used amongst the bodgers of the area. Bodgers still used pole-lathes in the High Wycombe area until the 1960s
