"867-5309/Jenny" | ||||
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Single by Tommy Tutone | ||||
from the album Tommy Tutone 2 | ||||
B-side | "Not Say Goodbye" | |||
Written | 1981 | |||
Released | November 16, 1981 | |||
Genre | ||||
Length | 3:45 | |||
Label | Columbia | |||
Songwriter(s) | ||||
Producer(s) |
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Tommy Tutone singles chronology | ||||
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Music video | ||||
"867-5309/Jenny" on YouTube |
"867-5309/Jenny" is a song written by Alex Call and Jim Keller and performed by Keller's band Tommy Tutone. It was released on the album Tommy Tutone 2 (1981) through Columbia Records. It peaked at number four on the Billboard Hot 100 and number one on the Rock Top Tracks chart in April 1982. The song led to a fad of people prank calling unsuspecting victims by dialing 867-5309 and asking for "Jenny". [6] [7]
According to lead guitarist Jim Keller, interviewed by People in 1982: "Jenny is a regular girl, not a hooker. Friends of mine wrote her name and number on a men's room wall at a bar. I called her on a dare, and we dated for a while. I haven't talked with her since the song became a hit, but I hear she thinks I'm a real jerk for writing it." [8]
The band's lead singer Tommy Heath had a different version of the song's origin, but also with a real girl and number. He claims the number belonged to a girl he knew, and that he wrote it on a bathroom wall in a motel where they were staying, as a joke. "We laughed about it for years," he said. [9]
However, co-writer Alex Call explained his version of the song's origins in a June 2004 interview with Songfacts:
Despite all the mythology to the contrary, I actually just came up with the 'Jenny,' and the telephone number and the music and all that just sitting in my backyard. There was no Jenny. I don't know where the number came from, I was just trying to write a 4-chord Rock song and it just kind of came out. This was back in 1981 when I wrote it, and I had at the time a little squirrel-powered 4-track in this industrial yard in California, and I went up there and made a tape of it. I had the guitar lick, I had the name and number, but I didn't know what the song was about. This buddy of mine, Jim Keller, who's the co-writer, was the lead guitar player in Tommy Tutone. He stopped by that afternoon and he said, 'Al, it's a girl's number on a bathroom wall,' and we had a good laugh. I said, 'That's exactly right, that's exactly what it is.'
Tommy Tutone's been using the story for years that there was a Jenny and she ran a recording studio and so forth. It makes a better story but it's not true. That sounds a lot better than I made it up under a plum tree in my backyard.
I had the thing recorded. I had the name and number, and they were in the same spots, 'Jenny... 867-5309.' I had all that going, but I had a blind spot in the creative process, I didn't realize it would be a girl's number on a bathroom wall. When Jim showed up, we wrote the verses in 15 or 20 minutes, they were just obvious. It was just a fun thing, we never thought it would get cut. In fact, even after Tommy Tutone made the record and '867-5309' got on the air, it really didn't have a lot of promotion to begin with, but it was one of those songs that got a lot of requests and stayed on the charts. It was on the charts for 40 weeks.
I've met a few Jennys who've said, "Oh, you're the guy who ruined my high school years." But for the most part, Jennys are happy to have the song. [10]
"There was no Jenny," Call also told a Tampa, Florida, columnist in June 2009. "The number? It came to me out of the ether." [11]
In the music video, the "Jenny" character is played by Karen Elaine Morton. [12]
The song, released in late 1981, initially gained popularity on the American West Coast in January 1982; many who had the number soon abandoned it because of unwanted calls.
When we'd first get calls at 2 or 3 in the morning, my husband would answer the phone. He can't hear too well. They'd ask for Jenny, and he'd say "Jimmy doesn't live here any more." ... Tommy Tutone was the one who had the record. I'd like to get hold of his neck and choke him.
— Lorene Burns, an Alabama householder formerly at +1-205-867-5309; she changed her number in 1982. [13]
Asking telephone companies to trace the calls was of no use, as Charles and Maurine Shambarger (then in West Akron, Ohio, at +1-216-867-5309) learned when Ohio Bell explained: "We don’t know what to make of this. The calls are coming from all over the place." A little over a month later, they disconnected the number and the phone became silent. [14]
In some cases, the number was picked up by commercial businesses or acquired for use in radio promotions.
Singer-songwriter Bruce Springsteen's 2007 single "Radio Nowhere" features a set of guitar riffs at the beginning that many fans considered particularly similar to "867-5309/Jenny", although the lyrics and the tone of the two songs are quite different. Regarding legal action, Heath said, "I think it's close enough that if I wanted to, I could work with it... I don't really get into that sort of thing, but the kids do need braces, so maybe I will." [35] [36] He later clarified that he had no interest in suing and felt "really honored at a similarity, if any". [37]
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Tommy Tutone is an American power pop band, known for its 1981 song "867-5309/Jenny", which peaked at #4 on the Billboard Hot 100. The band's lead singer, rhythm guitarist, and occasional keyboardist is Tommy Heath. He is the only active original member currently touring as Tommy Tutone. Heath grew up in Philadelphia, Texas, and Montana before moving to San Francisco during the Summer of Love to become a hippie. There, he formed the band with Jim Keller and Terry Nails in 1978, naming it after his nickname. The band's first single, "Angel Say No", was released in 1980 and reached the top 40, and they opened for Tom Petty and the Heartbreakers on his US tour for Damn the Torpedoes.
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The power-pop gem that turned seven digits' worth of bathroom graffiti into the catchiest (and most-pranked) phone number of the 1980s.
Springsteen came damn close to cribbing the guitar riff from "867-5309" for his "Radio Nowhere" a few years back. The rudiments of their music overlap more than some would admit.