Since its release, A Brighter Summer Day has been praised as one of Yang's best works, one of the best films of the 1990s, and one of the greatest films of all time. It ranked 78th in the 2022 Sight & Sound Greatest Films of All Time poll, one of four Chinese-language films to be included, and above Yang's Yi Yi.[3]
Plot
Chang Chen (nickname Si'r), a junior high student in 1959 Taipei, is forced to attend night school after failing a test. This upsets his father, a career government worker, who is aware of and worried about the delinquency rampant among night school students. The next morning, Si'r and his father listen to a radio broadcast of distinguished students.
In 1960, Si'r, along with his best friend, Cat, spy on an actress changing clothes during the filming of a drama in a movie studio. Caught by a guard, they steal his flashlight and flee back to school. Si'r, noticing movement in a darkened classroom, turns on the flashlight and startles a pair of lovers but does not see their faces. Two gangs, the Little Park Boys and their rivals the 217s, are introduced. Si'r is not a member of either gang but he is closer to the Little Park Boys. The Little Park Boys are led by Honey, who is hiding in Tainan from police after killing one of the 217s over his girlfriend, Ming. Sly leads the gang in his absence. Sly and Si'r become rivals after Si'r gets Sly in trouble, believing him and his girlfriend, Jade, to be the pair of lovers he saw. Meanwhile, Si'r and Ming meet by chance and become friends.
Sly proposes a truce, arranging a concert with members from both gangs. Honey unexpectedly resurfaces and berates Sly for setting up the concert; however, he realizes the gang respects Sly more. The night before the concert, Honey "bequeaths" Ming to Si'r, believing him to be a stable boyfriend. The next night, Honey appears outside of the concert hall, antagonizing the 217s. Honey takes an ostensibly friendly walk with the 217's leader, Shandong, only to be killed when Shandong pushes him in front of an oncoming car. The Little Park Boys do not believe police reports that it is an accident, and plot revenge; they murder the 217s, including Shandong, during a typhoon, using weapons acquired by Ma, one of Si'r's wealthy classmates. Sly and the surviving Little Park Boys go into hiding. The same night, Si'r's father is arrested by secret police and interrogated about his past connections with the Chinese Communist Party. While eventually freed, he is demoted.
Si'r starts dating Ming and seems to be improving academically. However, she reveals her flirtations with other boys, including an older doctor, bothering Si'r. The next day, Si'r is expelled after lashing out at the doctor and smashing a light bulb. He promises to pass his transfer exams to get into day school, upsetting Ming, who knows this means she will see him less. Later, Sly emerges from hiding and apologizes to Si'r for their past feud and reveals that Ming and Ma are dating. Upset, Si'r begins dating Jade, but he upsets her and she bitterly reveals that the girl he saw kissing Sly was Ming, not her.
After threatening Ma at his home, Si'r steals Cat's knife and waits outside the school for him. Instead, he sees Ming and berates her for her promiscuity, saying that he is her only hope. Ming chides Si'r for being selfish and trying to change her; like the world, she cannot be changed. He stabs her to death and breaks down. Si'r is sentenced to death but the media frenzy around the case provokes the sentence to be changed to 15 years imprisonment. In Si'r's now-barren house, his mother unexpectedly finds Si'r's school uniform. As she sobs, the radio broadcasts a list of distinguished students.
Cast
Chang Chen as Hsiao Si'r or Chang Chen (Hsiao Si'r being a nickname that means "Little Four", or the fourth of five children)
Set in early 1960s, in Taipei, the film is based on a real incident that the director remembers from his school days when he was 13.[4] The original Chinese title, 牯嶺街少年殺人事件, translates literally as "The Homicide Incident of the Youth on Guling Street", referring to the 14-year-old son of a civil servant who murders his girlfriend, who was also involved with a teenaged gang leader, for unclear reasons. The gang leader and girlfriend are involved in the conflict between gangs of children of formerly-mainland families and those of Taiwanese families. The film places the murder incident in the context of the political environment in Taiwan at that time. The film's political background is introduced in intertitles thus:
Millions of Mainland Chinese fled to Taiwan with the National Government after its civil war defeat by the Chinese Communists in 1949. Their children were brought up in an uneasy atmosphere created by the parents' own uncertainty about the future. Many formed street gangs to search for identity and to strengthen their sense of security.[5]
Chang Kuo-chu, and his son Chang Chen (in his debut) are both cast in this film playing father and son.
Yang used Goodfellas as the model of a gangster movie.[6]
A Brighter Summer Day is ranked as the 110th most acclaimed film ever and the most acclaimed from 1991 on the review-compiling list They Shoot Pictures, Don't They?.[7] On Rotten Tomatoes, the films holds a perfect rating of 100% based on 24 reviews, with an average score of 9.40/10. The site's critics' consensus reads: "A fantastic cinematic and artistic achievement, Edward Yang's A Brighter Summer Day depicts youth, ideals, violence and politics in a melancholic, tender light, culminating in a complex portrait of Taiwanese identity."[8]
A.O. Scott wrote in his 2011 review for The New York Times, "In every aspect of technique —from the smoky colors and the bustling, off-center compositions to the architecture of the story and the emotional precision of the performances — this film is a work of absolute mastery." David Bordwell considers it his favorite Yang film and voted it as one of the 10 best films of the 1990s.[9] He argues that in A Brighter Summer Day, Yang combined some of the cinematographic and staging tendencies that were revealed to him by his contemporary Hou Hsiao-hsien's A City of Sadness and other contemporary films.[10] He also remarks that the "breadth of action is extraordinary, and a sense of the contradictory pulls of daily life emerges steadily... the result is a dispassionate look at teenaged passions, a deromanticized treatment of young people growing up in a repressive milieu."[11]Jonathan Rosenbaum named it one of his 100 favorite films of all-time in 2004[12] and arguably the greatest Taiwanese film ever, likewise voted it one of the 10 best films of the 1990s, and extolled its "novelistic richness of character, setting, and milieu," use of objects, significance in the Taiwanese New Wave, and likened it to Rebel Without a Cause in their "nocturnal lyricism and cosmic despair."[13] In Film Comment's best films of the 1990s poll, A Brighter Summer Day was considered one of the 10 best or 10 most underrated films of the 1990s by 7 critics, academics, and programmers, including Barbara Scharres, former programmer at the Chicago Film Center, who named it the film of the 1990s, calling it a "film that transforms narrative through its deeply personal sense of observation, and grips the emotions and imagination with its steadfast power."[14]Ari Aster named it one of his favorite films in The Criterion Collection in 2018 and commented that "A Brighter Summer Day is just an amazing gangland epic. I don’t know how you watch it without becoming convinced that you’re watching the greatest movie ever made. It’s like The Godfather in that way."[15]
Themes
According to film critic Godfrey Cheshire, the film has "two faces, just as it has two titles" due to the sudden change of plots the film experiences halfway through its running time. A Brighter Summer Day shifts from a fraught, violent story about teenage gangs to a more introspective and family-oriented movie where the main character passively witnesses how his father is accused of espionage, his brother is in huge debt and his mother suffers in silence. Cheshire explains this transition of "faces":
The “outward” face is a highly critical view of a society in which all proper authority—a very Confucian concern—has been eroded or undermined, so that a young man like Xiao Si’r can be hurled into the spiral of violence indicated by the film’s Chinese title, which translates as “The Youth Killing Incident on Guling Street,” referring to a notorious crime that inspired the film. The “inward” face, meanwhile, indicated by the lyrics of the 1960 Elvis Presley hit “Are You Lonesome Tonight?” which gives the film its English title, has little to do with Taiwan and much to do with a condition unbound by time or place: the loneliness, melancholy, and longing of adolescence.[16]
The film's story reflects divisions of nationality, culture, and age in Taiwan a decade after the island was occupied by the Nationalist Chinese government following the end of mainland China's civil war and the establishment of the Communist People's Republic of China. The young characters in the film are affected by the social dislocations caused by their families' exile, changes in traditional social values, the turmoil of young love and friendships, and the lack of a clear direction to a meaningful future. Gradually developing youth gangs, coming under the sponsorship of adult criminals, provide some degree of social acceptance. The adults in their lives, such as Si'r's father, are constricted by their own social status and jobs, the need for money, and unrewarding employment. Further context is seen in the ethnic and class tensions between Chinese, native Taiwanese, and Japanese residents of the island, as well as the cultural influence of the West, especially the United States.
Restoration and home media
In 2009, the World Cinema Foundation issued a restoration of A Brighter Summer Day, using the original 35mm camera and sound negatives provided by the Edward Yang Estate.[17]
On December 17, 2015, The Criterion Collection announced the official North American DVD and Blu-ray release of a new 4K digital restoration of the film in its original running time. This release marks the first time A Brighter Summer Day is released on home video in the United States, after more than two decades of obscurity due to difficulty in finding an official copy of the film. The release includes a new English subtitle translation, an audio commentary featuring critic Tony Rayns, an interview with actor Chang Chen; Our Time, Our Story, a 117-minute documentary from 2002 about the New Taiwan Cinema movement, featuring interviews with Yang and film-makers Hou Hsiao-hsien and Tsai Ming-liang, among others; a videotaped performance of director Edward Yang's 1992 play Likely Consequence; an essay by critic Godfrey Cheshire, and a 1991 director's statement by Yang.[18]
Chang Chen is a Taiwanese actor. He is best known for his roles in A Brighter Summer Day (1991), Happy Together (1997), Crouching Tiger, Hidden Dragon (2000), Three Times (2005), Brotherhood of Blades (2014), The Assassin (2015) and The Soul (2021). For his performance in The Soul, he won Best Leading Actor prize at the 58th Golden Horse Awards.
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Hou Hsiao-hsien is a retired Mainland Chinese-born Taiwanese film director, screenwriter, producer and actor. He is a leading figure in world cinema and in Taiwan's New Wave cinema movement. He won the Golden Lion at the Venice Film Festival in 1989 for his film A City of Sadness (1989), and the Best Director award at the Cannes Film Festival in 2015 for The Assassin (2015). Other highly regarded works of his include The Puppetmaster (1993) and Flowers of Shanghai (1998).
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Edward Yang was a Taiwanese filmmaker. He rose to prominence as a pioneer in the Taiwanese New Wave of the 1980s, alongside fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang. Yang was regarded as one of the greatest filmmakers of Taiwanese cinema. He won the Best Director Award at Cannes for his 2000 film Yi Yi.
Wu Nien-jen is a Taiwanese screenwriter, director, and writer. He is one of the most prolific and highly regarded scriptwriters in Taiwan and a leading member of the New Taiwanese Cinema, although he has also acted in a number of films. He starred in Edward Yang's 2000 film Yi Yi. Wu is a well-known supporter of the Democratic Progressive Party and has filmed commercials for the party.
Taipei Story is a 1985 Taiwanese film directed by Edward Yang — his second full-length feature film and third overall. The film stars Hou Hsiao-hsien and singer Tsai Chin to depict the grinding relationship of Ah-lung and Ah-chen, who have known each other since childhood in Taipei. It is doomed to fail because Ah-lung cannot forget about the past while Ah-chen is eager to embrace the future as Taipei undergoes modernization and globalization. Taipei Story is one of the representative films of the New Taiwanese Cinema. It won the FIPRESCI Prize at the 38th Locarno Film Festival in 1985.
Events from the year 1951 in Taiwan, Republic of China. This year is numbered Minguo 40 according to the official Republic of China calendar.
Yingxiang was an important film journal published in Taiwan, comparable in its significance as a platform of debate to the importance of the Cahiers du Cinéma for the French debate about film, the significance of Bianco e nero in the Italian context, the impact of Filmkritik in Germany and of Screen for English-speaking cinema lovers.
Yang Teng-kuei was a Taiwanese businessman with holdings in multiple media ventures.
Yang Li-hua is a Taiwanese opera performer. During her career, she performed in nearly 170 productions on TTV. Unusually for Chinese opera, she played a wide variety of male roles.
Wan-chun is a 1990 Taiwanese television series produced by Ping Hsin-tao and his company Yi Ren Communications Co. (怡人傳播公司) in conjunction with Chinese Television System, based on Chiung Yao's 1964 novellette Wan-chun's Three Loves, which is set in Republican era Beijing.
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Chang Yi was a Taiwanese film director.
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