A Funny Thing Happened on the Way to the Forum | |
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Directed by | Richard Lester |
Screenplay by | |
Based on | A Funny Thing Happened on the Way to the Forum by Burt Shevelove Larry Gelbart |
Produced by | Melvin Frank |
Starring | |
Cinematography | Nicolas Roeg |
Edited by | John Victor-Smith |
Music by | Ken Thorne Songs: Stephen Sondheim |
Distributed by | United Artists |
Release date |
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Running time | 99 minutes |
Countries | United States United Kingdom |
Language | English |
Budget | $2 million |
Box office | $3.4 million (US/Canada) [1] |
A Funny Thing Happened on the Way to the Forum is a 1966 period musical comedy film, directed by Richard Lester, with Zero Mostel and Jack Gilford reprising their stage roles. It also features Buster Keaton in his final screen role; Phil Silvers, for whom the stage musical was originally intended; and regular Lester collaborators Michael Crawford, Michael Hordern, and Roy Kinnear.
The film was adapted for the screen by Melvin Frank and Michael Pertwee from the stage musical of the same name with music and lyrics by Stephen Sondheim, and book by Burt Shevelove and Larry Gelbart, which was inspired by the farces of the ancient Roman playwright Plautus (251–183 BC) – specifically Pseudolus , Miles Gloriosus , and Mostellaria – and tells the bawdy story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door.
In the city of Rome during the reign of Emperor Nero, Pseudolus is "the lyingest, cheatingest, sloppiest slave in all of Rome", whose only wish is to buy his freedom from his master's parents, the henpecked Senex and his overbearing wife, Domina. Pseudolus finds out that his master, Senex's dim son Hero, has fallen in love with Philia (destined to be a courtesan) from the house next door of Marcus Lycus, a slave trader. Pseudolus makes a deal: he will get the girl for Hero in return for his freedom.
First, Pseudolus attempts the direct approach: posing as a newly freed Roman citizen to purchase Philia for the underage Hero, who cannot legally purchase her. While being presented with the available merchandise by the slave trader Marcus Lycus, Pseudolus fancies Gymnasia, a silent Amazonian courtesan. However, Philia, the virgin, has been sold to the great Roman soldier Miles Gloriosus, who even now is on his way from conquering Crete to claim her as his bride. Pseudolus comes up with a plan to fool the slave trader into giving Philia to Hero and to possibly get Gymnasia for himself. Pseudolus convinces Marcus Lycus that Philia, who comes from Crete, has been exposed to a deadly plague in Crete and must be isolated from the other slaves (in Hero's custody) at the house of Senex, who is presently away with his wife Dominia.
Wary of Gloriosus' fearsome temper (he once before sold Gloriosus a “bum virgin”), Marcus Lycus plays into Pseudolus's devious hands when Marcus Lycus “tricks” Pseudolus into impersonating him and breaking the bad news to Gloriosus. Gloriosus would be heartbroken at his bride's death, but unable to blame Marcus Lycus for a plague caught in Crete. Meanwhile, Gloriosus has arrived to claim Philia and must be distracted with an orgy until he can be presented with a facsimile of Philia. Pseudolus blackmails his slave overseer Hysterium (whose collection of pornographic pottery would shock his prudish owner, Dominia) into masquerading in drag as the “dead” Philia. Things go wrong at every turn. Meanwhile, Hero's parents, Senex and Dominia, have returned home to add to the chaos. Senex mistakes Philia as a gift for him when Philia mistakes Senex for Gloriosus and dutifully presents herself to him (she is an "honest virgin") while confessing her love for Hero. The “prudish” Dominia has unrealistic designs on a fling with Gloriosus, who finds her repulsive and mistakes Dominia for the madam of a house of prostitution. Dominia has brought back a hefty “breeder slave”—who has already borne 18 babies—as a mate for Pseudolus, who must elude her lustful attempts to entrap him while scheming for Gymnasia and Philia.
Presented with the “dead” Philia, the great Gloriosus accepts the death of his intended bride without rage, but announces his intention of cutting "her" heart out as a memorial. Alarmed, the supposedly dead "Philia" comes back to life, and a chase ensues across Rome and into the countryside, with Pseudolus helping himself to Gymnasia. Eventually, Miles Gloriosus collars Hero, the real Philia, Hysterium, Marcus Lycus, Pseudolus, and Gymnasia and brings them back to Rome to untangle the skein of deception and see that justice is done.
Also arriving on the scene, after over a 20-year absence, is their neighbor Erronius, who has been seeking his son and daughter who were kidnapped as babies by pirates. Seeing that both Gloriosus and Philia are wearing identical rings with a “gaggle of geese” motif, Erronius claims them both as his long-lost children, meaning that they are brother and sister. Thus, Marcus Lycus is spared from execution for breaking the contract for Philia. Hero gets Philia, now a free woman of patrician class; Miles Gloriosus takes Gemini twins as his concubines, provided by Marcus Lycus in compensation for Philia; and Pseudolus gets his freedom, the Amazonian Gymnasia to be his wife, and a dowry of 10,000 minae, also compliments of Marcus Lycus.
Cast notes:
Songs from the original Broadway score which were cut for the film: "Love I Hear" (Hero), "Free" (Pseudolus and Hero), "Pretty Little Picture" (Pseudolus, Hero, Philia), "I'm Calm" (Hysterium), "Impossible" (Senex and Hero), "That Dirty Old Man" (Domina) and "That'll Show Him" (Philia). [4]
Sondheim's music was adapted for the film version of Forum by Ken Thorne, who previously worked with The Beatles on Help! (1965). [5]
Although the musical had originally been written with Phil Silvers in mind, Zero Mostel starred on Broadway as Pseudolus, [6] and Richard Lester was his choice to direct the film version. Other directors who were considered included Charlie Chaplin, Orson Welles and Mike Nichols. [5] It was filmed at the Samuel Bronston Studios in Madrid, Spain (in the former set for Bronston's Box-office bomb, The Fall of the Roman Empire), and on location around that city, on an estimated budget of $2 million.[ citation needed ] Filming took place from September to November 1965.[ citation needed ]
Jack Gilford was also re-creating his stage role, as Hysterium, [6] and there are other connections to the Broadway production. Tony Walton, who designed the production, including the costumes, was also the designer of the Broadway show. For Walton, who was married to Julie Andrews from 1959 to 1967, Forum came at the beginning of both his film and stage careers: it was his second Broadway production, and his third film - he had designed costumes for Mary Poppins in 1964, and did the overall production design of Fahrenheit 451 in 1966. Bob Simmons, a renowned stunt coordinator, designed and performed many of the action scenes in the film.[ citation needed ]
Forum is remarkable as one of the few films in which Buster Keaton appeared where he employed a double. Keaton was suffering from terminal cancer at the time – a fact of which he was not aware – and Mick Dillon stood-in for him for the running sequences. However, Buster performed the pratfall after running into a tree in the chase sequence near the end of the film himself, as no one could properly imitate his pratfalls. [7]
The animated end credits created by Richard Williams feature many houseflies, a reminder of the fly problem the production suffered through when the fruits and vegetables which festooned the set were left out to rot overnight after the end of the shooting day. [5]
George Martin, who with Ethel Martin is credited with the choreography of the film, [8] was the assistant to choreographer Jack Cole on Broadway. [9] (Jerome Robbins also did some uncredited work on the stage show. [6] ) Other members of the Forum team are notable as well. Cinematographer Nicholas Roeg moved up to the director's chair to make films such as Performance (1970), with Mick Jagger, Walkabout (1971), Don't Look Now (1973), and The Man Who Fell to Earth (1976) with David Bowie.
Forum premiered in New York City on October 16, 1966 [10] and in London on December 14 of that year. It went into general release in January 1967.[ citation needed ]
The movie obtained $8.5 million in actual box office domestic gross receipts during 1966–67. When adjusted for current (2019) movie costs, its box office revenue would be equivalent to $69.3 million. It was the 26th-most-popular film shown in U.S. theaters that year. [11]
The film received about $3 million in rentals in the U.S.[ citation needed ]
The film received generally positive notices, with a current 86% score on review aggregator website Rotten Tomatoes, based on 22 reviews, with an average of 7.00/10. [12] Variety wrote, "Flip, glib and sophisticated, yet rump-slappingly bawdy and fast-paced, 'Forum' is a capricious look at the seamy underside of classical Rome through a 20th-Century hipster's shades [...] Generally assayed with satirical thrust and on-target accuracy, almost all of the performances are top-rung and thoroughly expert." [13] In a generally favorable review for The New York Times , Vincent Canby praised the "handsomely realistic settings" and determined that "Stephen Sondheim's music and lyrics hold up well," but also found it "hard to decide whether Mr. Lester has gone too far, or not far enough, in translating into film terms the carefully calculated nonsense originally conceived for the theater. He's done a lot of tricky things — with his penchant for quick cutting and juxtaposition of absurd images — but there are times when this style seems oddly at variance with the basic material, which is roughly 2,000 years older than the motion-picture camera." [14]
Philip K. Scheuer of the Los Angeles Times wrote that the film moved so fast that "I simply couldn't ingest it all in one viewing," but "I was able to register enough to realize I was enjoying myself hugely. 'Forum' is a bawdy, ribald romp that rips Rome's Great Society right up the middle, an out-and-out burlesque show that may even—underneath all the frenetic foolery, the flourishing of floozies and the pratfalls—have something satirical and cynical to tell us about nations and why they fall." [15] Richard L. Coe of The Washington Post raved, ""Bawdy, gaudy and lawry, how funny! 'A Funny Thing Happened on the Way to the Forum' has arrived at the Cinema, where laughter should be exploding for months." [16]
Brendan Gill of The New Yorker wrote "I laughed my way mindlessly through ninety percent of the picture," calling the jokes "both awful and exactly right for Mostel, Silvers and company." [17] A review in the UK's Monthly Film Bulletin thought that Lester's fast-moving direction style made for a "curious effect of dislocation," writing that Mostel and Silvers "constantly find the editor snapping at their tails while Lester dashes down some attractive byway and the laugh they probably would have got is stopped short." The review concluded, "Apart from the long chase at the end, which is boring and irrelevant, this is an odd, good-humoured mess of a film, in spite of everything decidedly likeable." [18]
A negative review came from Rex Reed who opined in his review of the tape version of the film's soundtrack album that "the real wit in Stephen Sondheim's score for the very funny Broadway burlesque A Funny Thing Happened on the Way to the Forum was all but totally demolished in Richard Lester's vulgar, witless, and over-stylized film version. All but a handful of the marvelous Sondheim songs were ditched, the few remaining musical numbers were so integrated into the action that they took a back seat to Lester's self-conscious visual gimmicks, and the riotous Zero Mostel was nearly crowded out of the plot completely."[ citation needed ]
Music director Ken Thorne received an Academy Award for Best Music, Scoring of Music, Adaptation or Treatment in 1966. In addition, the film was nominated that year for the Golden Globe Award for Best Motion Picture – Musical or Comedy". [19] [20]
A Funny Thing Happened on the Way to the Forum is a musical with music and lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart.
Larry Simon Gelbart was an American television writer, playwright, screenwriter, director and author, most famous as a creator and producer of the television series M*A*S*H, and as co-writer of the Broadway musicals A Funny Thing Happened on the Way to the Forum and City of Angels.
Phil Silvers was an American entertainer and comedic actor, known as "The King of Chutzpah". His career as a professional entertainer spanned nearly 60 years. He achieved major popularity when he starred in The Phil Silvers Show, a 1950s sitcom set on a U.S. Army post in which he played Master Sergeant Ernest (Ernie) Bilko. He also starred in the films It's a Mad, Mad, Mad, Mad World (1963) and A Funny Thing Happened on the Way to the Forum (1966). He was a winner of two Primetime Emmy Awards for his work on The Phil Silvers Show and two Tony Awards for his performances in Top Banana and A Funny Thing Happened on the Way to the Forum. He also wrote the original lyrics to the jazz standard "Nancy ".
Samuel Joel "Zero" Mostel was an American actor, comedian, and singer. He is best known for his portrayal of comic characters including Tevye on stage in Fiddler on the Roof, Pseudolus on stage and on screen in A Funny Thing Happened on the Way to the Forum, and Max Bialystock in the original film version of Mel Brooks' The Producers (1967). Mostel was a student of Don Richardson and he used an acting technique based on muscle memory. He was blacklisted during the 1950s; his testimony before the House Un-American Activities Committee was well publicized. Mostel later starred in the Hollywood Blacklist drama film The Front (1976) alongside Woody Allen, for which Mostel was nominated for the British Academy Film Award for Best Supporting Actor.
Burton George Shevelove was an American musical theater playwright, lyricist, librettist, and director.
Donna McKechnie is an American musical theater dancer, singer, actress, and choreographer. She is known for her professional and personal relationship with choreographer Michael Bennett, with whom she collaborated on her most noted role, the character of Cassie in the musical A Chorus Line. She earned the Tony Award for Best Actress in a Musical for this performance in 1976. She is also known for playing Amanda Harris/Olivia Corey on the gothic soap opera Dark Shadows from 1969 to 1970.
Ernest Sabella is an American actor. He is best known for his role as Pumbaa from The Lion King franchise, voicing the character in all media except the 2019 and 2024 films. Sabella's TV roles include Mr. Donald "Twinkie" Twinkacetti in Perfect Strangers (1986-1987), George Shipman in A Fine Romance, and Leon Carosi in Saved by the Bell (1991). His work in Broadway theatre includes starring roles in Guys and Dolls,Chicago,Curtains, and Man of La Mancha.
Jack Gilford was an American Broadway, film, and television actor. He was nominated for the Academy Award for Best Supporting Actor for Save the Tiger (1973).
Annette Andre is an Australian actress best known for her work on British television throughout the 1960s and 1970s.
The Tony Award for Best Performance by a Leading Actor in a Musical is an honor presented at the Tony Awards, a ceremony established in 1947 as the Antoinette Perry Awards for Excellence in Theatre, to actors for quality leading roles in a musical play, whether a new production or a revival. The awards are named after Antoinette Perry, an American actress who died in 1946.
Desmond Barrit is a British actor from Swansea, Wales, best known for his stage work.
Alazṓn is one of three stock characters in comedy of the theatre of ancient Greece. He is the opponent of the eirôn. The alazṓn is an impostor that sees himself as greater than he actually is. The senex iratus and the miles gloriosus are two types of alazṓn.
Pamela Winslow is an actress and producer who appeared in film, stage musicals and television roles in the early 1990s. She was the original Rapunzel in the Sondheim-Lapine musical, Into the Woods.
LenardGeorge Green, better known as Leon Greene, was an English bass and actor. He was known for his work with the D'Oyly Carte Company and the Sadler's Wells Opera, as well as starring roles in several West End musicals. He played Miles Gloriosus in the original London production of A Funny Thing Happened on the Way to the Forum, which he reprised for the 1966 film version. He was also a cast member of three Carry On films, and for director Richard Lester.
Ronald Holgate is an American actor and opera singer. He won the Tony Award for Best Supporting Actor as Richard Henry Lee in the original Broadway production of 1776, a role he reprised in 1972 for the film 1776.
Bruce Dow is an American actor, best known for his five featured roles on Broadway, his 12 seasons in leading roles at the Stratford Festival, his Dora Mavor Moore Awards-winning performances at Buddies in Bad Times, the world's largest and longest running LGBTQ theatre, his voicing the character of Max for Total Drama Pahkitew Island and his appearances on the Rick Mercer Report and Murdoch Mysteries. He also appeared on Corn & Peg as Captain Thunderhoof's arch enemy, the Bad Bronco. He also voices Sir Topham Hatt and Harold the Helicopter (US) in Thomas & Friends: All Engines Go.
Sondheim on Sondheim is a musical revue consisting of music and lyrics written by Stephen Sondheim for his many shows. It is conceived and directed by James Lapine. The revue had a limited run on Broadway in 2010.
David Benoit is an American actor and singer most known for being a replacement in the original Broadway run of Les Miserables. His most recent Broadway credit is playing the Bishop and Spider in the Broadway revival of Jekyll & Hyde.
Jerry Lester was an American comedian, singer and performer on radio, television and the stage, known for playing the father of the main characters, Mike Firpo, in the comedy Odds and Evens and who hosted the first network late night television program as host of Broadway Open House on NBC, a vaudeville-esque combination of comedy and music, whose success demonstrated the potential for late-night television and led to the creation of the Tonight Show.
Cris Groenendaal is a retired American musical theatre actor and opera singer. He has performed in the original Broadway productions of Sweeney Todd: The Demon Barber of Fleet Street, Sunday in the Park with George, The Phantom of the Opera and Passion, as well as appearing in the original cast of the 1996 Broadway revival of A Funny Thing Happened on the Way to the Forum.
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