Author | Wole Soyinka |
---|---|
Language | English |
Genre | fiction |
Publisher | Methuen |
Publication date | January 1, 1984 |
Publication place | Africa |
Pages | 69 |
ISBN | 0-413-55290-X |
A Play of Giants is a play by Wole Soyinka, Africa's first Nobel Prize winner in 1986. [1] "A Play of Giants" [2] is a satire that takes aim at dictators in Africa, including the notorious Idi Amin. Set at the New York embassy, the play ingeniously portrays a gathering of dictatorial African leaders, highlighting their absurdities and follies as they attempt to navigate cooperation and decision-making. Through sharp wit and clever dialogue, the play-offers a scathing commentary on power, politics, and the human condition, inviting audiences to reflect on the nature of tyranny and its impact on society. It was published on January 1, 1984.
The play [3] is set at the Bulgara Embassy in New York City, adorned with decorations and displays of wealth. In the center stands a sculptor, attempting to capture the likeness of African tyrants. Enter Gunema, Kasco representing, Kamini, and Tuboum with each representing a country as listed respectively Equatorial Guinea, Central African Republic, Uganda, Congo/Zaïre, accompanied by their entourage of sycophants and advisors. They exude an air of arrogance and self-importance as they survey the scene.
Kamini, one of the main cast of the play(charismatic host), takes center stage, regaling the others with his grandiose tales of conquest and power. Despite his charm, there is an underlying sense of unease among the group, as they constantly fret over the stability of their regimes back home. As the sculptor struggles to immortalize the tyrants in stone, they offer unsolicited advice and criticism, revealing their vanity and insecurity. Meanwhile, their Western admirers, including the Scandinavian journalist Gudrun and professor Batey, fawn over them with feigned admiration.
The absurdity reaches new heights as the African leaders grapple with their own delusions of grandeur. Gunema attempts to solve his country's financial woes by simply printing more money, while Kasco declares himself above politics, embracing absolute power as emperor. Amidst the chaos, Kamini emerges as the central figure, his erratic behavior keeping everyone on edge. Despite his bluster, he is haunted by the specter of betrayal, as his once-loyal followers begin to defect in the face of his tyranny. Meanwhile, representatives of the US and USSR make an appearance, their indifference to African suffering highlighting the cynical geopolitics of the Cold War era. As the play reaches its climax, the façade of power begins to crumble. Kamini, desperate to maintain control, resorts to increasingly brutal tactics, alienating even those who once supported him. In a moment of rare engagement, Kasco reflects on the nature of power and politics, questioning whether his fellow tyrants are truly free or merely trapped by their own ambitions. [4]
Akinwande Oluwole Babatunde "Wole" Soyinka is a Nigerian playwright, novelist, poet, and essayist in the English language. He was awarded the 1986 Nobel Prize in Literature for his "wide cultural perspective and... poetic overtones fashioning the drama of existence", the first sub-Saharan African to win the Prize in literature.
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Yoruba literature is the spoken and written literature of the Yoruba people, one of the largest ethno-linguistic groups in Nigeria and the rest of Africa. The Yoruba language is spoken in Nigeria, Benin, and Togo, as well as in dispersed Yoruba communities throughout the world.
Rise and Fall of Idi Amin, also known as Amin: The Rise and Fall, is a 1981 biographical film directed by Sharad Patel and starring Joseph Olita as Idi Amin. Olita also played Amin in the 1991 film Mississippi Masala.
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Kongi's Harvest is a 1965 play written by Wole Soyinka. It premiered in Dakar, Senegal, at the first Negro Arts Festival in April 1966. It was later adapted as a film of the same name, directed by the American Ossie Davis.
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Tunji Oyelana is a multi-award-winning Nigerian musician, actor, folk singer, composer and once a lecturer at the University of Ibadan, Nigeria. Tunji Oyelana is of the Yoruba ethnic group and is a native of Nigeria. Most of Tunji Oyelana's songs are in Yoruba. In the early 1980s, he teamed up with Nigeria's first and only winner of the Nobel Prize for Literature, Wole Soyinka, to record a musical album that satirized the corruption of the Nigerian political elite. He was the musician for Stéphane Breton's 1994 film Un dieu au bord de la route. Oyelana is credited with having sold the most albums by a Nigerian High Life musicians. In 2012 he released A Nigerian Retrospective 1966-79, an album from Soundway Records. Apart from Fela Kuti and King Sunny Ade, Oyelana is regarded as one of the most played Yoruba musicians. He and Soyinka composed I Love My Country and, in 1996, were both charged with treason and forced into exile by Sani Abacha while touring internationally with Soyinka's play The Beatification of Area Boy. Oyelana, the leader of The Benders currently lives in the United Kingdom.
The Interpreters is a novel by Wole Soyinka, first published in London by André Deutsch in 1965 and later republished as part of the influential Heinemann African Writers Series. It is the first and one of the only three novels written by Soyinka; he is principally known as a playwright. The novel was written in English and later translated into a number of languages.
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Ripples Nigeria is a Nigerian online newspaper based in Lagos. It was launched in 2015. It is an independent, pro-investigation multi-media online news platform focused primarily on politics, policy and economy.
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Adedapo Abayomi Adelugba was a Nigerian academic, theatre critic and playwright who spent a considerable part of his academic career at University of Ibadan where he was a director of the university's theatre troupe. Adelugba was also the director of Nigeria's drama entry to the Second World Festival of Arts and Culture.
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The 1986 Nobel Prize in Literature was awarded to the Nigerian writer Wole Soyinka "who in a wide cultural perspective and with poetic overtones fashions the drama of existence." He is the first African recipient of the prize.
King Baabu is a play by Wole Soyinka amongst his others plays including The Lion and the Jewel,A Dance of the Forests, and The Strong Breed. Wole Soyinka was the first African to win the Nobel Prize award in 1986. King Baabu is a satirical play that mirrors the rule of General Abacha in Nigeria through absurdity and humor. It follows the transformation of General Basha Bash into King Baabu, portraying his reign with a cast of characters speaking in a childish language. Through comedy and storytelling, the play critiques power, corruption, and the cult of personality, leaving a lasting impression as a poignant commentary on political absurdity.
The Beatification of the Area Boy, a play by Wole Soyinka, was first published in Great Britain in 1995 and later in Nigeria in 1999. The play explores the absurdities present in Nigerian society, particularly under military rule, and by extension, in any African nation where regressive systems remain unchallenged due to a lack of checks and balances.