Author | Wole Soyinka |
---|---|
Language | English |
Genre | fiction |
Publisher | Methuen |
Publication date | January 1, 1984 |
Publication place | Africa |
Pages | 69 |
ISBN | 0-413-55290-X |
A Play of Giants is a play by Wole Soyinka, Africa's first Nobel Prize winner in 1986. [1] "A Play of Giants" [2] is a satire that takes aim at dictators in Africa, including the notorious Idi Amin. Set at the New York embassy, the play ingeniously portrays a gathering of dictatorial African leaders, highlighting their absurdities and follies as they attempt to navigate cooperation and decision-making. Through sharp wit and clever dialogue, the play offers a scathing commentary on power, politics, and the human condition, inviting audiences to reflect on the nature of tyranny and its impact on society. It was published on January 1, 1984.
The play [3] is set at the Bulgara Embassy in New York City, adorned with decorations and displays of wealth. In the center stands a sculptor, attempting to capture the likeness of African tyrants. Enter Gunema, Kasco representing, Kamini, and Tuboum with each representing a country as listed respectively Equatorial Guinea, Central African Republic, Uganda, Congo/Zaïre, accompanied by their entourage of sycophants and advisors. They exude an air of arrogance and self-importance as they survey the scene.
Kamini, one of the main cast of the play(charismatic host), takes center stage, regaling the others with his grandiose tales of conquest and power. Despite his charm, there is an underlying sense of unease among the group, as they constantly fret over the stability of their regimes back home. As the sculptor struggles to immortalize the tyrants in stone, they offer unsolicited advice and criticism, revealing their vanity and insecurity. Meanwhile, their Western admirers, including the Scandinavian journalist Gudrun and professor Batey, fawn over them with feigned admiration.
The absurdity reaches new heights as the African leaders grapple with their own delusions of grandeur. Gunema attempts to solve his country's financial woes by simply printing more money, while Kasco declares himself above politics, embracing absolute power as emperor. Amidst the chaos, Kamini emerges as the central figure, his erratic behavior keeping everyone on edge. Despite his bluster, he is haunted by the specter of betrayal, as his once-loyal followers begin to defect in the face of his tyranny. Meanwhile, representatives of the US and USSR make an appearance, their indifference to African suffering highlighting the cynical geopolitics of the Cold War era. As the play reaches its climax, the façade of power begins to crumble. Kamini, desperate to maintain control, resorts to increasingly brutal tactics, alienating even those who once supported him. In a moment of rare engagement, Kasco reflects on the nature of power and politics, questioning whether his fellow tyrants are truly free or merely trapped by their own ambitions. [4]
Akinwande Oluwole Babatunde "Wole" Soyinka is a Nigerian playwright, novelist, poet, and essayist in the English language. He was awarded the 1986 Nobel Prize in Literature for his "wide cultural perspective and... poetic overtones fashioning the drama of existence", the first sub-Saharan African to win the Prize in literature.
Idi Amin Dada Oumee was a Ugandan military officer and politician who served as the third president of Uganda from 1971 to 1979. He ruled as a military dictator and is considered one of the most brutal despots in modern world history.
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Rise and Fall of Idi Amin, also known as Amin: The Rise and Fall, is a 1981 biographical film directed by Sharad Patel and starring Joseph Olita as Idi Amin. Olita also played Amin in the 1991 film Mississippi Masala.
Tanure Ojaide is a Nigerian poet and academic. As a writer, he is noted for his unique stylistic vision and for his intense criticism of imperialism, religion, and other issues. He is regarded as a socio-political and an ecocentric poet. He won the 2018 Wole Soyinka Prize for Literature in Africa with his collection Songs of Myself: A Quartet (2017).
Kongi's Harvest is a 1970s Nigerian drama film directed by Ossie Davis. The film was adapted from a screenplay by Wole Soyinka adapted from his 1965 play of the same name. Soyinka, a Nigerian playwright, poet, and the first African to be awarded the Nobel Prize in Literature in 1986, also starred in the leading role as the dictator of an African nation.
Kongi's Harvest is a 1965 play written by Wole Soyinka. It premiered in Dakar, Senegal, at the first Negro Arts Festival in April 1966. It was later adapted as a film of the same name, directed by the American Ossie Davis.
Lekan Balogun is a Nigerian dramatist and theatre director. His plays include Moremi Ajaasoro, performed as the Western zone's entry for the Festival of Nigerian Plays ; Olofin Ajaye and The Mote in the Eye, NANTAP International Theatre Day, 2008 and 2009/20th Anniversary Play projects; The Rejected Stone, an African retelling of the popular fable Cinderella, Alaafin Kanran, Farewell and Dirty Circle for Royal Court Theatre, London, excerpt performed at the Sloane Square, Jerwood Theatre, London, in 2009 with sponsorship from the British Council, Nigeria & GENESIS Foundation, UK; The Ghost Catcher; Goodbye Yesterday; Our Tomorrow Today; Ijebu 1832; For Heroes and Scoundrels, among others. He wrote and directed a play about Zulu folklore (Izibongo) and history in 2008 with the title Shaka, the Zulu legend.
Irreligion in Africa, encompassing also atheism in Africa as well as agnosticism, secular humanism and general secularism, has been estimated at over tens of millions in various polls. While the predominant religions in Africa are Islam and Christianity, many groups and individuals still practice their traditional beliefs. Despite this the irreligious population is notable, especially in South Africa where 15.1% of the population describe themselves as irreligious and in Botswana, where 20% of the population describes themselves as non-religious.
The Interpreters is a novel by Wole Soyinka, first published in London by André Deutsch in 1965 and later republished as part of the influential Heinemann African Writers Series. It is the first and one of the only three novels written by Soyinka; he is principally known as a playwright. The novel was written in English and later translated into a number of languages.
Season of Anomy is the second novel by Nobel winning Nigerian playwright and critic Wole Soyinka. Published in 1973, it is one of only three novels published during Soyinka's highly productive literary career. Though highly studied as part of Soyinka's importance to the African literary canon, criticism of the novel has been mixed, with some critics describing the novel as a "failure".
Ripples Nigeria is a Nigerian online newspaper based in Lagos. It was launched in 2015. It is an independent, pro-investigation multi-media online news platform focused primarily on politics, policy and economy.
The Bacchae of Euripides: A Communion Rite is an adaptation by Wole Soyinka of the ancient Greek tragedy The Bacchae by Euripides.
Chronicles from the Land of the Happiest People on Earth is a 2021 novel written by Nigerian playwright and novelist Wole Soyinka. It was released on 28 September 2021 by Bookcraft Africa.
The 1986 Nobel Prize in Literature was awarded to the Nigerian writer Wole Soyinka "who in a wide cultural perspective and with poetic overtones fashions the drama of existence." He is the first African recipient of the prize.
King Baabu is a play by Wole Soyinka amongst his others plays including The Lion and the Jewel,A Dance of the Forests, and The Strong Breed. Wole Soyinka was the first African to win the Nobel Prize award in 1986. King Baabu is a satirical play that mirrors the rule of General Abacha in Nigeria through absurdity and humor. It follows the transformation of General Basha Bash into King Baabu, portraying his reign with a cast of characters speaking in a childish language. Through comedy and storytelling, the play critiques power, corruption, and the cult of personality, leaving a lasting impression as a poignant commentary on political absurdity.
The Beatification of the Area Boy, a play by Wole Soyinka, was first published in Great Britain in 1995 and later in Nigeria in 1999. The play explores the absurdities present in Nigerian society, particularly under military rule, and by extension, in any African nation where regressive systems remain unchallenged due to a lack of checks and balances.
Beyond Aesthetics: A Passion for African Art is a book of essays by Wole Soyinka,a renowned playwright, poet, essayist, novelist, and Nobel Laureate. This play offers insights into Soyinka's personal motivations as an art collector and explores the politics of aesthetics and collecting. Through vivid accounts of his encounters with artworks, Soyinka reflects on the histories, meanings, and cultural significance embedded in these objects, revealing a world populated by mortals, muses, and deities.
You Must Set Forth at Dawn is an autobiographical work by the Nobel Prize-winning Nigerian playwright, poet and political activist Wole Soyinka. In this compelling memoir, Soyinka provides an intimate glimpse into his life as an adult, detailing his experiences in and out of Nigeria during some of the nation's most tumultuous periods. A sequel to his acclaimed childhood memoir, Ake: The Years of Childhood, this book captures Soyinka's struggles and triumphs as he navigates the complexities of political activism, exile, and his pioneering contributions to theater and literature.
The Trials of Brother Jero is a satirical play by Nigerian playwright, poet, and Nobel Laureate Wole Soyinka. It explores themes of religious hypocrisy and social exploitation. The play, which was one of Soyinka's earliest works, premiered in 1960 in Ibadan, Nigeria, when Soyinka was 26 years old. Set against the backdrop of Lagos, it follows the exploits of Brother Jeroboam (Jero), an unscrupulous self proclaimed prophet who manipulates his followers for personal gain.