First Love is the debut Japanese-language studio album by Japanese-American recording artist Hikaru Utada, released on March 10, 1999, by Toshiba-EMI.
I Am... is the fourth studio album by Japanese recording artist Ayumi Hamasaki. It was released on January 1, 2002 by Avex Trax and was distributed throughout Asia in both physical and digital formats. Hamasaki enlisted long-time collaborator Max Matsuura to assist with the album's creation, and was inspired by the events of the September 11, 2001 attacks to emphasise lighter themes in contrast to her previous work.
La Luna is the seventh album recorded by English soprano Sarah Brightman in 2000. It was released under license by Nemo Studios to Angel Records. The album combines pieces written by classical and modern composers. It is the 17th top-selling classical album of the 2000s in the US, according to Nielsen SoundScan, and is Brightman's second highest seller in the country after her 1997 release Timeless/Time to Say Goodbye. Aside from the US, the album experienced its strongest sales in Asia, where it received a quintuple platinum certification in Taiwan and earned Brightman's first Gold award in Japan.
Loveppears is the second studio album by Japanese recording artist Ayumi Hamasaki. It was released in Japan, Hong Kong and China on November 10, 1999, through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001, by Avex Entertainment Inc. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism.
"Evolution" is a song recorded by Japanese recording artist and lyricist Ayumi Hamasaki, released on January 31, 2001, as the second single from her fourth studio album I Am... (2002).
"Daybreak" is a song recorded by Japanese recording artist and lyricist Ayumi Hamasaki, released on March 6, 2002 as the eighth and final single on her fourth studio album I am.... Influenced by the recent events off the September 11 attacks in New York City and Washington D.C. in North America, Hamasaki sought a new inspiration for her then-forthcoming album; instead off writing songs about confusion, loneliness and love like her previous efforts, she was encouraged to engage in more peaceful and worldly themes. This resulted in several songs on I Am..., including "Daybreak".
"Be My Last" is Hikaru Utada's 14th Japanese single, released on September 28, 2005. It was used for the 2005 film Spring Snow, an adaptation of the 1966 Yukio Mishima novel of the same name.
Japanese singer Ayumi Hamasaki has released eighteen studio albums, five compilation albums, twenty-six remix albums, four live albums and numerous singles and promotional singles. She debuted in 1995 under Nippon Columbia with the stage name Ayumi, releasing an extended play Nothing from Nothing, which was a collaboration with Dohzi-T and DJ Bass. Three years later, Hamasaki debuted again as a singer under Avex Trax with the single "Poker Face" (1998). Her first album A Song for ×× (1999) debuted at number one on Oricon's albums chart, and sold over 1.4 million copies.
The discography of Japanese-American R&B and pop singer Hikaru Utada consists of eleven studio albums, four compilation albums, eleven video albums and numerous singles and promotional singles. Utada began as a musician in the early 1990s as a member of U3, a family unit made up of her, her mother Junko Utada, also known as 1970s enka singer Keiko Fuji, and her father, musical producer Teruzane Utada. U3 released their debut album Star in 1993, with the hope to debut in America. In 1996, the group was rebranded as Cubic U, an R&B project focusing on Hikaru Utada, resulting in the English language album Precious in 1998 with record label Toshiba EMI.
"Final Distance" is a song by Japanese recording artist Hikaru Utada for her third studio album Deep River (2002). Written by Utada herself, the song was produced and composed by long-time collaborators Akira Miyake, Utada's father Teruzane Utada and herself. "Final Distance" was originally recorded as "Distance" which was taken from the album with the same name, despite not being a single. The song was re-recorded, re-arranged, and dedicated to Rena Yamashita, a six-year-old victim of the Osaka school massacre who had written an essay about being inspired by Utada.
"Toi et Moi" is Namie Amuro's 13th single under the Avex Trax label, released on July 7, 1999.
The discography of Japanese pop singer Koda Kumi includes 17 studio albums, 2 cover albums, 10 compilation albums, 10 remix albums, 9 live albums and 57 singles. All of her Japanese musical releases have been with Rhythm Zone, a sub-label of Avex Group.
"Connected" is a song recorded by Japanese recording artist and lyricist Ayumi Hamasaki for her fourth studio album I Am..., first made available on January 1, 2002. The song was written by Hamasaki herself while it was produced by Dutch disc jockey Ferry Corsten. The song was first conceived when Corsten had developed a track in Europe entitled "The Lots of Love". Despite him playing it at several events and shows throughout Europe, he did not release the track. After this, Hamasaki and Corsten had started to collaborate and the pair had changed and used the finishing result to create "Connected".
The discography of Japanese R&B singer Misia consists of nine studio albums, three compilation albums, one extended play (EP), one live album, six remix albums, twenty-six singles, twelve promotional singles, eighteen video albums and thirty-seven music videos. In 1997, Misia signed a recording contract with BMG Japan and joined the then up-and-coming talent agency, Rhythmedia. Under the sub-label Arista Japan, Misia released her first single, "Tsutsumikomu Yō ni..." in February 1998, followed by "Hi no Ataru Basho" in May. In June, her debut album, Mother Father Brother Sister, opened at number three on the Oricon chart. The album peaked at number one three weeks later and stayed in the top five for eleven consecutive weeks. Mother Father Brother Sister was certified double million and won a Japan Record Award for Best Album, as well as a Japan Gold Disc Award for Pop Album of the Year. In 2000, Misia's second studio album, Love Is the Message, debuted at number one and was certified double million. It won a Japan Record Award for Best Album and a Japan Gold Disc Award for Pop Album of the Year. The album spawned three top ten hits: "Believe," "Wasurenai Hibi" and "Sweetness." Misia's first remix album, Misia Remix 2000 Little Tokyo, was released three months later and shot to number one. It sold over 800,000 copies and is the second best-selling remix album of all time in Japan.
BUT / Aishou(愛証 / Love Proof) is singer-songwriter Koda Kumi's 35th single and was released on March 14, 2007. It was her first single of 2007 and first to bring her new era, Kingdom. The single was a limited purchase, only being sold from March 2007 to May 2007. It charted No. 2 on Oricon and stayed on the charts for fourteen weeks. The single was released the same day as her third compilation album, Best ~Bounce & Lovers~, which was also of limited release.
"Beautiful World" is a song by Japanese American musician Hikaru Utada. It served as the theme song for Evangelion: 1.0 You Are (Not) Alone, the 2007 film reboot of the anime Neon Genesis Evangelion. It was released as a double A-side single on August 29, 2007 along with her song "Kiss & Cry", which had been released digitally three months earlier. In 2009, a remix of the song, "Beautiful World " served as the theme song of the second film in the series, Evangelion: 2.0 You Can (Not) Advance.
Ai no Uta(愛のうた / Song of Love) is the 37th single released by Japanese pop singer-songwriter Kumi Koda. The single was released in CD and CD+DVD, with limited editions carrying the "Urban Kiss Version" of Ai no Uta. The single was released on September 12, 2007, and followed the theme of Yume no Uta/Futari de... as an autumn/winter-time love ballad. It charted at No. 2 on Oricon and stayed on the charts for twenty-two weeks.
The discography of Japanese singer Mai Kuraki consists of fifteen studio albums, six compilation albums, twenty-three video albums, three remix albums, fifty-six singles, and sixteen promotional singles. Kuraki debuted in 1999, while she was still in high school, through Giza Studio. The label initially marketed Kuraki in the United States under the name Mai K, and released the single "Baby I Like" (1999). However, the single was a commercial failure which prompted the label to send her back to Japan. There, they released her single "Love, Day After Tomorrow", which peaked at number two on the Oricon Singles Chart and was certified million by the Recording Industry Association of Japan (RIAJ). The second single, "Stay by My Side" became her first number one single on the chart. Kuraki's debut album, Delicious Way, topped the Oricon Albums Chart and was certified triple million by the RIAJ.
Diva: The Singles Collection is a 2006 compilation album by Sarah Brightman. Alongside this album, Brightman released a DVD collection of her music videos on 3 October 2006 under the title of Diva: The Video Collection. The album marked the first time Brightman released a greatest hits album in the United States. It reached No. 1 on the Billboard Classical Crossover chart. In Japan, the album debuted and peaked at No. 2 with 77,000 copies sold on its first week of release, and became Japan's best-selling classical album of 2007. Subsequently, it was Japan's fifteenth best-selling international album of the 2000s decade. Diva was also the best-selling western album in South Korea in 2010, as it topped the international charts for 26 non-consecutive weeks. As of December 2013, it has been certified Quintuple Platinum in the country.
"Jet Coaster Love" is the third Japanese single of South Korean girl group Kara. The single was originally set to be released on March 23, 2011, but following the 2011 Great Tohoku Earthquake and tsunami disaster in Japan, the physical single was rescheduled to April 6, 2011. In order to help out the areas affected by the disaster, the group had decided to donate all proceeds from the sales of this single, both physical and digital, to relief efforts. It eventually became the group's first single to reach #1 on Oricon Daily and Weekly charts.
