A White Sport Coat and a Pink Crustacean | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 4, 1973 (Dunhill, LP) October 26, 1987 (MCA, LP reissue, CD) | |||
Studio | Glaser Sound (Nashville, Tennessee) | |||
Genre | ||||
Length | 36:06 | |||
Label | Dunhill (LP) 50150 MCA (LP reissue, CD) MCA-37023 (LP) MCAD-11093 (CD) | |||
Producer | Don Gant | |||
Jimmy Buffett chronology | ||||
|
A White Sport Coat and a Pink Crustacean is the third studio album by American singer-songwriter Jimmy Buffett. It was released on June 4, 1973, as his first album for Dunhill.
The title of the album is a play on the country song "A White Sport Coat and a Pink Carnation" by Marty Robbins, and it contains several of what later became Buffett's most popular songs. The album was recorded at outlaw country singer Tompall Glaser's recording studio in Nashville, Tennessee. It marks the first reference to Buffett's backup band as "The Coral Reefer Band" and is the first album on which long-time Reefers Michael Utley and Greg "Fingers" Taylor play.
The album reached number 43 on the Billboard Top Country Albums chart, but did not make the Billboard 200 album chart, his last major release not to make that chart. The single of "The Great Filling Station Holdup" reached number 58 on the Billboard Hot Country Singles chart and "Grapefruit Juicy Fruit" was number 23 on the Billboard Easy Listening chart.
All of the songs on A White Sport Coat and a Pink Crustacean were written or co-written by Buffett.
The most well-known song of the album, the novelty "Why Don't We Get Drunk (and Screw)", was originally released as a B-side, backing the single "The Great Filling Station Holdup", and inspired some controversy at the time due to its lyrics. Buffett wrote "Why Don't We Get Drunk" and is credited with doing so, and with playing maracas and beer cans on the album, under the pseudonym Marvin Gardens; derived from a property on the original Atlantic City version of the Monopoly game board.
"He Went to Paris" is a perennial fan-favorite ballad, appearing on most of Buffett's greatest-hits collections. It was covered by Waylon Jennings in 1980 and Doug Supernaw in 1994. Buffett re-recorded it for his 2003 compilation Meet Me in Margaritaville: The Ultimate Collection .
Buffett and Jerry Jeff Walker co-wrote "Railroad Lady". Walker recorded the song a year earlier than Buffett, and it was later further popularized by Lefty Frizzell, Merle Haggard, and Willie Nelson.
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Billboard | (positive) [2] |
Christgau's Record Guide | B [3] |
The Rolling Stone Record Guide | [4] |
Although it was not successful commercially at the time of its release, A White Sport Coat and a Pink Crustacean is generally considered one of Buffett's better albums[ citation needed ] and the beginning of his success.[ citation needed ] Johnny Loftus of AllMusic argues, "while it still lies much closer to Nashville than Key West," the album "does begin to delineate the blowsy, good-timin' Key West persona that would lead him to summer tour stardom" and is "highly recommended for Buffett completists and those interested in his more introspective side." [1]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Great Filling Station Holdup" | Jimmy Buffett | 3:02 |
2. | "Railroad Lady" |
| 2:46 |
3. | "He Went to Paris" | Buffett | 3:29 |
4. | "Grapefruit—Juicy Fruit" | Buffett | 2:57 |
5. | "Cuban Crime of Passion" |
| 3:42 |
6. | "Why Don't We Get Drunk" | Marvin Gardens | 2:43 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Peanut Butter Conspiracy" | Buffett | 3:43 |
2. | "They Don't Dance Like Carmen No More" | Buffett | 2:57 |
3. | "I Have Found Me a Home" | Buffett | 3:58 |
4. | "My Lovely Lady" | Buffett | 3:10 |
5. | "Death of an Unpopular Poet" | Buffett | 3:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Great Filling Station Holdup" | Buffett | 3:02 |
2. | "Cuban Crime of Passion" |
| 3:42 |
3. | "I Have Found Me a Home" | Buffett | 3:58 |
4. | "Death of an Unpopular Poet" | Buffett | 3:39 |
5. | "Peanut Butter Conspiracy" | Buffett | 3:43 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Railroad Lady" |
| 2:46 |
2. | "He Went to Paris" | Buffett | 3:29 |
3. | "Why Don't We Get Drunk" | Marvin Gardens | 2:43 |
4. | "Grapefruit—Juicy Fruit" | Buffett | 2:57 |
5. | "They Don't Dance Like Carmen No More" | Buffett | 2:57 |
6. | "My Lovely Lady" | Buffett | 3:10 |
The Coral Reefer Band:
Changes in Latitudes, Changes in Attitudes is the seventh studio album by American popular music singer-songwriter Jimmy Buffett. This is his breakthrough album, which remains the best-selling studio album of Buffett's career, and contains his biggest single, "Margaritaville". It was initially released in January 1977 as ABC AB-990 and rereleased on its successor label, MCA.
Havana Daydreamin' is the sixth studio album by American popular music singer-songwriter Jimmy Buffett and his fourth regular major label album. It was produced by Don Gant and released on January 20, 1976, on ABC ABCD-914 and January 28, 1987, on ABC Dunhill's successor label MCA.
Son of a Son of a Sailor is the eighth studio album by American singer-songwriter Jimmy Buffett. It was initially released in March 1978 as ABC Dunhill AA-1046 and later re-released on its successor label, MCA.
"Why Don't We Get Drunk" is a novelty song written and performed by American singer-songwriter Jimmy Buffett. It was a B-side to "The Great Filling Station Holdup", the first single from his 1973 album A White Sport Coat and a Pink Crustacean. A fan favorite, the song was almost always performed at Buffett's live concerts until 2007 Bama Breeze tour, after which it was only performed occasionally.
Living and Dying in ¾ Time is the fourth studio album by American singer-songwriter Jimmy Buffett. It is the second major label album in Buffett's Don Gant-produced "Key West phase". It was initially released in February 1974 as his second album for Dunhill Records. It contains the song "Come Monday", his first top-40 hit single.
Live at Fenway Park is a live album by American singer-songwriter Jimmy Buffett. It is one of a number of Jimmy Buffett sound board live albums recorded directly from the mixing console without further editing, in this sense resembling bootleg recordings.
A1A or A-1-A is the fifth studio album by American popular music singer-songwriter Jimmy Buffett and the third major label album in Buffett's Don Gant-produced "Key West phase". It was initially released in December 1974 as Dunhill DS-50183 and later re-released on Dunhill's successor labels ABC and MCA.
Michael Edward Utley is an American musician, songwriter, record producer, and musical director for Jimmy Buffett's Coral Reefer Band.
Songs You Know by Heart: Jimmy Buffett's Greatest Hit(s) is the 18th album and the first greatest hits compilation by American singer-songwriter Jimmy Buffett. It was released in 1985. The parenthetical "s" in the subtitle alludes to the status at the time of "Margaritaville" as Buffett's single large chart hit.
You Had to Be There is a live double album by the American popular music singer-songwriter Jimmy Buffett. It was originally released in October 1978 as ABC AK-1008/2 and later re-released on ABC's successor label MCA. It is the first of Buffett's many live albums and his tenth album overall. The original vinyl print album included a fold-out poster showing many photos taken during the 1978 Cheeseburger in Paradise Tour.
Volcano is the ninth studio album by American popular music singer-songwriter Jimmy Buffett and is his 11th overall. It was released on August 1, 1979, as his first album for MCA after its absorption of ABC Dunhill.
Live in Auburn is a live album by the American singer-songwriter Jimmy Buffett and is one of number of Jimmy Buffett sound board live albums recorded directly from the mixing console without further editing, thus resembling bootleg recordings.
Live by the Bay is a 1986 direct-to-video concert film of American popular music singer-songwriter Jimmy Buffett and the Coral Reefer Band. It was released in 1986 by MCA Entertainment. The 87-minute film was recorded from back to back concerts in Miami, Florida on August 16 and 17, 1985, at Miami Marine Stadium and is the first concert video released by Buffett. Miami Vice star Don Johnson introduced Buffett to the crowd. A brief rain shower during the middle of the Friday night show prompted Buffett to retreat to his sailboat and caused a majority of the final video release to feature the Saturday night show. After the rain cleared on Friday, the band played Little Feat's "Dixie Chicken" to demonstrate the equipment still functioned before Buffett returned to the stage.
Riddles in the Sand is the thirteenth studio album by American popular music singer-songwriter Jimmy Buffett. It was released in September 1984 as MCA 5512 and was produced by noted country music producer Jimmy Bowen and represented a concerted shift toward a more country sound by Buffett. He appeared on the album's cover in typical country singer garb and promoted the album at Fan Fair country music festival in Nashville, Tennessee. The album was originally to have been titled Gulf and Western Music reflecting the fusion of musical styles seen in much of Buffett's music often called Gulf and Western music. In the album's liner notes, Jim Harrison says, "This album has a musical range expanding in an arc from Bob Wills to Bob Marley with the Gulf somehow always there."
Floridays is the fifteenth album by American popular music singer-songwriter Jimmy Buffett. It was released in June 1986 as MCA 5730 and was produced by Coral Reefer Band member Michael Utley and recorded and mixed by Jay Rifkin. The title of the album is taken from the 1941 poetry collection of the same name by Don Blanding. The album marks the end of Buffett's shift toward a more country sound that characterized his previous two releases and a return to a sound closer to that of his late 1970s and early 1980s output. The album features a wider variety of musical instruments than was typical for Buffett's previous works, notably several songs with strings and horns. His daughter Savannah Jane Buffett is credited for playing mini-conga on the album. It was also his last studio album to feature Jimmy Buffett's trademark mustache, before he shaved it off for the next album Hot Water in 1988.
Hot Water is the sixteenth studio album by American popular music singer-songwriter Jimmy Buffett. It was released in June 1988 by MCA 42093 and was produced by Coral Reefer Band members Michael Utley, Russell Kunkel, and Ralph MacDonald. The album was engineered and mixed by Jay Rifkin. The album was Jimmy's first album recorded at his new studio in Key West, Florida called Shrimpboat Sound. The LP continues Buffett's use of a wide variety of musical instruments than was typical for Buffett's earlier works, notably horns and percussion. Buffett shaved off his trademark mustache for the album.
Off to See the Lizard is the seventeenth studio album by American popular music singer-songwriter Jimmy Buffett. Initially to be called Stranger than Fishing, it was released in June 1989 as MCA 6314 and was produced by Elliot Scheiner and Buffett. The album is the first to feature much of the Coral Reefer Band. Following the release of this album, Buffett paused his normal output of one album every year or two and did not release another album until 1994's Fruitcakes.
Feeding Frenzy: Jimmy Buffett Live! is a live album by American popular music singer-songwriter Jimmy Buffett. It was initially released in October 1990 as MCA 10022. It is the second of Buffett's many live albums.
"Grapefruit—Juicy Fruit" is a song written and performed by American singer-songwriter Jimmy Buffett. It was first released on his 1973 album A White Sport Coat and a Pink Crustacean and was his third single from that album. The single reached No. 23 on the Billboard Easy Listening chart in September 1973.
"The Great Filling Station Hold Up" is a song written and performed by American popular music singer-songwriter Jimmy Buffett. It was first released on his 1973 album A White Sport Coat and a Pink Crustacean and was his first single from that album. The single reached No. 58 on the US Country chart in 1973.