Séance on a Wet Afternoon is a 1964 British crime thriller film, directed by Bryan Forbes, and starring Kim Stanley, Richard Attenborough, Nanette Newman, Mark Eden and Patrick Magee. Based on the 1961 novel by Mark McShane, the film follows a mentally unstable medium who convinces her husband to kidnap a child so she can help the police solve the crime and achieve renown for her abilities. Kim Stanley was nominated for the Academy Award for Best Actress for her role in the film.
The Manxman is a 1929 British silent romance film directed by Alfred Hitchcock and starring Anny Ondra, Carl Brisson and Malcolm Keen. The film is based on a popular 1894 romantic novel The Manxman by Hall Caine, which had previously been made into a film 13 years earlier. It was the last fully silent production that Hitchcock directed before he made the transition to sound film with his next film Blackmail (1929).
Hazel Court was an English actress. She is known for her roles in British and American horror films during the 1950s and early 1960s, including Terence Fisher's The Curse of Frankenstein (1957) and The Man Who Could Cheat Death (1959) for Hammer Film Productions, and three of Roger Corman's adaptations of Edgar Allan Poe stories for American International Pictures: The Premature Burial (1962), The Raven (1963) and The Masque of the Red Death (1964).
Ferdy Mayne or Ferdie Mayne was a German-British stage and screen actor. Born in Mainz, he emigrated to the United Kingdom in the early 1930s to escape the Nazi regime. He resided in the UK for the majority of his professional career. Working almost continuously throughout a 60-year-long career, Mayne was known as a versatile character actor, often playing suave villains and aristocratic eccentrics in films like The Fearless Vampire Killers, Where Eagles Dare, Barry Lyndon, and Benefit of the Doubt.
The Tell-Tale Heart is a 1960 British horror film directed by Ernest Morris and starring Laurence Payne, Adrienne Corri and Dermot Walsh. It was produced by the Danzigers. The screenplay by Brian Clemens and Eldon Howard is a loose adaptation of the 1843 short story of the same name by Edgar Allan Poe. The film was released in England in December 1960, and in the U.S. in February 1962 as The Hidden Room of 1,000 Horrors.
Ghost Ship is a 1952 British second feature thriller film directed by Vernon Sewell and starring Dermot Walsh and Hazel Court. It was written by Sewell and Philip Thornton. This was one of four attempts by Sewell to adapt and film the Pierre Mills and Celia de Vilyars Grand Guignol stage play L'Angoisse.
Jassy is a 1947 British colour film historical melodrama directed by Bernard Knowles and starring Margaret Lockwood, Patricia Roc and Dennis Price. It was written by Dorothy Christie, Campbell Christie and Geoffrey Kerr based on the 1944 novel by Norah Lofts. Set in the early 19th century, it is a Gainsborough melodrama, the only one to be made in Technicolor, and was the last "official" Gainsborough melodrama.
Dermot Walsh was an Irish stage, film and television actor, known for portraying King Richard the Lionheart in the 1962 television series Richard the Lionheart.
The Glass Cage is a 1955 British second feature mystery film, directed by Montgomery Tully and starring John Ireland, Honor Blackman and Sid James. It was made by Hammer Film Productions. The film is based on the novel The Outsiders by A.E. Martin.
Jigsaw is a 1962 British black and white crime film directed by Val Guest and starring Jack Warner and Ronald Lewis. The screenplay was by Guest based on the 1959 police procedural novel Sleep Long, My Love by Hillary Waugh, with the setting changed from the fictional small town of Stockford, Connecticut, to Brighton, Sussex, while retaining the names and basic natures of its two police protagonists and most of the other characters.
The Safecracker is a 1958 British crime film noir directed by Ray Milland and starring Milland, Barry Jones and Victor Maddern.
Three Spare Wives is a 1962 British comedy film directed by Ernest Morris and starring Susan Stephen, John Hewer, Robin Hunter. It was based on a play by Talbot Rothwell.
The End of the Line is a 1957 British second feature crime film directed by Charles Saunders and starring Alan Baxter, Barbara Shelley, Ferdy Mayne and Jennifer Jayne. The screenplay was by Paul Erickson. It was released in the USA in 1959.
The Narrowing Circle is a 1956 British crime film directed by Charles Saunders and starring Paul Carpenter, Hazel Court and Russell Napier. It is based on the 1954 novel of the same title by Julian Symons. A crime writer finds himself framed for murder.
My Sister and I is a 1948 British drama film directed by Harold Huth and starring Sally Ann Howes, Barbara Mullen, Dermot Walsh, Hazel Court, Martita Hunt and Patrick Holt. The screenplay concerns a woman who comes under suspicion when an elderly lady she lodges with dies and leaves her all her money. It is based on the novel High Pavement by Emery Bonett.
The Flesh and Blood Show is a 1972 British horror slasher film directed and produced by Pete Walker, and starring Ray Brooks, Jenny Hanley, and Luan Peters. The screenplay was by Alfred Shaughnessy. It follows a group of actors being stalked and murdered by an unseen assailant while rehearsing a play at a derelict seaside theatre.
The Spider's Web is a 1960 British mystery film directed by Godfrey Grayson and starring Glynis Johns, John Justin, Cicely Courtneidge and Jack Hulbert. It was adapted by Albert G. Miller and Eldon Howard from the 1954 play Spider's Web by Agatha Christie, and was a rare Technicolor 'A' feature from the Danzigers.
Tarnished Heroes is a 1961 British war film directed by Ernest Morris and starring Dermot Walsh and Anton Rodgers. It was produced by Danziger Productions.
Three Sundays to Live is a low budget 1957 second feature ('B') film noir British film directed by Ernest Morris and starring Kieron Moore and Jane Griffiths. It was written by Brian Clemens and produced by The Danzigers.
Deadly Record is a 1959 British second feature crime drama directed by Lawrence Huntington, starring Lee Patterson and Barbara Shelley. It was written by Vivian A. Cox and Huntington based on the 1958 novel by Nina Warner Hooke. It aired in the US in the Kraft Mystery Theatre TV series.
