"The Black Cat" is a short story by American writer Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. In the story, an unnamed narrator has a strong affection for pets until he perversely turns to abusing them. His favorite, a pet black cat, bites him one night and the narrator punishes it by cutting its eye out and then hanging it from a tree. The home burns down but one remaining wall shows a burned outline of a cat hanging from a noose. He soon finds another black cat, similar to the first except for a white mark on its chest, but he develops a hatred for it as well. He attempts to kill the cat with an axe but his wife stops him; instead, the narrator murders his wife. He conceals the body behind a brick wall in his basement. The police soon come and, after the narrator's tapping on the wall is met with a shrieking sound, they find not only the wife's corpse but also the black cat that had been accidentally walled in with the body and alerted them with its cry.
"The Tell-Tale Heart" is a short story by American writer Edgar Allan Poe, first published in 1843. It is told by an unnamed narrator who endeavors to convince the reader of the narrator's sanity while simultaneously describing a murder the narrator committed. The victim was an old man with a filmy pale blue "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, attempting the perfect crime, complete with dismembering the body in the bathtub and hiding it under the floorboards. Ultimately, the narrator's actions result in hearing a thumping sound, which the narrator interprets as the dead man's beating heart.
"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
Hazel Court was an English actress. She is known for her roles in British and American horror films during the 1950s and early 1960s, including Terence Fisher's The Curse of Frankenstein (1957) and The Man Who Could Cheat Death (1959) for Hammer Film Productions, and three of Roger Corman's adaptations of Edgar Allan Poe stories for American International Pictures: The Premature Burial (1962), The Raven (1963) and The Masque of the Red Death (1964).
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
The Avenging Conscience: or "Thou Shalt Not Kill" is a 1914 silent horror film directed by D. W. Griffith. The film is based on Edgar Allan Poe's 1843 short story "The Tell-Tale Heart" and his 1849 poem "Annabel Lee".
The Tell-Tale Heart is an 1843 short story by Edgar Allan Poe.
Cash on Demand is a 1961 British black and white second feature neo noir crime thriller film directed by Quentin Lawrence and starring Peter Cushing and André Morell. The screenplay was adapted from the 1960 Associated Television Theatre 70 teleplay The Gold Inside, also directed by Lawrence, and featuring André Morell and Richard Vernon in the same roles.
The House in Marsh Road, known on American television as Invisible Creature, is a 1960 British horror suspense film produced by Maurice J. Wilson, directed by Montgomery Tully and starring Tony Wright, Patricia Dainton and Sandra Dorne. The plot centres on a benevolent poltergeist in a country home which protects a woman from her homicidal husband. It may be one of the first films to use the word 'poltergeist' in reference to a spirit or ghost. The film was never released to theatres in the US, and instead went straight to television.
The Voice of Merrill is a 1952 British mystery film directed by John Gilling and starring Valerie Hobson, James Robertson Justice and Edward Underdown. The Voice of Merrill was made by Tempean Films, the company owned by the film's producers Monty Berman and Robert S. Baker, which between the late 1940s and the late 1950s specialised in turning out low-budget B-movies as unpublicised second-features for the UK cinema market. On its release however, The Voice of Merrill was recognised by its distributors, Eros Films, as unusually sophisticated and stylish for a B-movie, and was elevated to the status of co-feature in cinemas. It was released in the United States the following year under the title Murder Will Out.
Jane Hylton was an English actress who accumulated 30 film credits, mostly in the 1940s and 1950s, before moving into television work in the latter half of her career in the 1960s and 1970s.
Trouble with Eve is a 1960 British second feature comedy film directed by Francis Searle and starring Hy Hazell, Sally Smith, Robert Urquhart and Garry Marsh. It was based on the play Widows are Dangerous by June Garland. It was shot at Walton Studios. The film was released in the U.S. in 1964 as In Trouble With Eve.
Star of My Night is a 1954 British romance film directed by Paul Dickson and starring Griffith Jones, Kathleen Byron and Hugh Williams. An adaptation of Paul Tabori's novel Le Soleil de ma Nuit, it concerns a sculptor who becomes romantically involved with a ballerina. It was produced as a second feature by the Danziger Brothers, although it had a more established cast than many.
James Wilson was a British cinematographer.
Eldon Howard was a British screenwriter. She was the mother-in-law of Edward J. Danziger and wrote a number of the screenplays for films by his company Danziger Productions.
The Fall of the House of Usher is a 1950 British horror film directed by Ivan Barnett and starring Gwen Watford in her film debut, with Kaye Tendeter and Irving Steen. It is an adaptation of the 1839 short story of the same title by Edgar Allan Poe.
Edward J. Danziger (1909–1999) and Harry Lee Danziger (1913–2005) were American-born brothers who produced many British films and TV shows in the 1950s and 1960s.
Sentenced for Life is a low budget 1960 British second feature crime film directed by Max Varnel and starring Basil Dignam, Jack Gwillim, Francis Matthews, and Jill Williams.
The Tell-Tale Heart is a 1934 British drama film directed by Brian Desmond Hurst. The screenplay by David Plunkett Greene is based on the 1843 short story of the same name by Edgar Allan Poe. It is the earliest known "talkie" film adaptation of the story.
Double Exposure is a 1954 British crime film directed by John Gilling and starring John Bentley, Rona Anderson and Garry Marsh. It was made at Southall Studios as a second feature. The film's sets were designed by Wilfred Arnold.
