Jigsaw | |
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Directed by | Fletcher Markle |
Screenplay by | Fletcher Markle Vincent McConnor |
Story by | John Roeburt |
Produced by | Edward J. Danziger Harry Lee Danziger |
Starring | Franchot Tone Jean Wallace Marc Lawrence |
Cinematography | Don Malkames |
Edited by | Robert Matthews |
Music by | Robert W. Stringer |
Production company | Tower Pictures |
Distributed by | United Artists |
Release dates |
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Running time | 72 minutes |
Country | United States |
Language | English |
Budget | $400,000 [1] |
Jigsaw is a 1949 American film noir crime drama directed by Fletcher Markle starring Franchot Tone, Jean Wallace and Marc Lawrence. The feature was produced by the Danziger Brothers, Edward J. Danziger and Harry Lee Danziger from a screenplay by Vincent McConnor and Fletcher Markle, which was based on a story by John Roeburt. [2]
The film features cameo appearances by Marlene Dietrich, Henry Fonda, John Garfield, Burgess Meredith, Marsha Hunt, Doe Avedon, Everett Sloane, newspaper columnist Leonard Lyons and the film's director, Fletcher Markle.
The murder of a print shop owner is quickly labeled a suicide. However, newspaper columnist Charlie Riggs is convinced that it was a murder related to a white neofascist organization called the Crusaders and relays this suspicion to assistant district attorney Howard Malloy. Riggs also publishes his opinion in his column.
Riggs is murdered, inducing Malloy to launch an investigation into the Crusaders. The group appears to be backed by organized crime, and Malloy receives unsolicited help from a crime boss named Angel, who recommends him for the position of special prosecutor.
Later, with further help from a prominent judge's widow, Malloy is appointed, and the criminals think that he is in their pocket. However, Malloy proceeds to investigate the artist who created the Crusaders' recruiting poster and sees a painting of an attractive night club singer, so Malloy investigates her. After a series of revelations, a fiery exchange takes place.
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In a contemporary review for The New York Times , critic Bosley Crowther wrote: "It is sluggishly directed by Fletcher Markle, who also co-authored the script, and almost indifferently played, where good playing would do the most for it, by Franchot Tone in the principal role ... An irresistible temptation to get a few recognizable stars to play bit roles in the picture was accepted unfortunately. John Garfield is seen as a loafer, Henry Fonda as a waiter in a club, Burgess Meredith as a bartender, Marcia Hunt as a secretary and such. This tomfooling doesn't help the picture. It gives the whole thing a faintly prankish look." [3]
Critic Philip K. Scheuer of the Los Angeles Times wrote: "'Jigsaw,' produced by Franchot Tone and associates in New York in attempted semidocumentary style, strikes me as a dilettante effort at movie making. The boys seem to have gotten hold of a camera and decided to play around with it. This is too bad, because they also chose a serious subject—the spreading of racial intolerance—and then muddled it up almost hopelessly." [4]
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
Oliver Burgess Meredith was an American actor and filmmaker whose career encompassed radio, theater, film, and television.
In Harm's Way is a 1965 American epic historical romantic war film produced and directed by Otto Preminger and starring John Wayne, Kirk Douglas, and Patricia Neal, with a supporting cast featuring Henry Fonda in a lengthy cameo, Tom Tryon, Paula Prentiss, Stanley Holloway, Burgess Meredith, Brandon deWilde, Jill Haworth, Dana Andrews, and Franchot Tone. Produced with Panavision motion picture equipment, it was one of the last black-and-white World War II epics, and Wayne's last black-and-white film. The screenplay was written by Wendell Mayes, based on the 1962 novel Harm's Way, by James Bassett.
Shock is a 1946 American film noir directed by Alfred L. Werker and starring Vincent Price, Lynn Bari and Frank Latimore. It was produced and distributed by 20th Century Fox.
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Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though his reviews were criticized as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
The Underworld Story is a 1950 American film noir crime film directed by Cy Endfield and starring Dan Duryea, Herbert Marshall, Gale Storm, Howard Da Silva and Michael O'Shea. Da Silva plays the loud-mouthed gangster Carl Durham, one of his last roles before becoming blacklisted.
Studio One is an American anthology drama television series that was adapted from a radio series. It was created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. It premiered on November 7, 1948, and ended on September 29, 1958, with a total of 467 episodes over the course of 10 seasons.
Fletcher Markle was a Canadian actor, screenwriter, television producer and director. Markle began a radio career in Canada, then worked in radio, film and television in the United States.
Advise & Consent is a 1962 American political drama film based on the Pulitzer Prize-winning novel Advise and Consent by Allen Drury, published in 1959. The film was adapted for the screen by Wendell Mayes and was directed by Otto Preminger. The film, set in Washington, D.C., follows the nomination process of a man who commits perjury in confirmation hearings for his nomination as Secretary of State. The title derives from the United States Constitution's Article II, Sec. 2, cl. 2, which provides that the president of the United States "shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the Supreme Court, and all other Officers of the United States." The ensemble cast features Henry Fonda, Charles Laughton, Don Murray, Walter Pidgeon, Peter Lawford, Gene Tierney, Franchot Tone, Lew Ayres, Burgess Meredith, Eddie Hodges, Paul Ford, George Grizzard, Inga Swenson, Betty White and others.
Every Girl Should Be Married is a 1948 American romantic comedy film directed by Don Hartman and starring Cary Grant, Betsy Drake and Franchot Tone. Grant and Drake married a year after the film's release.
On Our Merry Way is a 1948 American comedy film produced by Benedict Bogeaus and Burgess Meredith and released by United Artists. At the time of its release, King Vidor and Leslie Fenton were credited with its direction, although the DVD lists John Huston and George Stevens, who assisted with one of the segments, as well. The screenplay by Laurence Stallings and Lou Breslow, based on an original story by Arch Oboler, is similar in style to that of Tales of Manhattan (1942), another anthology film made up of several vignettes linked by a single theme. The picture stars Paulette Goddard, Burgess Meredith, James Stewart, Henry Fonda, Harry James, Dorothy Lamour, Victor Moore and Fred MacMurray. It marks the first joint movie appearance of Stewart and Fonda, who play a pair of musicians in their section of the film.
Out of the Fog is a 1941 American film noir crime drama directed by Anatole Litvak and starring John Garfield, Ida Lupino and Thomas Mitchell. The film was based on the play The Gentle People by Irwin Shaw. It was made and released by Warner Brothers.
Fast and Furious is a 1939 American mystery comedy film directed by Busby Berkeley. The film stars Franchot Tone and Ann Sothern as Joel and Garda Sloane, a crime-solving married couple who are also rare book dealers. It is the last of a Metro-Goldwyn-Mayer trilogy, along with Fast Company (1938) and Fast and Loose (1939). However, different actors played the couple each time.
The Man on the Eiffel Tower is a 1950 American Ansco Color film noir mystery film starring Charles Laughton, Franchot Tone, Burgess Meredith, and Robert Hutton. Ultimately directed by Meredith, it is based on the 1931 novel La Tête d'un homme by Belgian writer Georges Simenon featuring his detective Jules Maigret. The film was co-produced by Tone and Irving Allen as A&T Film Productions and released by RKO Radio Pictures. Much of the outdoor action occurs in familiar Paris locales, including the Eiffel Tower, the Seine, and Pigalle.
Bride of Vengeance is a 1949 American historical drama film directed by Mitchell Leisen and starring Paulette Goddard, John Lund and Macdonald Carey. Produced and distributed by Paramount Pictures, it is set in the Italian Renaissance era. Ray Milland was originally cast in the film but refused the assignment, leading the studio to suspend him for ten weeks.
Scene of the Crime is a 1949 American film noir directed by Roy Rowland, starring Van Johnson, and featuring Gloria DeHaven, Arlene Dahl, and Tom Drake. The film's screenplay, by Charles Schnee, is based on a non-fiction article by John Bartlow Martin, "Smashing the Bookie Gang Marauders". It was the only property sold by Martin to be made into a film. Scene of the Crime was producer Harry Rapf's last film of his thirty-plus year career; he died of a heart attack a week after principal photography for the film began.
Key Witness is a 1947 American film noir crime film directed by D. Ross Lederman and starring John Beal, Trudy Marshall and Jimmy Lloyd.
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