Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.
Kimono My House is the third studio album by American rock band Sparks, released on May 1, 1974, by Island Records. The album is considered to be their commercial breakthrough, and was met with widespread acclaim.
James Andrew Mankey is an American rock guitarist, most widely known as the co-founder and longtime guitarist of the band Concrete Blonde. Mankey was also the bassist with the band Sparks for their first two albums.
Sparks, originally titled Halfnelson, is the debut album by the Los Angeles rock band Sparks. The album was first released as Halfnelson, the band's original name, and reissued a year later under the group’s new name.
Propaganda is the fourth studio album by American rock band Sparks, released on November 11, 1974. Following up their commercial breakthrough, Kimono My House, released earlier the same year, it was a moderate success in the United States and peaked at No. 9 in the U.K. in 1975. The album cover features an image of a tied-up and gagged Mael brothers, titled "Welcome on Board," which was taken by photographer Monty Coles.
Indiscreet is the fifth album by Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was a departure from the glam rock sound of Kimono My House and Propaganda, and emphasised the theatrical elements of their work, with greater use of orchestral arrangements and drawing from non-rock orientated styles such as jazz, big band, swing, vaudeville, and classical music. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song "How Are You Getting Home?" was used in Leos Carax's film Holy Motors.
Big Beat is the sixth album by American rock band Sparks, released in 1976.
Introducing Sparks is the seventh album by the American rock band Sparks, released in 1977 by Columbia Records.
Nº 1 in Heaven is the eighth studio album by American rock band Sparks. Recorded with Italian disco producer Giorgio Moroder, the album marked a change of musical direction for the group and became influential on later synth-pop bands.
Terminal Jive is the ninth album by the American rock band Sparks and the second recorded with Giorgio Moroder. The album has a disco-vibe like its predecessor but featured fewer synthesizers, opting instead for more electric rock guitar, resulting in a new wave sound. The album was produced by Moroder and Harold Faltermeyer, the latter of whom is claimed to have produced the majority of the album.
Angst in My Pants is the eleventh studio album by American pop and rock band Sparks. The album was released in 1982 by Atlantic Records in both the US and UK, and this was the sixth overall label that the band was signed to in the US, and, for the first time since the mid-1970s, the band would be signed to the same label in both the US and UK for three consecutive studio albums.
Pulling Rabbits Out of a Hat is the thirteenth studio album by American pop and rock band Sparks, released in June 1984 by Atlantic Records. It was not very well received and failed to capitalise on the commercial success of their previous studio album In Outer Space (1983). The album developed the light synth-pop sound of In Outer Space but with slightly darker lyrics revolving around Ron Mael's favourite subject matter: relationships.
Music That You Can Dance To is the fourteenth studio album by American pop band Sparks, released in September 1986 by MCA Records in the US and Consolidated Allied Records in the UK, two years after their previous studio album, Pulling Rabbits Out of a Hat (1984).
Gratuitous Sax & Senseless Violins is the 16th album by American rock band Sparks. It was released in 1994, after an absence from the music industry of 6 years, and marked the duo's transition into a more techno/Eurobeat-influenced sound, which earned them popularity in Germany.
Balls is the 18th album by the American rock band Sparks, released in 2000.
Lil' Beethoven is the 19th album by the American rock band Sparks, released on November 26, 2002. The album was a radical musical departure compared to their previous works. The band only used strings, piano, and voices but sporadic drums: the result was both classical and pop music.
Earle Mankey is an American musician, record producer and audio engineer. He was a founding member and guitarist for the band Halfnelson, later called Sparks. He became a record producer, predominantly for Los Angeles area bands like The Pop, 20/20, The Runaways, Concrete Blonde, Jumpin' Jimes, The Long Ryders, The Three O'Clock, The Tearaways, The Conditionz, Adicts, Durango 95, Leslie Pereira and The Lazy Heroes, and Kristian Hoffman. He is the brother of Concrete Blonde guitarist James Mankey.
The following is a comprehensive discography of Sparks, an American rock and pop music band formed in Los Angeles in 1970 by brothers Ron (keyboards) and Russell Mael (vocals), initially under the name Halfnelson. Best known for their quirky approach to songwriting, Sparks' music is often accompanied by cutting and acerbic lyrics, and an idiosyncratic stage presence, typified in the contrast between Russell's wide-eyed hyperactive frontman antics and Ron's sedentary scowling.
Exotic Creatures of the Deep is the 21st album by the American rock band Sparks.
"With All My Might" is a song by American pop and rock duo Sparks, which was released in 1984 as the lead single from their thirteenth studio album Pulling Rabbits Out of a Hat (1984). The song was written by Ron Mael and Russell Mael, and produced by Ian Little. "With All My Might" failed to enter the Billboard Hot 100 but reached No. 4 on the Bubbling Under the Hot 100 chart.
